Dark River (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $7,714 | Details |
| International Box Office | $191,502 | Details |
| Worldwide Box Office | $199,216 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $5,171 | |
| Blu-ray Sales (estimated) | $4,215 | |
| Total | $9,386 | |
| OpusData ID: 310760100 More info... | ||
| Further financial details... | ||
Synopsis
Following the death of her father, Alice returns home to Yorkshire for the first time in 15 years, to claim the tenancy of the family farm she believes is rightfully hers. Once there she encounters her older brother Joe a man she barely recognizes, worn down by years of struggling to keep the farm going whilst caring for their sick father. Joe is thrown by Alice’s sudden arrival, angered by her claim and finds her presence increasingly impossible to deal with. Battling to regain control in a fraught and fragile situation, Alice must confront traumatic memories and family betrayals to find a way to restore the farm and salvage the bond with her brother before both are irrevocably lost.
Metrics
| Opening Weekend: | $4,246 (55.0% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 3.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,130 |
Movie Details
| Domestic Releases: | June 29th, 2018 (Limited) by FilmRise |
| International Releases: | February 23rd, 2018 (Limited) (United Kingdom)
July 13th, 2018 (Wide) (France) |
| Video Release: | September 4th, 2018 by FilmRise |
| MPA Rating: | Not Rated |
| Running Time: | 89 minutes |
| Plot point: | Accidental Death, Adult Child Dealing with the Death of a Parent, Child Abuse, Dysfunctional Family, Inheritance, Non-Chronological, PTSD, Sex Crimes, Taking the Rap, You Can't Go Home Again |
| Social setting: | Life on a Farm |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Film4, BFI, Screen Yorkshire, Wellcome Trust, Dark River Film Limited |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 67 | $4,246 | 2 | $2,123 | $4,246 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 70 | $7,714 | 2 | $3,857 | $7,714 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 7/13/2018 | $31,612 | 0 | 0 | 0 | $31,612 | 7/20/2018 | |||
| United Kingdom | 2/23/2018 | $58,067 | 28 | 28 | 81 | $159,890 | 4/4/2026 | |||
| International Total | $191,502 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ruth Wilson | Alice Bell | |
| Mark Stanley | Joe Bell |
Supporting
| Sean Bean | Richard Bell | |
| Shane Attwooll | Tower | |
| Dean Andrews | Matty | |
| Mike Noble | Rowan | |
| Esme Creed-Miles | Young Alice | |
| Aiden McCullough | Young Joe | |
| Jonah Russell | Pete | |
| Paul Robertson | Declan |
Production and Technical Credits
| Clio Barnard | Director | |
| Clio Barnard | Screenwriter | |
| Tracy O'Riordan | Producer | |
| Lila Rawlings | Executive Producer | |
| Andy Harries | Executive Producer | |
| Suzanne Mackie | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Rose Garnett | Executive Producer | |
| Polly Stokes | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Meroë Candy | Executive Producer | |
| Adriano Goldman | Director of Photography | |
| Nick Fenton | Editor | |
| Luke Dunkley | Editor | |
| Helen Scott | Production Designer | |
| Amy Hubbard | Casting Director | |
| Tim Barker | Sound Designer | |
| Harry Escott | Composer | |
| Matthew Price | Costume Designer | |
| Tracie Wright | Line Producer | |
| Meg Clark | Post-Production Supervisor | |
| Tony Aherne | First Assistant Director | |
| Lila Rawlings | Story Development by | |
| Rose Tremain | Story by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Following the death of her father, Alice returns home to Yorkshire for the first time in 15 years, to claim the tenancy of the family farm she believes is rightfully hers. Once there she encounters her older brother Joe a man she barely recognizes, worn down by years of struggling to keep the farm going whilst caring for their sick father. Joe is thrown by Alice’s sudden arrival, angered by her claim and finds her presence increasingly impossible to deal with. Battling to regain control in a fraught and fragile situation, Alice must confront traumatic memories and family betrayals to find a way to restore the farm and salvage the bond with her brother before both are irrevocably lost.
Metrics
| Opening Weekend: | $4,246 (55.0% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 3.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,130 |
Movie Details
| Domestic Releases: | June 29th, 2018 (Limited) by FilmRise |
| International Releases: | February 23rd, 2018 (Limited) (United Kingdom)
July 13th, 2018 (Wide) (France) |
| Video Release: | September 4th, 2018 by FilmRise |
| MPA Rating: | Not Rated |
| Running Time: | 89 minutes |
| Plot point: | Accidental Death, Adult Child Dealing with the Death of a Parent, Child Abuse, Dysfunctional Family, Inheritance, Non-Chronological, PTSD, Sex Crimes, Taking the Rap, You Can't Go Home Again |
| Social setting: | Life on a Farm |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Film4, BFI, Screen Yorkshire, Wellcome Trust, Dark River Film Limited |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 67 | $4,246 | 2 | $2,123 | $4,246 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 29, 2018 | 70 | $7,714 | 2 | $3,857 | $7,714 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 7/13/2018 | $31,612 | 0 | 0 | 0 | $31,612 | 7/20/2018 | |||
| United Kingdom | 2/23/2018 | $58,067 | 28 | 28 | 81 | $159,890 | 4/4/2026 | |||
| International Total | $191,502 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ruth Wilson | Alice Bell | |
| Mark Stanley | Joe Bell |
Supporting
| Sean Bean | Richard Bell | |
| Shane Attwooll | Tower | |
| Dean Andrews | Matty | |
| Mike Noble | Rowan | |
| Esme Creed-Miles | Young Alice | |
| Aiden McCullough | Young Joe | |
| Jonah Russell | Pete | |
| Paul Robertson | Declan |
Production and Technical Credits
| Clio Barnard | Director | |
| Clio Barnard | Screenwriter | |
| Tracy O'Riordan | Producer | |
| Lila Rawlings | Executive Producer | |
| Andy Harries | Executive Producer | |
| Suzanne Mackie | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Rose Garnett | Executive Producer | |
| Polly Stokes | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Meroë Candy | Executive Producer | |
| Adriano Goldman | Director of Photography | |
| Nick Fenton | Editor | |
| Luke Dunkley | Editor | |
| Helen Scott | Production Designer | |
| Amy Hubbard | Casting Director | |
| Tim Barker | Sound Designer | |
| Harry Escott | Composer | |
| Matthew Price | Costume Designer | |
| Tracie Wright | Line Producer | |
| Meg Clark | Post-Production Supervisor | |
| Tony Aherne | First Assistant Director | |
| Lila Rawlings | Story Development by | |
| Rose Tremain | Story by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.