Demain (2015)
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| Theatrical Performance | ||
| Domestic Box Office | $43,471 | Details |
| International Box Office | $8,295,068 | Details |
| Worldwide Box Office | $8,338,539 | |
| OpusData ID: 259950100 More info... | ||
| Further financial details... | ||
Synopsis
Today, we sometimes feel powerless in front of the various crises of our times. Today, we know that answers lie in a wide mobilization of the human race. Over the course of a century, our dream of progress commonly called “the American Dream”, fundamentally changed the way we live and continues to inspire many developing countries. We are now aware of the setbacks and limits of such development policies. We urgently need to focus our efforts on changing our dreams before something irreversible happens to our planet. Today, we need a new direction, objective… A new dream!
Metrics
| Opening Weekend: | $7,377 (17.0% of total gross) |
| Legs: | 3.79 (domestic box office/biggest weekend) |
| Domestic Share: | 0.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/97 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,958 |
Movie Details
| Domestic Releases: | April 14th, 2017 (Limited) by Under the Milky Way, released as Tomorrow |
| International Releases: | December 4th, 2015 (Wide) (France)
April 29th, 2016 (Wide) (Spain) July 22nd, 2016 (Wide), released as Amanhã (Portugal) |
| MPA Rating: | Not Rated |
| Running Time: | 118 minutes |
| Cast, crew, or production detail: | Agitprop |
| Plot point: | Environment, Extreme Weather |
| Social setting: | Life on a Farm |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Move Movie, France 2 Cinema, Mars Films, Mely Productions |
| Production Countries: | France |
| Languages: | French, English, Hindi |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 63 | $7,377 | 4 | $1,844 | $7,377 | 1 | |
| Apr 21, 2017 | 59 | $11,474 | +56% | 8 | $1,434 | $22,571 | 2 |
| Apr 28, 2017 | 61 | $8,447 | -26% | 9 | $939 | $34,429 | 3 |
| May 5, 2017 | 81 | $1,263 | -85% | 97 | $13 | $37,443 | 4 |
| Jun 2, 2017 | 86 | $739 | 2 | $370 | $43,367 | 8 | |
| Jun 9, 2017 | 93 | $104 | -86% | 1 | $104 | $43,471 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 63 | $11,097 | 4 | $2,774 | $11,097 | 1 | |
| Apr 21, 2017 | 61 | $14,885 | +34% | 6 | $2,481 | $25,982 | 2 |
| Apr 28, 2017 | 63 | $10,198 | -31% | 9 | $1,133 | $36,180 | 3 |
| May 5, 2017 | 74 | $3,976 | -61% | 7 | $568 | $40,156 | 4 |
| May 19, 2017 | 76 | $2,472 | 2 | $1,236 | $42,628 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 12/4/2015 | $0 | 0 | 0 | 0 | $8,169,471 | 10/2/2018 | |||
| Portugal | 7/22/2016 | $2,740 | 3 | 3 | 21 | $33,662 | 11/4/2016 | |||
| Spain | 4/29/2016 | $11,928 | 13 | 15 | 87 | $91,935 | 11/17/2018 | |||
| International Total | $8,295,068 | 11/17/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Anthony Barnosky | Himself | |
| Emmanuel Druon | Himself | |
| Jan Gehl | Himself | |
| Elizabeth Hadly | Herself | |
| Charles Herve-Gruyer | Himself | |
| Perrine Herve-Gruyer | Herself | |
| Rob Hopkins | Himself | |
| Bernard A. Lietaer | Himself | |
| Michelle Long | Herself | |
| Kari Louhivuori | Himself |
Production and Technical Credits
| Cyril Dion | Director | |
| Mélanie Laurent | Director | |
| Bruno Levy | Producer | |
| Fredrika Stahl | Composer | |
| Sandie Bompar | Editor | |
| Alexandre Leglise | Director of Photography | |
| Laurent Cercleux | Sound Designer | |
| Alexis Place | Sound Editor | |
| Antoine Baudoin | Sound Editor | |
| Cyril Holtz | Sound Mixer | |
| Antoine Bretillard | Location Manager | |
| Sylvie Peyre | Line Producer | |
| Isabelle Morax | Postproduction Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Today, we sometimes feel powerless in front of the various crises of our times. Today, we know that answers lie in a wide mobilization of the human race. Over the course of a century, our dream of progress commonly called “the American Dream”, fundamentally changed the way we live and continues to inspire many developing countries. We are now aware of the setbacks and limits of such development policies. We urgently need to focus our efforts on changing our dreams before something irreversible happens to our planet. Today, we need a new direction, objective… A new dream!
Metrics
| Opening Weekend: | $7,377 (17.0% of total gross) |
| Legs: | 3.79 (domestic box office/biggest weekend) |
| Domestic Share: | 0.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/97 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,958 |
Movie Details
| Domestic Releases: | April 14th, 2017 (Limited) by Under the Milky Way, released as Tomorrow |
| International Releases: | December 4th, 2015 (Wide) (France)
April 29th, 2016 (Wide) (Spain) July 22nd, 2016 (Wide), released as Amanhã (Portugal) |
| MPA Rating: | Not Rated |
| Running Time: | 118 minutes |
| Cast, crew, or production detail: | Agitprop |
| Plot point: | Environment, Extreme Weather |
| Social setting: | Life on a Farm |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Move Movie, France 2 Cinema, Mars Films, Mely Productions |
| Production Countries: | France |
| Languages: | French, English, Hindi |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 63 | $7,377 | 4 | $1,844 | $7,377 | 1 | |
| Apr 21, 2017 | 59 | $11,474 | +56% | 8 | $1,434 | $22,571 | 2 |
| Apr 28, 2017 | 61 | $8,447 | -26% | 9 | $939 | $34,429 | 3 |
| May 5, 2017 | 81 | $1,263 | -85% | 97 | $13 | $37,443 | 4 |
| Jun 2, 2017 | 86 | $739 | 2 | $370 | $43,367 | 8 | |
| Jun 9, 2017 | 93 | $104 | -86% | 1 | $104 | $43,471 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 63 | $11,097 | 4 | $2,774 | $11,097 | 1 | |
| Apr 21, 2017 | 61 | $14,885 | +34% | 6 | $2,481 | $25,982 | 2 |
| Apr 28, 2017 | 63 | $10,198 | -31% | 9 | $1,133 | $36,180 | 3 |
| May 5, 2017 | 74 | $3,976 | -61% | 7 | $568 | $40,156 | 4 |
| May 19, 2017 | 76 | $2,472 | 2 | $1,236 | $42,628 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 12/4/2015 | $0 | 0 | 0 | 0 | $8,169,471 | 10/2/2018 | |||
| Portugal | 7/22/2016 | $2,740 | 3 | 3 | 21 | $33,662 | 11/4/2016 | |||
| Spain | 4/29/2016 | $11,928 | 13 | 15 | 87 | $91,935 | 11/17/2018 | |||
| International Total | $8,295,068 | 11/17/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Anthony Barnosky | Himself | |
| Emmanuel Druon | Himself | |
| Jan Gehl | Himself | |
| Elizabeth Hadly | Herself | |
| Charles Herve-Gruyer | Himself | |
| Perrine Herve-Gruyer | Herself | |
| Rob Hopkins | Himself | |
| Bernard A. Lietaer | Himself | |
| Michelle Long | Herself | |
| Kari Louhivuori | Himself |
Production and Technical Credits
| Cyril Dion | Director | |
| Mélanie Laurent | Director | |
| Bruno Levy | Producer | |
| Fredrika Stahl | Composer | |
| Sandie Bompar | Editor | |
| Alexandre Leglise | Director of Photography | |
| Laurent Cercleux | Sound Designer | |
| Alexis Place | Sound Editor | |
| Antoine Baudoin | Sound Editor | |
| Cyril Holtz | Sound Mixer | |
| Antoine Bretillard | Location Manager | |
| Sylvie Peyre | Line Producer | |
| Isabelle Morax | Postproduction Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.