The Curse of the Jade Scorpion (2001)
| Theatrical Performance | ||
| Domestic Box Office | $7,496,522 | Details |
| International Box Office | $11,000,000 | |
| Worldwide Box Office | $18,496,522 | |
| OpusData ID: 41400100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,459,315 (32.8% of total gross) |
| Legs: | 3.05 (domestic box office/biggest weekend) |
| Domestic Share: | 40.5% (domestic box office/worldwide) |
| Production Budget: | $26,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 903 opening theaters/909 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,840,709 |
Movie Details
| Domestic Releases: | August 24th, 2001 (Wide) by Dreamworks SKG |
| MPA Rating: | PG-13 for some sexual content |
| Running Time: | 103 minutes |
| Plot point: | Framed, Hypnotism, Infidelity, Private Investigator, Relationships Gone Wrong, Romance, The Other Woman |
| Social setting: | Film Noir |
| Subgenre: | Crime Comedy |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DreamWorks Pictures |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2001 | 11 | $2,459,315 | 903 | $2,723 | $2,459,315 | 1 | |
| Aug 31, 2001 | 14 | $1,574,679 | -36% | 909 | $1,732 | $5,324,129 | 2 |
| Sep 7, 2001 | 19 | $615,940 | -61% | 706 | $872 | $6,245,072 | 3 |
| Sep 14, 2001 | 23 | $392,135 | -36% | 470 | $834 | $6,793,998 | 4 |
| Sep 21, 2001 | 31 | $282,661 | -28% | 378 | $748 | $7,202,178 | 5 |
| Sep 28, 2001 | 44 | $85,859 | -70% | 152 | $565 | $7,393,546 | 6 |
| Oct 5, 2001 | 62 | $30,579 | -64% | 49 | $624 | $7,453,990 | 7 |
| Oct 12, 2001 | 62 | $28,882 | -6% | 90 | $321 | $7,496,522 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 24, 2001 | 11 | $777,500 | 903 | $861 | $777,500 | 1 | ||
| Aug 25, 2001 | 11 | $1,072,000 | +38% | 903 | $1,187 | $1,849,500 | 2 | |
| Aug 26, 2001 | 12 | $640,000 | -40% | 903 | $709 | $2,459,315 | 3 | |
| Aug 27, 2001 | 12 | $242,762 | -62% | 903 | $269 | $2,702,077 | 4 | |
| Aug 29, 2001 | 11 | $201,259 | 903 | $223 | $3,160,459 | 6 | ||
| Aug 30, 2001 | 11 | $191,368 | -5% | 903 | $212 | $3,351,827 | 7 | |
| Sep 3, 2001 | 14 | $417,308 | +72% | 909 | $459 | $5,343,135 | 11 | |
| Sep 4, 2001 | 13 | $109,513 | -74% | 909 | $120 | $5,452,648 | 12 | |
| Sep 5, 2001 | 13 | $98,438 | -10% | -51% | 909 | $108 | $5,551,086 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2001 | 12 | $3,749,450 | 903 | $4,152 | $3,749,450 | 1 | |
| Aug 31, 2001 | 14 | $1,879,682 | -50% | 909 | $2,068 | $5,629,132 | 2 |
| Sep 7, 2001 | 19 | $772,731 | -59% | 706 | $1,095 | $6,401,863 | 3 |
| Sep 14, 2001 | 23 | $517,654 | -33% | 470 | $1,101 | $6,919,517 | 4 |
| Sep 21, 2001 | 31 | $388,170 | -25% | 378 | $1,027 | $7,307,687 | 5 |
| Sep 28, 2001 | 44 | $115,724 | -70% | 152 | $761 | $7,423,411 | 6 |
| Oct 5, 2001 | 61 | $44,229 | -62% | 49 | $903 | $7,467,640 | 7 |
| Oct 12, 2001 | 69 | $28,882 | -35% | 90 | $321 | $7,496,522 | 8 |
| Woody Allen | CW Briggs | |
| Dan Aykroyd | Chris Magruder | |
| Helen Hunt | Betty Ann Fitzgerald | |
| Brian Markinson | Al | |
| Wallace Shawn | George Bond | |
| David Ogden Stiers | Voltan | |
| Charlize Theron | Laura Kensington | |
| Elizabeth Berkley | Jill | |
| Peter Linari | Joe Coopersmith | |
| John Tormey | Sam | |
| John Schuck | Mize | |
| Kaili Vernoff | Rosie | |
| Maurice Sonnenberg | Office Worker | |
| John Doumanian | Office Worker | |
| Kevin Cahoon | Lunch Delivery Man |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $2,459,315 (32.8% of total gross) |
| Legs: | 3.05 (domestic box office/biggest weekend) |
| Domestic Share: | 40.5% (domestic box office/worldwide) |
| Production Budget: | $26,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 903 opening theaters/909 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,840,709 |
Movie Details
| Domestic Releases: | August 24th, 2001 (Wide) by Dreamworks SKG |
| MPA Rating: | PG-13 for some sexual content |
| Running Time: | 103 minutes |
| Plot point: | Framed, Hypnotism, Infidelity, Private Investigator, Relationships Gone Wrong, Romance, The Other Woman |
| Social setting: | Film Noir |
| Subgenre: | Crime Comedy |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DreamWorks Pictures |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2001 | 11 | $2,459,315 | 903 | $2,723 | $2,459,315 | 1 | |
| Aug 31, 2001 | 14 | $1,574,679 | -36% | 909 | $1,732 | $5,324,129 | 2 |
| Sep 7, 2001 | 19 | $615,940 | -61% | 706 | $872 | $6,245,072 | 3 |
| Sep 14, 2001 | 23 | $392,135 | -36% | 470 | $834 | $6,793,998 | 4 |
| Sep 21, 2001 | 31 | $282,661 | -28% | 378 | $748 | $7,202,178 | 5 |
| Sep 28, 2001 | 44 | $85,859 | -70% | 152 | $565 | $7,393,546 | 6 |
| Oct 5, 2001 | 62 | $30,579 | -64% | 49 | $624 | $7,453,990 | 7 |
| Oct 12, 2001 | 62 | $28,882 | -6% | 90 | $321 | $7,496,522 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 24, 2001 | 11 | $777,500 | 903 | $861 | $777,500 | 1 | ||
| Aug 25, 2001 | 11 | $1,072,000 | +38% | 903 | $1,187 | $1,849,500 | 2 | |
| Aug 26, 2001 | 12 | $640,000 | -40% | 903 | $709 | $2,459,315 | 3 | |
| Aug 27, 2001 | 12 | $242,762 | -62% | 903 | $269 | $2,702,077 | 4 | |
| Aug 29, 2001 | 11 | $201,259 | 903 | $223 | $3,160,459 | 6 | ||
| Aug 30, 2001 | 11 | $191,368 | -5% | 903 | $212 | $3,351,827 | 7 | |
| Sep 3, 2001 | 14 | $417,308 | +72% | 909 | $459 | $5,343,135 | 11 | |
| Sep 4, 2001 | 13 | $109,513 | -74% | 909 | $120 | $5,452,648 | 12 | |
| Sep 5, 2001 | 13 | $98,438 | -10% | -51% | 909 | $108 | $5,551,086 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2001 | 12 | $3,749,450 | 903 | $4,152 | $3,749,450 | 1 | |
| Aug 31, 2001 | 14 | $1,879,682 | -50% | 909 | $2,068 | $5,629,132 | 2 |
| Sep 7, 2001 | 19 | $772,731 | -59% | 706 | $1,095 | $6,401,863 | 3 |
| Sep 14, 2001 | 23 | $517,654 | -33% | 470 | $1,101 | $6,919,517 | 4 |
| Sep 21, 2001 | 31 | $388,170 | -25% | 378 | $1,027 | $7,307,687 | 5 |
| Sep 28, 2001 | 44 | $115,724 | -70% | 152 | $761 | $7,423,411 | 6 |
| Oct 5, 2001 | 61 | $44,229 | -62% | 49 | $903 | $7,467,640 | 7 |
| Oct 12, 2001 | 69 | $28,882 | -35% | 90 | $321 | $7,496,522 | 8 |
| Woody Allen | CW Briggs | |
| Dan Aykroyd | Chris Magruder | |
| Helen Hunt | Betty Ann Fitzgerald | |
| Brian Markinson | Al | |
| Wallace Shawn | George Bond | |
| David Ogden Stiers | Voltan | |
| Charlize Theron | Laura Kensington | |
| Elizabeth Berkley | Jill | |
| Peter Linari | Joe Coopersmith | |
| John Tormey | Sam | |
| John Schuck | Mize | |
| Kaili Vernoff | Rosie | |
| Maurice Sonnenberg | Office Worker | |
| John Doumanian | Office Worker | |
| Kevin Cahoon | Lunch Delivery Man |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.