Den of Thieves (2018)
| Theatrical Performance | ||
| Domestic Box Office | $44,947,622 | Details |
| International Box Office | $35,199,544 | Details |
| Worldwide Box Office | $80,147,166 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,372,161 | |
| Blu-ray Sales (estimated) | $3,952,425 | |
| Total | $7,324,586 | |
| OpusData ID: 284400100 More info... | ||
| Further financial details... | ||
Synopsis
A Los Angeles crime saga which follows the intersecting and often personally connected lives of an elite unit of the L.A. County Sheriff’s Department and the state’s most successful bank robbery crew as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank in downtown Los Angeles.
Metrics
| Opening Weekend: | $15,206,108 (33.8% of total gross) |
| Legs: | 2.96 (domestic box office/biggest weekend) |
| Domestic Share: | 56.1% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 2.7 times production budget) |
| Theater counts: | 2,432 opening theaters/2,432 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $59,009,169 |
Movie Details
| Domestic Releases: | January 19th, 2018 (Wide) by STX Entertainment |
| International Releases: | January 19th, 2018 (Wide), released as Бърлога на крадци (Bulgaria)
January 26th, 2018 (Wide), released as Covil de Ladrões (Portugal) February 2nd, 2018 (Wide) (United Kingdom) February 2nd, 2018 (Wide) (Germany) February 2nd, 2018 (Wide) (Middle East Region) ... Show all releases |
| Video Release: | April 10th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for violence, language and some sexuality/nudity. (Rating bulletin 2505 (Cert #51350), 12/6/2017) |
| Running Time: | 140 minutes |
| Franchise: | Den of Thieves |
| Geographical setting: | Los Angeles |
| Plot point: | Bank Robbery, Cops and Robbers, Corrupt Cops, Crime, Heist |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Diamond Film Productions, Tooley Productions, G-Base, Mark Canton, STX Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 2018 | 3 | $15,206,108 | 2,432 | $6,253 | $15,206,108 | 1 | |
| Jan 26, 2018 | 7 | $8,632,808 | -43% | 2,432 | $3,550 | $28,775,253 | 2 |
| Feb 2, 2018 | 8 | $4,551,163 | -47% | 2,112 | $2,155 | $36,152,095 | 3 |
| Feb 9, 2018 | 10 | $2,999,379 | -34% | 1,468 | $2,043 | $41,070,702 | 4 |
| Feb 16, 2018 | 15 | $933,933 | -69% | 730 | $1,279 | $43,435,863 | 5 |
| Feb 23, 2018 | 25 | $395,974 | -58% | 357 | $1,109 | $44,306,529 | 6 |
| Mar 2, 2018 | 27 | $223,863 | -43% | 269 | $832 | $44,694,190 | 7 |
| Mar 9, 2018 | 37 | $74,715 | -67% | 104 | $718 | $44,863,974 | 8 |
| Mar 16, 2018 | 49 | $33,507 | -55% | 60 | $558 | $44,933,602 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 18, 2018 | P | $950,000 | 0 | $950,000 | ||||
| Jan 19, 2018 | 2 | $5,634,222 | 2,432 | $2,317 | $5,634,222 | 1 | ||
| Jan 20, 2018 | 3 | $6,049,858 | +7% | 2,432 | $2,488 | $11,684,080 | 2 | |
| Jan 21, 2018 | 2 | $3,522,028 | -42% | 2,432 | $1,448 | $15,206,108 | 3 | |
| Jan 22, 2018 | 1 | $1,304,937 | -63% | 2,432 | $537 | $16,511,045 | 4 | |
| Jan 23, 2018 | 4 | $1,563,698 | +20% | 2,432 | $643 | $18,074,743 | 5 | |
| Jan 24, 2018 | 4 | $1,062,106 | -32% | 2,432 | $437 | $19,136,849 | 6 | |
| Jan 25, 2018 | 4 | $1,005,596 | -5% | 2,432 | $413 | $20,142,445 | 7 | |
| Jan 26, 2018 | 6 | $2,342,433 | +133% | -58% | 2,432 | $963 | $22,484,878 | 8 |
| Jan 27, 2018 | 7 | $3,773,427 | +61% | -38% | 2,432 | $1,552 | $26,258,305 | 9 |
| Jan 28, 2018 | 6 | $2,516,948 | -33% | -29% | 2,432 | $1,035 | $28,775,253 | 10 |
| Jan 29, 2018 | 6 | $699,050 | -72% | -46% | 2,432 | $287 | $29,474,303 | 11 |
| Jan 30, 2018 | 7 | $879,257 | +26% | -44% | 2,432 | $362 | $30,353,560 | 12 |
| Jan 31, 2018 | 6 | $627,338 | -29% | -41% | 2,432 | $258 | $30,980,898 | 13 |
| Feb 1, 2018 | 7 | $620,034 | -1% | -38% | 2,432 | $255 | $31,600,932 | 14 |
| Feb 2, 2018 | 8 | $1,437,775 | +132% | -39% | 2,112 | $681 | $33,038,707 | 15 |
| Feb 3, 2018 | 8 | $2,407,143 | +67% | -36% | 2,112 | $1,140 | $35,445,850 | 16 |
| Feb 4, 2018 | 10 | $706,245 | -71% | -72% | 2,112 | $334 | $36,152,095 | 17 |
| Feb 5, 2018 | 6 | $491,898 | -30% | -30% | 2,112 | $233 | $36,643,993 | 18 |
| Feb 6, 2018 | 9 | $607,942 | +24% | -31% | 2,112 | $288 | $37,251,935 | 19 |
| Feb 7, 2018 | 9 | $430,393 | -29% | -31% | 2,112 | $204 | $37,682,328 | 20 |
| Feb 8, 2018 | 9 | $388,995 | -10% | -37% | 2,112 | $184 | $38,071,323 | 21 |
| Feb 9, 2018 | 10 | $748,411 | +92% | -48% | 1,468 | $510 | $38,819,734 | 22 |
| Feb 10, 2018 | 10 | $1,328,353 | +77% | -45% | 1,468 | $905 | $40,148,087 | 23 |
| Feb 11, 2018 | 10 | $922,615 | -31% | +31% | 1,468 | $628 | $41,070,702 | 24 |
| Feb 12, 2018 | 11 | $279,384 | -70% | -43% | 1,468 | $190 | $41,350,086 | 25 |
| Feb 13, 2018 | 11 | $332,045 | +19% | -45% | 1,468 | $226 | $41,682,131 | 26 |
| Feb 14, 2018 | 8 | $664,219 | +100% | +54% | 1,468 | $452 | $42,346,350 | 27 |
| Feb 15, 2018 | 13 | $155,580 | -77% | -60% | 1,468 | $106 | $42,501,930 | 28 |
| Feb 16, 2018 | 15 | $230,326 | +48% | -69% | 730 | $316 | $42,732,256 | 29 |
| Feb 17, 2018 | - | $381,014 | +65% | -71% | 730 | $522 | $43,113,270 | 30 |
| Feb 18, 2018 | 15 | $322,593 | -15% | -65% | 730 | $442 | $43,435,863 | 31 |
| Feb 19, 2018 | - | $182,857 | -43% | -35% | 730 | $250 | $43,618,720 | 32 |
| Feb 20, 2018 | 14 | $124,131 | -32% | -63% | 730 | $170 | $43,742,851 | 33 |
| Feb 21, 2018 | 15 | $96,806 | -22% | -85% | 730 | $133 | $43,839,657 | 34 |
| Feb 22, 2018 | - | $70,898 | -27% | -54% | 730 | $97 | $43,910,555 | 35 |
| Feb 23, 2018 | - | $100,680 | +42% | -56% | 357 | $282 | $44,011,235 | 36 |
| Feb 24, 2018 | - | $173,076 | +72% | -55% | 357 | $485 | $44,184,311 | 37 |
| Feb 25, 2018 | - | $122,218 | -29% | -62% | 357 | $342 | $44,306,529 | 38 |
| Feb 26, 2018 | - | $43,464 | -64% | -76% | 357 | $122 | $44,349,993 | 39 |
| Feb 27, 2018 | - | $49,037 | +13% | -60% | 357 | $137 | $44,399,030 | 40 |
| Feb 28, 2018 | - | $40,868 | -17% | -58% | 357 | $114 | $44,439,898 | 41 |
| Mar 1, 2018 | - | $30,429 | -26% | -57% | 357 | $85 | $44,470,327 | 42 |
| Mar 2, 2018 | - | $58,119 | +91% | -42% | 269 | $216 | $44,528,446 | 43 |
| Mar 3, 2018 | - | $98,005 | +69% | -43% | 269 | $364 | $44,626,451 | 44 |
| Mar 4, 2018 | - | $67,739 | -31% | -45% | 269 | $252 | $44,694,190 | 45 |
| Mar 5, 2018 | - | $23,888 | -65% | -45% | 269 | $89 | $44,718,078 | 46 |
| Mar 6, 2018 | - | $27,671 | +16% | -44% | 269 | $103 | $44,745,749 | 47 |
| Mar 7, 2018 | - | $24,712 | -11% | -40% | 269 | $92 | $44,770,461 | 48 |
| Mar 8, 2018 | - | $18,798 | -24% | -38% | 269 | $70 | $44,789,259 | 49 |
| Mar 9, 2018 | - | $21,113 | +12% | -64% | 104 | $203 | $44,810,372 | 50 |
| Mar 10, 2018 | - | $31,421 | +49% | -68% | 104 | $302 | $44,841,793 | 51 |
| Mar 11, 2018 | - | $22,181 | -29% | -67% | 104 | $213 | $44,863,974 | 52 |
| Mar 12, 2018 | - | $8,973 | -60% | -62% | 104 | $86 | $44,872,947 | 53 |
| Mar 13, 2018 | - | $9,985 | +11% | -64% | 104 | $96 | $44,882,932 | 54 |
| Mar 14, 2018 | - | $8,831 | -12% | -64% | 104 | $85 | $44,891,763 | 55 |
| Mar 15, 2018 | - | $8,332 | -6% | -56% | 104 | $80 | $44,900,095 | 56 |
| Mar 16, 2018 | - | $9,485 | +14% | -55% | 60 | $158 | $44,909,580 | 57 |
| Mar 17, 2018 | - | $13,221 | +39% | -58% | 60 | $220 | $44,922,801 | 58 |
| Mar 18, 2018 | - | $10,801 | -18% | -51% | 60 | $180 | $44,933,602 | 59 |
| Mar 19, 2018 | - | $3,420 | -68% | -62% | 60 | $57 | $44,937,022 | 60 |
| Mar 20, 2018 | - | $3,680 | +8% | -63% | 60 | $61 | $44,940,702 | 61 |
| Mar 21, 2018 | - | $3,484 | -5% | -61% | 60 | $58 | $44,944,186 | 62 |
| Mar 22, 2018 | - | $3,436 | -1% | -59% | 60 | $57 | $44,947,622 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 2018 | 3 | $20,142,445 | 2,432 | $8,282 | $20,142,445 | 1 | |
| Jan 26, 2018 | 7 | $11,458,487 | -43% | 2,432 | $4,712 | $31,600,932 | 2 |
| Feb 2, 2018 | 9 | $6,470,391 | -44% | 2,112 | $3,064 | $38,071,323 | 3 |
| Feb 9, 2018 | 10 | $4,430,607 | -32% | 1,468 | $3,018 | $42,501,930 | 4 |
| Feb 16, 2018 | 16 | $1,408,625 | -68% | 730 | $1,930 | $43,910,555 | 5 |
| Feb 23, 2018 | 25 | $559,772 | -60% | 357 | $1,568 | $44,470,327 | 6 |
| Mar 2, 2018 | 29 | $318,932 | -43% | 269 | $1,186 | $44,789,259 | 7 |
| Mar 9, 2018 | 38 | $110,836 | -65% | 104 | $1,066 | $44,900,095 | 8 |
| Mar 16, 2018 | 50 | $47,527 | -57% | 60 | $792 | $44,947,622 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/23/2018 | $145,296 | 0 | 0 | 0 | $264,138 | 1/1/2019 | |||
| Australia | 2/2/2018 | $1,058,440 | 184 | 185 | 632 | $2,404,899 | 3/22/2018 | |||
| Brazil | 4/6/2018 | $148,961 | 0 | 0 | 0 | $148,961 | 6/14/2018 | |||
| Bulgaria | 1/19/2018 | $51,097 | 0 | 0 | 0 | $207,974 | 2/26/2019 | |||
| France | 2/23/2018 | $656,000 | 0 | 0 | 0 | $1,890,949 | 4/4/2026 | |||
| Germany | 2/2/2018 | $968,000 | 0 | 0 | 0 | $1,735,000 | 6/11/2018 | |||
| India | 2/2/2018 | $71,000 | 0 | 0 | 0 | $104,019 | 9/10/2018 | |||
| Indonesia | 2/2/2018 | $240,000 | 0 | 0 | 0 | $207,868 | 1/1/2019 | |||
| Italy | 4/5/2018 | $1,147,626 | 0 | 0 | 0 | $2,711,078 | 5/7/2018 | |||
| Lithuania | 2/23/2018 | $14,735 | 52 | 52 | 77 | $35,327 | 3/19/2018 | |||
| Mexico | 2/23/2018 | $441,307 | 0 | 0 | 0 | $1,246,340 | 4/23/2018 | |||
| Middle East Region | 2/2/2018 | $0 | 0 | 0 | 0 | $1,400,000 | 2/12/2018 | |||
| Netherlands | 2/23/2018 | $202,969 | 68 | 70 | 219 | $758,529 | 9/12/2018 | |||
| Portugal | 1/26/2018 | $65,523 | 35 | 35 | 103 | $198,069 | 2/28/2018 | |||
| Russia (CIS) | 2/9/2018 | $560,070 | 655 | 655 | 1,280 | $1,332,238 | 4/4/2026 | |||
| South Korea | 4/11/2018 | $0 | 0 | 362 | 348 | $219,710 | 4/4/2026 | |||
| Spain | 4/6/2018 | $476,654 | 249 | 252 | 765 | $1,158,330 | 5/4/2018 | |||
| Turkey | 5/4/2018 | $24,904 | 80 | 80 | 116 | $44,636 | 2/26/2019 | |||
| United Kingdom | 2/2/2018 | $1,529,256 | 420 | 420 | 1,078 | $3,921,505 | 4/4/2026 | |||
| Rest of World | $15,209,974 | |||||||||
| International Total | $35,199,544 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gerard Butler | Nick Flanagan | |
| Pablo Schreiber | Ray Merrimen | |
| O'Shea Jackson, Jr. | Donnie Wilson | |
| Curtis "50 Cent" Jackson | Enson Levoux |
Supporting
| Meadow Williams | Holly | |
| Maurice Compte | Benny “Borracho” Magalon | |
| Brian Van Holt | Murph Connors | |
| Evan Jones | Bo “Bosco” Ostroman | |
| Mo McRae | Gus Henderson | |
| Kaiwi Lyman-Mersereau* | “Tony T” Zapata | |
| Dawn Olivieri | Debbie O’Brien | |
| Eric Braeden | Ziggy Zerhusen | |
| Jordan Bridges | Lobbin’ Bob | |
| Lewis Tan | Secret Service Lobby Guard #1 | |
| Cooper Andrews | Mack | |
| Marcus Lavoi | Marcus Rhodes | |
| Nate Boyer | Secret Service Guard Dale Russell | |
| John Lewis | Secret Service Guard Johnny McMann | |
| Ron Rock | Junior | |
| Malieek W. Straughter | Luigi | |
| Charline St. Charles | Doris | |
| Tracey Bonner | Sharon | |
| Max Holloway | Bas | |
| Oleg Taktarov | Alexi | |
| Mario Cortez | LAPD SWAT Negotiator | |
| Charles Payne | LAPD Metro Cop | |
| Hoop | LAPD Metro Cop | |
| Timothy Douglas Perez | Brinks Messenger | |
| Matthew Cornwell | Bank Manager | |
| Brandon Alston | Rolando | |
| Alexus Lapri Geier | Maloa | |
| Sonya Chung | Malia | |
| Elisabeth Whitfield | McKenna O’Brien | |
| Madelyn Lazar | Cassady O’Brien | |
| Cullen Ries | Gardena Cop | |
| Desmond Phillips | Brinks Secretary Al | |
| Jay Dobyns | Wolfgang | |
| Tsi Chin Li-McCall | Cou-Chi | |
| Adam Drescher | Process Server | |
| Cory Scot Allen | Debbie’s Date | |
| Nick Loeb | Ruud | |
| Michelle Keller | Sandee | |
| Dayana Rincon | Latina Hostage | |
| Jermaine Rivers | Fed Receiving Guard Jackson | |
| Gerrold Johnson | Fed Receiving Guard Weir | |
| Michael Bisping | Connor | |
| Brendan Kelly | FCI Cop | |
| Bob Jennings | LAPD Metro Lieutenant | |
| Joshua D. Gormley | Merrimen’s Boxing Trainer | |
| Ulysses Diaz | Merrimen’s Boxing Trainer | |
| Pou’Ha Finau | Tongan Leader | |
| Salesi Tongamoa | Tongan Cargo Hand | |
| Lyon Beckwith | Tongan Cargo Hand | |
| Fotukava Malu | Tongan Cargo Hand | |
| Tufa Liva | Tongan Cargo Hand | |
| Hemi Mataele | Tongan Cargo Hand | |
| Tomu Osborne | Tongan Cargo Hand | |
| Natasha Kerry Gudegast | School Teacher | |
| Daisy Pareja | Latina in Corridor | |
| Kevin Lee Christenson | Gardena Cop #2 | |
| Denis Yuryevich Orlov | Armored Guard | |
| Vincent Lee Alston | Armored Guard | |
| Stefanos Miltsakakis | Hofbrau Bouncer |
Production and Technical Credits
| Christian Gudegast | Director | |
| Christian Gudegast | Screenwriter | |
| Christian Gudegast | Story by | |
| Paul Scheuring | Story by | |
| Tucker Tooley | Producer | |
| Gerard Butler | Producer | |
| Mark Canton | Producer | |
| Alan Siegel | Producer | |
| Meadow Williams | Executive Producer | |
| Christian Gudegast | Executive Producer | |
| D. Scott Lumpkin | Executive Producer | |
| Glenn D. Feig | Executive Producer | |
| Jamie Marsh | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Terry Stacey | Director of Photography | |
| Kara Lindstrom | Production Designer | |
| Joel Cox | Editor | |
| David Cox | Editor | |
| Nathan Godley | Editor | |
| Cliff Martinez | Composer | |
| Jason Markey | Music Supervisor | |
| Terry Anderson | Costume Designer | |
| John Papsidera | Casting Director | |
| Damien Lubiak | Unit Production Manager | |
| D. Scott Lumpkin | Unit Production Manager | |
| Joe Camp III | First Assistant Director | |
| Kevin Lum | Second Assistant Director | |
| Danielle Robinson | Executive Producer | |
| Greg Renker | Executive Producer | |
| David Hopwood | Executive Producer | |
| Jason Baryhdt | Associate Producer | |
| Dorothy Canton | Associate Producer | |
| Daniel Kaslow | Associate Producer | |
| Joey Box | Stunt Coordinator | |
| Elizabeth Boller | Art Director | |
| Leonard Spears | Set Decorator | |
| Carmen Soriano | Script Supervisor | |
| Michael Koff | Sound Mixer | |
| Yves Debono | Special Effects Supervisor | |
| John Findley | Location Manager | |
| Andree Fortier | Costume Supervisor | |
| Allan A. Apone* | Make up | |
| Seidah Nichols | Make up | |
| Jeri Baker* | Hairstylist | |
| Wyatt Belton | Hairstylist | |
| Ryan Goertz | Set Designer | |
| Christopher Kulikowski | Post-Production Supervisor | |
| Steve M. Ngo | First Assistant Editor | |
| Maureen Ross | Second Assistant Editor | |
| Kami Asgar | Supervising Sound Editor | |
| Casey Genton | Sound Designer | |
| David Esparza | Sound Effects Editor | |
| Trevor Metz | Sound Effects Editor | |
| Tateum Kohut | Supervising Re-Recording Mixer | |
| Tony Lamberti | Supervising Re-Recording Mixer | |
| Tom Y. Burns | Recordist | |
| Mary Parker | Music Editor | |
| Gregory Tripi | Additional Music | |
| Peter G. Adams | Additional Music | |
| Thor Laewe | Additional Music | |
| Thor Laewe | Score Mixer | |
| Jamie Marshall | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A Los Angeles crime saga which follows the intersecting and often personally connected lives of an elite unit of the L.A. County Sheriff’s Department and the state’s most successful bank robbery crew as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank in downtown Los Angeles.
Metrics
| Opening Weekend: | $15,206,108 (33.8% of total gross) |
| Legs: | 2.96 (domestic box office/biggest weekend) |
| Domestic Share: | 56.1% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 2.7 times production budget) |
| Theater counts: | 2,432 opening theaters/2,432 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $59,009,169 |
Movie Details
| Domestic Releases: | January 19th, 2018 (Wide) by STX Entertainment |
| International Releases: | January 19th, 2018 (Wide), released as Бърлога на крадци (Bulgaria)
January 26th, 2018 (Wide), released as Covil de Ladrões (Portugal) February 2nd, 2018 (Wide) (United Kingdom) February 2nd, 2018 (Wide) (Germany) February 2nd, 2018 (Wide) (Middle East Region) ... Show all releases |
| Video Release: | April 10th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for violence, language and some sexuality/nudity. (Rating bulletin 2505 (Cert #51350), 12/6/2017) |
| Running Time: | 140 minutes |
| Franchise: | Den of Thieves |
| Geographical setting: | Los Angeles |
| Plot point: | Bank Robbery, Cops and Robbers, Corrupt Cops, Crime, Heist |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Diamond Film Productions, Tooley Productions, G-Base, Mark Canton, STX Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 2018 | 3 | $15,206,108 | 2,432 | $6,253 | $15,206,108 | 1 | |
| Jan 26, 2018 | 7 | $8,632,808 | -43% | 2,432 | $3,550 | $28,775,253 | 2 |
| Feb 2, 2018 | 8 | $4,551,163 | -47% | 2,112 | $2,155 | $36,152,095 | 3 |
| Feb 9, 2018 | 10 | $2,999,379 | -34% | 1,468 | $2,043 | $41,070,702 | 4 |
| Feb 16, 2018 | 15 | $933,933 | -69% | 730 | $1,279 | $43,435,863 | 5 |
| Feb 23, 2018 | 25 | $395,974 | -58% | 357 | $1,109 | $44,306,529 | 6 |
| Mar 2, 2018 | 27 | $223,863 | -43% | 269 | $832 | $44,694,190 | 7 |
| Mar 9, 2018 | 37 | $74,715 | -67% | 104 | $718 | $44,863,974 | 8 |
| Mar 16, 2018 | 49 | $33,507 | -55% | 60 | $558 | $44,933,602 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 18, 2018 | P | $950,000 | 0 | $950,000 | ||||
| Jan 19, 2018 | 2 | $5,634,222 | 2,432 | $2,317 | $5,634,222 | 1 | ||
| Jan 20, 2018 | 3 | $6,049,858 | +7% | 2,432 | $2,488 | $11,684,080 | 2 | |
| Jan 21, 2018 | 2 | $3,522,028 | -42% | 2,432 | $1,448 | $15,206,108 | 3 | |
| Jan 22, 2018 | 1 | $1,304,937 | -63% | 2,432 | $537 | $16,511,045 | 4 | |
| Jan 23, 2018 | 4 | $1,563,698 | +20% | 2,432 | $643 | $18,074,743 | 5 | |
| Jan 24, 2018 | 4 | $1,062,106 | -32% | 2,432 | $437 | $19,136,849 | 6 | |
| Jan 25, 2018 | 4 | $1,005,596 | -5% | 2,432 | $413 | $20,142,445 | 7 | |
| Jan 26, 2018 | 6 | $2,342,433 | +133% | -58% | 2,432 | $963 | $22,484,878 | 8 |
| Jan 27, 2018 | 7 | $3,773,427 | +61% | -38% | 2,432 | $1,552 | $26,258,305 | 9 |
| Jan 28, 2018 | 6 | $2,516,948 | -33% | -29% | 2,432 | $1,035 | $28,775,253 | 10 |
| Jan 29, 2018 | 6 | $699,050 | -72% | -46% | 2,432 | $287 | $29,474,303 | 11 |
| Jan 30, 2018 | 7 | $879,257 | +26% | -44% | 2,432 | $362 | $30,353,560 | 12 |
| Jan 31, 2018 | 6 | $627,338 | -29% | -41% | 2,432 | $258 | $30,980,898 | 13 |
| Feb 1, 2018 | 7 | $620,034 | -1% | -38% | 2,432 | $255 | $31,600,932 | 14 |
| Feb 2, 2018 | 8 | $1,437,775 | +132% | -39% | 2,112 | $681 | $33,038,707 | 15 |
| Feb 3, 2018 | 8 | $2,407,143 | +67% | -36% | 2,112 | $1,140 | $35,445,850 | 16 |
| Feb 4, 2018 | 10 | $706,245 | -71% | -72% | 2,112 | $334 | $36,152,095 | 17 |
| Feb 5, 2018 | 6 | $491,898 | -30% | -30% | 2,112 | $233 | $36,643,993 | 18 |
| Feb 6, 2018 | 9 | $607,942 | +24% | -31% | 2,112 | $288 | $37,251,935 | 19 |
| Feb 7, 2018 | 9 | $430,393 | -29% | -31% | 2,112 | $204 | $37,682,328 | 20 |
| Feb 8, 2018 | 9 | $388,995 | -10% | -37% | 2,112 | $184 | $38,071,323 | 21 |
| Feb 9, 2018 | 10 | $748,411 | +92% | -48% | 1,468 | $510 | $38,819,734 | 22 |
| Feb 10, 2018 | 10 | $1,328,353 | +77% | -45% | 1,468 | $905 | $40,148,087 | 23 |
| Feb 11, 2018 | 10 | $922,615 | -31% | +31% | 1,468 | $628 | $41,070,702 | 24 |
| Feb 12, 2018 | 11 | $279,384 | -70% | -43% | 1,468 | $190 | $41,350,086 | 25 |
| Feb 13, 2018 | 11 | $332,045 | +19% | -45% | 1,468 | $226 | $41,682,131 | 26 |
| Feb 14, 2018 | 8 | $664,219 | +100% | +54% | 1,468 | $452 | $42,346,350 | 27 |
| Feb 15, 2018 | 13 | $155,580 | -77% | -60% | 1,468 | $106 | $42,501,930 | 28 |
| Feb 16, 2018 | 15 | $230,326 | +48% | -69% | 730 | $316 | $42,732,256 | 29 |
| Feb 17, 2018 | - | $381,014 | +65% | -71% | 730 | $522 | $43,113,270 | 30 |
| Feb 18, 2018 | 15 | $322,593 | -15% | -65% | 730 | $442 | $43,435,863 | 31 |
| Feb 19, 2018 | - | $182,857 | -43% | -35% | 730 | $250 | $43,618,720 | 32 |
| Feb 20, 2018 | 14 | $124,131 | -32% | -63% | 730 | $170 | $43,742,851 | 33 |
| Feb 21, 2018 | 15 | $96,806 | -22% | -85% | 730 | $133 | $43,839,657 | 34 |
| Feb 22, 2018 | - | $70,898 | -27% | -54% | 730 | $97 | $43,910,555 | 35 |
| Feb 23, 2018 | - | $100,680 | +42% | -56% | 357 | $282 | $44,011,235 | 36 |
| Feb 24, 2018 | - | $173,076 | +72% | -55% | 357 | $485 | $44,184,311 | 37 |
| Feb 25, 2018 | - | $122,218 | -29% | -62% | 357 | $342 | $44,306,529 | 38 |
| Feb 26, 2018 | - | $43,464 | -64% | -76% | 357 | $122 | $44,349,993 | 39 |
| Feb 27, 2018 | - | $49,037 | +13% | -60% | 357 | $137 | $44,399,030 | 40 |
| Feb 28, 2018 | - | $40,868 | -17% | -58% | 357 | $114 | $44,439,898 | 41 |
| Mar 1, 2018 | - | $30,429 | -26% | -57% | 357 | $85 | $44,470,327 | 42 |
| Mar 2, 2018 | - | $58,119 | +91% | -42% | 269 | $216 | $44,528,446 | 43 |
| Mar 3, 2018 | - | $98,005 | +69% | -43% | 269 | $364 | $44,626,451 | 44 |
| Mar 4, 2018 | - | $67,739 | -31% | -45% | 269 | $252 | $44,694,190 | 45 |
| Mar 5, 2018 | - | $23,888 | -65% | -45% | 269 | $89 | $44,718,078 | 46 |
| Mar 6, 2018 | - | $27,671 | +16% | -44% | 269 | $103 | $44,745,749 | 47 |
| Mar 7, 2018 | - | $24,712 | -11% | -40% | 269 | $92 | $44,770,461 | 48 |
| Mar 8, 2018 | - | $18,798 | -24% | -38% | 269 | $70 | $44,789,259 | 49 |
| Mar 9, 2018 | - | $21,113 | +12% | -64% | 104 | $203 | $44,810,372 | 50 |
| Mar 10, 2018 | - | $31,421 | +49% | -68% | 104 | $302 | $44,841,793 | 51 |
| Mar 11, 2018 | - | $22,181 | -29% | -67% | 104 | $213 | $44,863,974 | 52 |
| Mar 12, 2018 | - | $8,973 | -60% | -62% | 104 | $86 | $44,872,947 | 53 |
| Mar 13, 2018 | - | $9,985 | +11% | -64% | 104 | $96 | $44,882,932 | 54 |
| Mar 14, 2018 | - | $8,831 | -12% | -64% | 104 | $85 | $44,891,763 | 55 |
| Mar 15, 2018 | - | $8,332 | -6% | -56% | 104 | $80 | $44,900,095 | 56 |
| Mar 16, 2018 | - | $9,485 | +14% | -55% | 60 | $158 | $44,909,580 | 57 |
| Mar 17, 2018 | - | $13,221 | +39% | -58% | 60 | $220 | $44,922,801 | 58 |
| Mar 18, 2018 | - | $10,801 | -18% | -51% | 60 | $180 | $44,933,602 | 59 |
| Mar 19, 2018 | - | $3,420 | -68% | -62% | 60 | $57 | $44,937,022 | 60 |
| Mar 20, 2018 | - | $3,680 | +8% | -63% | 60 | $61 | $44,940,702 | 61 |
| Mar 21, 2018 | - | $3,484 | -5% | -61% | 60 | $58 | $44,944,186 | 62 |
| Mar 22, 2018 | - | $3,436 | -1% | -59% | 60 | $57 | $44,947,622 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 2018 | 3 | $20,142,445 | 2,432 | $8,282 | $20,142,445 | 1 | |
| Jan 26, 2018 | 7 | $11,458,487 | -43% | 2,432 | $4,712 | $31,600,932 | 2 |
| Feb 2, 2018 | 9 | $6,470,391 | -44% | 2,112 | $3,064 | $38,071,323 | 3 |
| Feb 9, 2018 | 10 | $4,430,607 | -32% | 1,468 | $3,018 | $42,501,930 | 4 |
| Feb 16, 2018 | 16 | $1,408,625 | -68% | 730 | $1,930 | $43,910,555 | 5 |
| Feb 23, 2018 | 25 | $559,772 | -60% | 357 | $1,568 | $44,470,327 | 6 |
| Mar 2, 2018 | 29 | $318,932 | -43% | 269 | $1,186 | $44,789,259 | 7 |
| Mar 9, 2018 | 38 | $110,836 | -65% | 104 | $1,066 | $44,900,095 | 8 |
| Mar 16, 2018 | 50 | $47,527 | -57% | 60 | $792 | $44,947,622 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/23/2018 | $145,296 | 0 | 0 | 0 | $264,138 | 1/1/2019 | |||
| Australia | 2/2/2018 | $1,058,440 | 184 | 185 | 632 | $2,404,899 | 3/22/2018 | |||
| Brazil | 4/6/2018 | $148,961 | 0 | 0 | 0 | $148,961 | 6/14/2018 | |||
| Bulgaria | 1/19/2018 | $51,097 | 0 | 0 | 0 | $207,974 | 2/26/2019 | |||
| France | 2/23/2018 | $656,000 | 0 | 0 | 0 | $1,890,949 | 4/4/2026 | |||
| Germany | 2/2/2018 | $968,000 | 0 | 0 | 0 | $1,735,000 | 6/11/2018 | |||
| India | 2/2/2018 | $71,000 | 0 | 0 | 0 | $104,019 | 9/10/2018 | |||
| Indonesia | 2/2/2018 | $240,000 | 0 | 0 | 0 | $207,868 | 1/1/2019 | |||
| Italy | 4/5/2018 | $1,147,626 | 0 | 0 | 0 | $2,711,078 | 5/7/2018 | |||
| Lithuania | 2/23/2018 | $14,735 | 52 | 52 | 77 | $35,327 | 3/19/2018 | |||
| Mexico | 2/23/2018 | $441,307 | 0 | 0 | 0 | $1,246,340 | 4/23/2018 | |||
| Middle East Region | 2/2/2018 | $0 | 0 | 0 | 0 | $1,400,000 | 2/12/2018 | |||
| Netherlands | 2/23/2018 | $202,969 | 68 | 70 | 219 | $758,529 | 9/12/2018 | |||
| Portugal | 1/26/2018 | $65,523 | 35 | 35 | 103 | $198,069 | 2/28/2018 | |||
| Russia (CIS) | 2/9/2018 | $560,070 | 655 | 655 | 1,280 | $1,332,238 | 4/4/2026 | |||
| South Korea | 4/11/2018 | $0 | 0 | 362 | 348 | $219,710 | 4/4/2026 | |||
| Spain | 4/6/2018 | $476,654 | 249 | 252 | 765 | $1,158,330 | 5/4/2018 | |||
| Turkey | 5/4/2018 | $24,904 | 80 | 80 | 116 | $44,636 | 2/26/2019 | |||
| United Kingdom | 2/2/2018 | $1,529,256 | 420 | 420 | 1,078 | $3,921,505 | 4/4/2026 | |||
| Rest of World | $15,209,974 | |||||||||
| International Total | $35,199,544 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gerard Butler | Nick Flanagan | |
| Pablo Schreiber | Ray Merrimen | |
| O'Shea Jackson, Jr. | Donnie Wilson | |
| Curtis "50 Cent" Jackson | Enson Levoux |
Supporting
| Meadow Williams | Holly | |
| Maurice Compte | Benny “Borracho” Magalon | |
| Brian Van Holt | Murph Connors | |
| Evan Jones | Bo “Bosco” Ostroman | |
| Mo McRae | Gus Henderson | |
| Kaiwi Lyman-Mersereau* | “Tony T” Zapata | |
| Dawn Olivieri | Debbie O’Brien | |
| Eric Braeden | Ziggy Zerhusen | |
| Jordan Bridges | Lobbin’ Bob | |
| Lewis Tan | Secret Service Lobby Guard #1 | |
| Cooper Andrews | Mack | |
| Marcus Lavoi | Marcus Rhodes | |
| Nate Boyer | Secret Service Guard Dale Russell | |
| John Lewis | Secret Service Guard Johnny McMann | |
| Ron Rock | Junior | |
| Malieek W. Straughter | Luigi | |
| Charline St. Charles | Doris | |
| Tracey Bonner | Sharon | |
| Max Holloway | Bas | |
| Oleg Taktarov | Alexi | |
| Mario Cortez | LAPD SWAT Negotiator | |
| Charles Payne | LAPD Metro Cop | |
| Hoop | LAPD Metro Cop | |
| Timothy Douglas Perez | Brinks Messenger | |
| Matthew Cornwell | Bank Manager | |
| Brandon Alston | Rolando | |
| Alexus Lapri Geier | Maloa | |
| Sonya Chung | Malia | |
| Elisabeth Whitfield | McKenna O’Brien | |
| Madelyn Lazar | Cassady O’Brien | |
| Cullen Ries | Gardena Cop | |
| Desmond Phillips | Brinks Secretary Al | |
| Jay Dobyns | Wolfgang | |
| Tsi Chin Li-McCall | Cou-Chi | |
| Adam Drescher | Process Server | |
| Cory Scot Allen | Debbie’s Date | |
| Nick Loeb | Ruud | |
| Michelle Keller | Sandee | |
| Dayana Rincon | Latina Hostage | |
| Jermaine Rivers | Fed Receiving Guard Jackson | |
| Gerrold Johnson | Fed Receiving Guard Weir | |
| Michael Bisping | Connor | |
| Brendan Kelly | FCI Cop | |
| Bob Jennings | LAPD Metro Lieutenant | |
| Joshua D. Gormley | Merrimen’s Boxing Trainer | |
| Ulysses Diaz | Merrimen’s Boxing Trainer | |
| Pou’Ha Finau | Tongan Leader | |
| Salesi Tongamoa | Tongan Cargo Hand | |
| Lyon Beckwith | Tongan Cargo Hand | |
| Fotukava Malu | Tongan Cargo Hand | |
| Tufa Liva | Tongan Cargo Hand | |
| Hemi Mataele | Tongan Cargo Hand | |
| Tomu Osborne | Tongan Cargo Hand | |
| Natasha Kerry Gudegast | School Teacher | |
| Daisy Pareja | Latina in Corridor | |
| Kevin Lee Christenson | Gardena Cop #2 | |
| Denis Yuryevich Orlov | Armored Guard | |
| Vincent Lee Alston | Armored Guard | |
| Stefanos Miltsakakis | Hofbrau Bouncer |
Production and Technical Credits
| Christian Gudegast | Director | |
| Christian Gudegast | Screenwriter | |
| Christian Gudegast | Story by | |
| Paul Scheuring | Story by | |
| Tucker Tooley | Producer | |
| Gerard Butler | Producer | |
| Mark Canton | Producer | |
| Alan Siegel | Producer | |
| Meadow Williams | Executive Producer | |
| Christian Gudegast | Executive Producer | |
| D. Scott Lumpkin | Executive Producer | |
| Glenn D. Feig | Executive Producer | |
| Jamie Marsh | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Terry Stacey | Director of Photography | |
| Kara Lindstrom | Production Designer | |
| Joel Cox | Editor | |
| David Cox | Editor | |
| Nathan Godley | Editor | |
| Cliff Martinez | Composer | |
| Jason Markey | Music Supervisor | |
| Terry Anderson | Costume Designer | |
| John Papsidera | Casting Director | |
| Damien Lubiak | Unit Production Manager | |
| D. Scott Lumpkin | Unit Production Manager | |
| Joe Camp III | First Assistant Director | |
| Kevin Lum | Second Assistant Director | |
| Danielle Robinson | Executive Producer | |
| Greg Renker | Executive Producer | |
| David Hopwood | Executive Producer | |
| Jason Baryhdt | Associate Producer | |
| Dorothy Canton | Associate Producer | |
| Daniel Kaslow | Associate Producer | |
| Joey Box | Stunt Coordinator | |
| Elizabeth Boller | Art Director | |
| Leonard Spears | Set Decorator | |
| Carmen Soriano | Script Supervisor | |
| Michael Koff | Sound Mixer | |
| Yves Debono | Special Effects Supervisor | |
| John Findley | Location Manager | |
| Andree Fortier | Costume Supervisor | |
| Allan A. Apone* | Make up | |
| Seidah Nichols | Make up | |
| Jeri Baker* | Hairstylist | |
| Wyatt Belton | Hairstylist | |
| Ryan Goertz | Set Designer | |
| Christopher Kulikowski | Post-Production Supervisor | |
| Steve M. Ngo | First Assistant Editor | |
| Maureen Ross | Second Assistant Editor | |
| Kami Asgar | Supervising Sound Editor | |
| Casey Genton | Sound Designer | |
| David Esparza | Sound Effects Editor | |
| Trevor Metz | Sound Effects Editor | |
| Tateum Kohut | Supervising Re-Recording Mixer | |
| Tony Lamberti | Supervising Re-Recording Mixer | |
| Tom Y. Burns | Recordist | |
| Mary Parker | Music Editor | |
| Gregory Tripi | Additional Music | |
| Peter G. Adams | Additional Music | |
| Thor Laewe | Additional Music | |
| Thor Laewe | Score Mixer | |
| Jamie Marshall | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.