A Cure for Wellness (2017)
| Theatrical Performance | ||
| Domestic Box Office | $8,106,986 | Details |
| International Box Office | $16,349,994 | Details |
| Worldwide Box Office | $24,456,980 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $718,139 | |
| Blu-ray Sales (estimated) | $919,714 | |
| Total | $1,637,853 | |
| OpusData ID: 216850100 More info... | ||
| Further financial details... | ||
Synopsis
An ambitious young executive is sent to retrieve his company’s CEO from an idyllic but mysterious “wellness center” at a remote location in the Swiss Alps. He soon suspects that the spa’s miraculous treatments are not what they seem. When he begins to unravel its terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure.
Metrics
| Opening Weekend: | $4,356,941 (53.7% of total gross) |
| Legs: | 1.86 (domestic box office/biggest weekend) |
| Domestic Share: | 33.1% (domestic box office/worldwide) |
| Theater counts: | 2,704 opening theaters/2,704 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,809,316 |
Movie Details
| Domestic Releases: | February 17th, 2017 (Wide) by 20th Century Fox |
| International Releases: | February 2nd, 2017 (Wide), released as A Cure For Wellness (South Korea)
February 17th, 2017 (Wide) (France) February 17th, 2017 (Wide) (Argentina) February 17th, 2017 (Wide) (Brazil) February 17th, 2017 (Wide) (Poland) ... Show all releases |
| Video Release: | May 30th, 2017 by Fox Home Entertainment |
| MPA Rating: | R for disturbing violent content and images, sexual content including an assault, graphic nudity, and language. (Rating bulletin 2443 (Cert #50458), 9/21/2016) |
| Running Time: | 146 minutes |
| Geographical setting: | Switzerland |
| Plot point: | Abusive Therapists, Medical Crimes, Sex Crimes |
| Social setting: | Health Spa |
| Subgenre: | Gothic Horror |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | New Regency, Blind Wink, Regency Enterprises |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 10 | $4,356,941 | 2,704 | $1,611 | $4,356,941 | 1 | |
| Feb 24, 2017 | 14 | $1,401,394 | -68% | 2,704 | $518 | $7,496,644 | 2 |
| Mar 3, 2017 | 50 | $31,347 | -98% | 88 | $356 | $8,062,518 | 3 |
| Mar 10, 2017 | 59 | $10,617 | -66% | 25 | $425 | $8,088,356 | 4 |
| Mar 17, 2017 | 61 | $8,721 | -18% | 20 | $436 | $8,103,139 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 8 | $1,521,458 | 2,704 | $563 | $1,521,458 | 1 | ||
| Feb 18, 2017 | 11 | $1,628,015 | +7% | 2,704 | $602 | $3,149,473 | 2 | |
| Feb 19, 2017 | 11 | $1,207,468 | -26% | 2,704 | $447 | $4,356,941 | 3 | |
| Feb 20, 2017 | 11 | $647,522 | -46% | 2,704 | $239 | $5,004,463 | 4 | |
| Feb 21, 2017 | 11 | $500,612 | -23% | 2,704 | $185 | $5,505,075 | 5 | |
| Feb 22, 2017 | 11 | $329,772 | -34% | 2,704 | $122 | $5,834,847 | 6 | |
| Feb 23, 2017 | 12 | $260,403 | -21% | 2,704 | $96 | $6,095,250 | 7 | |
| Feb 24, 2017 | 14 | $432,594 | +66% | -72% | 2,704 | $160 | $6,527,844 | 8 |
| Feb 25, 2017 | 14 | $616,456 | +43% | -62% | 2,704 | $228 | $7,144,300 | 9 |
| Feb 26, 2017 | 13 | $352,344 | -43% | -71% | 2,704 | $130 | $7,496,644 | 10 |
| Feb 27, 2017 | 14 | $134,393 | -62% | -79% | 2,704 | $50 | $7,631,037 | 11 |
| Feb 28, 2017 | 13 | $195,518 | +45% | -61% | 2,704 | $72 | $7,826,555 | 12 |
| Mar 1, 2017 | 14 | $131,235 | -33% | -60% | 2,704 | $49 | $7,957,790 | 13 |
| Mar 2, 2017 | - | $73,381 | -44% | -72% | 2,704 | $27 | $8,031,171 | 14 |
| Mar 3, 2017 | - | $10,989 | -85% | -97% | 88 | $125 | $8,042,160 | 15 |
| Mar 4, 2017 | - | $13,648 | +24% | -98% | 88 | $155 | $8,055,808 | 16 |
| Mar 5, 2017 | - | $6,710 | -51% | -98% | 88 | $76 | $8,062,518 | 17 |
| Mar 6, 2017 | - | $3,546 | -47% | -97% | 88 | $40 | $8,066,064 | 18 |
| Mar 7, 2017 | - | $4,710 | +33% | -98% | 88 | $54 | $8,070,774 | 19 |
| Mar 8, 2017 | - | $3,807 | -19% | -97% | 88 | $43 | $8,074,581 | 20 |
| Mar 9, 2017 | - | $3,158 | -17% | -96% | 88 | $36 | $8,077,739 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 11 | $6,095,250 | 2,704 | $2,254 | $6,095,250 | 1 | |
| Feb 24, 2017 | 14 | $1,935,921 | -68% | 2,704 | $716 | $8,031,171 | 2 |
| Mar 3, 2017 | 47 | $46,568 | -98% | 88 | $529 | $8,077,739 | 3 |
| Mar 10, 2017 | 54 | $16,679 | -64% | 25 | $667 | $8,094,418 | 4 |
| Mar 17, 2017 | 63 | $12,568 | -25% | 25 | $503 | $8,106,986 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/17/2017 | $121,862 | 0 | 0 | 0 | $173,300 | 1/1/2019 | |||
| Australia | 3/17/2017 | $271,118 | 153 | 153 | 274 | $442,358 | 4/18/2017 | |||
| Brazil | 2/17/2017 | $248,536 | 0 | 0 | 0 | $248,536 | 6/26/2018 | |||
| Czech Republic | 2/17/2017 | $41,446 | 76 | 76 | 114 | $72,804 | 1/1/2019 | |||
| France | 2/17/2017 | $862,479 | 0 | 0 | 0 | $1,411,757 | 6/26/2018 | |||
| Germany | 2/24/2017 | $860,000 | 0 | 0 | 0 | $2,213,953 | 6/29/2018 | |||
| Italy | 3/24/2017 | $318,386 | 0 | 0 | 0 | $552,259 | 4/5/2017 | |||
| Lithuania | 3/17/2017 | $0 | 0 | 33 | 71 | $52,437 | 4/14/2017 | |||
| Mexico | 2/24/2017 | $536,514 | 0 | 0 | 0 | $1,022,602 | 3/7/2017 | |||
| Netherlands | 2/17/2017 | $108,614 | 54 | 54 | 188 | $349,591 | 3/15/2017 | |||
| New Zealand | 3/17/2017 | $26,499 | 43 | 43 | 99 | $60,245 | 4/3/2017 | |||
| Poland | 2/17/2017 | $143,948 | 0 | 0 | 0 | $143,948 | 1/1/2019 | |||
| Russia (CIS) | 3/31/2017 | $1,749,413 | 726 | 726 | 2,011 | $3,602,794 | 1/1/2019 | |||
| Slovakia | 2/17/2017 | $32,651 | 55 | 55 | 84 | $65,136 | 3/17/2017 | |||
| South Korea | 2/2/2017 | $0 | 0 | 419 | 517 | $1,158,536 | 3/7/2017 | |||
| Spain | 3/24/2017 | $105,727 | 98 | 98 | 205 | $204,837 | 4/21/2017 | |||
| Turkey | 3/17/2017 | $30,457 | 48 | 48 | 74 | $66,987 | 2/26/2019 | |||
| United Kingdom | 2/24/2017 | $511,861 | 387 | 387 | 387 | $511,861 | 3/1/2017 | |||
| Rest of World | $3,996,053 | |||||||||
| International Total | $16,349,994 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Dane DeHaan | Lockhart | |
| Jason Isaacs | Dr. Volmer |
Leading
| Mia Goth | Hannah |
Supporting
| Celia Imrie | Mrs. Watkins | |
| Ivo Nandi | Enrico | |
| Lisa Banes | Hollis | |
| Adrian Schiller | Deputy Director | |
| Judith Hoersch | Nurse Greta | |
| Johannes Krisch | Caretaker | |
| Jeff Burrell | Funeral Director | |
| Magnus Krepper | Pieter the Vet | |
| Harry Groener | Pembroke | |
| Carl Lumbly | Mr. Wilson | |
| Jason Babinsky | Carl | |
| Eric Todd | Josh | |
| Ashok Mandanna | Ron Nair | |
| Craig Wroe | Morris | |
| Tom Flynn | Humphrey | |
| Tomas Norstrom | Franc Hill | |
| Christian Brauer | Technician | |
| Marko Buzin | Wedding Guest | |
| Chris Huszar | Wedding Guest | |
| Godehard Giese | Prim Technician |
Production and Technical Credits
| Gore Verbinski | Director | |
| Justin Haythe | Screenwriter | |
| Justin Haythe | Story by | |
| Gore Verbinski | Story by | |
| Arnon Milchan | Producer | |
| Gore Verbinski | Producer | |
| David Crockett | Producer | |
| Justin Haythe | Executive Producer | |
| Morgan Des Groseillers | Executive Producer | |
| Bojan Bazelli | Director of Photography | |
| Eve Stewart | Production Designer | |
| Lance Pereira | Editor | |
| Pete Beaudreau | Editor | |
| Benjamin Wallfisch | Composer | |
| Jenny Beavan | Costume Designer | |
| Denise Chamian | Casting Director | |
| Jacob Riehle | Assistant Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An ambitious young executive is sent to retrieve his company’s CEO from an idyllic but mysterious “wellness center” at a remote location in the Swiss Alps. He soon suspects that the spa’s miraculous treatments are not what they seem. When he begins to unravel its terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure.
Metrics
| Opening Weekend: | $4,356,941 (53.7% of total gross) |
| Legs: | 1.86 (domestic box office/biggest weekend) |
| Domestic Share: | 33.1% (domestic box office/worldwide) |
| Theater counts: | 2,704 opening theaters/2,704 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,809,316 |
Movie Details
| Domestic Releases: | February 17th, 2017 (Wide) by 20th Century Fox |
| International Releases: | February 2nd, 2017 (Wide), released as A Cure For Wellness (South Korea)
February 17th, 2017 (Wide) (France) February 17th, 2017 (Wide) (Argentina) February 17th, 2017 (Wide) (Brazil) February 17th, 2017 (Wide) (Poland) ... Show all releases |
| Video Release: | May 30th, 2017 by Fox Home Entertainment |
| MPA Rating: | R for disturbing violent content and images, sexual content including an assault, graphic nudity, and language. (Rating bulletin 2443 (Cert #50458), 9/21/2016) |
| Running Time: | 146 minutes |
| Geographical setting: | Switzerland |
| Plot point: | Abusive Therapists, Medical Crimes, Sex Crimes |
| Social setting: | Health Spa |
| Subgenre: | Gothic Horror |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | New Regency, Blind Wink, Regency Enterprises |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 10 | $4,356,941 | 2,704 | $1,611 | $4,356,941 | 1 | |
| Feb 24, 2017 | 14 | $1,401,394 | -68% | 2,704 | $518 | $7,496,644 | 2 |
| Mar 3, 2017 | 50 | $31,347 | -98% | 88 | $356 | $8,062,518 | 3 |
| Mar 10, 2017 | 59 | $10,617 | -66% | 25 | $425 | $8,088,356 | 4 |
| Mar 17, 2017 | 61 | $8,721 | -18% | 20 | $436 | $8,103,139 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 8 | $1,521,458 | 2,704 | $563 | $1,521,458 | 1 | ||
| Feb 18, 2017 | 11 | $1,628,015 | +7% | 2,704 | $602 | $3,149,473 | 2 | |
| Feb 19, 2017 | 11 | $1,207,468 | -26% | 2,704 | $447 | $4,356,941 | 3 | |
| Feb 20, 2017 | 11 | $647,522 | -46% | 2,704 | $239 | $5,004,463 | 4 | |
| Feb 21, 2017 | 11 | $500,612 | -23% | 2,704 | $185 | $5,505,075 | 5 | |
| Feb 22, 2017 | 11 | $329,772 | -34% | 2,704 | $122 | $5,834,847 | 6 | |
| Feb 23, 2017 | 12 | $260,403 | -21% | 2,704 | $96 | $6,095,250 | 7 | |
| Feb 24, 2017 | 14 | $432,594 | +66% | -72% | 2,704 | $160 | $6,527,844 | 8 |
| Feb 25, 2017 | 14 | $616,456 | +43% | -62% | 2,704 | $228 | $7,144,300 | 9 |
| Feb 26, 2017 | 13 | $352,344 | -43% | -71% | 2,704 | $130 | $7,496,644 | 10 |
| Feb 27, 2017 | 14 | $134,393 | -62% | -79% | 2,704 | $50 | $7,631,037 | 11 |
| Feb 28, 2017 | 13 | $195,518 | +45% | -61% | 2,704 | $72 | $7,826,555 | 12 |
| Mar 1, 2017 | 14 | $131,235 | -33% | -60% | 2,704 | $49 | $7,957,790 | 13 |
| Mar 2, 2017 | - | $73,381 | -44% | -72% | 2,704 | $27 | $8,031,171 | 14 |
| Mar 3, 2017 | - | $10,989 | -85% | -97% | 88 | $125 | $8,042,160 | 15 |
| Mar 4, 2017 | - | $13,648 | +24% | -98% | 88 | $155 | $8,055,808 | 16 |
| Mar 5, 2017 | - | $6,710 | -51% | -98% | 88 | $76 | $8,062,518 | 17 |
| Mar 6, 2017 | - | $3,546 | -47% | -97% | 88 | $40 | $8,066,064 | 18 |
| Mar 7, 2017 | - | $4,710 | +33% | -98% | 88 | $54 | $8,070,774 | 19 |
| Mar 8, 2017 | - | $3,807 | -19% | -97% | 88 | $43 | $8,074,581 | 20 |
| Mar 9, 2017 | - | $3,158 | -17% | -96% | 88 | $36 | $8,077,739 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 11 | $6,095,250 | 2,704 | $2,254 | $6,095,250 | 1 | |
| Feb 24, 2017 | 14 | $1,935,921 | -68% | 2,704 | $716 | $8,031,171 | 2 |
| Mar 3, 2017 | 47 | $46,568 | -98% | 88 | $529 | $8,077,739 | 3 |
| Mar 10, 2017 | 54 | $16,679 | -64% | 25 | $667 | $8,094,418 | 4 |
| Mar 17, 2017 | 63 | $12,568 | -25% | 25 | $503 | $8,106,986 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/17/2017 | $121,862 | 0 | 0 | 0 | $173,300 | 1/1/2019 | |||
| Australia | 3/17/2017 | $271,118 | 153 | 153 | 274 | $442,358 | 4/18/2017 | |||
| Brazil | 2/17/2017 | $248,536 | 0 | 0 | 0 | $248,536 | 6/26/2018 | |||
| Czech Republic | 2/17/2017 | $41,446 | 76 | 76 | 114 | $72,804 | 1/1/2019 | |||
| France | 2/17/2017 | $862,479 | 0 | 0 | 0 | $1,411,757 | 6/26/2018 | |||
| Germany | 2/24/2017 | $860,000 | 0 | 0 | 0 | $2,213,953 | 6/29/2018 | |||
| Italy | 3/24/2017 | $318,386 | 0 | 0 | 0 | $552,259 | 4/5/2017 | |||
| Lithuania | 3/17/2017 | $0 | 0 | 33 | 71 | $52,437 | 4/14/2017 | |||
| Mexico | 2/24/2017 | $536,514 | 0 | 0 | 0 | $1,022,602 | 3/7/2017 | |||
| Netherlands | 2/17/2017 | $108,614 | 54 | 54 | 188 | $349,591 | 3/15/2017 | |||
| New Zealand | 3/17/2017 | $26,499 | 43 | 43 | 99 | $60,245 | 4/3/2017 | |||
| Poland | 2/17/2017 | $143,948 | 0 | 0 | 0 | $143,948 | 1/1/2019 | |||
| Russia (CIS) | 3/31/2017 | $1,749,413 | 726 | 726 | 2,011 | $3,602,794 | 1/1/2019 | |||
| Slovakia | 2/17/2017 | $32,651 | 55 | 55 | 84 | $65,136 | 3/17/2017 | |||
| South Korea | 2/2/2017 | $0 | 0 | 419 | 517 | $1,158,536 | 3/7/2017 | |||
| Spain | 3/24/2017 | $105,727 | 98 | 98 | 205 | $204,837 | 4/21/2017 | |||
| Turkey | 3/17/2017 | $30,457 | 48 | 48 | 74 | $66,987 | 2/26/2019 | |||
| United Kingdom | 2/24/2017 | $511,861 | 387 | 387 | 387 | $511,861 | 3/1/2017 | |||
| Rest of World | $3,996,053 | |||||||||
| International Total | $16,349,994 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Dane DeHaan | Lockhart | |
| Jason Isaacs | Dr. Volmer |
Leading
| Mia Goth | Hannah |
Supporting
| Celia Imrie | Mrs. Watkins | |
| Ivo Nandi | Enrico | |
| Lisa Banes | Hollis | |
| Adrian Schiller | Deputy Director | |
| Judith Hoersch | Nurse Greta | |
| Johannes Krisch | Caretaker | |
| Jeff Burrell | Funeral Director | |
| Magnus Krepper | Pieter the Vet | |
| Harry Groener | Pembroke | |
| Carl Lumbly | Mr. Wilson | |
| Jason Babinsky | Carl | |
| Eric Todd | Josh | |
| Ashok Mandanna | Ron Nair | |
| Craig Wroe | Morris | |
| Tom Flynn | Humphrey | |
| Tomas Norstrom | Franc Hill | |
| Christian Brauer | Technician | |
| Marko Buzin | Wedding Guest | |
| Chris Huszar | Wedding Guest | |
| Godehard Giese | Prim Technician |
Production and Technical Credits
| Gore Verbinski | Director | |
| Justin Haythe | Screenwriter | |
| Justin Haythe | Story by | |
| Gore Verbinski | Story by | |
| Arnon Milchan | Producer | |
| Gore Verbinski | Producer | |
| David Crockett | Producer | |
| Justin Haythe | Executive Producer | |
| Morgan Des Groseillers | Executive Producer | |
| Bojan Bazelli | Director of Photography | |
| Eve Stewart | Production Designer | |
| Lance Pereira | Editor | |
| Pete Beaudreau | Editor | |
| Benjamin Wallfisch | Composer | |
| Jenny Beavan | Costume Designer | |
| Denise Chamian | Casting Director | |
| Jacob Riehle | Assistant Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.