Dangerous Animals (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $2,738,137 | Details |
| International Box Office | $2,762,374 | Details |
| Worldwide Box Office | $5,500,511 | |
| OpusData ID: 722340100 More info... | ||
| Further financial details... | ||
Synopsis
When Zephyr, a rebellious surfer, is abducted by a shark-obsessed serial killer and held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below.
Metrics
| Opening Weekend: | $1,563,961 (57.1% of total gross) |
| Legs: | 1.75 (domestic box office/biggest weekend) |
| Domestic Share: | 49.8% (domestic box office/worldwide) |
| Theater counts: | 1,636 opening theaters/1,636 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,738,137 |
Movie Details
| Domestic Releases: | June 6th, 2025 (Wide) by IFC Entertainment Group |
| International Releases: | June 6th, 2025 (Wide) (United Kingdom)
June 11th, 2025 (Wide) (Switzerland) June 12th, 2025 (Wide) (Australia) June 12th, 2025 (Wide) (New Zealand) June 12th, 2025 (Wide) (Denmark) ... Show all releases |
| Video Release: | July 22nd, 2025 by IFC Video |
| MPA Rating: | R for strong bloody violent content/grisly images, sexuality, language and brief drug use. (Rating bulletin 2879 (cert #55425), 4/2/2025) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Filming location (country): | Australia |
| Plot point: | Animals Gone Bad, Kidnap, On a Boat, Serial Killer |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Independent Film Co., Shudder, LD Entertainment, Brouhaha Entertainment, Range Media Partners, Oddfellows Entertainment |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 11 | $1,563,961 | 1,636 | $956 | $1,563,961 | 1 | |
| Jun 13, 2025 | - | $271,386 | -83% | 966 | $281 | $2,502,060 | 2 |
| Jun 20, 2025 | - | $16,965 | -94% | 88 | $193 | $2,702,166 | 3 |
| Jun 27, 2025 | - | $12,692 | -25% | 17 | $747 | $2,723,196 | 4 |
| Jul 4, 2025 | - | $2,618 | -79% | 17 | $154 | $2,730,961 | 5 |
| Jul 11, 2025 | - | $1,830 | -30% | 3 | $610 | $2,732,791 | 6 |
| Jul 18, 2025 | - | $3,521 | +92% | 2 | $1,761 | $2,737,002 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 10 | $759,590 | 1,636 | $464 | $759,590 | 1 | ||
| Jun 7, 2025 | 11 | $464,195 | -39% | 1,636 | $284 | $1,223,785 | 2 | |
| Jun 8, 2025 | - | $340,176 | -27% | 1,636 | $208 | $1,563,961 | 3 | |
| Jun 9, 2025 | - | $177,462 | -48% | 1,636 | $108 | $1,741,423 | 4 | |
| Jun 10, 2025 | - | $232,291 | +31% | 1,636 | $142 | $1,973,714 | 5 | |
| Jun 11, 2025 | - | $158,170 | -32% | 1,636 | $97 | $2,131,884 | 6 | |
| Jun 12, 2025 | - | $98,790 | -38% | 1,636 | $60 | $2,230,674 | 7 | |
| Jun 13, 2025 | - | $83,338 | -16% | -89% | 966 | $86 | $2,314,012 | 8 |
| Jun 14, 2025 | - | $109,588 | +31% | -76% | 966 | $113 | $2,423,600 | 9 |
| Jun 15, 2025 | - | $78,460 | -28% | -77% | 966 | $81 | $2,502,060 | 10 |
| Jun 16, 2025 | - | $46,844 | -40% | -74% | 966 | $48 | $2,548,904 | 11 |
| Jun 17, 2025 | 15 | $61,254 | +31% | -74% | 966 | $63 | $2,610,158 | 12 |
| Jun 18, 2025 | 15 | $55,168 | -10% | -65% | 966 | $57 | $2,665,326 | 13 |
| Jun 19, 2025 | 15 | $24,875 | -55% | -75% | 966 | $26 | $2,685,201 | 14 |
| Jun 20, 2025 | - | $5,451 | -78% | -93% | 88 | $62 | $2,690,652 | 15 |
| Jun 21, 2025 | - | $7,807 | +43% | -93% | 88 | $89 | $2,698,459 | 16 |
| Jun 22, 2025 | - | $3,707 | -53% | -95% | 88 | $42 | $2,702,166 | 17 |
| Jun 23, 2025 | - | $2,173 | -41% | -95% | 88 | $25 | $2,704,339 | 18 |
| Jun 24, 2025 | - | $3,357 | +54% | -95% | 88 | $38 | $2,707,696 | 19 |
| Jun 25, 2025 | - | $1,828 | -46% | -97% | 88 | $21 | $2,709,524 | 20 |
| Jun 26, 2025 | - | $980 | -46% | -96% | 88 | $11 | $2,710,504 | 21 |
| Jun 27, 2025 | - | $4,227 | +331% | -22% | 17 | $249 | $2,714,731 | 22 |
| Jun 28, 2025 | - | $7,157 | +69% | -8% | 17 | $421 | $2,721,888 | 23 |
| Jun 29, 2025 | - | $1,308 | -82% | -65% | 17 | $77 | $2,723,196 | 24 |
| Jun 30, 2025 | - | $1,938 | +48% | -11% | 17 | $114 | $2,725,134 | 25 |
| Jul 1, 2025 | - | $358 | -82% | -89% | 17 | $21 | $2,725,492 | 26 |
| Jul 2, 2025 | - | $879 | +146% | -52% | 17 | $52 | $2,726,371 | 27 |
| Jul 3, 2025 | - | $1,358 | +54% | +39% | 17 | $80 | $2,727,729 | 28 |
| Jul 4, 2025 | - | $506 | -63% | -88% | 17 | $30 | $2,728,235 | 29 |
| Jul 5, 2025 | - | $1,448 | +186% | -80% | 17 | $85 | $2,729,683 | 30 |
| Jul 6, 2025 | - | $664 | -54% | -49% | 17 | $39 | $2,730,347 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 11 | $2,225,674 | 1,636 | $1,360 | $2,225,674 | 1 | |
| Jun 13, 2025 | 17 | $454,527 | -80% | 966 | $471 | $2,685,201 | 2 |
| Jun 20, 2025 | 26 | $25,303 | -94% | 88 | $288 | $2,710,504 | 3 |
| Jun 27, 2025 | 31 | $17,225 | -32% | 17 | $1,013 | $2,727,729 | 4 |
| Jul 11, 2025 | 44 | $2,520 | 3 | $840 | $2,733,481 | 6 | |
| Jul 18, 2025 | 39 | $4,656 | +85% | 2 | $2,328 | $2,738,137 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/2025 | $140,701 | 188 | 188 | 0 | $302,789 | 4/6/2026 | |||
| China | 6/5/2026 | $34,439 | 0 | 0 | 0 | $56,082 | 7/12/2026 | |||
| Croatia | 6/12/2025 | $9,378 | 34 | 34 | 59 | $24,113 | 4/4/2026 | |||
| Finland | 6/13/2025 | $9,814 | 52 | 53 | 97 | $47,775 | 4/21/2026 | |||
| Italy | 8/20/2025 | $175,929 | 0 | 0 | 0 | $361,071 | 4/4/2026 | |||
| Mexico | 9/18/2025 | $511,567 | 0 | 0 | 0 | $799,630 | 4/4/2026 | |||
| Netherlands | 9/11/2025 | $54,262 | 60 | 87 | 147 | $124,544 | 4/6/2026 | |||
| New Zealand | 6/12/2025 | $11,441 | 45 | 45 | 0 | $18,710 | 4/6/2026 | |||
| Portugal | 7/3/2025 | $684 | 13 | 13 | 24 | $1,802 | 4/4/2026 | |||
| Romania | 7/25/2025 | $20,958 | 56 | 56 | 0 | $62,703 | 4/4/2026 | |||
| Russia (CIS) | 7/10/2025 | $201,850 | 1,030 | 1,030 | 1,997 | $453,671 | 4/6/2026 | |||
| Slovakia | 8/21/2025 | $5,868 | 26 | 26 | 26 | $5,868 | 4/4/2026 | |||
| Spain | 8/14/2025 | $91,951 | 172 | 172 | 241 | $242,725 | 4/4/2026 | |||
| Turkey | 10/3/2025 | $33,147 | 106 | 106 | 196 | $81,877 | 4/4/2026 | |||
| United Kingdom | 6/6/2025 | $179,014 | 246 | 246 | 246 | $179,014 | 4/4/2026 | |||
| International Total | $2,762,374 | 7/12/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hassie Harrison | Zephyr | |
| Josh Heuston | Moses | |
| Jai Courtney | Tucker |
Supporting
| Rob Carlton | Dave | |
| Ella Newton | Heather | |
| Liam Greinke | Greg |
Production and Technical Credits
| Sean Byrne | Director | |
| Nick Lepard | Screenwriter | |
| Troy Lum | Producer | |
| Andrew Mason | Producer | |
| Pete Shilaimon | Producer | |
| Mickey Liddell | Producer | |
| Chris Ferguson | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Jacob Yakob | Executive Producer | |
| Joseph Yakob | Executive Producer | |
| Mehrdod Heydari | Executive Producer | |
| Michael Glassman | Executive Producer | |
| Marlaina Mah | Executive Producer | |
| Fred Berger | Executive Producer | |
| Giorgia Stawarukk | Executive Producer | |
| Shelley Farthing-Dawe | Director of Photography | |
| Kasra Rassoulzadegan | Editor | |
| Pete Baxter | Production Designer | |
| Michael Yezerski | Composer | |
| Andrew Kotatko | Music Supervisor | |
| Marion Boyce | Costume Designer | |
| David White | Sound Designer | |
| Andrew Mason | Visual Effects Supervisor | |
| Zeljka Stanin | Make-up and Hair Designer | |
| Sandy Stevens | Line Producer | |
| Nikki Barrett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Zephyr, a rebellious surfer, is abducted by a shark-obsessed serial killer and held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below.
Metrics
| Opening Weekend: | $1,563,961 (57.1% of total gross) |
| Legs: | 1.75 (domestic box office/biggest weekend) |
| Domestic Share: | 49.8% (domestic box office/worldwide) |
| Theater counts: | 1,636 opening theaters/1,636 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,738,137 |
Movie Details
| Domestic Releases: | June 6th, 2025 (Wide) by IFC Entertainment Group |
| International Releases: | June 6th, 2025 (Wide) (United Kingdom)
June 11th, 2025 (Wide) (Switzerland) June 12th, 2025 (Wide) (Australia) June 12th, 2025 (Wide) (New Zealand) June 12th, 2025 (Wide) (Denmark) ... Show all releases |
| Video Release: | July 22nd, 2025 by IFC Video |
| MPA Rating: | R for strong bloody violent content/grisly images, sexuality, language and brief drug use. (Rating bulletin 2879 (cert #55425), 4/2/2025) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Filming location (country): | Australia |
| Plot point: | Animals Gone Bad, Kidnap, On a Boat, Serial Killer |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Independent Film Co., Shudder, LD Entertainment, Brouhaha Entertainment, Range Media Partners, Oddfellows Entertainment |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 11 | $1,563,961 | 1,636 | $956 | $1,563,961 | 1 | |
| Jun 13, 2025 | - | $271,386 | -83% | 966 | $281 | $2,502,060 | 2 |
| Jun 20, 2025 | - | $16,965 | -94% | 88 | $193 | $2,702,166 | 3 |
| Jun 27, 2025 | - | $12,692 | -25% | 17 | $747 | $2,723,196 | 4 |
| Jul 4, 2025 | - | $2,618 | -79% | 17 | $154 | $2,730,961 | 5 |
| Jul 11, 2025 | - | $1,830 | -30% | 3 | $610 | $2,732,791 | 6 |
| Jul 18, 2025 | - | $3,521 | +92% | 2 | $1,761 | $2,737,002 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 10 | $759,590 | 1,636 | $464 | $759,590 | 1 | ||
| Jun 7, 2025 | 11 | $464,195 | -39% | 1,636 | $284 | $1,223,785 | 2 | |
| Jun 8, 2025 | - | $340,176 | -27% | 1,636 | $208 | $1,563,961 | 3 | |
| Jun 9, 2025 | - | $177,462 | -48% | 1,636 | $108 | $1,741,423 | 4 | |
| Jun 10, 2025 | - | $232,291 | +31% | 1,636 | $142 | $1,973,714 | 5 | |
| Jun 11, 2025 | - | $158,170 | -32% | 1,636 | $97 | $2,131,884 | 6 | |
| Jun 12, 2025 | - | $98,790 | -38% | 1,636 | $60 | $2,230,674 | 7 | |
| Jun 13, 2025 | - | $83,338 | -16% | -89% | 966 | $86 | $2,314,012 | 8 |
| Jun 14, 2025 | - | $109,588 | +31% | -76% | 966 | $113 | $2,423,600 | 9 |
| Jun 15, 2025 | - | $78,460 | -28% | -77% | 966 | $81 | $2,502,060 | 10 |
| Jun 16, 2025 | - | $46,844 | -40% | -74% | 966 | $48 | $2,548,904 | 11 |
| Jun 17, 2025 | 15 | $61,254 | +31% | -74% | 966 | $63 | $2,610,158 | 12 |
| Jun 18, 2025 | 15 | $55,168 | -10% | -65% | 966 | $57 | $2,665,326 | 13 |
| Jun 19, 2025 | 15 | $24,875 | -55% | -75% | 966 | $26 | $2,685,201 | 14 |
| Jun 20, 2025 | - | $5,451 | -78% | -93% | 88 | $62 | $2,690,652 | 15 |
| Jun 21, 2025 | - | $7,807 | +43% | -93% | 88 | $89 | $2,698,459 | 16 |
| Jun 22, 2025 | - | $3,707 | -53% | -95% | 88 | $42 | $2,702,166 | 17 |
| Jun 23, 2025 | - | $2,173 | -41% | -95% | 88 | $25 | $2,704,339 | 18 |
| Jun 24, 2025 | - | $3,357 | +54% | -95% | 88 | $38 | $2,707,696 | 19 |
| Jun 25, 2025 | - | $1,828 | -46% | -97% | 88 | $21 | $2,709,524 | 20 |
| Jun 26, 2025 | - | $980 | -46% | -96% | 88 | $11 | $2,710,504 | 21 |
| Jun 27, 2025 | - | $4,227 | +331% | -22% | 17 | $249 | $2,714,731 | 22 |
| Jun 28, 2025 | - | $7,157 | +69% | -8% | 17 | $421 | $2,721,888 | 23 |
| Jun 29, 2025 | - | $1,308 | -82% | -65% | 17 | $77 | $2,723,196 | 24 |
| Jun 30, 2025 | - | $1,938 | +48% | -11% | 17 | $114 | $2,725,134 | 25 |
| Jul 1, 2025 | - | $358 | -82% | -89% | 17 | $21 | $2,725,492 | 26 |
| Jul 2, 2025 | - | $879 | +146% | -52% | 17 | $52 | $2,726,371 | 27 |
| Jul 3, 2025 | - | $1,358 | +54% | +39% | 17 | $80 | $2,727,729 | 28 |
| Jul 4, 2025 | - | $506 | -63% | -88% | 17 | $30 | $2,728,235 | 29 |
| Jul 5, 2025 | - | $1,448 | +186% | -80% | 17 | $85 | $2,729,683 | 30 |
| Jul 6, 2025 | - | $664 | -54% | -49% | 17 | $39 | $2,730,347 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 11 | $2,225,674 | 1,636 | $1,360 | $2,225,674 | 1 | |
| Jun 13, 2025 | 17 | $454,527 | -80% | 966 | $471 | $2,685,201 | 2 |
| Jun 20, 2025 | 26 | $25,303 | -94% | 88 | $288 | $2,710,504 | 3 |
| Jun 27, 2025 | 31 | $17,225 | -32% | 17 | $1,013 | $2,727,729 | 4 |
| Jul 11, 2025 | 44 | $2,520 | 3 | $840 | $2,733,481 | 6 | |
| Jul 18, 2025 | 39 | $4,656 | +85% | 2 | $2,328 | $2,738,137 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/2025 | $140,701 | 188 | 188 | 0 | $302,789 | 4/6/2026 | |||
| China | 6/5/2026 | $34,439 | 0 | 0 | 0 | $56,082 | 7/12/2026 | |||
| Croatia | 6/12/2025 | $9,378 | 34 | 34 | 59 | $24,113 | 4/4/2026 | |||
| Finland | 6/13/2025 | $9,814 | 52 | 53 | 97 | $47,775 | 4/21/2026 | |||
| Italy | 8/20/2025 | $175,929 | 0 | 0 | 0 | $361,071 | 4/4/2026 | |||
| Mexico | 9/18/2025 | $511,567 | 0 | 0 | 0 | $799,630 | 4/4/2026 | |||
| Netherlands | 9/11/2025 | $54,262 | 60 | 87 | 147 | $124,544 | 4/6/2026 | |||
| New Zealand | 6/12/2025 | $11,441 | 45 | 45 | 0 | $18,710 | 4/6/2026 | |||
| Portugal | 7/3/2025 | $684 | 13 | 13 | 24 | $1,802 | 4/4/2026 | |||
| Romania | 7/25/2025 | $20,958 | 56 | 56 | 0 | $62,703 | 4/4/2026 | |||
| Russia (CIS) | 7/10/2025 | $201,850 | 1,030 | 1,030 | 1,997 | $453,671 | 4/6/2026 | |||
| Slovakia | 8/21/2025 | $5,868 | 26 | 26 | 26 | $5,868 | 4/4/2026 | |||
| Spain | 8/14/2025 | $91,951 | 172 | 172 | 241 | $242,725 | 4/4/2026 | |||
| Turkey | 10/3/2025 | $33,147 | 106 | 106 | 196 | $81,877 | 4/4/2026 | |||
| United Kingdom | 6/6/2025 | $179,014 | 246 | 246 | 246 | $179,014 | 4/4/2026 | |||
| International Total | $2,762,374 | 7/12/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hassie Harrison | Zephyr | |
| Josh Heuston | Moses | |
| Jai Courtney | Tucker |
Supporting
| Rob Carlton | Dave | |
| Ella Newton | Heather | |
| Liam Greinke | Greg |
Production and Technical Credits
| Sean Byrne | Director | |
| Nick Lepard | Screenwriter | |
| Troy Lum | Producer | |
| Andrew Mason | Producer | |
| Pete Shilaimon | Producer | |
| Mickey Liddell | Producer | |
| Chris Ferguson | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Jacob Yakob | Executive Producer | |
| Joseph Yakob | Executive Producer | |
| Mehrdod Heydari | Executive Producer | |
| Michael Glassman | Executive Producer | |
| Marlaina Mah | Executive Producer | |
| Fred Berger | Executive Producer | |
| Giorgia Stawarukk | Executive Producer | |
| Shelley Farthing-Dawe | Director of Photography | |
| Kasra Rassoulzadegan | Editor | |
| Pete Baxter | Production Designer | |
| Michael Yezerski | Composer | |
| Andrew Kotatko | Music Supervisor | |
| Marion Boyce | Costume Designer | |
| David White | Sound Designer | |
| Andrew Mason | Visual Effects Supervisor | |
| Zeljka Stanin | Make-up and Hair Designer | |
| Sandy Stevens | Line Producer | |
| Nikki Barrett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.