Daughter of the Wolf (2019)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $7,504 | Details |
| Worldwide Box Office | $7,504 | |
| OpusData ID: 395960100 More info... | ||
| Further financial details... | ||
Synopsis
After the death of a family member, ex-military specialist, Clair Hamilton, returns home from her tour in the Middle East. When word spreads about Clair’s large inheritance, her son Charlie is kidnapped and held for ransom by a local gang led by a mysterious figure known only as “Father”. Desperate to save her son, Clair captures one of his kidnappers and forces him to lead her on a perilous journey deep into the Alaska Mountains. To rescue her son, she must form an unlikely alliance with the kidnapper and survive the wild of the far North.
Metrics
Movie Details
| Domestic Releases: | August 2nd, 2019 (Limited) by Minds Eye International |
| International Releases: | March 25th, 2021 (Wide), released as Дочь волка (Russia (CIS)) |
| Video Release: | June 14th, 2019 by Vertical Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2569 (Cert #52090), 3/13/2019) |
| Running Time: | 91 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | QME Entertainment, Minds Eye Entertainment, Falconer Pictures, VMI Worldwide, Petra Pictures, Invico Capital, The Fyzz Facility |
| Production Countries: | Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 3/25/2021 | $0 | 0 | 1 | 1 | $7,504 | 10/20/2022 | |||
| International Total | $7,504 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gina Carano | Clair Hamilton |
Supporting
| Brendan Fehr | Larsen |
Leading
| Richard Dreyfuss | Father |
Supporting
| Anton Gillis-Adelman | Charlie | |
| Sydelle Noel | Hobbs | |
| Stew McClean | Seth | |
| Joshua Murdoch | Phillip | |
| Chad Riley | Nolan |
Production and Technical Credits
| David Hackl | Director | |
| Nika Agiashvili | Screenwriter | |
| David Hackl | Screenwriter | |
| Nika Agiashvili | Story by | |
| Mark Montague | Line Producer | |
| Danielle Masters | Producer | |
| Benjamin DeWalt | Producer | |
| Kevin DeWalt | Producer | |
| Douglas Falconer | Producer | |
| Andre Relis | Executive Producer | |
| Charlie Saikaley | Executive Producer | |
| Tamer Abaza | Executive Producer | |
| Allison Taylor | Executive Producer | |
| Jason Brooks | Executive Producer | |
| Charles Auty | Executive Producer | |
| Marcel Leblanc | Executive Producer | |
| Robert B. Bricker | Executive Producer | |
| David Hackl | Executive Producer | |
| Berry Meyerowitz | Executive Producer | |
| Kathy McCoy | Executive Producer | |
| Nika Agiashvili | Executive Producer | |
| Craig Baumgarten | Executive Producer | |
| Mark Dobrescu | Director of Photography | |
| Kathy McCoy | Production Designer | |
| Jackie Dzuba | Editor | |
| Jeff Toyne | Composer | |
| Brenda Shenher | Costume Designer | |
| Deb Green | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After the death of a family member, ex-military specialist, Clair Hamilton, returns home from her tour in the Middle East. When word spreads about Clair’s large inheritance, her son Charlie is kidnapped and held for ransom by a local gang led by a mysterious figure known only as “Father”. Desperate to save her son, Clair captures one of his kidnappers and forces him to lead her on a perilous journey deep into the Alaska Mountains. To rescue her son, she must form an unlikely alliance with the kidnapper and survive the wild of the far North.
Metrics
Movie Details
| Domestic Releases: | August 2nd, 2019 (Limited) by Minds Eye International |
| International Releases: | March 25th, 2021 (Wide), released as Дочь волка (Russia (CIS)) |
| Video Release: | June 14th, 2019 by Vertical Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2569 (Cert #52090), 3/13/2019) |
| Running Time: | 91 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | QME Entertainment, Minds Eye Entertainment, Falconer Pictures, VMI Worldwide, Petra Pictures, Invico Capital, The Fyzz Facility |
| Production Countries: | Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 3/25/2021 | $0 | 0 | 1 | 1 | $7,504 | 10/20/2022 | |||
| International Total | $7,504 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gina Carano | Clair Hamilton |
Supporting
| Brendan Fehr | Larsen |
Leading
| Richard Dreyfuss | Father |
Supporting
| Anton Gillis-Adelman | Charlie | |
| Sydelle Noel | Hobbs | |
| Stew McClean | Seth | |
| Joshua Murdoch | Phillip | |
| Chad Riley | Nolan |
Production and Technical Credits
| David Hackl | Director | |
| Nika Agiashvili | Screenwriter | |
| David Hackl | Screenwriter | |
| Nika Agiashvili | Story by | |
| Mark Montague | Line Producer | |
| Danielle Masters | Producer | |
| Benjamin DeWalt | Producer | |
| Kevin DeWalt | Producer | |
| Douglas Falconer | Producer | |
| Andre Relis | Executive Producer | |
| Charlie Saikaley | Executive Producer | |
| Tamer Abaza | Executive Producer | |
| Allison Taylor | Executive Producer | |
| Jason Brooks | Executive Producer | |
| Charles Auty | Executive Producer | |
| Marcel Leblanc | Executive Producer | |
| Robert B. Bricker | Executive Producer | |
| David Hackl | Executive Producer | |
| Berry Meyerowitz | Executive Producer | |
| Kathy McCoy | Executive Producer | |
| Nika Agiashvili | Executive Producer | |
| Craig Baumgarten | Executive Producer | |
| Mark Dobrescu | Director of Photography | |
| Kathy McCoy | Production Designer | |
| Jackie Dzuba | Editor | |
| Jeff Toyne | Composer | |
| Brenda Shenher | Costume Designer | |
| Deb Green | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.