Destination Wedding (2018)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,660,230 | Details |
| Worldwide Box Office | $1,660,230 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $69,748 | |
| Total | $69,748 | |
| OpusData ID: 312430100 More info... | ||
| Further financial details... | ||
Synopsis
When socially awkward Frank and Lindsay meet on their way to a destination wedding, they soon discover they have a lot in common: they both hate the bride, the groom, the wedding, themselves, and most especially each other. As the weekend's events continually force them together—and their cheerlessness immediately isolates them from the other guests—Frank and Lindsay find that if you verbally spar with someone long enough, anything can happen. When debate gives way to desire, they must decide which is stronger: their hearts or their common sense.
Metrics
Movie Details
| Domestic Releases: | August 31st, 2018 (Limited) by Regatta |
| International Releases: | August 30th, 2018 (Wide), released as Как женить холостяка (Russia (CIS))
August 31st, 2018 (Wide), released as Ten pravý, ta pravá? (Czech Republic) September 7th, 2018 (Wide), released as Cesta za láskou (Slovakia) September 14th, 2018 (Wide), released as Tikslas - Vestuvės! (Lithuania) September 28th, 2018 (Wide), released as İstikamet: Düğün (Turkey) ... Show all releases |
| Video Release: | November 6th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for language throughout and sexual content. (Rating bulletin 2523 (Cert #51485), 4/18/2018) |
| Running Time: | 90 minutes |
| Geographical setting: | California |
| Plot point: | Mental Illness, One Night Stand, Relationships Gone Wrong, Romance |
| Social setting: | Wedding Day |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Fyzz Facility, Two Camel Films, Sunshine Pictures, Elevated, Endeavor Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 8/31/2018 | $48,181 | 59 | 59 | 143 | $111,071 | 1/1/2019 | |||
| Lithuania | 9/14/2018 | $16,972 | 68 | 68 | 101 | $38,186 | 10/10/2018 | |||
| Netherlands | 11/16/2018 | $15,021 | 15 | 15 | 15 | $15,567 | 11/20/2018 | |||
| Portugal | 3/29/2019 | $26,235 | 34 | 34 | 84 | $74,286 | 4/23/2019 | |||
| Russia (CIS) | 8/30/2018 | $510,649 | 657 | 657 | 1,684 | $60 | 4/4/2026 | |||
| Slovakia | 9/7/2018 | $36,610 | 69 | 69 | 130 | $87,114 | 10/4/2018 | |||
| South Korea | 12/13/2018 | $9,680 | 77 | 77 | 77 | $24,473 | 1/8/2019 | |||
| Turkey | 9/28/2018 | $16,993 | 82 | 82 | 146 | $44,649 | 2/26/2019 | |||
| United Kingdom | 5/10/2019 | $65,471 | 22 | 22 | 22 | $65,471 | 5/15/2019 | |||
| Rest of World | $1,199,353 | |||||||||
| International Total | $1,660,230 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Winona Ryder | Lindsay | |
| Keanu Reeves | Frank |
Production and Technical Credits
| Victor Levin | Director | |
| Victor Levin | Screenwriter | |
| Gail Lyon | Producer | |
| Elizabeth Dell | Producer | |
| Pam Dixon | Co-Producer | |
| Jean Wyman | Executive Producer | |
| Cassian Elwes | Executive Producer | |
| Mark Lane | Executive Producer | |
| James Harris | Executive Producer | |
| William Sadler | Executive Producer | |
| Jason Resnick | Executive Producer | |
| Wayne Marc Godfrey | Executive Producer | |
| David Dinerstein | Executive Producer | |
| Justine Seymour | Costume Designer | |
| Anita Camarata | Music Supervisor | |
| William Ross | Composer | |
| Matt Maddox | Editor | |
| Callie Andreadis | Production Designer | |
| Giorgio Scali | Director of Photography | |
| Pam Dixon | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When socially awkward Frank and Lindsay meet on their way to a destination wedding, they soon discover they have a lot in common: they both hate the bride, the groom, the wedding, themselves, and most especially each other. As the weekend's events continually force them together—and their cheerlessness immediately isolates them from the other guests—Frank and Lindsay find that if you verbally spar with someone long enough, anything can happen. When debate gives way to desire, they must decide which is stronger: their hearts or their common sense.
Metrics
Movie Details
| Domestic Releases: | August 31st, 2018 (Limited) by Regatta |
| International Releases: | August 30th, 2018 (Wide), released as Как женить холостяка (Russia (CIS))
August 31st, 2018 (Wide), released as Ten pravý, ta pravá? (Czech Republic) September 7th, 2018 (Wide), released as Cesta za láskou (Slovakia) September 14th, 2018 (Wide), released as Tikslas - Vestuvės! (Lithuania) September 28th, 2018 (Wide), released as İstikamet: Düğün (Turkey) ... Show all releases |
| Video Release: | November 6th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for language throughout and sexual content. (Rating bulletin 2523 (Cert #51485), 4/18/2018) |
| Running Time: | 90 minutes |
| Geographical setting: | California |
| Plot point: | Mental Illness, One Night Stand, Relationships Gone Wrong, Romance |
| Social setting: | Wedding Day |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Fyzz Facility, Two Camel Films, Sunshine Pictures, Elevated, Endeavor Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 8/31/2018 | $48,181 | 59 | 59 | 143 | $111,071 | 1/1/2019 | |||
| Lithuania | 9/14/2018 | $16,972 | 68 | 68 | 101 | $38,186 | 10/10/2018 | |||
| Netherlands | 11/16/2018 | $15,021 | 15 | 15 | 15 | $15,567 | 11/20/2018 | |||
| Portugal | 3/29/2019 | $26,235 | 34 | 34 | 84 | $74,286 | 4/23/2019 | |||
| Russia (CIS) | 8/30/2018 | $510,649 | 657 | 657 | 1,684 | $60 | 4/4/2026 | |||
| Slovakia | 9/7/2018 | $36,610 | 69 | 69 | 130 | $87,114 | 10/4/2018 | |||
| South Korea | 12/13/2018 | $9,680 | 77 | 77 | 77 | $24,473 | 1/8/2019 | |||
| Turkey | 9/28/2018 | $16,993 | 82 | 82 | 146 | $44,649 | 2/26/2019 | |||
| United Kingdom | 5/10/2019 | $65,471 | 22 | 22 | 22 | $65,471 | 5/15/2019 | |||
| Rest of World | $1,199,353 | |||||||||
| International Total | $1,660,230 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Winona Ryder | Lindsay | |
| Keanu Reeves | Frank |
Production and Technical Credits
| Victor Levin | Director | |
| Victor Levin | Screenwriter | |
| Gail Lyon | Producer | |
| Elizabeth Dell | Producer | |
| Pam Dixon | Co-Producer | |
| Jean Wyman | Executive Producer | |
| Cassian Elwes | Executive Producer | |
| Mark Lane | Executive Producer | |
| James Harris | Executive Producer | |
| William Sadler | Executive Producer | |
| Jason Resnick | Executive Producer | |
| Wayne Marc Godfrey | Executive Producer | |
| David Dinerstein | Executive Producer | |
| Justine Seymour | Costume Designer | |
| Anita Camarata | Music Supervisor | |
| William Ross | Composer | |
| Matt Maddox | Editor | |
| Callie Andreadis | Production Designer | |
| Giorgio Scali | Director of Photography | |
| Pam Dixon | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.