Dead of Winter (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,674,777 | Details |
| International Box Office | $1,684,132 | Details |
| Worldwide Box Office | $3,358,909 | |
| OpusData ID: 746790100 More info... | ||
| Further financial details... | ||
Synopsis
A widowed fisherwoman, travelling alone through snowbound northern Minnesota, interrupts the kidnapping of a teenage girl. Hours from the nearest town and without phone service, she realizes she is the young girl's only hope.
Metrics
| Opening Weekend: | $1,030,111 (61.5% of total gross) |
| Legs: | 1.63 (domestic box office/biggest weekend) |
| Domestic Share: | 49.9% (domestic box office/worldwide) |
| Theater counts: | 605 opening theaters/605 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,674,777 |
Movie Details
| Domestic Releases: | September 26th, 2025 (Wide) by Vertical Entertainment |
| International Releases: | September 26th, 2025 (Limited) (South Africa)
September 26th, 2025 (Wide), released as Dead Of Winter (United Kingdom) October 16th, 2025 (Wide), released as Inverno Mortal (Portugal) November 27th, 2025 (Wide) (Australia) November 27th, 2025 (Wide) (New Zealand) ... Show all releases |
| Video Release: | October 21st, 2025 by Vertical Entertainment |
| MPA Rating: | R for violence and language. (Rating bulletin 2903 (cert #55692), 9/17/2025) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Same Role, Multiple Actors, Unnamed Character |
| Filming location (country): | Finland, Germany |
| Geographical setting: | Minnesota |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Dying Wish, Kidnap, Medical and Hospitals, Medical Crimes, Rescue, Suicide Attempt, Extreme Weather, Widow/Widower |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stampede Ventures, Augenschein Filmproduktion, Vertical Entertainment, Leonine Studios, ZDF, Film- und Medienstiftung NRW, The German Federal Film Fund, Business Finland — Audiovisual Production Incentive, Regional Council of North Karelia |
| Production Countries: | United States, Germany, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 26, 2025 | 12 | $1,030,111 | 605 | $1,703 | $1,030,111 | 1 | |
| Oct 3, 2025 | - | $137,981 | -87% | 402 | $343 | $1,494,881 | 2 |
| Oct 10, 2025 | - | $27,582 | -80% | 62 | $445 | $1,653,264 | 3 |
| Oct 17, 2025 | - | $4,053 | -85% | 21 | $193 | $1,672,694 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 26, 2025 | 10 | $594,904 | 605 | $983 | $594,904 | 1 | ||
| Sep 27, 2025 | - | $255,871 | -57% | 605 | $423 | $850,775 | 2 | |
| Sep 28, 2025 | - | $179,336 | -30% | 605 | $296 | $1,030,111 | 3 | |
| Sep 29, 2025 | - | $75,176 | -58% | 605 | $124 | $1,105,287 | 4 | |
| Sep 30, 2025 | - | $123,508 | +64% | 605 | $204 | $1,228,795 | 5 | |
| Oct 1, 2025 | - | $79,120 | -36% | 605 | $131 | $1,307,915 | 6 | |
| Oct 2, 2025 | - | $48,985 | -38% | 605 | $81 | $1,356,900 | 7 | |
| Oct 3, 2025 | - | $39,580 | -19% | -93% | 402 | $98 | $1,396,480 | 8 |
| Oct 4, 2025 | - | $56,165 | +42% | -78% | 402 | $140 | $1,452,645 | 9 |
| Oct 5, 2025 | - | $42,236 | -25% | -76% | 402 | $105 | $1,494,881 | 10 |
| Oct 6, 2025 | - | $27,471 | -35% | -63% | 402 | $68 | $1,522,352 | 11 |
| Oct 7, 2025 | - | $51,211 | +86% | -59% | 402 | $127 | $1,573,563 | 12 |
| Oct 8, 2025 | - | $31,756 | -38% | -60% | 402 | $79 | $1,605,319 | 13 |
| Oct 9, 2025 | - | $20,363 | -36% | -58% | 402 | $51 | $1,625,682 | 14 |
| Oct 10, 2025 | - | $8,532 | -58% | -78% | 62 | $138 | $1,634,214 | 15 |
| Oct 11, 2025 | - | $10,813 | +27% | -81% | 62 | $174 | $1,645,027 | 16 |
| Oct 12, 2025 | - | $8,237 | -24% | -80% | 62 | $133 | $1,653,264 | 17 |
| Oct 13, 2025 | - | $5,199 | -37% | -81% | 62 | $84 | $1,658,463 | 18 |
| Oct 14, 2025 | - | $5,320 | +2% | -90% | 62 | $86 | $1,663,783 | 19 |
| Oct 15, 2025 | - | $3,251 | -39% | -90% | 62 | $52 | $1,667,034 | 20 |
| Oct 16, 2025 | - | $1,607 | -51% | -92% | 62 | $26 | $1,668,641 | 21 |
| Oct 17, 2025 | - | $1,164 | -28% | -86% | 21 | $55 | $1,669,805 | 22 |
| Oct 18, 2025 | - | $1,616 | +39% | -85% | 21 | $77 | $1,671,421 | 23 |
| Oct 19, 2025 | - | $1,273 | -21% | -85% | 21 | $61 | $1,672,694 | 24 |
| Oct 20, 2025 | - | $520 | -59% | -90% | 21 | $25 | $1,673,214 | 25 |
| Oct 21, 2025 | - | $737 | +42% | -86% | 21 | $35 | $1,673,951 | 26 |
| Oct 22, 2025 | - | $436 | -41% | -87% | 21 | $21 | $1,674,387 | 27 |
| Oct 23, 2025 | - | $390 | -11% | -76% | 21 | $19 | $1,674,777 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 26, 2025 | 11 | $1,356,900 | 605 | $2,243 | $1,356,900 | 1 | |
| Oct 3, 2025 | 17 | $268,782 | -80% | 402 | $669 | $1,625,682 | 2 |
| Oct 10, 2025 | 32 | $42,959 | -84% | 62 | $693 | $1,668,641 | 3 |
| Oct 17, 2025 | 50 | $6,136 | -86% | 21 | $292 | $1,674,777 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/27/2025 | $101,843 | 118 | 118 | 0 | $373,761 | 5/18/2026 | |||
| Finland | 12/12/2025 | $112,030 | 123 | 123 | 629 | $737,730 | 4/21/2026 | |||
| Netherlands | 1/15/2026 | $94,713 | 53 | 54 | 155 | $275,530 | 4/4/2026 | |||
| New Zealand | 11/27/2025 | $27,884 | 64 | 66 | 0 | $85,493 | 4/4/2026 | |||
| Portugal | 10/16/2025 | $32,039 | 31 | 31 | 0 | $99,584 | 4/4/2026 | |||
| United Kingdom | 9/26/2025 | $112,034 | 170 | 170 | 170 | $112,034 | 4/6/2026 | |||
| International Total | $1,684,132 | 5/18/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emma Thompson | Barb |
Supporting
| Judy Greer | Purple Lady | |
| Marc Menchaca | Camo Jacket | |
| Laurel Marsden | Leah | |
| Gaia Wise | Young Barb | |
| Cuan Hosty-Blaney | ||
| Brian F. O'Byrne | ||
| Lloyd Hutchinson |
Production and Technical Credits
| Brian Kirk | Director | |
| Nicholas Jacobson Larson | Screenwriter | |
| Dalton Leeb | Screenwriter | |
| Greg Silverman | Producer | |
| Jon Berg | Producer | |
| Jonas Katzenstein | Producer | |
| Maximilian Leo | Producer | |
| Emma Thompson | Executive Producer | |
| Gideon Yu | Executive Producer | |
| Chris Bosco | Executive Producer | |
| Elizabeth A. Bell | Executive Producer | |
| Oana Iancu | Executive Producer | |
| Jonathan Saubach | Executive Producer | |
| Klaus Dohle | Executive Producer | |
| Michael Rothstein | Executive Producer | |
| Samuel Hall | Executive Producer | |
| Essad Puskar | Executive Producer | |
| Doris Schrenneranna Diehl | Executive Producer | |
| Nijat Heydarov | Executive Producer | |
| Tale Heydarov | Executive Producer | |
| Quirin Berg | Co-Producer | |
| Max Wiedemann | Co-Producer | |
| Cosima Von Spreti | Co-Producer | |
| Max Conradt | Co-Producer | |
| Christopher Ross | Director of Photography | |
| David Hindle | Production Designer | |
| Tim Murrell | Editor | |
| Nathalie Humphries | Costume Designer | |
| Volker Bertelmann | Composer | |
| John Papsidera | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A widowed fisherwoman, travelling alone through snowbound northern Minnesota, interrupts the kidnapping of a teenage girl. Hours from the nearest town and without phone service, she realizes she is the young girl's only hope.
Metrics
| Opening Weekend: | $1,030,111 (61.5% of total gross) |
| Legs: | 1.63 (domestic box office/biggest weekend) |
| Domestic Share: | 49.9% (domestic box office/worldwide) |
| Theater counts: | 605 opening theaters/605 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,674,777 |
Movie Details
| Domestic Releases: | September 26th, 2025 (Wide) by Vertical Entertainment |
| International Releases: | September 26th, 2025 (Limited) (South Africa)
September 26th, 2025 (Wide), released as Dead Of Winter (United Kingdom) October 16th, 2025 (Wide), released as Inverno Mortal (Portugal) November 27th, 2025 (Wide) (Australia) November 27th, 2025 (Wide) (New Zealand) ... Show all releases |
| Video Release: | October 21st, 2025 by Vertical Entertainment |
| MPA Rating: | R for violence and language. (Rating bulletin 2903 (cert #55692), 9/17/2025) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Same Role, Multiple Actors, Unnamed Character |
| Filming location (country): | Finland, Germany |
| Geographical setting: | Minnesota |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Dying Wish, Kidnap, Medical and Hospitals, Medical Crimes, Rescue, Suicide Attempt, Extreme Weather, Widow/Widower |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stampede Ventures, Augenschein Filmproduktion, Vertical Entertainment, Leonine Studios, ZDF, Film- und Medienstiftung NRW, The German Federal Film Fund, Business Finland — Audiovisual Production Incentive, Regional Council of North Karelia |
| Production Countries: | United States, Germany, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 26, 2025 | 12 | $1,030,111 | 605 | $1,703 | $1,030,111 | 1 | |
| Oct 3, 2025 | - | $137,981 | -87% | 402 | $343 | $1,494,881 | 2 |
| Oct 10, 2025 | - | $27,582 | -80% | 62 | $445 | $1,653,264 | 3 |
| Oct 17, 2025 | - | $4,053 | -85% | 21 | $193 | $1,672,694 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 26, 2025 | 10 | $594,904 | 605 | $983 | $594,904 | 1 | ||
| Sep 27, 2025 | - | $255,871 | -57% | 605 | $423 | $850,775 | 2 | |
| Sep 28, 2025 | - | $179,336 | -30% | 605 | $296 | $1,030,111 | 3 | |
| Sep 29, 2025 | - | $75,176 | -58% | 605 | $124 | $1,105,287 | 4 | |
| Sep 30, 2025 | - | $123,508 | +64% | 605 | $204 | $1,228,795 | 5 | |
| Oct 1, 2025 | - | $79,120 | -36% | 605 | $131 | $1,307,915 | 6 | |
| Oct 2, 2025 | - | $48,985 | -38% | 605 | $81 | $1,356,900 | 7 | |
| Oct 3, 2025 | - | $39,580 | -19% | -93% | 402 | $98 | $1,396,480 | 8 |
| Oct 4, 2025 | - | $56,165 | +42% | -78% | 402 | $140 | $1,452,645 | 9 |
| Oct 5, 2025 | - | $42,236 | -25% | -76% | 402 | $105 | $1,494,881 | 10 |
| Oct 6, 2025 | - | $27,471 | -35% | -63% | 402 | $68 | $1,522,352 | 11 |
| Oct 7, 2025 | - | $51,211 | +86% | -59% | 402 | $127 | $1,573,563 | 12 |
| Oct 8, 2025 | - | $31,756 | -38% | -60% | 402 | $79 | $1,605,319 | 13 |
| Oct 9, 2025 | - | $20,363 | -36% | -58% | 402 | $51 | $1,625,682 | 14 |
| Oct 10, 2025 | - | $8,532 | -58% | -78% | 62 | $138 | $1,634,214 | 15 |
| Oct 11, 2025 | - | $10,813 | +27% | -81% | 62 | $174 | $1,645,027 | 16 |
| Oct 12, 2025 | - | $8,237 | -24% | -80% | 62 | $133 | $1,653,264 | 17 |
| Oct 13, 2025 | - | $5,199 | -37% | -81% | 62 | $84 | $1,658,463 | 18 |
| Oct 14, 2025 | - | $5,320 | +2% | -90% | 62 | $86 | $1,663,783 | 19 |
| Oct 15, 2025 | - | $3,251 | -39% | -90% | 62 | $52 | $1,667,034 | 20 |
| Oct 16, 2025 | - | $1,607 | -51% | -92% | 62 | $26 | $1,668,641 | 21 |
| Oct 17, 2025 | - | $1,164 | -28% | -86% | 21 | $55 | $1,669,805 | 22 |
| Oct 18, 2025 | - | $1,616 | +39% | -85% | 21 | $77 | $1,671,421 | 23 |
| Oct 19, 2025 | - | $1,273 | -21% | -85% | 21 | $61 | $1,672,694 | 24 |
| Oct 20, 2025 | - | $520 | -59% | -90% | 21 | $25 | $1,673,214 | 25 |
| Oct 21, 2025 | - | $737 | +42% | -86% | 21 | $35 | $1,673,951 | 26 |
| Oct 22, 2025 | - | $436 | -41% | -87% | 21 | $21 | $1,674,387 | 27 |
| Oct 23, 2025 | - | $390 | -11% | -76% | 21 | $19 | $1,674,777 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 26, 2025 | 11 | $1,356,900 | 605 | $2,243 | $1,356,900 | 1 | |
| Oct 3, 2025 | 17 | $268,782 | -80% | 402 | $669 | $1,625,682 | 2 |
| Oct 10, 2025 | 32 | $42,959 | -84% | 62 | $693 | $1,668,641 | 3 |
| Oct 17, 2025 | 50 | $6,136 | -86% | 21 | $292 | $1,674,777 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/27/2025 | $101,843 | 118 | 118 | 0 | $373,761 | 5/18/2026 | |||
| Finland | 12/12/2025 | $112,030 | 123 | 123 | 629 | $737,730 | 4/21/2026 | |||
| Netherlands | 1/15/2026 | $94,713 | 53 | 54 | 155 | $275,530 | 4/4/2026 | |||
| New Zealand | 11/27/2025 | $27,884 | 64 | 66 | 0 | $85,493 | 4/4/2026 | |||
| Portugal | 10/16/2025 | $32,039 | 31 | 31 | 0 | $99,584 | 4/4/2026 | |||
| United Kingdom | 9/26/2025 | $112,034 | 170 | 170 | 170 | $112,034 | 4/6/2026 | |||
| International Total | $1,684,132 | 5/18/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emma Thompson | Barb |
Supporting
| Judy Greer | Purple Lady | |
| Marc Menchaca | Camo Jacket | |
| Laurel Marsden | Leah | |
| Gaia Wise | Young Barb | |
| Cuan Hosty-Blaney | ||
| Brian F. O'Byrne | ||
| Lloyd Hutchinson |
Production and Technical Credits
| Brian Kirk | Director | |
| Nicholas Jacobson Larson | Screenwriter | |
| Dalton Leeb | Screenwriter | |
| Greg Silverman | Producer | |
| Jon Berg | Producer | |
| Jonas Katzenstein | Producer | |
| Maximilian Leo | Producer | |
| Emma Thompson | Executive Producer | |
| Gideon Yu | Executive Producer | |
| Chris Bosco | Executive Producer | |
| Elizabeth A. Bell | Executive Producer | |
| Oana Iancu | Executive Producer | |
| Jonathan Saubach | Executive Producer | |
| Klaus Dohle | Executive Producer | |
| Michael Rothstein | Executive Producer | |
| Samuel Hall | Executive Producer | |
| Essad Puskar | Executive Producer | |
| Doris Schrenneranna Diehl | Executive Producer | |
| Nijat Heydarov | Executive Producer | |
| Tale Heydarov | Executive Producer | |
| Quirin Berg | Co-Producer | |
| Max Wiedemann | Co-Producer | |
| Cosima Von Spreti | Co-Producer | |
| Max Conradt | Co-Producer | |
| Christopher Ross | Director of Photography | |
| David Hindle | Production Designer | |
| Tim Murrell | Editor | |
| Nathalie Humphries | Costume Designer | |
| Volker Bertelmann | Composer | |
| John Papsidera | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.