Dancer (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $62,578 | Details |
| International Box Office | $1,256,995 | Details |
| Worldwide Box Office | $1,319,573 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $108,964 | |
| Total | $108,964 | |
| OpusData ID: 266820100 More info... | ||
| Further financial details... | ||
Synopsis
Blessed with astonishing power and poise, Sergei Polunin took the dance world by storm and became the Royal ballet’s youngest ever principal. At the peak of his success, aged 25, he walked away, driven to the brink of self-destruction by stardom—his talent more a burden than a gift. Here is an unprecedented look into the life of a complex young man who has made ballet go viral. Urban rebel, iconoclast, airborne angel, Sergei is transforming the shape of ballet as we know it. But virtuosity comes with a high price. How can you be free to be yourself when you are ballet’s “hottest property?”
Metrics
| Opening Weekend: | $7,140 (11.4% of total gross) |
| Legs: | 2.40 (domestic box office/biggest weekend) |
| Domestic Share: | 4.7% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,519 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Limited) by IFC Films |
| International Releases: | December 2nd, 2016 (Wide) (Australia)
December 9th, 2016 (Wide) (New Zealand) March 10th, 2017 (Wide) (United Kingdom) March 15th, 2017 (Wide) (Netherlands) March 31st, 2017 (Wide) (South Korea) ... Show all releases |
| Video Release: | January 17th, 2017 by Mpi Home Video |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Geographical setting: | Moscow, England, London, Russia, Ukraine |
| Plot point: | Narcotics, Scandal |
| Social setting: | Ballet, Retirement |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | BBC Films, Magnolia Mae Films, Stick Figure Studios, Baby Cow |
| Production Countries: | United Kingdom |
| Languages: | English, Ukrainian, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 81 | $7,140 | 1 | $7,140 | $7,140 | 1 | |
| Sep 16, 2016 | 56 | $26,050 | +265% | 6 | $4,342 | $35,014 | 2 |
| Sep 23, 2016 | 71 | $9,463 | -64% | 10 | $946 | $53,954 | 3 |
| Sep 30, 2016 | 85 | $3,242 | -66% | 9 | $360 | $62,578 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 85 | $8,964 | 1 | $8,964 | $8,964 | 1 | |
| Sep 16, 2016 | 57 | $35,527 | +296% | 7 | $5,075 | $44,491 | 2 |
| Sep 23, 2016 | 70 | $14,845 | -58% | 10 | $1,485 | $59,336 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/2/2016 | $6,312 | 8 | 10 | 54 | $74,067 | 3/23/2017 | |||
| Netherlands | 3/15/2017 | $14,856 | 21 | 21 | 64 | $76,214 | 4/21/2017 | |||
| New Zealand | 12/9/2016 | $18,689 | 25 | 28 | 269 | $146,604 | 5/1/2017 | |||
| Russia (CIS) | 5/19/2017 | $22,818 | 27 | 27 | 72 | $88,614 | 1/1/2019 | |||
| South Korea | 3/31/2017 | $0 | 0 | 43 | 219 | $341,640 | 4/4/2026 | |||
| Spain | 5/19/2017 | $9,396 | 14 | 14 | 46 | $38,885 | 6/27/2017 | |||
| United Kingdom | 3/10/2017 | $248,722 | 16 | 16 | 44 | $337,274 | 5/24/2017 | |||
| Rest of World | $153,697 | |||||||||
| International Total | $1,256,995 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Sergei Polunin | Himself |
Interviewee
| Galyna Polunina | Herself | |
| Vladymyr Polunin | Himself | |
| Jade Hale Christofi | Herself | |
| Valentino Zucchetti | Himself | |
| Igor Zelensky | Himself | |
| Galina Ivanovna | Herself | |
| David LaChapelle | Himself | |
| Larysa Lavrikova | Herself | |
| Salvatore Scalzo | Himself |
Production and Technical Credits
| Steven Cantor | Director | |
| Gabrielle Tana | Producer | |
| Carolyn Marks Blackwood | Executive Producer | |
| Christine Langan | Executive Producer | |
| Nichola Martin | Executive Producer | |
| Kim Thomas | Executive Producer | |
| Steve Coogan | Executive Producer | |
| Henry Normal | Executive Producer | |
| Mark Wolf | Director of Photography | |
| Tom Hurwitz | Director of Photography | |
| Vladimir Krug | Director of Photography | |
| David La Chapelle | Additional Photography | |
| Federico Rosenzvit | Editor | |
| Ilan Eshkeri | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Blessed with astonishing power and poise, Sergei Polunin took the dance world by storm and became the Royal ballet’s youngest ever principal. At the peak of his success, aged 25, he walked away, driven to the brink of self-destruction by stardom—his talent more a burden than a gift. Here is an unprecedented look into the life of a complex young man who has made ballet go viral. Urban rebel, iconoclast, airborne angel, Sergei is transforming the shape of ballet as we know it. But virtuosity comes with a high price. How can you be free to be yourself when you are ballet’s “hottest property?”
Metrics
| Opening Weekend: | $7,140 (11.4% of total gross) |
| Legs: | 2.40 (domestic box office/biggest weekend) |
| Domestic Share: | 4.7% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,519 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Limited) by IFC Films |
| International Releases: | December 2nd, 2016 (Wide) (Australia)
December 9th, 2016 (Wide) (New Zealand) March 10th, 2017 (Wide) (United Kingdom) March 15th, 2017 (Wide) (Netherlands) March 31st, 2017 (Wide) (South Korea) ... Show all releases |
| Video Release: | January 17th, 2017 by Mpi Home Video |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Geographical setting: | Moscow, England, London, Russia, Ukraine |
| Plot point: | Narcotics, Scandal |
| Social setting: | Ballet, Retirement |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | BBC Films, Magnolia Mae Films, Stick Figure Studios, Baby Cow |
| Production Countries: | United Kingdom |
| Languages: | English, Ukrainian, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 81 | $7,140 | 1 | $7,140 | $7,140 | 1 | |
| Sep 16, 2016 | 56 | $26,050 | +265% | 6 | $4,342 | $35,014 | 2 |
| Sep 23, 2016 | 71 | $9,463 | -64% | 10 | $946 | $53,954 | 3 |
| Sep 30, 2016 | 85 | $3,242 | -66% | 9 | $360 | $62,578 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 85 | $8,964 | 1 | $8,964 | $8,964 | 1 | |
| Sep 16, 2016 | 57 | $35,527 | +296% | 7 | $5,075 | $44,491 | 2 |
| Sep 23, 2016 | 70 | $14,845 | -58% | 10 | $1,485 | $59,336 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/2/2016 | $6,312 | 8 | 10 | 54 | $74,067 | 3/23/2017 | |||
| Netherlands | 3/15/2017 | $14,856 | 21 | 21 | 64 | $76,214 | 4/21/2017 | |||
| New Zealand | 12/9/2016 | $18,689 | 25 | 28 | 269 | $146,604 | 5/1/2017 | |||
| Russia (CIS) | 5/19/2017 | $22,818 | 27 | 27 | 72 | $88,614 | 1/1/2019 | |||
| South Korea | 3/31/2017 | $0 | 0 | 43 | 219 | $341,640 | 4/4/2026 | |||
| Spain | 5/19/2017 | $9,396 | 14 | 14 | 46 | $38,885 | 6/27/2017 | |||
| United Kingdom | 3/10/2017 | $248,722 | 16 | 16 | 44 | $337,274 | 5/24/2017 | |||
| Rest of World | $153,697 | |||||||||
| International Total | $1,256,995 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Sergei Polunin | Himself |
Interviewee
| Galyna Polunina | Herself | |
| Vladymyr Polunin | Himself | |
| Jade Hale Christofi | Herself | |
| Valentino Zucchetti | Himself | |
| Igor Zelensky | Himself | |
| Galina Ivanovna | Herself | |
| David LaChapelle | Himself | |
| Larysa Lavrikova | Herself | |
| Salvatore Scalzo | Himself |
Production and Technical Credits
| Steven Cantor | Director | |
| Gabrielle Tana | Producer | |
| Carolyn Marks Blackwood | Executive Producer | |
| Christine Langan | Executive Producer | |
| Nichola Martin | Executive Producer | |
| Kim Thomas | Executive Producer | |
| Steve Coogan | Executive Producer | |
| Henry Normal | Executive Producer | |
| Mark Wolf | Director of Photography | |
| Tom Hurwitz | Director of Photography | |
| Vladimir Krug | Director of Photography | |
| David La Chapelle | Additional Photography | |
| Federico Rosenzvit | Editor | |
| Ilan Eshkeri | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.