The Cursed (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $4,588,389 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $127,575 | |
| Blu-ray Sales (estimated) | $235,835 | |
| Total | $363,410 | |
| OpusData ID: 409520100 More info... | ||
| Further financial details... | ||
Synopsis
A once-peaceful remote country village is under attack—but by who or what, no one knows. Villagers spread rumors of a cursed land, supernatural forces, and even demonic creatures, as the disappearances and killings continue. Pathologist John McBride arrives to investigate the danger, only to discover something much deeper and more sinister than he ever could have imagined.
Metrics
| Opening Weekend: | $1,776,142 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,687 opening theaters/1,695 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,211,498 |
Movie Details
| Domestic Releases: | February 18th, 2022 (Wide) by LD Entertainment |
| International Releases: | November 17th, 2022 (Wide), released as A Maldição: Despertar dos Mortos (Brazil) |
| Video Release: | March 15th, 2022 by Decal |
| MPA Rating: | R for strong violence, grisly images and brief nudity. (Rating bulletin 2719 (cert #53634), 2/16/2022) |
| Running Time: | 112 minutes |
| Cast, crew, or production detail: | Prologue |
| Film festival: | Sundance Film Festival 2021 |
| Geographical setting: | France |
| Plot point: | Curses, Government Massacre or Democide, Romani, Non-Chronological, Revenge, Werewolf |
| Social setting: | Supernatural |
| Subgenre: | Gothic Horror |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | LD Entertainment, Liddell Entertainment |
| Production Countries: | United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | 9 | $1,776,142 | 1,687 | $1,053 | $1,776,142 | 1 | |
| Feb 25, 2022 | 11 | $1,084,503 | -39% | 1,695 | $640 | $3,651,964 | 2 |
| Mar 4, 2022 | - | $191,899 | -82% | 458 | $419 | $4,274,068 | 3 |
| Mar 11, 2022 | - | $117,184 | -39% | 239 | $490 | $4,497,674 | 4 |
| Mar 18, 2022 | - | $29,216 | -75% | 92 | $318 | $4,579,023 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | 8 | $598,552 | 1,687 | $355 | $598,552 | 1 | ||
| Feb 19, 2022 | 10 | $680,464 | +14% | 1,687 | $403 | $1,279,016 | 2 | |
| Feb 20, 2022 | 10 | $497,126 | -27% | 1,687 | $295 | $1,776,142 | 3 | |
| Feb 21, 2022 | 10 | $270,381 | -46% | 1,687 | $160 | $2,046,523 | 4 | |
| Feb 22, 2022 | 9 | $211,975 | -22% | 1,687 | $126 | $2,258,498 | 5 | |
| Feb 23, 2022 | 9 | $157,331 | -26% | 1,687 | $93 | $2,415,829 | 6 | |
| Feb 24, 2022 | 9 | $151,632 | -4% | 1,687 | $90 | $2,567,461 | 7 | |
| Feb 25, 2022 | - | $295,765 | +95% | -51% | 1,695 | $174 | $2,863,226 | 8 |
| Feb 26, 2022 | - | $497,753 | +68% | -27% | 1,695 | $294 | $3,360,979 | 9 |
| Feb 27, 2022 | - | $290,985 | -42% | -41% | 1,695 | $172 | $3,651,964 | 10 |
| Feb 28, 2022 | - | $113,417 | -61% | -58% | 1,695 | $67 | $3,765,381 | 11 |
| Mar 1, 2022 | 10 | $134,485 | +19% | -37% | 1,695 | $79 | $3,899,866 | 12 |
| Mar 2, 2022 | 10 | $109,380 | -19% | -30% | 1,695 | $65 | $4,009,246 | 13 |
| Mar 3, 2022 | 9 | $72,923 | -33% | -52% | 1,695 | $43 | $4,082,169 | 14 |
| Mar 4, 2022 | - | $55,047 | -25% | -81% | 458 | $120 | $4,137,216 | 15 |
| Mar 5, 2022 | - | $83,783 | +52% | -83% | 458 | $183 | $4,220,999 | 16 |
| Mar 6, 2022 | - | $53,069 | -37% | -82% | 458 | $116 | $4,274,068 | 17 |
| Mar 7, 2022 | - | $27,264 | -49% | -76% | 458 | $60 | $4,301,332 | 18 |
| Mar 8, 2022 | - | $25,880 | -5% | -81% | 458 | $57 | $4,327,212 | 19 |
| Mar 9, 2022 | - | $26,122 | +1% | -76% | 458 | $57 | $4,353,334 | 20 |
| Mar 10, 2022 | - | $27,156 | +4% | -63% | 458 | $59 | $4,380,490 | 21 |
| Mar 11, 2022 | - | $30,786 | +13% | -44% | 239 | $129 | $4,411,276 | 22 |
| Mar 12, 2022 | - | $53,577 | +74% | -36% | 239 | $224 | $4,464,853 | 23 |
| Mar 13, 2022 | - | $32,821 | -39% | -38% | 239 | $137 | $4,497,674 | 24 |
| Mar 14, 2022 | - | $14,007 | -57% | -49% | 239 | $59 | $4,511,681 | 25 |
| Mar 15, 2022 | - | $16,793 | +20% | -35% | 239 | $70 | $4,528,474 | 26 |
| Mar 16, 2022 | - | $14,234 | -15% | -46% | 239 | $60 | $4,542,708 | 27 |
| Mar 17, 2022 | - | $7,099 | -50% | -74% | 239 | $30 | $4,549,807 | 28 |
| Mar 18, 2022 | - | $9,067 | +28% | -71% | 92 | $99 | $4,558,874 | 29 |
| Mar 19, 2022 | - | $13,897 | +53% | -74% | 92 | $151 | $4,572,771 | 30 |
| Mar 20, 2022 | - | $6,252 | -55% | -81% | 92 | $68 | $4,579,023 | 31 |
| Mar 21, 2022 | - | $1,993 | -68% | -86% | 92 | $22 | $4,581,016 | 32 |
| Mar 22, 2022 | - | $3,425 | +72% | -80% | 92 | $37 | $4,584,441 | 33 |
| Mar 23, 2022 | - | $2,515 | -27% | -82% | 92 | $27 | $4,586,956 | 34 |
| Mar 24, 2022 | - | $1,433 | -43% | -80% | 92 | $16 | $4,588,389 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | 9 | $2,567,461 | 1,687 | $1,522 | $2,567,461 | 1 | |
| Feb 25, 2022 | 11 | $1,514,708 | -41% | 1,695 | $894 | $4,082,169 | 2 |
| Mar 4, 2022 | - | $298,321 | -80% | 458 | $651 | $4,380,490 | 3 |
| Mar 11, 2022 | - | $169,317 | -43% | 239 | $708 | $4,549,807 | 4 |
| Mar 18, 2022 | - | $38,582 | -77% | 92 | $419 | $4,588,389 | 5 |
Leading
| Boyd Holbrook | John McBride | |
| Kelly Reilly | Isabelle Laurent | |
| Alistair Petrie | Seamus Laurent |
Supporting
| Roxane Duran | Anais Page | |
| Nigel Betts | Alfred Molière | |
| Stuart Bowman | Saul | |
| Simon Kunz | Griffin | |
| Amelia Crouch | Charlotte | |
| Max Mackintosh | Edward | |
| Tommy Rodger | Timmy | |
| Aine Rose Daly | Anne Marie | |
| Millie Kiss | Amy | |
| Tom Sweet | Joseph | |
| Romy Ellis | Young Girl | |
| Parker Ellis | Young Boy | |
| Gary Oliver | Sir John | |
| Richard Cunningham | The Vicar | |
| Pascale Becouze | Gypsy Woman | |
| Sean Mahon | Robert Adam | |
| Mish Boyko | Calum | |
| Paul Bandey | Doctor Marchall | |
| Alun Raglan | Edward Laurent (Older) | |
| Oisin Stack | Doctor Cummins | |
| Florie Blight | Hospital Nurse | |
| Annabel Mullion | Charlotte Laurent (Older) | |
| Jicey Carina | Gypsy Blacksmith | |
| Stuart Goodwin | Captain | |
| Edmund Wiseman | Mercenary | |
| Christopher Craig | Barman | |
| Serge Pierre Gaudou | Elder 3 | |
| Claude Guindet | Elder 4 | |
| Patrick Zocco | Elder 5 | |
| Brigitte Masure | Nana Griffin | |
| Anne-Helene Orvelin | McBride’s Wife | |
| Lilou Moreau | McBride’s Child | |
| Robert Charpentier | Village Blacksmith | |
| Michael Troude | Jakob | |
| Francis Gagnadour | Charlotte’s Chauffeur | |
| Cynthia Green | McBride’s Nurse | |
| Loic Delachat | Mercenary 3 | |
| Keith Dupont | Mercenary 4 | |
| Solène Procureur | Mercenary Horse Rider | |
| Mark Selwood | Hospital Second Doctor | |
| Yoan Seignier | Horse on Fire - Rider 1 | |
| Maryline Gravat | Horse on Fire - Rider 2 | |
| Kateline Dorveaux | Bloody Female Villager | |
| Bruno Daigre | WWI Mustard Gas Burn Victim | |
| Camille Braastad | Church Woman with Baby | |
| Margot Braastad | Church Victim 1 |
Production and Technical Credits
| Sean Ellis | Director | |
| Sean Ellis | Screenwriter | |
| Mickey Liddell | Producer | |
| Pete Shilaimon | Producer | |
| Sean Ellis | Producer | |
| Jacob Yakob | Executive Producer | |
| Alison Semenza King | Executive Producer | |
| Joseph Yakob | Co-Producer | |
| Nicole Stojkovich | Co-Producer | |
| Mathilde Charpentier | Co-Producer | |
| Sean Ellis | Cinematographer | |
| Pascal Le Guellec | Production Designer | |
| Yorgos Mavropsaridis | Editor | |
| Richard Mettler | Editor | |
| Madeline Fontaine | Costume Designer | |
| Robin Foster | Composer | |
| Elaine Grainger | Casting Director | |
| John Bernard | Line Producer | |
| William Pruss | First Assistant Director | |
| Michael Pontvert | Second Assistant Director | |
| Matthieu Michaux | Supervising Sound Editor | |
| Fabien Devillers | Re-recording Mixer | |
| Philippe Guegan | Stunt Coordinator | |
| Maxime Couteret | Production Manager | |
| Chloe Rudolf | Script Supervisor | |
| Charles Jodoin-Keaton | Script Supervisor | |
| Yves-Marie Omnes | Sound Mixer | |
| Vincent Goujon | Sound Mixer | |
| Jane Milon | Hairstylist | |
| Dominique Plez | Make up | |
| Gerard Marcireau | Set Decorator | |
| Arnaud Kaiser | Location Manager | |
| Charles-Axel Vollard | Special Effects Supervisor | |
| Thierry Zemmour | Art Director | |
| Elizabeth Tremblay | Script Supervisor | |
| Eric Bassoff | Post-Production Supervisor | |
| Akrivi Fili | First Assistant Editor | |
| Elisa Aboulker | First Assistant Editor | |
| Karine Pere | First Assistant Editor | |
| Marine Pere | First Assistant Editor | |
| Muriel Sabaton | First Assistant Editor | |
| Alexandre Fleurant | Sound Editor | |
| Sebastien Marquilly | Sound Editor | |
| Axel Steichen | Sound Editor | |
| Anne-Lyse Boissiere | Dialogue Editor | |
| Nils Fauth | Foley Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A once-peaceful remote country village is under attack—but by who or what, no one knows. Villagers spread rumors of a cursed land, supernatural forces, and even demonic creatures, as the disappearances and killings continue. Pathologist John McBride arrives to investigate the danger, only to discover something much deeper and more sinister than he ever could have imagined.
Metrics
| Opening Weekend: | $1,776,142 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,687 opening theaters/1,695 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,211,498 |
Movie Details
| Domestic Releases: | February 18th, 2022 (Wide) by LD Entertainment |
| International Releases: | November 17th, 2022 (Wide), released as A Maldição: Despertar dos Mortos (Brazil) |
| Video Release: | March 15th, 2022 by Decal |
| MPA Rating: | R for strong violence, grisly images and brief nudity. (Rating bulletin 2719 (cert #53634), 2/16/2022) |
| Running Time: | 112 minutes |
| Cast, crew, or production detail: | Prologue |
| Film festival: | Sundance Film Festival 2021 |
| Geographical setting: | France |
| Plot point: | Curses, Government Massacre or Democide, Romani, Non-Chronological, Revenge, Werewolf |
| Social setting: | Supernatural |
| Subgenre: | Gothic Horror |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | LD Entertainment, Liddell Entertainment |
| Production Countries: | United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | 9 | $1,776,142 | 1,687 | $1,053 | $1,776,142 | 1 | |
| Feb 25, 2022 | 11 | $1,084,503 | -39% | 1,695 | $640 | $3,651,964 | 2 |
| Mar 4, 2022 | - | $191,899 | -82% | 458 | $419 | $4,274,068 | 3 |
| Mar 11, 2022 | - | $117,184 | -39% | 239 | $490 | $4,497,674 | 4 |
| Mar 18, 2022 | - | $29,216 | -75% | 92 | $318 | $4,579,023 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | 8 | $598,552 | 1,687 | $355 | $598,552 | 1 | ||
| Feb 19, 2022 | 10 | $680,464 | +14% | 1,687 | $403 | $1,279,016 | 2 | |
| Feb 20, 2022 | 10 | $497,126 | -27% | 1,687 | $295 | $1,776,142 | 3 | |
| Feb 21, 2022 | 10 | $270,381 | -46% | 1,687 | $160 | $2,046,523 | 4 | |
| Feb 22, 2022 | 9 | $211,975 | -22% | 1,687 | $126 | $2,258,498 | 5 | |
| Feb 23, 2022 | 9 | $157,331 | -26% | 1,687 | $93 | $2,415,829 | 6 | |
| Feb 24, 2022 | 9 | $151,632 | -4% | 1,687 | $90 | $2,567,461 | 7 | |
| Feb 25, 2022 | - | $295,765 | +95% | -51% | 1,695 | $174 | $2,863,226 | 8 |
| Feb 26, 2022 | - | $497,753 | +68% | -27% | 1,695 | $294 | $3,360,979 | 9 |
| Feb 27, 2022 | - | $290,985 | -42% | -41% | 1,695 | $172 | $3,651,964 | 10 |
| Feb 28, 2022 | - | $113,417 | -61% | -58% | 1,695 | $67 | $3,765,381 | 11 |
| Mar 1, 2022 | 10 | $134,485 | +19% | -37% | 1,695 | $79 | $3,899,866 | 12 |
| Mar 2, 2022 | 10 | $109,380 | -19% | -30% | 1,695 | $65 | $4,009,246 | 13 |
| Mar 3, 2022 | 9 | $72,923 | -33% | -52% | 1,695 | $43 | $4,082,169 | 14 |
| Mar 4, 2022 | - | $55,047 | -25% | -81% | 458 | $120 | $4,137,216 | 15 |
| Mar 5, 2022 | - | $83,783 | +52% | -83% | 458 | $183 | $4,220,999 | 16 |
| Mar 6, 2022 | - | $53,069 | -37% | -82% | 458 | $116 | $4,274,068 | 17 |
| Mar 7, 2022 | - | $27,264 | -49% | -76% | 458 | $60 | $4,301,332 | 18 |
| Mar 8, 2022 | - | $25,880 | -5% | -81% | 458 | $57 | $4,327,212 | 19 |
| Mar 9, 2022 | - | $26,122 | +1% | -76% | 458 | $57 | $4,353,334 | 20 |
| Mar 10, 2022 | - | $27,156 | +4% | -63% | 458 | $59 | $4,380,490 | 21 |
| Mar 11, 2022 | - | $30,786 | +13% | -44% | 239 | $129 | $4,411,276 | 22 |
| Mar 12, 2022 | - | $53,577 | +74% | -36% | 239 | $224 | $4,464,853 | 23 |
| Mar 13, 2022 | - | $32,821 | -39% | -38% | 239 | $137 | $4,497,674 | 24 |
| Mar 14, 2022 | - | $14,007 | -57% | -49% | 239 | $59 | $4,511,681 | 25 |
| Mar 15, 2022 | - | $16,793 | +20% | -35% | 239 | $70 | $4,528,474 | 26 |
| Mar 16, 2022 | - | $14,234 | -15% | -46% | 239 | $60 | $4,542,708 | 27 |
| Mar 17, 2022 | - | $7,099 | -50% | -74% | 239 | $30 | $4,549,807 | 28 |
| Mar 18, 2022 | - | $9,067 | +28% | -71% | 92 | $99 | $4,558,874 | 29 |
| Mar 19, 2022 | - | $13,897 | +53% | -74% | 92 | $151 | $4,572,771 | 30 |
| Mar 20, 2022 | - | $6,252 | -55% | -81% | 92 | $68 | $4,579,023 | 31 |
| Mar 21, 2022 | - | $1,993 | -68% | -86% | 92 | $22 | $4,581,016 | 32 |
| Mar 22, 2022 | - | $3,425 | +72% | -80% | 92 | $37 | $4,584,441 | 33 |
| Mar 23, 2022 | - | $2,515 | -27% | -82% | 92 | $27 | $4,586,956 | 34 |
| Mar 24, 2022 | - | $1,433 | -43% | -80% | 92 | $16 | $4,588,389 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | 9 | $2,567,461 | 1,687 | $1,522 | $2,567,461 | 1 | |
| Feb 25, 2022 | 11 | $1,514,708 | -41% | 1,695 | $894 | $4,082,169 | 2 |
| Mar 4, 2022 | - | $298,321 | -80% | 458 | $651 | $4,380,490 | 3 |
| Mar 11, 2022 | - | $169,317 | -43% | 239 | $708 | $4,549,807 | 4 |
| Mar 18, 2022 | - | $38,582 | -77% | 92 | $419 | $4,588,389 | 5 |
Leading
| Boyd Holbrook | John McBride | |
| Kelly Reilly | Isabelle Laurent | |
| Alistair Petrie | Seamus Laurent |
Supporting
| Roxane Duran | Anais Page | |
| Nigel Betts | Alfred Molière | |
| Stuart Bowman | Saul | |
| Simon Kunz | Griffin | |
| Amelia Crouch | Charlotte | |
| Max Mackintosh | Edward | |
| Tommy Rodger | Timmy | |
| Aine Rose Daly | Anne Marie | |
| Millie Kiss | Amy | |
| Tom Sweet | Joseph | |
| Romy Ellis | Young Girl | |
| Parker Ellis | Young Boy | |
| Gary Oliver | Sir John | |
| Richard Cunningham | The Vicar | |
| Pascale Becouze | Gypsy Woman | |
| Sean Mahon | Robert Adam | |
| Mish Boyko | Calum | |
| Paul Bandey | Doctor Marchall | |
| Alun Raglan | Edward Laurent (Older) | |
| Oisin Stack | Doctor Cummins | |
| Florie Blight | Hospital Nurse | |
| Annabel Mullion | Charlotte Laurent (Older) | |
| Jicey Carina | Gypsy Blacksmith | |
| Stuart Goodwin | Captain | |
| Edmund Wiseman | Mercenary | |
| Christopher Craig | Barman | |
| Serge Pierre Gaudou | Elder 3 | |
| Claude Guindet | Elder 4 | |
| Patrick Zocco | Elder 5 | |
| Brigitte Masure | Nana Griffin | |
| Anne-Helene Orvelin | McBride’s Wife | |
| Lilou Moreau | McBride’s Child | |
| Robert Charpentier | Village Blacksmith | |
| Michael Troude | Jakob | |
| Francis Gagnadour | Charlotte’s Chauffeur | |
| Cynthia Green | McBride’s Nurse | |
| Loic Delachat | Mercenary 3 | |
| Keith Dupont | Mercenary 4 | |
| Solène Procureur | Mercenary Horse Rider | |
| Mark Selwood | Hospital Second Doctor | |
| Yoan Seignier | Horse on Fire - Rider 1 | |
| Maryline Gravat | Horse on Fire - Rider 2 | |
| Kateline Dorveaux | Bloody Female Villager | |
| Bruno Daigre | WWI Mustard Gas Burn Victim | |
| Camille Braastad | Church Woman with Baby | |
| Margot Braastad | Church Victim 1 |
Production and Technical Credits
| Sean Ellis | Director | |
| Sean Ellis | Screenwriter | |
| Mickey Liddell | Producer | |
| Pete Shilaimon | Producer | |
| Sean Ellis | Producer | |
| Jacob Yakob | Executive Producer | |
| Alison Semenza King | Executive Producer | |
| Joseph Yakob | Co-Producer | |
| Nicole Stojkovich | Co-Producer | |
| Mathilde Charpentier | Co-Producer | |
| Sean Ellis | Cinematographer | |
| Pascal Le Guellec | Production Designer | |
| Yorgos Mavropsaridis | Editor | |
| Richard Mettler | Editor | |
| Madeline Fontaine | Costume Designer | |
| Robin Foster | Composer | |
| Elaine Grainger | Casting Director | |
| John Bernard | Line Producer | |
| William Pruss | First Assistant Director | |
| Michael Pontvert | Second Assistant Director | |
| Matthieu Michaux | Supervising Sound Editor | |
| Fabien Devillers | Re-recording Mixer | |
| Philippe Guegan | Stunt Coordinator | |
| Maxime Couteret | Production Manager | |
| Chloe Rudolf | Script Supervisor | |
| Charles Jodoin-Keaton | Script Supervisor | |
| Yves-Marie Omnes | Sound Mixer | |
| Vincent Goujon | Sound Mixer | |
| Jane Milon | Hairstylist | |
| Dominique Plez | Make up | |
| Gerard Marcireau | Set Decorator | |
| Arnaud Kaiser | Location Manager | |
| Charles-Axel Vollard | Special Effects Supervisor | |
| Thierry Zemmour | Art Director | |
| Elizabeth Tremblay | Script Supervisor | |
| Eric Bassoff | Post-Production Supervisor | |
| Akrivi Fili | First Assistant Editor | |
| Elisa Aboulker | First Assistant Editor | |
| Karine Pere | First Assistant Editor | |
| Marine Pere | First Assistant Editor | |
| Muriel Sabaton | First Assistant Editor | |
| Alexandre Fleurant | Sound Editor | |
| Sebastien Marquilly | Sound Editor | |
| Axel Steichen | Sound Editor | |
| Anne-Lyse Boissiere | Dialogue Editor | |
| Nils Fauth | Foley Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.