Death House (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $23,833 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $27,996 | |
| Total | $27,996 | |
| OpusData ID: 314740100 More info... | ||
| Further financial details... | ||
Synopsis
During an exclusive tour, a power breakdown inside a secret, maximum security prison known as the Death House sends two agents fighting through a labyrinth of horrors while being pursued by a ruthless army of roaming inmates. As they fight to escape, the agents push toward the lowest depths of the facility where they learn a supernatural group of evil beings are their only chance for survival.
Metrics
| Opening Weekend: | $10,140 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/7 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,287 |
Movie Details
| Domestic Releases: | March 2nd, 2018 (Limited) by Hannover House |
| Video Release: | December 11th, 2018 by Cleopatra Entertainment |
| MPA Rating: | R for strong horror violence and gore throughout, language, sexual references and nudity. (Rating bulletin 2507 (Cert #51371), 12/20/2017) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Escape, Prison |
| Social setting: | Supernatural |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Entertainment Factor |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2018 | 61 | $10,140 | 1 | $10,140 | $10,140 | 1 | |
| Mar 16, 2018 | 89 | $1,080 | 1 | $1,080 | $11,695 | 3 | |
| May 11, 2018 | 72 | $8,296 | 7 | $1,185 | $21,986 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 2, 2018 | - | $9,485 | 1 | $9,485 | $9,485 | 1 | ||
| Mar 3, 2018 | - | $461 | -95% | 1 | $461 | $9,946 | 2 | |
| Mar 4, 2018 | - | $194 | -58% | 1 | $194 | $10,140 | 3 | |
| Mar 5, 2018 | - | $103 | -47% | 1 | $103 | $10,243 | 4 | |
| Mar 6, 2018 | - | $79 | -23% | 1 | $79 | $10,322 | 5 | |
| Mar 7, 2018 | - | $105 | +33% | 1 | $105 | $10,427 | 6 | |
| Mar 8, 2018 | - | $188 | +79% | 1 | $188 | $10,615 | 7 | |
| Mar 16, 2018 | - | $466 | 1 | $466 | $11,081 | 15 | ||
| Mar 17, 2018 | - | $367 | -21% | 1 | $367 | $11,448 | 16 | |
| Mar 18, 2018 | - | $247 | -33% | 1 | $247 | $11,695 | 17 | |
| Mar 19, 2018 | - | $87 | -65% | 1 | $87 | $11,782 | 18 | |
| Mar 20, 2018 | - | $138 | +59% | 1 | $138 | $11,920 | 19 | |
| Mar 21, 2018 | - | $98 | -29% | 1 | $98 | $12,018 | 20 | |
| Mar 22, 2018 | - | $1,672 | +1,606% | 2 | $836 | $13,690 | 21 | |
| May 11, 2018 | - | $2,845 | 7 | $406 | $16,535 | 71 | ||
| May 12, 2018 | - | $3,367 | +18% | 7 | $481 | $19,902 | 72 | |
| May 13, 2018 | - | $2,084 | -38% | 7 | $298 | $21,986 | 73 | |
| May 14, 2018 | - | $490 | -76% | 7 | $70 | $22,476 | 74 | |
| May 15, 2018 | - | $554 | +13% | 7 | $79 | $23,030 | 75 | |
| May 16, 2018 | - | $387 | -30% | 7 | $55 | $23,417 | 76 | |
| May 17, 2018 | - | $416 | +7% | 7 | $59 | $23,833 | 77 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2018 | 62 | $10,615 | 1 | $10,615 | $10,615 | 1 | |
| Mar 16, 2018 | 81 | $3,075 | 2 | $1,538 | $13,690 | 3 | |
| May 11, 2018 | 78 | $10,143 | 7 | $1,449 | $23,833 | 11 |
Leading
| Cody Longo | Agent Jae Novak | |
| Cortney Palm | Agent Toria Boon |
Narrator
| Adrienne Barbeau | Narrator |
Supporting
| Michael Berryman | Crau | |
| Barbara Crampton | ||
| Sid Haig | ||
| Gunnar Hansen | ||
| Lindsay Hartley | ||
| Kane Hodder | ||
| Lloyd Kaufman | ||
| Camille Keaton | ||
| R.A. Mihailoff | ||
| Bill Mosley | ||
| Bill Oberst, Jr. | ||
| Felissa Rose | ||
| Richard Speight Jr | ||
| Tony Todd | ||
| Dee Wallace | ||
| Vincent Ward | ||
| Vernon Wells | ||
| Stelio Savante |
Production and Technical Credits
| Harrison Smith | Director | |
| Gunnar Hansen | Screenwriter | |
| Harrison Smith | Screenwriter | |
| Rick Finkelstein | Producer | |
| Steven Chase | Producer | |
| Gunnar Hansen | Story by | |
| Colin Smith | Editor | |
| Robin Demartino | Casting Director | |
| Thomas Vanover | Co-Producer | |
| Jerry Hawrylak | Executive Producer | |
| Steven Camp | Executive Producer | |
| Josh Mills | Executive Producer | |
| Buz Wallick | Associate Producer | |
| Felissa Rose | Associate Producer | |
| James Uddo Jr | Associate Producer | |
| Matt Klammer | Director of Photography | |
| John Avarese | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
During an exclusive tour, a power breakdown inside a secret, maximum security prison known as the Death House sends two agents fighting through a labyrinth of horrors while being pursued by a ruthless army of roaming inmates. As they fight to escape, the agents push toward the lowest depths of the facility where they learn a supernatural group of evil beings are their only chance for survival.
Metrics
| Opening Weekend: | $10,140 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/7 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,287 |
Movie Details
| Domestic Releases: | March 2nd, 2018 (Limited) by Hannover House |
| Video Release: | December 11th, 2018 by Cleopatra Entertainment |
| MPA Rating: | R for strong horror violence and gore throughout, language, sexual references and nudity. (Rating bulletin 2507 (Cert #51371), 12/20/2017) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Escape, Prison |
| Social setting: | Supernatural |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Entertainment Factor |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2018 | 61 | $10,140 | 1 | $10,140 | $10,140 | 1 | |
| Mar 16, 2018 | 89 | $1,080 | 1 | $1,080 | $11,695 | 3 | |
| May 11, 2018 | 72 | $8,296 | 7 | $1,185 | $21,986 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 2, 2018 | - | $9,485 | 1 | $9,485 | $9,485 | 1 | ||
| Mar 3, 2018 | - | $461 | -95% | 1 | $461 | $9,946 | 2 | |
| Mar 4, 2018 | - | $194 | -58% | 1 | $194 | $10,140 | 3 | |
| Mar 5, 2018 | - | $103 | -47% | 1 | $103 | $10,243 | 4 | |
| Mar 6, 2018 | - | $79 | -23% | 1 | $79 | $10,322 | 5 | |
| Mar 7, 2018 | - | $105 | +33% | 1 | $105 | $10,427 | 6 | |
| Mar 8, 2018 | - | $188 | +79% | 1 | $188 | $10,615 | 7 | |
| Mar 16, 2018 | - | $466 | 1 | $466 | $11,081 | 15 | ||
| Mar 17, 2018 | - | $367 | -21% | 1 | $367 | $11,448 | 16 | |
| Mar 18, 2018 | - | $247 | -33% | 1 | $247 | $11,695 | 17 | |
| Mar 19, 2018 | - | $87 | -65% | 1 | $87 | $11,782 | 18 | |
| Mar 20, 2018 | - | $138 | +59% | 1 | $138 | $11,920 | 19 | |
| Mar 21, 2018 | - | $98 | -29% | 1 | $98 | $12,018 | 20 | |
| Mar 22, 2018 | - | $1,672 | +1,606% | 2 | $836 | $13,690 | 21 | |
| May 11, 2018 | - | $2,845 | 7 | $406 | $16,535 | 71 | ||
| May 12, 2018 | - | $3,367 | +18% | 7 | $481 | $19,902 | 72 | |
| May 13, 2018 | - | $2,084 | -38% | 7 | $298 | $21,986 | 73 | |
| May 14, 2018 | - | $490 | -76% | 7 | $70 | $22,476 | 74 | |
| May 15, 2018 | - | $554 | +13% | 7 | $79 | $23,030 | 75 | |
| May 16, 2018 | - | $387 | -30% | 7 | $55 | $23,417 | 76 | |
| May 17, 2018 | - | $416 | +7% | 7 | $59 | $23,833 | 77 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2018 | 62 | $10,615 | 1 | $10,615 | $10,615 | 1 | |
| Mar 16, 2018 | 81 | $3,075 | 2 | $1,538 | $13,690 | 3 | |
| May 11, 2018 | 78 | $10,143 | 7 | $1,449 | $23,833 | 11 |
Leading
| Cody Longo | Agent Jae Novak | |
| Cortney Palm | Agent Toria Boon |
Narrator
| Adrienne Barbeau | Narrator |
Supporting
| Michael Berryman | Crau | |
| Barbara Crampton | ||
| Sid Haig | ||
| Gunnar Hansen | ||
| Lindsay Hartley | ||
| Kane Hodder | ||
| Lloyd Kaufman | ||
| Camille Keaton | ||
| R.A. Mihailoff | ||
| Bill Mosley | ||
| Bill Oberst, Jr. | ||
| Felissa Rose | ||
| Richard Speight Jr | ||
| Tony Todd | ||
| Dee Wallace | ||
| Vincent Ward | ||
| Vernon Wells | ||
| Stelio Savante |
Production and Technical Credits
| Harrison Smith | Director | |
| Gunnar Hansen | Screenwriter | |
| Harrison Smith | Screenwriter | |
| Rick Finkelstein | Producer | |
| Steven Chase | Producer | |
| Gunnar Hansen | Story by | |
| Colin Smith | Editor | |
| Robin Demartino | Casting Director | |
| Thomas Vanover | Co-Producer | |
| Jerry Hawrylak | Executive Producer | |
| Steven Camp | Executive Producer | |
| Josh Mills | Executive Producer | |
| Buz Wallick | Associate Producer | |
| Felissa Rose | Associate Producer | |
| James Uddo Jr | Associate Producer | |
| Matt Klammer | Director of Photography | |
| John Avarese | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.