The Day Shall Come (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $26,972 | Details |
| International Box Office | $524,540 | Details |
| Worldwide Box Office | $551,512 | |
| OpusData ID: 400600100 More info... | ||
| Further financial details... | ||
Synopsis
An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a criminal by fueling his madcap revolutionary dreams. Based on 100 true stories, the explosive new film from Chris Morris is an emotionally gripping, laugh out loud thriller that exposes the dark farce at the heart of the homeland security project: It is harder to catch a real terrorist than it is to manufacture your own.
Metrics
| Opening Weekend: | $14,854 (55.1% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 4.9% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/30 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,222 |
Movie Details
| Domestic Releases: | September 27th, 2019 (Limited) by IFC Films |
| International Releases: | October 11th, 2019 (Wide) (United Kingdom)
December 9th, 2020 (Wide) (South Korea) |
| MPA Rating: | Not Rated Unrated |
| Running Time: | 88 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | See-Saw Films, Perp & Co, Archer Gray Productions, IFC Films |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 51 | $14,854 | 30 | $495 | $14,854 | 1 | |
| Oct 4, 2019 | 69 | $3,004 | -80% | 16 | $188 | $24,936 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | - | $5,073 | 30 | $169 | $5,073 | 1 | ||
| Sep 28, 2019 | - | $6,295 | +24% | 30 | $210 | $11,368 | 2 | |
| Sep 29, 2019 | - | $3,486 | -45% | 30 | $116 | $14,854 | 3 | |
| Sep 30, 2019 | - | $2,058 | -41% | 30 | $69 | $16,912 | 4 | |
| Oct 1, 2019 | - | $1,761 | -14% | 30 | $59 | $18,673 | 5 | |
| Oct 2, 2019 | - | $1,867 | +6% | 30 | $62 | $20,540 | 6 | |
| Oct 3, 2019 | - | $1,392 | -25% | 30 | $46 | $21,932 | 7 | |
| Oct 4, 2019 | - | $933 | -33% | -82% | 16 | $58 | $22,865 | 8 |
| Oct 5, 2019 | - | $1,335 | +43% | -79% | 16 | $83 | $24,200 | 9 |
| Oct 6, 2019 | - | $736 | -45% | -79% | 16 | $46 | $24,936 | 10 |
| Oct 7, 2019 | - | $361 | -51% | -82% | 16 | $23 | $25,297 | 11 |
| Oct 8, 2019 | - | $619 | +71% | -65% | 16 | $39 | $25,916 | 12 |
| Oct 9, 2019 | - | $539 | -13% | -71% | 16 | $34 | $26,455 | 13 |
| Oct 10, 2019 | - | $517 | -4% | -63% | 16 | $32 | $26,972 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 57 | $21,932 | 30 | $731 | $21,932 | 1 | |
| Oct 4, 2019 | 68 | $5,040 | -77% | 16 | $315 | $26,972 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 12/9/2020 | $3,811 | 59 | 59 | 59 | $8,062 | 12/16/2020 | |||
| United Kingdom | 10/11/2019 | $215,470 | 173 | 173 | 304 | $516,478 | 12/12/2019 | |||
| International Total | $524,540 | 12/16/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Marchánt Davis | Moses |
Supporting
| Anna Kendrick | Kendra | |
| Danielle Brooks | Venus | |
| Denis O'Hare | Andy Mudd | |
| Jim Gaffigan | Lemmy | |
| Miles Robbins | Josh | |
| Andrel McPherson | Farmer Africa | |
| Malcolm Mays | Farmer X | |
| Curtis Cook Jr | Evangaliste | |
| Kayvan Novak | Reza |
Production and Technical Credits
| Chris Morris | Director | |
| Chris Morris | Screenwriter | |
| Jesse Armstrong | Screenwriter | |
| Iain Canning | Producer | |
| Emile Sherman | Producer | |
| Anne Carey | Producer | |
| Chris Morris | Producer | |
| Derrin Schlesinger | Producer | |
| Daniel Battsek | Executive Producer | |
| Sue Bruce-Smith | Executive Producer | |
| Tessa Ross | Executive Producer | |
| Mary Burke | Executive Producer | |
| Nik Bower | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| David Kosse | Executive Producer | |
| Jennifer Roth | Executive Producer | |
| Amy Nauiokas | Executive Producer | |
| Amy Jackson | Co-Producer | |
| Scott Clackum | Co-Producer | |
| Marcel Zyskind | Director of Photography | |
| Bill Sneddon | Editor | |
| Lucio Seixas | Production Designer | |
| Marci Rogers | Costume Designer | |
| Jonathan Whitehead | Composer | |
| Seb Rochford | Composer | |
| Chris Morris | Composer | |
| Douglas Aibel | Casting Director | |
| Henry Russell Bergstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a criminal by fueling his madcap revolutionary dreams. Based on 100 true stories, the explosive new film from Chris Morris is an emotionally gripping, laugh out loud thriller that exposes the dark farce at the heart of the homeland security project: It is harder to catch a real terrorist than it is to manufacture your own.
Metrics
| Opening Weekend: | $14,854 (55.1% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 4.9% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/30 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,222 |
Movie Details
| Domestic Releases: | September 27th, 2019 (Limited) by IFC Films |
| International Releases: | October 11th, 2019 (Wide) (United Kingdom)
December 9th, 2020 (Wide) (South Korea) |
| MPA Rating: | Not Rated Unrated |
| Running Time: | 88 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | See-Saw Films, Perp & Co, Archer Gray Productions, IFC Films |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 51 | $14,854 | 30 | $495 | $14,854 | 1 | |
| Oct 4, 2019 | 69 | $3,004 | -80% | 16 | $188 | $24,936 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | - | $5,073 | 30 | $169 | $5,073 | 1 | ||
| Sep 28, 2019 | - | $6,295 | +24% | 30 | $210 | $11,368 | 2 | |
| Sep 29, 2019 | - | $3,486 | -45% | 30 | $116 | $14,854 | 3 | |
| Sep 30, 2019 | - | $2,058 | -41% | 30 | $69 | $16,912 | 4 | |
| Oct 1, 2019 | - | $1,761 | -14% | 30 | $59 | $18,673 | 5 | |
| Oct 2, 2019 | - | $1,867 | +6% | 30 | $62 | $20,540 | 6 | |
| Oct 3, 2019 | - | $1,392 | -25% | 30 | $46 | $21,932 | 7 | |
| Oct 4, 2019 | - | $933 | -33% | -82% | 16 | $58 | $22,865 | 8 |
| Oct 5, 2019 | - | $1,335 | +43% | -79% | 16 | $83 | $24,200 | 9 |
| Oct 6, 2019 | - | $736 | -45% | -79% | 16 | $46 | $24,936 | 10 |
| Oct 7, 2019 | - | $361 | -51% | -82% | 16 | $23 | $25,297 | 11 |
| Oct 8, 2019 | - | $619 | +71% | -65% | 16 | $39 | $25,916 | 12 |
| Oct 9, 2019 | - | $539 | -13% | -71% | 16 | $34 | $26,455 | 13 |
| Oct 10, 2019 | - | $517 | -4% | -63% | 16 | $32 | $26,972 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 57 | $21,932 | 30 | $731 | $21,932 | 1 | |
| Oct 4, 2019 | 68 | $5,040 | -77% | 16 | $315 | $26,972 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 12/9/2020 | $3,811 | 59 | 59 | 59 | $8,062 | 12/16/2020 | |||
| United Kingdom | 10/11/2019 | $215,470 | 173 | 173 | 304 | $516,478 | 12/12/2019 | |||
| International Total | $524,540 | 12/16/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Marchánt Davis | Moses |
Supporting
| Anna Kendrick | Kendra | |
| Danielle Brooks | Venus | |
| Denis O'Hare | Andy Mudd | |
| Jim Gaffigan | Lemmy | |
| Miles Robbins | Josh | |
| Andrel McPherson | Farmer Africa | |
| Malcolm Mays | Farmer X | |
| Curtis Cook Jr | Evangaliste | |
| Kayvan Novak | Reza |
Production and Technical Credits
| Chris Morris | Director | |
| Chris Morris | Screenwriter | |
| Jesse Armstrong | Screenwriter | |
| Iain Canning | Producer | |
| Emile Sherman | Producer | |
| Anne Carey | Producer | |
| Chris Morris | Producer | |
| Derrin Schlesinger | Producer | |
| Daniel Battsek | Executive Producer | |
| Sue Bruce-Smith | Executive Producer | |
| Tessa Ross | Executive Producer | |
| Mary Burke | Executive Producer | |
| Nik Bower | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| David Kosse | Executive Producer | |
| Jennifer Roth | Executive Producer | |
| Amy Nauiokas | Executive Producer | |
| Amy Jackson | Co-Producer | |
| Scott Clackum | Co-Producer | |
| Marcel Zyskind | Director of Photography | |
| Bill Sneddon | Editor | |
| Lucio Seixas | Production Designer | |
| Marci Rogers | Costume Designer | |
| Jonathan Whitehead | Composer | |
| Seb Rochford | Composer | |
| Chris Morris | Composer | |
| Douglas Aibel | Casting Director | |
| Henry Russell Bergstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.