Cyrano (2022)

Cyrano
Theatrical Performance
Domestic Box Office $3,873,124Details
International Box Office $2,113,800Details
Worldwide Box Office $5,986,924
Home Market Performance
Est. Domestic DVD Sales $214,995 Details
Est. Domestic Blu-ray Sales $178,200 Details
Total Est. Domestic Video Sales $393,195
Further financial details...

Synopsis

A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.

Metrics

Opening Weekend:$1,385,995 (35.8% of total gross)
Legs:2.79 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Theater counts:797 opening theaters/797 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $3,965,078

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,901-7,000) 6,980 $3,873,124
All Time International Box Office (Rank 8,601-8,700) 8,627 $2,113,800
All Time Worldwide Box Office (Rank 9,301-9,400) 9,346 $5,986,924

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: December 17th, 2021 (Oscar Qualifying Run) by United Artists
February 25th, 2022 (Wide) by United Artists
International Releases: February 17th, 2022 (Wide) (Mexico)
February 23rd, 2022 (Wide), released as 시라노 (South Korea)
February 24th, 2022 (Wide) (Australia)
February 24th, 2022 (Limited) (New Zealand)
February 24th, 2022 (Wide) (Portugal)
... Show all releases
Video Release: April 5th, 2022 by United Artists Video
MPAA Rating: PG-13 for some strong violence, thematic and suggestive material, and brief language.
(Rating bulletin 2689 (cert #53237), 7/14/2021)
Running Time: 124 minutes
Comparisons: vs. Spencer
Create your own comparison chart…
Keywords: Romance, Romantic Musical, Dwarfism, Love at First Sight, Unrequited Love, Love Triangle, Relationships Gone Wrong, Voiceover/Narration, 1600s
Source:Based on Musical or Opera
Genre:Musical
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Working Title Films, Metro-Goldwyn-Mayer Pictures, Bron Creative
Production Countries: United Kingdom, United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2022 9 $1,385,995   797 $1,739   $1,385,995 11
Mar 4, 2022 8 $678,783 -51% 797 $852   $2,570,733 12
Mar 11, 2022 11 $398,932 -41% 694 $575   $3,329,664 13
Mar 18, 2022 - $131,398 -67% 306 $429   $3,698,017 14
Mar 25, 2022 - $37,911 -71% 128 $296   $3,826,152 15
Apr 1, 2022 - $14,071 -63% 58 $243   $3,863,519 16

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 25, 2022 8 $471,132     797 $591   $471,132 71
Feb 26, 2022 9 $564,626 +20%   797 $708   $1,035,758 72
Feb 27, 2022 8 $350,237 -38%   797 $439   $1,385,995 73
Feb 28, 2022 8 $122,752 -65%   797 $154   $1,508,747 74
Mar 1, 2022 8 $169,250 +38%   797 $212   $1,677,997 75
Mar 2, 2022 9 $119,670 -29%   797 $150   $1,797,667 76
Mar 3, 2022 7 $94,283 -21%   797 $118   $1,891,950 77
Mar 4, 2022 8 $190,807 +102% -60% 797 $239   $2,082,757 78
Mar 5, 2022 8 $295,432 +55% -48% 797 $371   $2,378,189 79
Mar 6, 2022 8 $192,544 -35% -45% 797 $242   $2,570,733 80
Mar 7, 2022 8 $78,549 -59% -36% 797 $99   $2,649,282 81
Mar 8, 2022 8 $109,954 +40% -35% 797 $138   $2,759,236 82
Mar 9, 2022 8 $87,625 -20% -27% 797 $110   $2,846,861 83
Mar 10, 2022 8 $83,871 -4% -11% 797 $105   $2,930,732 84
Mar 11, 2022 - $116,210 +39% -39% 694 $167   $3,046,942 85
Mar 12, 2022 - $164,902 +42% -44% 694 $238   $3,211,844 86
Mar 13, 2022 - $117,820 -29% -39% 694 $170   $3,329,664 87
Mar 14, 2022 - $51,105 -57% -35% 694 $74   $3,380,769 88
Mar 15, 2022 - $75,062 +47% -32% 694 $108   $3,455,831 89
Mar 16, 2022 - $63,462 -15% -28% 694 $91   $3,519,293 90
Mar 17, 2022 - $47,326 -25% -44% 694 $68   $3,566,619 91
Mar 18, 2022 - $35,692 -25% -69% 306 $117   $3,602,311 92
Mar 19, 2022 - $57,479 +61% -65% 306 $188   $3,659,790 93
Mar 20, 2022 - $38,227 -33% -68% 306 $125   $3,698,017 94
Mar 21, 2022 - $21,726 -43% -57% 306 $71   $3,719,743 95
Mar 22, 2022 - $25,381 +17% -66% 306 $83   $3,745,124 96
Mar 23, 2022 - $22,816 -10% -64% 306 $75   $3,767,940 97
Mar 24, 2022 - $20,301 -11% -57% 306 $66   $3,788,241 98
Mar 25, 2022 - $10,669 -47% -70% 128 $83   $3,798,910 99
Mar 26, 2022 - $15,972 +50% -72% 128 $125   $3,814,882 100
Mar 27, 2022 - $11,270 -29% -71% 128 $88   $3,826,152 101
Mar 28, 2022 - $5,483 -51% -75% 128 $43   $3,831,635 102
Mar 29, 2022 - $6,489 +18% -74% 128 $51   $3,838,124 103
Mar 30, 2022 - $6,406 -1% -72% 128 $50   $3,844,530 104
Mar 31, 2022 - $4,918 -23% -76% 128 $38   $3,849,448 105
Apr 1, 2022 - $3,101 -37% -71% 58 $53   $3,852,549 106
Apr 2, 2022 - $5,578 +80% -65% 58 $96   $3,858,127 107
Apr 3, 2022 - $5,392 -3% -52% 58 $93   $3,863,519 108
Apr 4, 2022 - $1,992 -63% -64% 58 $34   $3,865,511 109
Apr 5, 2022 - $2,384 +20% -63% 58 $41   $3,867,895 110
Apr 6, 2022 - $2,595 +9% -59% 58 $45   $3,870,490 111
Apr 7, 2022 - $2,634 +2% -46% 58 $45   $3,873,124 112

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2022 9 $1,891,950   797 $2,374   $1,891,950 11
Mar 4, 2022 8 $1,038,782 -45% 797 $1,303   $2,930,732 12
Mar 11, 2022 - $635,887 -39% 694 $916   $3,566,619 13
Mar 18, 2022 - $221,622 -65% 306 $724   $3,788,241 14
Mar 25, 2022 - $61,207 -72% 128 $478   $3,849,448 15
Apr 1, 2022 - $23,676 -61% 58 $408   $3,873,124 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/24/2022 $113,362 210 210 510 $261,109 10/20/2022
Austria 3/4/2022 $0 0 0 0 $12,636 4/20/2022
Czech Republic 4/1/2022 $4,129 47 47 47 $4,592 4/8/2022
Estonia 3/4/2022 $0 0 0 0 $3,032 5/11/2022
France 3/30/2022 $0 0 4 4 $18,607 4/13/2022
Germany 3/3/2022 $0 0 6 11 $131,318 4/20/2022
Italy 3/3/2022 $91,703 0 0 0 $140,765 10/20/2022
Japan 2/25/2022 $153,000 173 173 173 $153,000 10/20/2022
Mexico 2/17/2022 $0000$0
New Zealand 2/24/2022 $11,419 59 59 182 $29,632 10/20/2022
Portugal 2/24/2022 $9,833 47 47 104 $26,537 3/15/2022
Russia (CIS) 2/24/2022 $32,305 593 593 593 $42,515 10/20/2022
Slovenia 2/24/2022 $14,000 10 10 10 $3,612 5/4/2022
South Korea 2/23/2022 $45,644 195 195 327 $165,990 4/13/2022
Spain 3/11/2022 $67,779 282 282 285 $119,313 5/11/2022
Taiwan 2/25/2022 $4,000 20 20 20 $4,000 10/20/2022
Turkey 2/25/2022 $5,359 46 46 55 $22,266 10/20/2022
United Kingdom 2/25/2022 $534,455 613 613 1,101 $974,876 4/6/2022
 
International Total$2,113,800 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 24, 202286,786 6,786$67,792$67,7923
May 1, 2022113,945-42% 10,731$39,411$107,2034

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 24, 202295,175 6,907$77,573$77,5733

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Apr 23, 202210
Apr 30, 202215

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Peter Dinklage    Cyrano de Bergerac
Haley Bennett    Roxanne
Kelvin Harrison Jr    Christian

Supporting Cast

Ben Mendelsohn    De Guiche
Bashir Salahuddin    Le Bret
Monica Dolan    Marie
Mark Benton    Montfleury
Peter Wight    Ragueneau
Joshua James    Valvert
Anjana Vasan    Sister Claire
Ruth Sheen    Mother Marthe
Glen Hansard    Guard
Sam Amidon    Guard
Scott Folan    Guard
Richard McCabe    Priest
Tim McMullan    Jodelet
Mark Bagnall    Stranger
Mike Shepherd    Marquis
Paul Biddiss    The Gate Keeper
Katy Owen    The Thief
Paul Hunter    Theatre Buff
Celeste Dodwell    Theatre Lady
Celeste Dring    Theatre Lady
Bettrys Jones    Sheep Girl
Nandi Bhebhe    Sheep Girl Dancer
Colin Mace    Handsome Landlord
Lucas Peters    Thief
Leo Rait    Son of Theatre Buff
Kyla Goodey    Theatre Chorus/Aristocrat
Beverly Rudd    Theatre Chorus/Orange Seller
Giles King    Theatre Chorus/Borghesi

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Joe Wright    Director
Tim Bevan    Producer
Eric Fellner    Producer
Guy Heeley    Producer
Erica Schmidt    Screenwriter
Erica Schmidt    Story based on the play by
Edmond Rostand    Story by
Erica Schmidt    Executive Producer
Sarah-Jane Robinson    Executive Producer
Sheeraz Shah    Executive Producer
Lucas Webb    Executive Producer
Matt Berninger    Executive Producer
Carin Besser    Executive Producer
Aaron Dessner    Executive Producer
Bryce Dessner    Executive Producer
Kevin Ulrich    Executive Producer
Aaron L. Gilbert    Executive Producer
Jason Cloth    Executive Producer
Seamus McGarvey    Director of Photography
Sarah Greenwood    Production Designer
Valerio Bonelli    Editor
Jacqueline Durran    Costume Designer
Massimo Cantini Parrini    Costume Designer
Bryce Dessner    Composer
Aaron Dessner    Composer
Becky Bentham    Music Supervisor
Sidi Larbi Cherkaoui    Choreography
Cass Marks    Co-Producer
Nina Gold    Casting Director
Enrico Ballarin    Line Producer
Guido Cerasuolo    Unit Production Manager
Ben Howard    First Assistant Director
Charlie Vaughan    Key Second Assistant Director
Franco Salamon    Stunt Coordinator
Eunice Huthart    Stunt Coordinator
Massimilano Ubaldi    Stunt Coordinator
Katelin Arizmendi    Second Unit Director/Director of Photography
Katie Spencer    Set Decorator
Colin Nicolson    Sound Mixer
Giles Harding    Visual Effects Supervisor
John Warhurst    Supervising Music Editor
Tania Blunden    Post-Production Supervisor
Craig Berkey    Supervising Sound Editor
Becki Ponting    Supervising Sound Editor
Jannika Oberg    Production Supervisor
Elaine Kusmishko    Supervising Art Director
Gianpaolo Rifino    Supervising Art Director
Dean Clegg    Senior Art Director
Phil Harvey    Art Director
Clara Gomez Del Moral    Art Director
Massimo Pauletto    Art Director
Paula Casarin    Script Supervisor
Laura Solari    Make up
Marta Roggero    Make-up and Hair Designer
Nicola Iles    Make-up and Hair Designer
Elise Anderson    First Assistant Editor
Stefano Corridori    Special Effects Supervisor
Adam Richards    Supervising Location Manager
Dimitri Di Noto    Location Manager
Chiara Scardamaglia    Location Manager
Artemis Oikonomopoulou    Visual Effects Supervisor
George Tully    Visual Effects Producer
Paul Edwards    Visual Effects Producer
Paul Carter    Sound Designer
Michael Maroussas    Dialogue Editor
Robert Weatherall    Foley Editor
Keith Partridge    Foley Mixer
Craig Berkey    Supervising Re-Recording Mixer
Paul Carter    Re-recording Mixer
Paul Cotterell    Re-recording Mixer
Becki Ponting    Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Uncharted and Dog post strong holds on slow weekend

February 27th, 2022

Uncharted

Uncharted and Dog are both taking advantage of the lack of competition to post strong second-week holds this weekend, as Studio 666 and Cyrano failed to extend their grasp beyond their core audience. Uncharted will end the weekend with $83.4 million in the bank, making it the second-highest grossing film in 2022, and the highest-grossing film released this year. More...

Weekend predictions: Uncharted unchallenged on slow weekend

February 25th, 2022

Uncharted

With next weekend’s release of The Batman looming large over the market, the major studios are sitting things out this weekend. Studio 666 and Cyrano are both arriving in wide release (just barely so in the case of Cyrano), but neither is likely to challenge Uncharted at the top of the chart. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.

Metrics

Opening Weekend:$1,385,995 (35.8% of total gross)
Legs:2.79 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Theater counts:797 opening theaters/797 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $3,965,078

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,901-7,000) 6,980 $3,873,124
All Time International Box Office (Rank 8,601-8,700) 8,627 $2,113,800
All Time Worldwide Box Office (Rank 9,301-9,400) 9,346 $5,986,924

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: December 17th, 2021 (Oscar Qualifying Run) by United Artists
February 25th, 2022 (Wide) by United Artists
International Releases: February 17th, 2022 (Wide) (Mexico)
February 23rd, 2022 (Wide), released as 시라노 (South Korea)
February 24th, 2022 (Wide) (Australia)
February 24th, 2022 (Limited) (New Zealand)
February 24th, 2022 (Wide) (Portugal)
... Show all releases
Video Release: April 5th, 2022 by United Artists Video
MPAA Rating: PG-13 for some strong violence, thematic and suggestive material, and brief language.
(Rating bulletin 2689 (cert #53237), 7/14/2021)
Running Time: 124 minutes
Comparisons: vs. Spencer
Create your own comparison chart…
Keywords: Romance, Romantic Musical, Dwarfism, Love at First Sight, Unrequited Love, Love Triangle, Relationships Gone Wrong, Voiceover/Narration, 1600s
Source:Based on Musical or Opera
Genre:Musical
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Working Title Films, Metro-Goldwyn-Mayer Pictures, Bron Creative
Production Countries: United Kingdom, United States
Languages: English

Leading Cast

Peter Dinklage    Cyrano de Bergerac
Haley Bennett    Roxanne
Kelvin Harrison Jr    Christian

Supporting Cast

Ben Mendelsohn    De Guiche
Bashir Salahuddin    Le Bret
Monica Dolan    Marie
Mark Benton    Montfleury
Peter Wight    Ragueneau
Joshua James    Valvert
Anjana Vasan    Sister Claire
Ruth Sheen    Mother Marthe
Glen Hansard    Guard
Sam Amidon    Guard
Scott Folan    Guard
Richard McCabe    Priest
Tim McMullan    Jodelet
Mark Bagnall    Stranger
Mike Shepherd    Marquis
Paul Biddiss    The Gate Keeper
Katy Owen    The Thief
Paul Hunter    Theatre Buff
Celeste Dodwell    Theatre Lady
Celeste Dring    Theatre Lady
Bettrys Jones    Sheep Girl
Nandi Bhebhe    Sheep Girl Dancer
Colin Mace    Handsome Landlord
Lucas Peters    Thief
Leo Rait    Son of Theatre Buff
Kyla Goodey    Theatre Chorus/Aristocrat
Beverly Rudd    Theatre Chorus/Orange Seller
Giles King    Theatre Chorus/Borghesi

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Joe Wright    Director
Tim Bevan    Producer
Eric Fellner    Producer
Guy Heeley    Producer
Erica Schmidt    Screenwriter
Erica Schmidt    Story based on the play by
Edmond Rostand    Story by
Erica Schmidt    Executive Producer
Sarah-Jane Robinson    Executive Producer
Sheeraz Shah    Executive Producer
Lucas Webb    Executive Producer
Matt Berninger    Executive Producer
Carin Besser    Executive Producer
Aaron Dessner    Executive Producer
Bryce Dessner    Executive Producer
Kevin Ulrich    Executive Producer
Aaron L. Gilbert    Executive Producer
Jason Cloth    Executive Producer
Seamus McGarvey    Director of Photography
Sarah Greenwood    Production Designer
Valerio Bonelli    Editor
Jacqueline Durran    Costume Designer
Massimo Cantini Parrini    Costume Designer
Bryce Dessner    Composer
Aaron Dessner    Composer
Becky Bentham    Music Supervisor
Sidi Larbi Cherkaoui    Choreography
Cass Marks    Co-Producer
Nina Gold    Casting Director
Enrico Ballarin    Line Producer
Guido Cerasuolo    Unit Production Manager
Ben Howard    First Assistant Director
Charlie Vaughan    Key Second Assistant Director
Franco Salamon    Stunt Coordinator
Eunice Huthart    Stunt Coordinator
Massimilano Ubaldi    Stunt Coordinator
Katelin Arizmendi    Second Unit Director/Director of Photography
Katie Spencer    Set Decorator
Colin Nicolson    Sound Mixer
Giles Harding    Visual Effects Supervisor
John Warhurst    Supervising Music Editor
Tania Blunden    Post-Production Supervisor
Craig Berkey    Supervising Sound Editor
Becki Ponting    Supervising Sound Editor
Jannika Oberg    Production Supervisor
Elaine Kusmishko    Supervising Art Director
Gianpaolo Rifino    Supervising Art Director
Dean Clegg    Senior Art Director
Phil Harvey    Art Director
Clara Gomez Del Moral    Art Director
Massimo Pauletto    Art Director
Paula Casarin    Script Supervisor
Laura Solari    Make up
Marta Roggero    Make-up and Hair Designer
Nicola Iles    Make-up and Hair Designer
Elise Anderson    First Assistant Editor
Stefano Corridori    Special Effects Supervisor
Adam Richards    Supervising Location Manager
Dimitri Di Noto    Location Manager
Chiara Scardamaglia    Location Manager
Artemis Oikonomopoulou    Visual Effects Supervisor
George Tully    Visual Effects Producer
Paul Edwards    Visual Effects Producer
Paul Carter    Sound Designer
Michael Maroussas    Dialogue Editor
Robert Weatherall    Foley Editor
Keith Partridge    Foley Mixer
Craig Berkey    Supervising Re-Recording Mixer
Paul Carter    Re-recording Mixer
Paul Cotterell    Re-recording Mixer
Becki Ponting    Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Uncharted and Dog post strong holds on slow weekend

February 27th, 2022

Uncharted

Uncharted and Dog are both taking advantage of the lack of competition to post strong second-week holds this weekend, as Studio 666 and Cyrano failed to extend their grasp beyond their core audience. Uncharted will end the weekend with $83.4 million in the bank, making it the second-highest grossing film in 2022, and the highest-grossing film released this year. More...

Weekend predictions: Uncharted unchallenged on slow weekend

February 25th, 2022

Uncharted

With next weekend’s release of The Batman looming large over the market, the major studios are sitting things out this weekend. Studio 666 and Cyrano are both arriving in wide release (just barely so in the case of Cyrano), but neither is likely to challenge Uncharted at the top of the chart. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2022 9 $1,385,995   797 $1,739   $1,385,995 11
Mar 4, 2022 8 $678,783 -51% 797 $852   $2,570,733 12
Mar 11, 2022 11 $398,932 -41% 694 $575   $3,329,664 13
Mar 18, 2022 - $131,398 -67% 306 $429   $3,698,017 14
Mar 25, 2022 - $37,911 -71% 128 $296   $3,826,152 15
Apr 1, 2022 - $14,071 -63% 58 $243   $3,863,519 16

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 25, 2022 8 $471,132     797 $591   $471,132 71
Feb 26, 2022 9 $564,626 +20%   797 $708   $1,035,758 72
Feb 27, 2022 8 $350,237 -38%   797 $439   $1,385,995 73
Feb 28, 2022 8 $122,752 -65%   797 $154   $1,508,747 74
Mar 1, 2022 8 $169,250 +38%   797 $212   $1,677,997 75
Mar 2, 2022 9 $119,670 -29%   797 $150   $1,797,667 76
Mar 3, 2022 7 $94,283 -21%   797 $118   $1,891,950 77
Mar 4, 2022 8 $190,807 +102% -60% 797 $239   $2,082,757 78
Mar 5, 2022 8 $295,432 +55% -48% 797 $371   $2,378,189 79
Mar 6, 2022 8 $192,544 -35% -45% 797 $242   $2,570,733 80
Mar 7, 2022 8 $78,549 -59% -36% 797 $99   $2,649,282 81
Mar 8, 2022 8 $109,954 +40% -35% 797 $138   $2,759,236 82
Mar 9, 2022 8 $87,625 -20% -27% 797 $110   $2,846,861 83
Mar 10, 2022 8 $83,871 -4% -11% 797 $105   $2,930,732 84
Mar 11, 2022 - $116,210 +39% -39% 694 $167   $3,046,942 85
Mar 12, 2022 - $164,902 +42% -44% 694 $238   $3,211,844 86
Mar 13, 2022 - $117,820 -29% -39% 694 $170   $3,329,664 87
Mar 14, 2022 - $51,105 -57% -35% 694 $74   $3,380,769 88
Mar 15, 2022 - $75,062 +47% -32% 694 $108   $3,455,831 89
Mar 16, 2022 - $63,462 -15% -28% 694 $91   $3,519,293 90
Mar 17, 2022 - $47,326 -25% -44% 694 $68   $3,566,619 91
Mar 18, 2022 - $35,692 -25% -69% 306 $117   $3,602,311 92
Mar 19, 2022 - $57,479 +61% -65% 306 $188   $3,659,790 93
Mar 20, 2022 - $38,227 -33% -68% 306 $125   $3,698,017 94
Mar 21, 2022 - $21,726 -43% -57% 306 $71   $3,719,743 95
Mar 22, 2022 - $25,381 +17% -66% 306 $83   $3,745,124 96
Mar 23, 2022 - $22,816 -10% -64% 306 $75   $3,767,940 97
Mar 24, 2022 - $20,301 -11% -57% 306 $66   $3,788,241 98
Mar 25, 2022 - $10,669 -47% -70% 128 $83   $3,798,910 99
Mar 26, 2022 - $15,972 +50% -72% 128 $125   $3,814,882 100
Mar 27, 2022 - $11,270 -29% -71% 128 $88   $3,826,152 101
Mar 28, 2022 - $5,483 -51% -75% 128 $43   $3,831,635 102
Mar 29, 2022 - $6,489 +18% -74% 128 $51   $3,838,124 103
Mar 30, 2022 - $6,406 -1% -72% 128 $50   $3,844,530 104
Mar 31, 2022 - $4,918 -23% -76% 128 $38   $3,849,448 105
Apr 1, 2022 - $3,101 -37% -71% 58 $53   $3,852,549 106
Apr 2, 2022 - $5,578 +80% -65% 58 $96   $3,858,127 107
Apr 3, 2022 - $5,392 -3% -52% 58 $93   $3,863,519 108
Apr 4, 2022 - $1,992 -63% -64% 58 $34   $3,865,511 109
Apr 5, 2022 - $2,384 +20% -63% 58 $41   $3,867,895 110
Apr 6, 2022 - $2,595 +9% -59% 58 $45   $3,870,490 111
Apr 7, 2022 - $2,634 +2% -46% 58 $45   $3,873,124 112

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2022 9 $1,891,950   797 $2,374   $1,891,950 11
Mar 4, 2022 8 $1,038,782 -45% 797 $1,303   $2,930,732 12
Mar 11, 2022 - $635,887 -39% 694 $916   $3,566,619 13
Mar 18, 2022 - $221,622 -65% 306 $724   $3,788,241 14
Mar 25, 2022 - $61,207 -72% 128 $478   $3,849,448 15
Apr 1, 2022 - $23,676 -61% 58 $408   $3,873,124 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/24/2022 $113,362 210 210 510 $261,109 10/20/2022
Austria 3/4/2022 $0 0 0 0 $12,636 4/20/2022
Czech Republic 4/1/2022 $4,129 47 47 47 $4,592 4/8/2022
Estonia 3/4/2022 $0 0 0 0 $3,032 5/11/2022
France 3/30/2022 $0 0 4 4 $18,607 4/13/2022
Germany 3/3/2022 $0 0 6 11 $131,318 4/20/2022
Italy 3/3/2022 $91,703 0 0 0 $140,765 10/20/2022
Japan 2/25/2022 $153,000 173 173 173 $153,000 10/20/2022
Mexico 2/17/2022 $0000$0
New Zealand 2/24/2022 $11,419 59 59 182 $29,632 10/20/2022
Portugal 2/24/2022 $9,833 47 47 104 $26,537 3/15/2022
Russia (CIS) 2/24/2022 $32,305 593 593 593 $42,515 10/20/2022
Slovenia 2/24/2022 $14,000 10 10 10 $3,612 5/4/2022
South Korea 2/23/2022 $45,644 195 195 327 $165,990 4/13/2022
Spain 3/11/2022 $67,779 282 282 285 $119,313 5/11/2022
Taiwan 2/25/2022 $4,000 20 20 20 $4,000 10/20/2022
Turkey 2/25/2022 $5,359 46 46 55 $22,266 10/20/2022
United Kingdom 2/25/2022 $534,455 613 613 1,101 $974,876 4/6/2022
 
International Total$2,113,800 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 24, 202286,786 6,786$67,792$67,7923
May 1, 2022113,945-42% 10,731$39,411$107,2034

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 24, 202295,175 6,907$77,573$77,5733

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Apr 23, 202210
Apr 30, 202215

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.