Cyrano (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $3,873,124 | Details |
| International Box Office | $2,113,800 | Details |
| Worldwide Box Office | $5,986,924 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $225,989 | |
| Blu-ray Sales (estimated) | $195,080 | |
| Total | $421,069 | |
| OpusData ID: 508030100 More info... | ||
| Further financial details... | ||
Synopsis
A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.
Metrics
| Opening Weekend: | $1,385,995 (35.8% of total gross) |
| Legs: | 2.79 (domestic box office/biggest weekend) |
| Domestic Share: | 64.7% (domestic box office/worldwide) |
| Theater counts: | 797 opening theaters/797 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,399,103 |
Movie Details
| Domestic Releases: | December 17th, 2021 (Oscar Qualifying Run) by United Artists February 25th, 2022 (Wide) by United Artists |
| International Releases: | February 17th, 2022 (Wide) (Mexico)
February 23rd, 2022 (Wide), released as 시라노 (South Korea) February 24th, 2022 (Wide) (Australia) February 24th, 2022 (Wide) (Portugal) February 24th, 2022 (Limited) (New Zealand) ... Show all releases |
| Video Release: | April 5th, 2022 by United Artists Video |
| MPA Rating: | PG-13 for some strong violence, thematic and suggestive material, and brief language. (Rating bulletin 2689 (cert #53237), 7/14/2021) |
| Running Time: | 124 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Dwarfism, Love at First Sight, Love Triangle, Relationships Gone Wrong, Romance, Unrequited Love |
| Subgenre: | Romantic Musical |
| Time period setting: | 1600s |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Working Title Films, Metro-Goldwyn-Mayer Pictures, Bron Creative |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 25, 2022 | 9 | $1,385,995 | 797 | $1,739 | $1,385,995 | 11 | |
| Mar 4, 2022 | 8 | $678,783 | -51% | 797 | $852 | $2,570,733 | 12 |
| Mar 11, 2022 | 11 | $398,932 | -41% | 694 | $575 | $3,329,664 | 13 |
| Mar 18, 2022 | - | $131,398 | -67% | 306 | $429 | $3,698,017 | 14 |
| Mar 25, 2022 | - | $37,911 | -71% | 128 | $296 | $3,826,152 | 15 |
| Apr 1, 2022 | - | $14,071 | -63% | 58 | $243 | $3,863,519 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 25, 2022 | 8 | $471,132 | 797 | $591 | $471,132 | 71 | ||
| Feb 26, 2022 | 9 | $564,626 | +20% | 797 | $708 | $1,035,758 | 72 | |
| Feb 27, 2022 | 8 | $350,237 | -38% | 797 | $439 | $1,385,995 | 73 | |
| Feb 28, 2022 | 8 | $122,752 | -65% | 797 | $154 | $1,508,747 | 74 | |
| Mar 1, 2022 | 8 | $169,250 | +38% | 797 | $212 | $1,677,997 | 75 | |
| Mar 2, 2022 | 9 | $119,670 | -29% | 797 | $150 | $1,797,667 | 76 | |
| Mar 3, 2022 | 7 | $94,283 | -21% | 797 | $118 | $1,891,950 | 77 | |
| Mar 4, 2022 | 8 | $190,807 | +102% | -60% | 797 | $239 | $2,082,757 | 78 |
| Mar 5, 2022 | 8 | $295,432 | +55% | -48% | 797 | $371 | $2,378,189 | 79 |
| Mar 6, 2022 | 8 | $192,544 | -35% | -45% | 797 | $242 | $2,570,733 | 80 |
| Mar 7, 2022 | 8 | $78,549 | -59% | -36% | 797 | $99 | $2,649,282 | 81 |
| Mar 8, 2022 | 8 | $109,954 | +40% | -35% | 797 | $138 | $2,759,236 | 82 |
| Mar 9, 2022 | 8 | $87,625 | -20% | -27% | 797 | $110 | $2,846,861 | 83 |
| Mar 10, 2022 | 8 | $83,871 | -4% | -11% | 797 | $105 | $2,930,732 | 84 |
| Mar 11, 2022 | - | $116,210 | +39% | -39% | 694 | $167 | $3,046,942 | 85 |
| Mar 12, 2022 | - | $164,902 | +42% | -44% | 694 | $238 | $3,211,844 | 86 |
| Mar 13, 2022 | - | $117,820 | -29% | -39% | 694 | $170 | $3,329,664 | 87 |
| Mar 14, 2022 | - | $51,105 | -57% | -35% | 694 | $74 | $3,380,769 | 88 |
| Mar 15, 2022 | - | $75,062 | +47% | -32% | 694 | $108 | $3,455,831 | 89 |
| Mar 16, 2022 | - | $63,462 | -15% | -28% | 694 | $91 | $3,519,293 | 90 |
| Mar 17, 2022 | - | $47,326 | -25% | -44% | 694 | $68 | $3,566,619 | 91 |
| Mar 18, 2022 | - | $35,692 | -25% | -69% | 306 | $117 | $3,602,311 | 92 |
| Mar 19, 2022 | - | $57,479 | +61% | -65% | 306 | $188 | $3,659,790 | 93 |
| Mar 20, 2022 | - | $38,227 | -33% | -68% | 306 | $125 | $3,698,017 | 94 |
| Mar 21, 2022 | - | $21,726 | -43% | -57% | 306 | $71 | $3,719,743 | 95 |
| Mar 22, 2022 | - | $25,381 | +17% | -66% | 306 | $83 | $3,745,124 | 96 |
| Mar 23, 2022 | - | $22,816 | -10% | -64% | 306 | $75 | $3,767,940 | 97 |
| Mar 24, 2022 | - | $20,301 | -11% | -57% | 306 | $66 | $3,788,241 | 98 |
| Mar 25, 2022 | - | $10,669 | -47% | -70% | 128 | $83 | $3,798,910 | 99 |
| Mar 26, 2022 | - | $15,972 | +50% | -72% | 128 | $125 | $3,814,882 | 100 |
| Mar 27, 2022 | - | $11,270 | -29% | -71% | 128 | $88 | $3,826,152 | 101 |
| Mar 28, 2022 | - | $5,483 | -51% | -75% | 128 | $43 | $3,831,635 | 102 |
| Mar 29, 2022 | - | $6,489 | +18% | -74% | 128 | $51 | $3,838,124 | 103 |
| Mar 30, 2022 | - | $6,406 | -1% | -72% | 128 | $50 | $3,844,530 | 104 |
| Mar 31, 2022 | - | $4,918 | -23% | -76% | 128 | $38 | $3,849,448 | 105 |
| Apr 1, 2022 | - | $3,101 | -37% | -71% | 58 | $53 | $3,852,549 | 106 |
| Apr 2, 2022 | - | $5,578 | +80% | -65% | 58 | $96 | $3,858,127 | 107 |
| Apr 3, 2022 | - | $5,392 | -3% | -52% | 58 | $93 | $3,863,519 | 108 |
| Apr 4, 2022 | - | $1,992 | -63% | -64% | 58 | $34 | $3,865,511 | 109 |
| Apr 5, 2022 | - | $2,384 | +20% | -63% | 58 | $41 | $3,867,895 | 110 |
| Apr 6, 2022 | - | $2,595 | +9% | -59% | 58 | $45 | $3,870,490 | 111 |
| Apr 7, 2022 | - | $2,634 | +2% | -46% | 58 | $45 | $3,873,124 | 112 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 25, 2022 | 9 | $1,891,950 | 797 | $2,374 | $1,891,950 | 11 | |
| Mar 4, 2022 | 8 | $1,038,782 | -45% | 797 | $1,303 | $2,930,732 | 12 |
| Mar 11, 2022 | - | $635,887 | -39% | 694 | $916 | $3,566,619 | 13 |
| Mar 18, 2022 | - | $221,622 | -65% | 306 | $724 | $3,788,241 | 14 |
| Mar 25, 2022 | - | $61,207 | -72% | 128 | $478 | $3,849,448 | 15 |
| Apr 1, 2022 | - | $23,676 | -61% | 58 | $408 | $3,873,124 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/24/2022 | $113,362 | 210 | 210 | 510 | $261,109 | ||||
| Austria | 3/4/2022 | $0 | 0 | 6 | 0 | $12,636 | ||||
| Czech Republic | 4/1/2022 | $4,129 | 47 | 47 | 47 | $4,592 | 4/8/2022 | |||
| Estonia | 3/4/2022 | $0 | 0 | 1 | 0 | $3,032 | ||||
| France | 3/30/2022 | $0 | 0 | 4 | 4 | $18,607 | ||||
| Germany | 3/3/2022 | $0 | 0 | 6 | 11 | $131,318 | ||||
| Italy | 3/3/2022 | $91,703 | 0 | 0 | 0 | $140,765 | ||||
| Japan | 2/25/2022 | $153,000 | 173 | 173 | 173 | $153,000 | ||||
| New Zealand | 2/24/2022 | $11,419 | 59 | 59 | 182 | $29,632 | ||||
| Portugal | 2/24/2022 | $9,833 | 47 | 47 | 104 | $26,537 | ||||
| Russia (CIS) | 2/24/2022 | $32,305 | 593 | 593 | 593 | $32,305 | ||||
| Slovenia | 2/24/2022 | $14,000 | 10 | 10 | 10 | $3,612 | ||||
| South Korea | 2/23/2022 | $45,644 | 195 | 195 | 327 | $165,990 | ||||
| Spain | 3/11/2022 | $67,779 | 282 | 282 | 285 | $119,313 | ||||
| Taiwan | 2/25/2022 | $4,000 | 20 | 20 | 20 | $4,000 | ||||
| Turkey | 2/25/2022 | $5,359 | 46 | 46 | 55 | $8,899 | ||||
| United Kingdom | 2/25/2022 | $534,455 | 613 | 613 | 1,101 | $974,876 | ||||
| Rest of World | $23,577 | |||||||||
| International Total | $2,113,800 | 4/8/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Peter Dinklage | Cyrano de Bergerac | |
| Haley Bennett | Roxanne | |
| Kelvin Harrison Jr | Christian |
Supporting
| Ben Mendelsohn | De Guiche | |
| Bashir Salahuddin | Le Bret | |
| Monica Dolan | Marie | |
| Mark Benton | Montfleury | |
| Peter Wight | Ragueneau | |
| Joshua James | Valvert | |
| Anjana Vasan | Sister Claire | |
| Ruth Sheen | Mother Marthe | |
| Glen Hansard | Guard | |
| Sam Amidon | Guard | |
| Scott Folan | Guard | |
| Richard McCabe | Priest | |
| Tim McMullan | Jodelet | |
| Mark Bagnall | Stranger | |
| Mike Shepherd | Marquis | |
| Paul Biddiss | The Gate Keeper | |
| Katy Owen | The Thief | |
| Paul Hunter | Theatre Buff | |
| Celeste Dodwell | Theatre Lady | |
| Celeste Dring | Theatre Lady | |
| Bettrys Jones | Sheep Girl | |
| Nandi Bhebhe | Sheep Girl Dancer | |
| Colin Mace | Handsome Landlord | |
| Lucas Peters | Thief | |
| Leo Rait | Son of Theatre Buff | |
| Kyla Goodey | Theatre Chorus / Aristocrat | |
| Beverly Rudd | Theatre Chorus / Orange Seller | |
| Giles King | Theatre Chorus / Borghesi |
Production and Technical Credits
| Joe Wright | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Guy Heeley | Producer | |
| Erica Schmidt | Screenwriter | |
| Erica Schmidt | Story based on the play by | |
| Edmond Rostand | Story by | |
| Erica Schmidt | Executive Producer | |
| Sarah-Jane Robinson | Executive Producer | |
| Sheeraz Shah | Executive Producer | |
| Lucas Webb | Executive Producer | |
| Matt Berninger | Executive Producer | |
| Carin Besser | Executive Producer | |
| Aaron Dessner | Executive Producer | |
| Bryce Dessner | Executive Producer | |
| Kevin Ulrich | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Seamus McGarvey | Director of Photography | |
| Sarah Greenwood | Production Designer | |
| Valerio Bonelli | Editor | |
| Jacqueline Durran | Costume Designer | |
| Massimo Cantini Parrini | Costume Designer | |
| Bryce Dessner | Composer | |
| Aaron Dessner | Composer | |
| Becky Bentham | Music Supervisor | |
| Sidi Larbi Cherkaoui | Choreography | |
| Cass Marks | Co-Producer | |
| Nina Gold | Casting Director | |
| Enrico Ballarin | Line Producer | |
| Guido Cerasuolo | Unit Production Manager | |
| Ben Howard | First Assistant Director | |
| Charlie Vaughan | Key Second Assistant Director | |
| Franco Salamon | Stunt Coordinator | |
| Eunice Huthart | Stunt Coordinator | |
| Massimilano Ubaldi | Stunt Coordinator | |
| Katelin Arizmendi | Second Unit Director/Director of Photography | |
| Katie Spencer | Set Decorator | |
| Colin Nicolson | Sound Mixer | |
| Giles Harding | Visual Effects Supervisor | |
| John Warhurst | Supervising Music Editor | |
| Tania Blunden | Post-Production Supervisor | |
| Craig Berkey | Supervising Sound Editor | |
| Becki Ponting | Supervising Sound Editor | |
| Jannika Oberg | Production Supervisor | |
| Elaine Kusmishko | Supervising Art Director | |
| Gianpaolo Rifino | Supervising Art Director | |
| Dean Clegg | Senior Art Director | |
| Phil Harvey | Art Director | |
| Clara Gomez Del Moral | Art Director | |
| Massimo Pauletto | Art Director | |
| Paula Casarin | Script Supervisor | |
| Laura Solari | Make up | |
| Marta Roggero | Make-up and Hair Designer | |
| Nicola Iles | Make-up and Hair Designer | |
| Elise Anderson | First Assistant Editor | |
| Stefano Corridori | Special Effects Supervisor | |
| Adam Richards | Supervising Location Manager | |
| Dimitri Di Noto | Location Manager | |
| Chiara Scardamaglia | Location Manager | |
| Artemis Oikonomopoulou | Visual Effects Supervisor | |
| George Tully | Visual Effects Producer | |
| Paul Edwards | Visual Effects Producer | |
| Paul Carter | Sound Designer | |
| Michael Maroussas | Dialogue Editor | |
| Robert Weatherall | Foley Editor | |
| Keith Partridge | Foley Mixer | |
| Craig Berkey | Supervising Re-Recording Mixer | |
| Paul Carter | Re-recording Mixer | |
| Paul Cotterell | Re-recording Mixer | |
| Becki Ponting | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.
Metrics
| Opening Weekend: | $1,385,995 (35.8% of total gross) |
| Legs: | 2.79 (domestic box office/biggest weekend) |
| Domestic Share: | 64.7% (domestic box office/worldwide) |
| Theater counts: | 797 opening theaters/797 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,399,103 |
Movie Details
| Domestic Releases: | December 17th, 2021 (Oscar Qualifying Run) by United Artists February 25th, 2022 (Wide) by United Artists |
| International Releases: | February 17th, 2022 (Wide) (Mexico)
February 23rd, 2022 (Wide), released as 시라노 (South Korea) February 24th, 2022 (Wide) (Australia) February 24th, 2022 (Wide) (Portugal) February 24th, 2022 (Limited) (New Zealand) ... Show all releases |
| Video Release: | April 5th, 2022 by United Artists Video |
| MPA Rating: | PG-13 for some strong violence, thematic and suggestive material, and brief language. (Rating bulletin 2689 (cert #53237), 7/14/2021) |
| Running Time: | 124 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Dwarfism, Love at First Sight, Love Triangle, Relationships Gone Wrong, Romance, Unrequited Love |
| Subgenre: | Romantic Musical |
| Time period setting: | 1600s |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Working Title Films, Metro-Goldwyn-Mayer Pictures, Bron Creative |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 25, 2022 | 9 | $1,385,995 | 797 | $1,739 | $1,385,995 | 11 | |
| Mar 4, 2022 | 8 | $678,783 | -51% | 797 | $852 | $2,570,733 | 12 |
| Mar 11, 2022 | 11 | $398,932 | -41% | 694 | $575 | $3,329,664 | 13 |
| Mar 18, 2022 | - | $131,398 | -67% | 306 | $429 | $3,698,017 | 14 |
| Mar 25, 2022 | - | $37,911 | -71% | 128 | $296 | $3,826,152 | 15 |
| Apr 1, 2022 | - | $14,071 | -63% | 58 | $243 | $3,863,519 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 25, 2022 | 8 | $471,132 | 797 | $591 | $471,132 | 71 | ||
| Feb 26, 2022 | 9 | $564,626 | +20% | 797 | $708 | $1,035,758 | 72 | |
| Feb 27, 2022 | 8 | $350,237 | -38% | 797 | $439 | $1,385,995 | 73 | |
| Feb 28, 2022 | 8 | $122,752 | -65% | 797 | $154 | $1,508,747 | 74 | |
| Mar 1, 2022 | 8 | $169,250 | +38% | 797 | $212 | $1,677,997 | 75 | |
| Mar 2, 2022 | 9 | $119,670 | -29% | 797 | $150 | $1,797,667 | 76 | |
| Mar 3, 2022 | 7 | $94,283 | -21% | 797 | $118 | $1,891,950 | 77 | |
| Mar 4, 2022 | 8 | $190,807 | +102% | -60% | 797 | $239 | $2,082,757 | 78 |
| Mar 5, 2022 | 8 | $295,432 | +55% | -48% | 797 | $371 | $2,378,189 | 79 |
| Mar 6, 2022 | 8 | $192,544 | -35% | -45% | 797 | $242 | $2,570,733 | 80 |
| Mar 7, 2022 | 8 | $78,549 | -59% | -36% | 797 | $99 | $2,649,282 | 81 |
| Mar 8, 2022 | 8 | $109,954 | +40% | -35% | 797 | $138 | $2,759,236 | 82 |
| Mar 9, 2022 | 8 | $87,625 | -20% | -27% | 797 | $110 | $2,846,861 | 83 |
| Mar 10, 2022 | 8 | $83,871 | -4% | -11% | 797 | $105 | $2,930,732 | 84 |
| Mar 11, 2022 | - | $116,210 | +39% | -39% | 694 | $167 | $3,046,942 | 85 |
| Mar 12, 2022 | - | $164,902 | +42% | -44% | 694 | $238 | $3,211,844 | 86 |
| Mar 13, 2022 | - | $117,820 | -29% | -39% | 694 | $170 | $3,329,664 | 87 |
| Mar 14, 2022 | - | $51,105 | -57% | -35% | 694 | $74 | $3,380,769 | 88 |
| Mar 15, 2022 | - | $75,062 | +47% | -32% | 694 | $108 | $3,455,831 | 89 |
| Mar 16, 2022 | - | $63,462 | -15% | -28% | 694 | $91 | $3,519,293 | 90 |
| Mar 17, 2022 | - | $47,326 | -25% | -44% | 694 | $68 | $3,566,619 | 91 |
| Mar 18, 2022 | - | $35,692 | -25% | -69% | 306 | $117 | $3,602,311 | 92 |
| Mar 19, 2022 | - | $57,479 | +61% | -65% | 306 | $188 | $3,659,790 | 93 |
| Mar 20, 2022 | - | $38,227 | -33% | -68% | 306 | $125 | $3,698,017 | 94 |
| Mar 21, 2022 | - | $21,726 | -43% | -57% | 306 | $71 | $3,719,743 | 95 |
| Mar 22, 2022 | - | $25,381 | +17% | -66% | 306 | $83 | $3,745,124 | 96 |
| Mar 23, 2022 | - | $22,816 | -10% | -64% | 306 | $75 | $3,767,940 | 97 |
| Mar 24, 2022 | - | $20,301 | -11% | -57% | 306 | $66 | $3,788,241 | 98 |
| Mar 25, 2022 | - | $10,669 | -47% | -70% | 128 | $83 | $3,798,910 | 99 |
| Mar 26, 2022 | - | $15,972 | +50% | -72% | 128 | $125 | $3,814,882 | 100 |
| Mar 27, 2022 | - | $11,270 | -29% | -71% | 128 | $88 | $3,826,152 | 101 |
| Mar 28, 2022 | - | $5,483 | -51% | -75% | 128 | $43 | $3,831,635 | 102 |
| Mar 29, 2022 | - | $6,489 | +18% | -74% | 128 | $51 | $3,838,124 | 103 |
| Mar 30, 2022 | - | $6,406 | -1% | -72% | 128 | $50 | $3,844,530 | 104 |
| Mar 31, 2022 | - | $4,918 | -23% | -76% | 128 | $38 | $3,849,448 | 105 |
| Apr 1, 2022 | - | $3,101 | -37% | -71% | 58 | $53 | $3,852,549 | 106 |
| Apr 2, 2022 | - | $5,578 | +80% | -65% | 58 | $96 | $3,858,127 | 107 |
| Apr 3, 2022 | - | $5,392 | -3% | -52% | 58 | $93 | $3,863,519 | 108 |
| Apr 4, 2022 | - | $1,992 | -63% | -64% | 58 | $34 | $3,865,511 | 109 |
| Apr 5, 2022 | - | $2,384 | +20% | -63% | 58 | $41 | $3,867,895 | 110 |
| Apr 6, 2022 | - | $2,595 | +9% | -59% | 58 | $45 | $3,870,490 | 111 |
| Apr 7, 2022 | - | $2,634 | +2% | -46% | 58 | $45 | $3,873,124 | 112 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 25, 2022 | 9 | $1,891,950 | 797 | $2,374 | $1,891,950 | 11 | |
| Mar 4, 2022 | 8 | $1,038,782 | -45% | 797 | $1,303 | $2,930,732 | 12 |
| Mar 11, 2022 | - | $635,887 | -39% | 694 | $916 | $3,566,619 | 13 |
| Mar 18, 2022 | - | $221,622 | -65% | 306 | $724 | $3,788,241 | 14 |
| Mar 25, 2022 | - | $61,207 | -72% | 128 | $478 | $3,849,448 | 15 |
| Apr 1, 2022 | - | $23,676 | -61% | 58 | $408 | $3,873,124 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/24/2022 | $113,362 | 210 | 210 | 510 | $261,109 | ||||
| Austria | 3/4/2022 | $0 | 0 | 6 | 0 | $12,636 | ||||
| Czech Republic | 4/1/2022 | $4,129 | 47 | 47 | 47 | $4,592 | 4/8/2022 | |||
| Estonia | 3/4/2022 | $0 | 0 | 1 | 0 | $3,032 | ||||
| France | 3/30/2022 | $0 | 0 | 4 | 4 | $18,607 | ||||
| Germany | 3/3/2022 | $0 | 0 | 6 | 11 | $131,318 | ||||
| Italy | 3/3/2022 | $91,703 | 0 | 0 | 0 | $140,765 | ||||
| Japan | 2/25/2022 | $153,000 | 173 | 173 | 173 | $153,000 | ||||
| New Zealand | 2/24/2022 | $11,419 | 59 | 59 | 182 | $29,632 | ||||
| Portugal | 2/24/2022 | $9,833 | 47 | 47 | 104 | $26,537 | ||||
| Russia (CIS) | 2/24/2022 | $32,305 | 593 | 593 | 593 | $32,305 | ||||
| Slovenia | 2/24/2022 | $14,000 | 10 | 10 | 10 | $3,612 | ||||
| South Korea | 2/23/2022 | $45,644 | 195 | 195 | 327 | $165,990 | ||||
| Spain | 3/11/2022 | $67,779 | 282 | 282 | 285 | $119,313 | ||||
| Taiwan | 2/25/2022 | $4,000 | 20 | 20 | 20 | $4,000 | ||||
| Turkey | 2/25/2022 | $5,359 | 46 | 46 | 55 | $8,899 | ||||
| United Kingdom | 2/25/2022 | $534,455 | 613 | 613 | 1,101 | $974,876 | ||||
| Rest of World | $23,577 | |||||||||
| International Total | $2,113,800 | 4/8/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Peter Dinklage | Cyrano de Bergerac | |
| Haley Bennett | Roxanne | |
| Kelvin Harrison Jr | Christian |
Supporting
| Ben Mendelsohn | De Guiche | |
| Bashir Salahuddin | Le Bret | |
| Monica Dolan | Marie | |
| Mark Benton | Montfleury | |
| Peter Wight | Ragueneau | |
| Joshua James | Valvert | |
| Anjana Vasan | Sister Claire | |
| Ruth Sheen | Mother Marthe | |
| Glen Hansard | Guard | |
| Sam Amidon | Guard | |
| Scott Folan | Guard | |
| Richard McCabe | Priest | |
| Tim McMullan | Jodelet | |
| Mark Bagnall | Stranger | |
| Mike Shepherd | Marquis | |
| Paul Biddiss | The Gate Keeper | |
| Katy Owen | The Thief | |
| Paul Hunter | Theatre Buff | |
| Celeste Dodwell | Theatre Lady | |
| Celeste Dring | Theatre Lady | |
| Bettrys Jones | Sheep Girl | |
| Nandi Bhebhe | Sheep Girl Dancer | |
| Colin Mace | Handsome Landlord | |
| Lucas Peters | Thief | |
| Leo Rait | Son of Theatre Buff | |
| Kyla Goodey | Theatre Chorus / Aristocrat | |
| Beverly Rudd | Theatre Chorus / Orange Seller | |
| Giles King | Theatre Chorus / Borghesi |
Production and Technical Credits
| Joe Wright | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Guy Heeley | Producer | |
| Erica Schmidt | Screenwriter | |
| Erica Schmidt | Story based on the play by | |
| Edmond Rostand | Story by | |
| Erica Schmidt | Executive Producer | |
| Sarah-Jane Robinson | Executive Producer | |
| Sheeraz Shah | Executive Producer | |
| Lucas Webb | Executive Producer | |
| Matt Berninger | Executive Producer | |
| Carin Besser | Executive Producer | |
| Aaron Dessner | Executive Producer | |
| Bryce Dessner | Executive Producer | |
| Kevin Ulrich | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Seamus McGarvey | Director of Photography | |
| Sarah Greenwood | Production Designer | |
| Valerio Bonelli | Editor | |
| Jacqueline Durran | Costume Designer | |
| Massimo Cantini Parrini | Costume Designer | |
| Bryce Dessner | Composer | |
| Aaron Dessner | Composer | |
| Becky Bentham | Music Supervisor | |
| Sidi Larbi Cherkaoui | Choreography | |
| Cass Marks | Co-Producer | |
| Nina Gold | Casting Director | |
| Enrico Ballarin | Line Producer | |
| Guido Cerasuolo | Unit Production Manager | |
| Ben Howard | First Assistant Director | |
| Charlie Vaughan | Key Second Assistant Director | |
| Franco Salamon | Stunt Coordinator | |
| Eunice Huthart | Stunt Coordinator | |
| Massimilano Ubaldi | Stunt Coordinator | |
| Katelin Arizmendi | Second Unit Director/Director of Photography | |
| Katie Spencer | Set Decorator | |
| Colin Nicolson | Sound Mixer | |
| Giles Harding | Visual Effects Supervisor | |
| John Warhurst | Supervising Music Editor | |
| Tania Blunden | Post-Production Supervisor | |
| Craig Berkey | Supervising Sound Editor | |
| Becki Ponting | Supervising Sound Editor | |
| Jannika Oberg | Production Supervisor | |
| Elaine Kusmishko | Supervising Art Director | |
| Gianpaolo Rifino | Supervising Art Director | |
| Dean Clegg | Senior Art Director | |
| Phil Harvey | Art Director | |
| Clara Gomez Del Moral | Art Director | |
| Massimo Pauletto | Art Director | |
| Paula Casarin | Script Supervisor | |
| Laura Solari | Make up | |
| Marta Roggero | Make-up and Hair Designer | |
| Nicola Iles | Make-up and Hair Designer | |
| Elise Anderson | First Assistant Editor | |
| Stefano Corridori | Special Effects Supervisor | |
| Adam Richards | Supervising Location Manager | |
| Dimitri Di Noto | Location Manager | |
| Chiara Scardamaglia | Location Manager | |
| Artemis Oikonomopoulou | Visual Effects Supervisor | |
| George Tully | Visual Effects Producer | |
| Paul Edwards | Visual Effects Producer | |
| Paul Carter | Sound Designer | |
| Michael Maroussas | Dialogue Editor | |
| Robert Weatherall | Foley Editor | |
| Keith Partridge | Foley Mixer | |
| Craig Berkey | Supervising Re-Recording Mixer | |
| Paul Carter | Re-recording Mixer | |
| Paul Cotterell | Re-recording Mixer | |
| Becki Ponting | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.