Decision to Leave (헤어질 결심) (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $2,179,864 | Details |
| International Box Office | $17,355,498 | Details |
| Worldwide Box Office | $19,535,362 | |
| OpusData ID: 546680100 More info... | ||
| Further financial details... | ||
Synopsis
From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon arrives on the scene, he begins to suspect the dead man’s wife Seo-rae. But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.
Metrics
| Opening Weekend: | $96,200 (4.4% of total gross) |
| Legs: | 7.35 (domestic box office/biggest weekend) |
| Domestic Share: | 11.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/169 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,470,506 |
Movie Details
| Domestic Releases: | October 14th, 2022 (Limited) by MUBI, released as Decision to Leave |
| International Releases: | June 29th, 2022 (Wide), released as Decision to Leave (France)
June 29th, 2022 (Wide), released as Decision To Leave (헤어질 결심) (South Korea) August 19th, 2022 (Limited), released as Podezřelá (Czech Republic) September 2nd, 2022 (Limited), released as Decision to Leave (Netherlands) September 15th, 2022 (Wide), released as DVOSTRUKA PRIJEVARA (Croatia) ... Show all releases |
| Video Release: | December 9th, 2022 by Mubi, released as Decision to Leave |
| MPA Rating: | Not Rated |
| Plot point: | Accidental Death, Police Detective, Relationships Gone Wrong, Romance, Widow/Widower |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2022 | - | $96,200 | 3 | $32,067 | $96,200 | 1 | |
| Oct 21, 2022 | - | $296,436 | +208% | 48 | $6,176 | $437,116 | 2 |
| Oct 28, 2022 | - | $258,354 | -13% | 132 | $1,957 | $814,875 | 3 |
| Nov 4, 2022 | 15 | $252,071 | -2% | 169 | $1,492 | $1,230,228 | 4 |
| Nov 11, 2022 | - | $201,925 | -20% | 134 | $1,507 | $1,581,962 | 5 |
| Nov 18, 2022 | - | $91,586 | -55% | 96 | $954 | $1,768,459 | 6 |
| Nov 25, 2022 | - | $46,287 | -49% | 56 | $827 | $1,872,361 | 7 |
| Dec 2, 2022 | - | $28,377 | -39% | 40 | $709 | $1,927,254 | 8 |
| Dec 9, 2022 | - | $21,584 | -24% | 40 | $540 | $1,962,167 | 9 |
| Dec 16, 2022 | - | $16,560 | -23% | 23 | $720 | $1,994,838 | 10 |
| Dec 30, 2022 | - | $21,087 | 17 | $1,240 | $2,053,383 | 12 | |
| Jan 6, 2023 | - | $22,803 | +8% | 20 | $1,140 | $2,113,053 | 13 |
| Jan 13, 2023 | - | $19,210 | -16% | 20 | $961 | $2,143,375 | 14 |
| Jan 27, 2023 | - | $7,172 | 14 | $512 | $2,179,864 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2022 | 23 | $140,680 | 4 | $35,170 | $140,680 | 1 | |
| Oct 21, 2022 | 15 | $415,841 | +196% | 48 | $8,663 | $556,521 | 2 |
| Oct 28, 2022 | 13 | $421,636 | +1% | 132 | $3,194 | $978,157 | 3 |
| Nov 4, 2022 | 15 | $401,880 | -5% | 169 | $2,378 | $1,380,037 | 4 |
| Nov 11, 2022 | 14 | $296,836 | -26% | 134 | $2,215 | $1,676,873 | 5 |
| Nov 18, 2022 | 21 | $149,201 | -50% | 96 | $1,554 | $1,826,074 | 6 |
| Nov 25, 2022 | 24 | $72,803 | -51% | 56 | $1,300 | $1,898,877 | 7 |
| Dec 2, 2022 | 28 | $41,706 | -43% | 40 | $1,043 | $1,940,583 | 8 |
| Dec 9, 2022 | 32 | $37,695 | -10% | 40 | $942 | $1,978,278 | 9 |
| Dec 30, 2022 | 22 | $57,954 | 17 | $3,409 | $2,090,250 | 12 | |
| Jan 6, 2023 | 23 | $33,915 | -41% | 20 | $1,696 | $2,124,165 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/20/2022 | $73,516 | 45 | 3 | 277 | $478,887 | 5/4/2026 | |||
| Croatia | 9/15/2022 | $5,755 | 25 | 25 | 45 | $10,717 | 10/22/2022 | |||
| Czech Republic | 8/19/2022 | $13,757 | 36 | 36 | 95 | $50,098 | 9/14/2022 | |||
| Finland | 1/27/2023 | $37,161 | 51 | 51 | 121 | $103,498 | 2/13/2023 | |||
| Italy | 2/2/2023 | $151,830 | 0 | 0 | 0 | $482,991 | 3/6/2023 | |||
| Netherlands | 9/2/2022 | $71,229 | 47 | 60 | 246 | $411,997 | 10/22/2022 | |||
| New Zealand | 10/27/2022 | $9,799 | 26 | 27 | 138 | $37,622 | 1/23/2023 | |||
| Portugal | 12/1/2022 | $12,657 | 16 | 16 | 39 | $32,306 | 1/25/2023 | |||
| Romania | 2/17/2023 | $11,462 | 19 | 21 | 40 | $20,765 | 3/1/2023 | |||
| Russia (CIS) | 9/29/2022 | $103,599 | 342 | 342 | 576 | $182,560 | 10/22/2022 | |||
| South Korea | 6/29/2022 | $2,550,568 | 1,265 | 10 | 4,824 | $13,936,263 | 4/4/2026 | |||
| Spain | 1/20/2023 | $122,623 | 67 | 83 | 257 | $390,953 | 2/16/2023 | |||
| United Kingdom | 10/21/2022 | $463,084 | 114 | 153 | 267 | $1,216,841 | 12/21/2022 | |||
| International Total | $17,355,498 | 5/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hae-Il Park | Jang Hae-joon | |
| Tang Wei | Song Seo-rae |
Production and Technical Credits
| Park Chan-wook | Director | |
| Jeong-seok Jo | Screenwriter | |
| Park Chan-wook | Screenwriter | |
| Ji Yong Kim | Cinematographer | |
| Ryu Seong-hie | Production Designer | |
| Gi-seok Lee | Set Decorator | |
| Kim Sang-bum | Editor | |
| Ae Kwak Jung | Costume Designer | |
| Jong-hee Song | Make-up and Hair Designer | |
| Jo Yeong-wook | Composer | |
| Kim Suk-Won | Sound Supervisor | |
| Roberto Cappannelli | Re-recording Mixer | |
| Lee Jeon-Hyoung | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon arrives on the scene, he begins to suspect the dead man’s wife Seo-rae. But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.
Metrics
| Opening Weekend: | $96,200 (4.4% of total gross) |
| Legs: | 7.35 (domestic box office/biggest weekend) |
| Domestic Share: | 11.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/169 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,470,506 |
Movie Details
| Domestic Releases: | October 14th, 2022 (Limited) by MUBI, released as Decision to Leave |
| International Releases: | June 29th, 2022 (Wide), released as Decision to Leave (France)
June 29th, 2022 (Wide), released as Decision To Leave (헤어질 결심) (South Korea) August 19th, 2022 (Limited), released as Podezřelá (Czech Republic) September 2nd, 2022 (Limited), released as Decision to Leave (Netherlands) September 15th, 2022 (Wide), released as DVOSTRUKA PRIJEVARA (Croatia) ... Show all releases |
| Video Release: | December 9th, 2022 by Mubi, released as Decision to Leave |
| MPA Rating: | Not Rated |
| Plot point: | Accidental Death, Police Detective, Relationships Gone Wrong, Romance, Widow/Widower |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2022 | - | $96,200 | 3 | $32,067 | $96,200 | 1 | |
| Oct 21, 2022 | - | $296,436 | +208% | 48 | $6,176 | $437,116 | 2 |
| Oct 28, 2022 | - | $258,354 | -13% | 132 | $1,957 | $814,875 | 3 |
| Nov 4, 2022 | 15 | $252,071 | -2% | 169 | $1,492 | $1,230,228 | 4 |
| Nov 11, 2022 | - | $201,925 | -20% | 134 | $1,507 | $1,581,962 | 5 |
| Nov 18, 2022 | - | $91,586 | -55% | 96 | $954 | $1,768,459 | 6 |
| Nov 25, 2022 | - | $46,287 | -49% | 56 | $827 | $1,872,361 | 7 |
| Dec 2, 2022 | - | $28,377 | -39% | 40 | $709 | $1,927,254 | 8 |
| Dec 9, 2022 | - | $21,584 | -24% | 40 | $540 | $1,962,167 | 9 |
| Dec 16, 2022 | - | $16,560 | -23% | 23 | $720 | $1,994,838 | 10 |
| Dec 30, 2022 | - | $21,087 | 17 | $1,240 | $2,053,383 | 12 | |
| Jan 6, 2023 | - | $22,803 | +8% | 20 | $1,140 | $2,113,053 | 13 |
| Jan 13, 2023 | - | $19,210 | -16% | 20 | $961 | $2,143,375 | 14 |
| Jan 27, 2023 | - | $7,172 | 14 | $512 | $2,179,864 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2022 | 23 | $140,680 | 4 | $35,170 | $140,680 | 1 | |
| Oct 21, 2022 | 15 | $415,841 | +196% | 48 | $8,663 | $556,521 | 2 |
| Oct 28, 2022 | 13 | $421,636 | +1% | 132 | $3,194 | $978,157 | 3 |
| Nov 4, 2022 | 15 | $401,880 | -5% | 169 | $2,378 | $1,380,037 | 4 |
| Nov 11, 2022 | 14 | $296,836 | -26% | 134 | $2,215 | $1,676,873 | 5 |
| Nov 18, 2022 | 21 | $149,201 | -50% | 96 | $1,554 | $1,826,074 | 6 |
| Nov 25, 2022 | 24 | $72,803 | -51% | 56 | $1,300 | $1,898,877 | 7 |
| Dec 2, 2022 | 28 | $41,706 | -43% | 40 | $1,043 | $1,940,583 | 8 |
| Dec 9, 2022 | 32 | $37,695 | -10% | 40 | $942 | $1,978,278 | 9 |
| Dec 30, 2022 | 22 | $57,954 | 17 | $3,409 | $2,090,250 | 12 | |
| Jan 6, 2023 | 23 | $33,915 | -41% | 20 | $1,696 | $2,124,165 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/20/2022 | $73,516 | 45 | 3 | 277 | $478,887 | 5/4/2026 | |||
| Croatia | 9/15/2022 | $5,755 | 25 | 25 | 45 | $10,717 | 10/22/2022 | |||
| Czech Republic | 8/19/2022 | $13,757 | 36 | 36 | 95 | $50,098 | 9/14/2022 | |||
| Finland | 1/27/2023 | $37,161 | 51 | 51 | 121 | $103,498 | 2/13/2023 | |||
| Italy | 2/2/2023 | $151,830 | 0 | 0 | 0 | $482,991 | 3/6/2023 | |||
| Netherlands | 9/2/2022 | $71,229 | 47 | 60 | 246 | $411,997 | 10/22/2022 | |||
| New Zealand | 10/27/2022 | $9,799 | 26 | 27 | 138 | $37,622 | 1/23/2023 | |||
| Portugal | 12/1/2022 | $12,657 | 16 | 16 | 39 | $32,306 | 1/25/2023 | |||
| Romania | 2/17/2023 | $11,462 | 19 | 21 | 40 | $20,765 | 3/1/2023 | |||
| Russia (CIS) | 9/29/2022 | $103,599 | 342 | 342 | 576 | $182,560 | 10/22/2022 | |||
| South Korea | 6/29/2022 | $2,550,568 | 1,265 | 10 | 4,824 | $13,936,263 | 4/4/2026 | |||
| Spain | 1/20/2023 | $122,623 | 67 | 83 | 257 | $390,953 | 2/16/2023 | |||
| United Kingdom | 10/21/2022 | $463,084 | 114 | 153 | 267 | $1,216,841 | 12/21/2022 | |||
| International Total | $17,355,498 | 5/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hae-Il Park | Jang Hae-joon | |
| Tang Wei | Song Seo-rae |
Production and Technical Credits
| Park Chan-wook | Director | |
| Jeong-seok Jo | Screenwriter | |
| Park Chan-wook | Screenwriter | |
| Ji Yong Kim | Cinematographer | |
| Ryu Seong-hie | Production Designer | |
| Gi-seok Lee | Set Decorator | |
| Kim Sang-bum | Editor | |
| Ae Kwak Jung | Costume Designer | |
| Jong-hee Song | Make-up and Hair Designer | |
| Jo Yeong-wook | Composer | |
| Kim Suk-Won | Sound Supervisor | |
| Roberto Cappannelli | Re-recording Mixer | |
| Lee Jeon-Hyoung | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.