The Cured (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $26,630 | Details |
| International Box Office | $77,896 | Details |
| Worldwide Box Office | $104,526 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $43,576 | |
| Blu-ray Sales (estimated) | $41,454 | |
| Total | $85,030 | |
| OpusData ID: 314750100 More info... | ||
| Further financial details... | ||
Synopsis
What happens when the undead return to life? In a world ravaged for years by a virus that turns the infected into zombie-like cannibals, a cure is at last found and the wrenching process of reintegrating the survivors back into society begins. Among the formerly afflicted is Senan, a young man haunted by the horrific acts he committed while infected. Welcomed back into the family of his widowed sister-in-law, Senan attempts to restart his life-but is society ready to forgive him and those like him? Or will fear and prejudice once again tear the world apart?
Metrics
| Opening Weekend: | $4,875 (18.3% of total gross) |
| Legs: | 5.46 (domestic box office/biggest weekend) |
| Domestic Share: | 25.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/28 max. theaters, 0.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,959 |
Movie Details
| Domestic Releases: | February 23rd, 2018 (Limited) by IFC Films |
| International Releases: | April 19th, 2018 (Wide), released as ТРЕТЬЯ ВОЛНА ЗОМБИ (Russia (CIS))
April 20th, 2018 (Limited) (United Kingdom) |
| Video Release: | July 3rd, 2018 by Shout Factory |
| MPA Rating: | R for violence, bloody images, and language. (Rating bulletin 2507 (Cert #51377), 12/20/2017) |
| Running Time: | 96 minutes |
| Plot point: | Discrimination, Medical and Hospitals, Zombies |
| Social setting: | Epidemic |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Bord Scannan na hEireann, Irish Film Board, Broadcasting Authority of Ireland, Northern Ireland Screen, Shinawil Productions, Savage Productions, Yellow Moon Post, Tilted Pictures, Bac Films, Bounder & Cad |
| Production Countries: | Ireland, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 71 | $4,875 | 3 | $1,625 | $4,875 | 1 | |
| Mar 2, 2018 | 84 | $1,742 | -64% | 5 | $348 | $9,306 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 72 | $7,564 | 3 | $2,521 | $7,564 | 1 | |
| Mar 2, 2018 | 81 | $3,372 | -55% | 5 | $674 | $10,936 | 2 |
| Mar 9, 2018 | 70 | $9,325 | +177% | 28 | $333 | $20,261 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 4/19/2018 | $40,235 | 202 | 202 | 202 | $63,669 | 2/26/2019 | |||
| United Kingdom | 4/20/2018 | $14,227 | 20 | 20 | 20 | $14,227 | 4/4/2026 | |||
| International Total | $77,896 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Keeley | Senan |
Supporting
| Elliot Page | Abbie | |
| Tom Vaughan-Lawlor | Conor | |
| Peter Campion | Luke | |
| Oscar Nolan | Cillian | |
| Paula Malcomson | Doctor | |
| Stuart Graham | Cantor | |
| Lesley Conroy | Katie | |
| Natalia Kostrzewa | Allison | |
| Sarah Kinlen | Catherine |
Production and Technical Credits
| David Freyne | Director | |
| David Freyne | Screenwriter | |
| Rachael O’Kane | Producer | |
| Rory Dungan | Producer | |
| Elliot Page | Producer | |
| Mathieu Robnet | Co-Producer | |
| David Grumbach | Co-Producer | |
| Aaron Farrell | Executive Producer | |
| Aidan Elliott | Executive Producer | |
| Mark Huffam | Executive Producer | |
| Kelly Bush Novak* | Executive Producer | |
| John Keville | Executive Producer | |
| Conor Barry | Executive Producer | |
| Mark Birmingham | Line Producer | |
| Piers McGrail | Director of Photography | |
| Louise Kiely | Casting Director | |
| Thyrza Ging | Casting Director | |
| Chris Gill | Editor | |
| Rory Friers | Composer | |
| Niall Kennedy | Composer | |
| Jens Rosenlund Petersen | Sound Designer | |
| Jens Rosenlund Petersen | Supervising Sound Editor | |
| Conor Dennison | Production Designer | |
| Julie Ann Ryan | Make-up and Prosthetic Effects Designer | |
| Tiziana Corvisieri | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
What happens when the undead return to life? In a world ravaged for years by a virus that turns the infected into zombie-like cannibals, a cure is at last found and the wrenching process of reintegrating the survivors back into society begins. Among the formerly afflicted is Senan, a young man haunted by the horrific acts he committed while infected. Welcomed back into the family of his widowed sister-in-law, Senan attempts to restart his life-but is society ready to forgive him and those like him? Or will fear and prejudice once again tear the world apart?
Metrics
| Opening Weekend: | $4,875 (18.3% of total gross) |
| Legs: | 5.46 (domestic box office/biggest weekend) |
| Domestic Share: | 25.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/28 max. theaters, 0.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,959 |
Movie Details
| Domestic Releases: | February 23rd, 2018 (Limited) by IFC Films |
| International Releases: | April 19th, 2018 (Wide), released as ТРЕТЬЯ ВОЛНА ЗОМБИ (Russia (CIS))
April 20th, 2018 (Limited) (United Kingdom) |
| Video Release: | July 3rd, 2018 by Shout Factory |
| MPA Rating: | R for violence, bloody images, and language. (Rating bulletin 2507 (Cert #51377), 12/20/2017) |
| Running Time: | 96 minutes |
| Plot point: | Discrimination, Medical and Hospitals, Zombies |
| Social setting: | Epidemic |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Bord Scannan na hEireann, Irish Film Board, Broadcasting Authority of Ireland, Northern Ireland Screen, Shinawil Productions, Savage Productions, Yellow Moon Post, Tilted Pictures, Bac Films, Bounder & Cad |
| Production Countries: | Ireland, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 71 | $4,875 | 3 | $1,625 | $4,875 | 1 | |
| Mar 2, 2018 | 84 | $1,742 | -64% | 5 | $348 | $9,306 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 72 | $7,564 | 3 | $2,521 | $7,564 | 1 | |
| Mar 2, 2018 | 81 | $3,372 | -55% | 5 | $674 | $10,936 | 2 |
| Mar 9, 2018 | 70 | $9,325 | +177% | 28 | $333 | $20,261 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 4/19/2018 | $40,235 | 202 | 202 | 202 | $63,669 | 2/26/2019 | |||
| United Kingdom | 4/20/2018 | $14,227 | 20 | 20 | 20 | $14,227 | 4/4/2026 | |||
| International Total | $77,896 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Keeley | Senan |
Supporting
| Elliot Page | Abbie | |
| Tom Vaughan-Lawlor | Conor | |
| Peter Campion | Luke | |
| Oscar Nolan | Cillian | |
| Paula Malcomson | Doctor | |
| Stuart Graham | Cantor | |
| Lesley Conroy | Katie | |
| Natalia Kostrzewa | Allison | |
| Sarah Kinlen | Catherine |
Production and Technical Credits
| David Freyne | Director | |
| David Freyne | Screenwriter | |
| Rachael O’Kane | Producer | |
| Rory Dungan | Producer | |
| Elliot Page | Producer | |
| Mathieu Robnet | Co-Producer | |
| David Grumbach | Co-Producer | |
| Aaron Farrell | Executive Producer | |
| Aidan Elliott | Executive Producer | |
| Mark Huffam | Executive Producer | |
| Kelly Bush Novak* | Executive Producer | |
| John Keville | Executive Producer | |
| Conor Barry | Executive Producer | |
| Mark Birmingham | Line Producer | |
| Piers McGrail | Director of Photography | |
| Louise Kiely | Casting Director | |
| Thyrza Ging | Casting Director | |
| Chris Gill | Editor | |
| Rory Friers | Composer | |
| Niall Kennedy | Composer | |
| Jens Rosenlund Petersen | Sound Designer | |
| Jens Rosenlund Petersen | Supervising Sound Editor | |
| Conor Dennison | Production Designer | |
| Julie Ann Ryan | Make-up and Prosthetic Effects Designer | |
| Tiziana Corvisieri | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.