Daylight’s End (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $152,168 | |
| Total | $152,168 | |
| OpusData ID: 266150100 More info... | ||
| Further financial details... | ||
Synopsis
Years after a mysterious plague has devastated the planet and turned most of humanity into blood-hungry creatures, a rogue drifter on a vengeful hunt stumbles across a band of survivors in an abandoned police station and reluctantly agrees to help them defend themselves and escape to the sanctuary they so desperately need.
Metrics
Movie Details
| Domestic Releases: | August 26th, 2016 (Limited) by Self Distributed |
| Video Release: | November 1st, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Plot point: | Revenge, Vampire |
| Social setting: | Epidemic |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Indigo Film, Taylor & Dodge |
| Production Countries: | United States |
| Languages: | English |
Leading
| Johnny Strong | Thomas Rourke |
Supporting
| Lance Henriksen | Frank Hill | |
| Hakeem Kae-Kazim | Chris Whitlock | |
| Chelsea Edmundson | Sam Sheridan | |
| Gary Cairns, II | Drew Macallister | |
| Louis Mandylor | Ethan | |
| Farah White | Annabelle Wallace | |
| Chris Kerson | Jimmy Dugan | |
| Heather Kafka | Earnesta | |
| Mark Hanson | Burton | |
| Sonny Puzikas | Vlad Romanov |
Production and Technical Credits
| William Kaufman | Director | |
| Chad Law | Screenwriter | |
| Paul Reichelt | Executive Producer | |
| Kelly Riemenschneider | Director of Photography | |
| Eileen Dennehy | Production Designer | |
| Johnny Strong | Music by | |
| Adrian Testolin | Co-Producer | |
| Jay Stamper | Producer | |
| Chad Law | Producer | |
| Farah White | Producer | |
| William Kaufman | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Years after a mysterious plague has devastated the planet and turned most of humanity into blood-hungry creatures, a rogue drifter on a vengeful hunt stumbles across a band of survivors in an abandoned police station and reluctantly agrees to help them defend themselves and escape to the sanctuary they so desperately need.
Metrics
Movie Details
| Domestic Releases: | August 26th, 2016 (Limited) by Self Distributed |
| Video Release: | November 1st, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Plot point: | Revenge, Vampire |
| Social setting: | Epidemic |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Indigo Film, Taylor & Dodge |
| Production Countries: | United States |
| Languages: | English |
Leading
| Johnny Strong | Thomas Rourke |
Supporting
| Lance Henriksen | Frank Hill | |
| Hakeem Kae-Kazim | Chris Whitlock | |
| Chelsea Edmundson | Sam Sheridan | |
| Gary Cairns, II | Drew Macallister | |
| Louis Mandylor | Ethan | |
| Farah White | Annabelle Wallace | |
| Chris Kerson | Jimmy Dugan | |
| Heather Kafka | Earnesta | |
| Mark Hanson | Burton | |
| Sonny Puzikas | Vlad Romanov |
Production and Technical Credits
| William Kaufman | Director | |
| Chad Law | Screenwriter | |
| Paul Reichelt | Executive Producer | |
| Kelly Riemenschneider | Director of Photography | |
| Eileen Dennehy | Production Designer | |
| Johnny Strong | Music by | |
| Adrian Testolin | Co-Producer | |
| Jay Stamper | Producer | |
| Chad Law | Producer | |
| Farah White | Producer | |
| William Kaufman | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.