Day of the Fight (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $78,360 | Details |
| International Box Office | $1,551 | Details |
| Worldwide Box Office | $79,911 | |
| OpusData ID: 710200100 More info... | ||
| Further financial details... | ||
Synopsis
Follows a once renowned boxer as he takes a redemptive journey through his past and present, on the day of his first fight since he left prison.
Metrics
| Opening Weekend: | $25,859 (33.0% of total gross) |
| Legs: | 3.03 (domestic box office/biggest weekend) |
| Domestic Share: | 98.1% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/8 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $82,547 |
Movie Details
| Domestic Releases: | December 6th, 2024 (Limited) by Falling Forward Films |
| International Releases: | December 12th, 2024 (Limited), released as Il giorno dell’incontro (Italy)
March 7th, 2025 (Limited) (United Kingdom) |
| MPA Rating: | R for language throughout, suicide, some accident images and brief nudity. (Rating bulletin 2861 (cert #55273), 11/20/2024) |
| Running Time: | 108 minutes |
| Plot point: | Boxing, Life on the Outside, Non-Chronological, Out of Retirement, Prison |
| Subgenre: | Sports Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Productivity Media, Cysa Films, Akrasia Films, Shrink Media, First Love Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2024 | - | $25,859 | 3 | $8,620 | $25,859 | 1 | |
| Dec 13, 2024 | - | $20,863 | -19% | 8 | $2,608 | $52,028 | 2 |
| Dec 20, 2024 | - | $12,762 | -39% | 8 | $1,595 | $70,160 | 3 |
| Dec 27, 2024 | - | $413 | -97% | 1 | $413 | $72,701 | 4 |
| Jan 3, 2025 | - | $2,065 | +400% | 4 | $516 | $75,547 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 6, 2024 | - | $10,179 | 3 | $3,393 | $10,179 | 1 | ||
| Dec 7, 2024 | - | $7,558 | -26% | 3 | $2,519 | $17,737 | 2 | |
| Dec 8, 2024 | - | $8,122 | +7% | 3 | $2,707 | $25,859 | 3 | |
| Dec 9, 2024 | - | $1,417 | -83% | 3 | $472 | $27,276 | 4 | |
| Dec 10, 2024 | - | $1,250 | -12% | 3 | $417 | $28,526 | 5 | |
| Dec 11, 2024 | - | $1,146 | -8% | 3 | $382 | $29,672 | 6 | |
| Dec 12, 2024 | - | $1,493 | +30% | 3 | $498 | $31,165 | 7 | |
| Dec 13, 2024 | - | $8,587 | +475% | -16% | 8 | $1,073 | $39,752 | 8 |
| Dec 14, 2024 | - | $8,047 | -6% | +6% | 8 | $1,006 | $47,799 | 9 |
| Dec 15, 2024 | - | $4,229 | -47% | -48% | 8 | $529 | $52,028 | 10 |
| Dec 16, 2024 | - | $1,296 | -69% | -9% | 8 | $162 | $53,324 | 11 |
| Dec 17, 2024 | - | $1,591 | +23% | +27% | 8 | $199 | $54,915 | 12 |
| Dec 18, 2024 | - | $1,349 | -15% | +18% | 8 | $169 | $56,264 | 13 |
| Dec 19, 2024 | - | $1,134 | -16% | -24% | 8 | $142 | $57,398 | 14 |
| Dec 20, 2024 | - | $4,048 | +257% | -53% | 8 | $506 | $61,446 | 15 |
| Dec 21, 2024 | - | $4,674 | +15% | -42% | 8 | $584 | $66,120 | 16 |
| Dec 22, 2024 | - | $4,040 | -14% | -4% | 8 | $505 | $70,160 | 17 |
| Dec 23, 2024 | - | $1,271 | -69% | -2% | 8 | $159 | $71,431 | 18 |
| Dec 24, 2024 | - | $380 | -70% | -76% | 8 | $48 | $71,811 | 19 |
| Dec 25, 2024 | - | $257 | -32% | -81% | 8 | $32 | $72,068 | 20 |
| Dec 26, 2024 | - | $220 | -14% | -81% | 8 | $28 | $72,288 | 21 |
| Dec 27, 2024 | - | $197 | -10% | -95% | 1 | $197 | $72,485 | 22 |
| Dec 29, 2024 | - | $216 | -95% | 1 | $216 | $72,701 | 24 | |
| Dec 30, 2024 | - | $167 | -23% | -87% | 1 | $167 | $72,868 | 25 |
| Dec 31, 2024 | - | $63 | -62% | -83% | 1 | $63 | $72,931 | 26 |
| Jan 1, 2025 | - | $128 | +103% | -50% | 1 | $128 | $73,059 | 27 |
| Jan 2, 2025 | - | $423 | +230% | +92% | 1 | $423 | $73,482 | 28 |
| Jan 3, 2025 | - | $1,067 | +152% | +442% | 4 | $267 | $74,549 | 29 |
| Jan 4, 2025 | - | $640 | -40% | 4 | $160 | $75,189 | 30 | |
| Jan 5, 2025 | - | $358 | -44% | +66% | 4 | $90 | $75,547 | 31 |
| Jan 6, 2025 | - | $92 | -74% | -45% | 4 | $23 | $75,639 | 32 |
| Jan 7, 2025 | - | $234 | +154% | +271% | 4 | $59 | $75,873 | 33 |
| Jan 8, 2025 | - | $322 | +38% | +152% | 4 | $81 | $76,195 | 34 |
| Jan 9, 2025 | - | $160 | -50% | -62% | 4 | $40 | $76,355 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2024 | 29 | $31,165 | 3 | $10,388 | $31,165 | 1 | |
| Dec 13, 2024 | 29 | $26,233 | -16% | 8 | $3,279 | $57,398 | 2 |
| Dec 20, 2024 | 37 | $14,890 | -43% | 8 | $1,861 | $72,288 | 3 |
| Dec 27, 2024 | 51 | $1,194 | -92% | 1 | $1,194 | $73,482 | 4 |
| Jan 3, 2025 | 44 | $4,878 | +309% | 4 | $1,220 | $78,360 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 3/7/2025 | $1,551 | 8 | 8 | 8 | $1,551 | 4/4/2026 | |||
| International Total | $1,551 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Pitt | Mike Flannigan | |
| Nicolette Robinson | Jessica |
Supporting
| John Magaro | Patrick | |
| Steve Buscemi | Mike’s uncle | |
| Ron Perlman | Stevie | |
| Joe Pesci | Mike's father |
Production and Technical Credits
| Jack Huston | Director | |
| Jack Huston | Screenwriter | |
| Josh Porter | Producer | |
| Jack Huston | Producer | |
| Jai Stefan | Producer | |
| Emma Tillinger Koskoff | Producer | |
| Colleen Camp | Producer | |
| Joe Pesci | Executive Producer | |
| Todd Diener | Executive Producer | |
| Shannan Click | Executive Producer | |
| James Price* | Executive Producer | |
| John Hills | Executive Producer | |
| Andrew Chang-Sang | Executive Producer | |
| William Santor | Executive Producer | |
| Peter Simonite | Director of Photography | |
| Pete Zumba | Production Designer | |
| Joe Klotz | Editor | |
| Christopher Peterson | Costume Designer | |
| Randall Poster | Music Supervisor | |
| Meghan Currier | Music Supervisor | |
| Ben MacDiarmid | Composer | |
| Sheila Jaffe | Casting Director | |
| Bryan Riley | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Follows a once renowned boxer as he takes a redemptive journey through his past and present, on the day of his first fight since he left prison.
Metrics
| Opening Weekend: | $25,859 (33.0% of total gross) |
| Legs: | 3.03 (domestic box office/biggest weekend) |
| Domestic Share: | 98.1% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/8 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $82,547 |
Movie Details
| Domestic Releases: | December 6th, 2024 (Limited) by Falling Forward Films |
| International Releases: | December 12th, 2024 (Limited), released as Il giorno dell’incontro (Italy)
March 7th, 2025 (Limited) (United Kingdom) |
| MPA Rating: | R for language throughout, suicide, some accident images and brief nudity. (Rating bulletin 2861 (cert #55273), 11/20/2024) |
| Running Time: | 108 minutes |
| Plot point: | Boxing, Life on the Outside, Non-Chronological, Out of Retirement, Prison |
| Subgenre: | Sports Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Productivity Media, Cysa Films, Akrasia Films, Shrink Media, First Love Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2024 | - | $25,859 | 3 | $8,620 | $25,859 | 1 | |
| Dec 13, 2024 | - | $20,863 | -19% | 8 | $2,608 | $52,028 | 2 |
| Dec 20, 2024 | - | $12,762 | -39% | 8 | $1,595 | $70,160 | 3 |
| Dec 27, 2024 | - | $413 | -97% | 1 | $413 | $72,701 | 4 |
| Jan 3, 2025 | - | $2,065 | +400% | 4 | $516 | $75,547 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 6, 2024 | - | $10,179 | 3 | $3,393 | $10,179 | 1 | ||
| Dec 7, 2024 | - | $7,558 | -26% | 3 | $2,519 | $17,737 | 2 | |
| Dec 8, 2024 | - | $8,122 | +7% | 3 | $2,707 | $25,859 | 3 | |
| Dec 9, 2024 | - | $1,417 | -83% | 3 | $472 | $27,276 | 4 | |
| Dec 10, 2024 | - | $1,250 | -12% | 3 | $417 | $28,526 | 5 | |
| Dec 11, 2024 | - | $1,146 | -8% | 3 | $382 | $29,672 | 6 | |
| Dec 12, 2024 | - | $1,493 | +30% | 3 | $498 | $31,165 | 7 | |
| Dec 13, 2024 | - | $8,587 | +475% | -16% | 8 | $1,073 | $39,752 | 8 |
| Dec 14, 2024 | - | $8,047 | -6% | +6% | 8 | $1,006 | $47,799 | 9 |
| Dec 15, 2024 | - | $4,229 | -47% | -48% | 8 | $529 | $52,028 | 10 |
| Dec 16, 2024 | - | $1,296 | -69% | -9% | 8 | $162 | $53,324 | 11 |
| Dec 17, 2024 | - | $1,591 | +23% | +27% | 8 | $199 | $54,915 | 12 |
| Dec 18, 2024 | - | $1,349 | -15% | +18% | 8 | $169 | $56,264 | 13 |
| Dec 19, 2024 | - | $1,134 | -16% | -24% | 8 | $142 | $57,398 | 14 |
| Dec 20, 2024 | - | $4,048 | +257% | -53% | 8 | $506 | $61,446 | 15 |
| Dec 21, 2024 | - | $4,674 | +15% | -42% | 8 | $584 | $66,120 | 16 |
| Dec 22, 2024 | - | $4,040 | -14% | -4% | 8 | $505 | $70,160 | 17 |
| Dec 23, 2024 | - | $1,271 | -69% | -2% | 8 | $159 | $71,431 | 18 |
| Dec 24, 2024 | - | $380 | -70% | -76% | 8 | $48 | $71,811 | 19 |
| Dec 25, 2024 | - | $257 | -32% | -81% | 8 | $32 | $72,068 | 20 |
| Dec 26, 2024 | - | $220 | -14% | -81% | 8 | $28 | $72,288 | 21 |
| Dec 27, 2024 | - | $197 | -10% | -95% | 1 | $197 | $72,485 | 22 |
| Dec 29, 2024 | - | $216 | -95% | 1 | $216 | $72,701 | 24 | |
| Dec 30, 2024 | - | $167 | -23% | -87% | 1 | $167 | $72,868 | 25 |
| Dec 31, 2024 | - | $63 | -62% | -83% | 1 | $63 | $72,931 | 26 |
| Jan 1, 2025 | - | $128 | +103% | -50% | 1 | $128 | $73,059 | 27 |
| Jan 2, 2025 | - | $423 | +230% | +92% | 1 | $423 | $73,482 | 28 |
| Jan 3, 2025 | - | $1,067 | +152% | +442% | 4 | $267 | $74,549 | 29 |
| Jan 4, 2025 | - | $640 | -40% | 4 | $160 | $75,189 | 30 | |
| Jan 5, 2025 | - | $358 | -44% | +66% | 4 | $90 | $75,547 | 31 |
| Jan 6, 2025 | - | $92 | -74% | -45% | 4 | $23 | $75,639 | 32 |
| Jan 7, 2025 | - | $234 | +154% | +271% | 4 | $59 | $75,873 | 33 |
| Jan 8, 2025 | - | $322 | +38% | +152% | 4 | $81 | $76,195 | 34 |
| Jan 9, 2025 | - | $160 | -50% | -62% | 4 | $40 | $76,355 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 2024 | 29 | $31,165 | 3 | $10,388 | $31,165 | 1 | |
| Dec 13, 2024 | 29 | $26,233 | -16% | 8 | $3,279 | $57,398 | 2 |
| Dec 20, 2024 | 37 | $14,890 | -43% | 8 | $1,861 | $72,288 | 3 |
| Dec 27, 2024 | 51 | $1,194 | -92% | 1 | $1,194 | $73,482 | 4 |
| Jan 3, 2025 | 44 | $4,878 | +309% | 4 | $1,220 | $78,360 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 3/7/2025 | $1,551 | 8 | 8 | 8 | $1,551 | 4/4/2026 | |||
| International Total | $1,551 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Pitt | Mike Flannigan | |
| Nicolette Robinson | Jessica |
Supporting
| John Magaro | Patrick | |
| Steve Buscemi | Mike’s uncle | |
| Ron Perlman | Stevie | |
| Joe Pesci | Mike's father |
Production and Technical Credits
| Jack Huston | Director | |
| Jack Huston | Screenwriter | |
| Josh Porter | Producer | |
| Jack Huston | Producer | |
| Jai Stefan | Producer | |
| Emma Tillinger Koskoff | Producer | |
| Colleen Camp | Producer | |
| Joe Pesci | Executive Producer | |
| Todd Diener | Executive Producer | |
| Shannan Click | Executive Producer | |
| James Price* | Executive Producer | |
| John Hills | Executive Producer | |
| Andrew Chang-Sang | Executive Producer | |
| William Santor | Executive Producer | |
| Peter Simonite | Director of Photography | |
| Pete Zumba | Production Designer | |
| Joe Klotz | Editor | |
| Christopher Peterson | Costume Designer | |
| Randall Poster | Music Supervisor | |
| Meghan Currier | Music Supervisor | |
| Ben MacDiarmid | Composer | |
| Sheila Jaffe | Casting Director | |
| Bryan Riley | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.