Detour (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $1,788 | Details |
| International Box Office | $5,812 | Details |
| Worldwide Box Office | $7,600 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $30,214 | |
| Blu-ray Sales (estimated) | $14,065 | |
| Total | $44,279 | |
| OpusData ID: 273040100 More info... | ||
| Further financial details... | ||
Synopsis
Harper, a seemingly naive law student, obsesses over the idea that his shifty stepfather was involved in the devastating car crash that left his mother hospitalized and comatose. He drowns his suspicions in whiskey until he finds himself suddenly engrossed in conversation with volatile drifter Johnny and his stripper companion, Cherry. As daylight breaks and the haziness of promises made becomes clearer, how will Harper handle the repercussions (not to mention the violent duo—on his doorstep)?
Metrics
| Opening Weekend: | $145 (8.1% of total gross) |
| Legs: | 12.33 (domestic box office/biggest weekend) |
| Domestic Share: | 23.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/5 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,380 |
Movie Details
| Domestic Releases: | January 20th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | June 23rd, 2017 (Wide) (Australia) |
| Video Release: | April 25th, 2017 by Magnolia Home Entertainment |
| MPA Rating: | R for some strong violence, sexual content, nudity, drug use, and language throughout. (Rating bulletin 2452 (Cert #50797), 11/23/2016) |
| Running Time: | 85 minutes |
| Plot point: | Car Accident, Coma, Dysfunctional Family, Hitmen, Revenge, Step-Family |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bankside Films, Kreo Films, Mandalay Vision, Dan Films, Newscope Films, Head Gear Films, Metrol Technology |
| Production Countries: | United Kingdom, South Africa |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 76 | $145 | 5 | $29 | $145 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 64 | $1,788 | 5 | $358 | $1,788 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/23/2017 | $2,271 | 5 | 5 | 5 | $2,271 | 6/27/2017 | |||
| Rest of World | $3,541 | |||||||||
| International Total | $5,812 | 6/27/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tye Sheridan | Harper | |
| Bel Powley | Cherry | |
| Emory Cohen | Johnny Ray |
Supporting
| Gbenga Akinnagbe | Officer Mike Andrews | |
| Jared Abrahamson | Paul | |
| John Lynch | Frank | |
| Stephen Moyer | Vincent | |
| Joe Vaz | Barman | |
| Nic Rasenti | Friend of Johnny | |
| Dylan Edy | Friend of Johnny |
Production and Technical Credits
| Christopher Smith | Director | |
| Christopher Smith | Screenwriter | |
| Julie Baines | Producer | |
| Jason Newmark | Producer | |
| Phil Hunt | Producer | |
| Compton Ross | Producer | |
| Hilary Davis | Executive Producer | |
| Stephen Kelliher | Executive Producer | |
| Fenella Ross | Executive Producer | |
| Elliott Ross | Executive Producer | |
| Cathy Schulman | Executive Producer | |
| Jonathan Taylor | Co-Producer | |
| Christopher Ross | Director of Photography | |
| Sharon Lomofsky | Production Designer | |
| Kristina Hetherington | Editor | |
| Francesca Van Der Feyst | Make-up and Hair Designer | |
| Rosamond Berkeley-Hill | Costume Designer | |
| Tracey Berg | Costume Designer | |
| Toydrum* | Composer | |
| Toydrum* | Composer | |
| Paul Davies | Supervising Sound Editor | |
| Richard Lloyd | Post-Production Supervisor | |
| Colin Jones | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Harper, a seemingly naive law student, obsesses over the idea that his shifty stepfather was involved in the devastating car crash that left his mother hospitalized and comatose. He drowns his suspicions in whiskey until he finds himself suddenly engrossed in conversation with volatile drifter Johnny and his stripper companion, Cherry. As daylight breaks and the haziness of promises made becomes clearer, how will Harper handle the repercussions (not to mention the violent duo—on his doorstep)?
Metrics
| Opening Weekend: | $145 (8.1% of total gross) |
| Legs: | 12.33 (domestic box office/biggest weekend) |
| Domestic Share: | 23.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/5 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,380 |
Movie Details
| Domestic Releases: | January 20th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | June 23rd, 2017 (Wide) (Australia) |
| Video Release: | April 25th, 2017 by Magnolia Home Entertainment |
| MPA Rating: | R for some strong violence, sexual content, nudity, drug use, and language throughout. (Rating bulletin 2452 (Cert #50797), 11/23/2016) |
| Running Time: | 85 minutes |
| Plot point: | Car Accident, Coma, Dysfunctional Family, Hitmen, Revenge, Step-Family |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bankside Films, Kreo Films, Mandalay Vision, Dan Films, Newscope Films, Head Gear Films, Metrol Technology |
| Production Countries: | United Kingdom, South Africa |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 76 | $145 | 5 | $29 | $145 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 64 | $1,788 | 5 | $358 | $1,788 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/23/2017 | $2,271 | 5 | 5 | 5 | $2,271 | 6/27/2017 | |||
| Rest of World | $3,541 | |||||||||
| International Total | $5,812 | 6/27/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tye Sheridan | Harper | |
| Bel Powley | Cherry | |
| Emory Cohen | Johnny Ray |
Supporting
| Gbenga Akinnagbe | Officer Mike Andrews | |
| Jared Abrahamson | Paul | |
| John Lynch | Frank | |
| Stephen Moyer | Vincent | |
| Joe Vaz | Barman | |
| Nic Rasenti | Friend of Johnny | |
| Dylan Edy | Friend of Johnny |
Production and Technical Credits
| Christopher Smith | Director | |
| Christopher Smith | Screenwriter | |
| Julie Baines | Producer | |
| Jason Newmark | Producer | |
| Phil Hunt | Producer | |
| Compton Ross | Producer | |
| Hilary Davis | Executive Producer | |
| Stephen Kelliher | Executive Producer | |
| Fenella Ross | Executive Producer | |
| Elliott Ross | Executive Producer | |
| Cathy Schulman | Executive Producer | |
| Jonathan Taylor | Co-Producer | |
| Christopher Ross | Director of Photography | |
| Sharon Lomofsky | Production Designer | |
| Kristina Hetherington | Editor | |
| Francesca Van Der Feyst | Make-up and Hair Designer | |
| Rosamond Berkeley-Hill | Costume Designer | |
| Tracey Berg | Costume Designer | |
| Toydrum* | Composer | |
| Toydrum* | Composer | |
| Paul Davies | Supervising Sound Editor | |
| Richard Lloyd | Post-Production Supervisor | |
| Colin Jones | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.