The Damned (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,342,796 | Details |
| International Box Office | $12,704 | Details |
| Worldwide Box Office | $1,355,500 | |
| OpusData ID: 683620100 More info... | ||
| Further financial details... | ||
Synopsis
The Damned follows a 19th-century widow who is tasked with making an impossible choice when a ship sinks off the coast of her isolated fishing outpost during the middle of an especially cruel winter. With provisions running low, Eva and her close-knit community must choose between rescuing the shipwrecked crew and prioritizing their own survival. Facing the consequences of their decision and tormented by guilt, the inhabitants wrestle with a mounting sense of dread and begin to believe they are all being punished for their choices.
Metrics
| Opening Weekend: | $769,721 (57.3% of total gross) |
| Legs: | 1.74 (domestic box office/biggest weekend) |
| Domestic Share: | 99.1% (domestic box office/worldwide) |
| Theater counts: | 732 opening theaters/732 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,342,796 |
Movie Details
| Domestic Releases: | January 3rd, 2025 (Wide) by Vertical Entertainment |
| International Releases: | January 10th, 2025 (Wide) (United Kingdom) |
| MPA Rating: | R for bloody violent content, suicide and some language. (Rating bulletin 2865 (cert #55305), 12/18/2024) |
| Running Time: | 89 minutes |
| Filming location (country): | Iceland |
| Geographical setting: | Iceland |
| Plot point: | Disaster, On a Boat |
| Social setting: | Famine |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Ley Line, Wild Atlantic Pictures, Elation Pictures, FIS Eireann, BCP Asset Management, UK Global Screen Fund, Wallimage, BNP Paribas Film Fund, Fortis Film Fund, Protagonist Pictures, Screen Ireland, DR Nordisk Film & TV Fond, Wrong Men , Join Motion Pictures |
| Production Countries: | Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2025 | 13 | $769,721 | 732 | $1,052 | $769,721 | 1 | |
| Jan 10, 2025 | - | $183,649 | -76% | 563 | $326 | $1,252,282 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 3, 2025 | 13 | $325,172 | 732 | $444 | $325,172 | 1 | ||
| Jan 4, 2025 | 13 | $279,851 | -14% | 732 | $382 | $605,023 | 2 | |
| Jan 5, 2025 | 13 | $164,698 | -41% | 732 | $225 | $769,721 | 3 | |
| Jan 6, 2025 | 12 | $71,446 | -57% | 732 | $98 | $841,167 | 4 | |
| Jan 7, 2025 | 12 | $100,253 | +40% | 732 | $137 | $941,420 | 5 | |
| Jan 8, 2025 | 12 | $78,263 | -22% | 732 | $107 | $1,019,683 | 6 | |
| Jan 9, 2025 | 12 | $48,950 | -37% | 732 | $67 | $1,068,633 | 7 | |
| Jan 10, 2025 | - | $48,635 | -1% | -85% | 563 | $86 | $1,117,268 | 8 |
| Jan 11, 2025 | - | $79,932 | +64% | -71% | 563 | $142 | $1,197,200 | 9 |
| Jan 12, 2025 | - | $55,082 | -31% | -67% | 563 | $98 | $1,252,282 | 10 |
| Jan 13, 2025 | - | $22,924 | -58% | -68% | 563 | $41 | $1,275,206 | 11 |
| Jan 14, 2025 | - | $30,706 | +34% | -69% | 563 | $55 | $1,305,912 | 12 |
| Jan 15, 2025 | - | $27,113 | -12% | -65% | 563 | $48 | $1,333,025 | 13 |
| Jan 16, 2025 | - | $9,771 | -64% | -80% | 563 | $17 | $1,342,796 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2025 | 12 | $1,068,633 | 732 | $1,460 | $1,068,633 | 1 | |
| Jan 10, 2025 | 18 | $274,163 | -74% | 563 | $487 | $1,342,796 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 1/10/2025 | $12,704 | 58 | 58 | 58 | $12,704 | 1/14/2025 | |||
| International Total | $12,704 | 1/14/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Odessa Young | Eva |
Supporting
| Joe Cole | ||
| Siobhan Finneran | ||
| Rory McCann | ||
| Turlough Convery | ||
| Lewis Gribben | ||
| Fran McGee | ||
| Michael Og Lane |
Production and Technical Credits
| Thordur Palsson | Director | |
| Jamie Hannigan | Screenwriter | |
| Thordur Palsson | Story by | |
| Emilie Jouffroy | Producer | |
| Kamilla Kristiane Hodol | Producer | |
| John Keville | Producer | |
| Conor Barry | Producer | |
| Tim Headington | Producer | |
| Theresa Steele Page | Producer | |
| Nate Kamiya | Producer | |
| Guðmundur Arnar Guðmundsson | Co-Producer | |
| Anton Máni Svansson | Co-Producer | |
| Benoit Roland | Co-Producer | |
| David Darby | Executive Producer | |
| Lauren Shelton | Executive Producer | |
| John Gleeson | Executive Producer | |
| Oisin O’Neill | Executive Producer | |
| Niamh Fagan | Executive Producer | |
| Dave Bishop | Executive Producer | |
| George Hamilton | Executive Producer | |
| Luane Gauer | Executive Producer | |
| Stephen McKeon | Composer | |
| Philippe Charbonnel | Re-recording Mixer | |
| Quentin Collette | Sound Designer | |
| Tony Cranstoun | Editor | |
| Nathan Nugent | Editor | |
| Helen Beaumont | Costume Designer | |
| Frosti Fridriksson | Production Designer | |
| Eli Arenson | Director of Photography | |
| Jessie Frost | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The Damned follows a 19th-century widow who is tasked with making an impossible choice when a ship sinks off the coast of her isolated fishing outpost during the middle of an especially cruel winter. With provisions running low, Eva and her close-knit community must choose between rescuing the shipwrecked crew and prioritizing their own survival. Facing the consequences of their decision and tormented by guilt, the inhabitants wrestle with a mounting sense of dread and begin to believe they are all being punished for their choices.
Metrics
| Opening Weekend: | $769,721 (57.3% of total gross) |
| Legs: | 1.74 (domestic box office/biggest weekend) |
| Domestic Share: | 99.1% (domestic box office/worldwide) |
| Theater counts: | 732 opening theaters/732 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,342,796 |
Movie Details
| Domestic Releases: | January 3rd, 2025 (Wide) by Vertical Entertainment |
| International Releases: | January 10th, 2025 (Wide) (United Kingdom) |
| MPA Rating: | R for bloody violent content, suicide and some language. (Rating bulletin 2865 (cert #55305), 12/18/2024) |
| Running Time: | 89 minutes |
| Filming location (country): | Iceland |
| Geographical setting: | Iceland |
| Plot point: | Disaster, On a Boat |
| Social setting: | Famine |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Ley Line, Wild Atlantic Pictures, Elation Pictures, FIS Eireann, BCP Asset Management, UK Global Screen Fund, Wallimage, BNP Paribas Film Fund, Fortis Film Fund, Protagonist Pictures, Screen Ireland, DR Nordisk Film & TV Fond, Wrong Men , Join Motion Pictures |
| Production Countries: | Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2025 | 13 | $769,721 | 732 | $1,052 | $769,721 | 1 | |
| Jan 10, 2025 | - | $183,649 | -76% | 563 | $326 | $1,252,282 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 3, 2025 | 13 | $325,172 | 732 | $444 | $325,172 | 1 | ||
| Jan 4, 2025 | 13 | $279,851 | -14% | 732 | $382 | $605,023 | 2 | |
| Jan 5, 2025 | 13 | $164,698 | -41% | 732 | $225 | $769,721 | 3 | |
| Jan 6, 2025 | 12 | $71,446 | -57% | 732 | $98 | $841,167 | 4 | |
| Jan 7, 2025 | 12 | $100,253 | +40% | 732 | $137 | $941,420 | 5 | |
| Jan 8, 2025 | 12 | $78,263 | -22% | 732 | $107 | $1,019,683 | 6 | |
| Jan 9, 2025 | 12 | $48,950 | -37% | 732 | $67 | $1,068,633 | 7 | |
| Jan 10, 2025 | - | $48,635 | -1% | -85% | 563 | $86 | $1,117,268 | 8 |
| Jan 11, 2025 | - | $79,932 | +64% | -71% | 563 | $142 | $1,197,200 | 9 |
| Jan 12, 2025 | - | $55,082 | -31% | -67% | 563 | $98 | $1,252,282 | 10 |
| Jan 13, 2025 | - | $22,924 | -58% | -68% | 563 | $41 | $1,275,206 | 11 |
| Jan 14, 2025 | - | $30,706 | +34% | -69% | 563 | $55 | $1,305,912 | 12 |
| Jan 15, 2025 | - | $27,113 | -12% | -65% | 563 | $48 | $1,333,025 | 13 |
| Jan 16, 2025 | - | $9,771 | -64% | -80% | 563 | $17 | $1,342,796 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2025 | 12 | $1,068,633 | 732 | $1,460 | $1,068,633 | 1 | |
| Jan 10, 2025 | 18 | $274,163 | -74% | 563 | $487 | $1,342,796 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 1/10/2025 | $12,704 | 58 | 58 | 58 | $12,704 | 1/14/2025 | |||
| International Total | $12,704 | 1/14/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Odessa Young | Eva |
Supporting
| Joe Cole | ||
| Siobhan Finneran | ||
| Rory McCann | ||
| Turlough Convery | ||
| Lewis Gribben | ||
| Fran McGee | ||
| Michael Og Lane |
Production and Technical Credits
| Thordur Palsson | Director | |
| Jamie Hannigan | Screenwriter | |
| Thordur Palsson | Story by | |
| Emilie Jouffroy | Producer | |
| Kamilla Kristiane Hodol | Producer | |
| John Keville | Producer | |
| Conor Barry | Producer | |
| Tim Headington | Producer | |
| Theresa Steele Page | Producer | |
| Nate Kamiya | Producer | |
| Guðmundur Arnar Guðmundsson | Co-Producer | |
| Anton Máni Svansson | Co-Producer | |
| Benoit Roland | Co-Producer | |
| David Darby | Executive Producer | |
| Lauren Shelton | Executive Producer | |
| John Gleeson | Executive Producer | |
| Oisin O’Neill | Executive Producer | |
| Niamh Fagan | Executive Producer | |
| Dave Bishop | Executive Producer | |
| George Hamilton | Executive Producer | |
| Luane Gauer | Executive Producer | |
| Stephen McKeon | Composer | |
| Philippe Charbonnel | Re-recording Mixer | |
| Quentin Collette | Sound Designer | |
| Tony Cranstoun | Editor | |
| Nathan Nugent | Editor | |
| Helen Beaumont | Costume Designer | |
| Frosti Fridriksson | Production Designer | |
| Eli Arenson | Director of Photography | |
| Jessie Frost | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.