Di Qiu Zui Hou De Ye Wang (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $521,365 | Details |
| International Box Office | $41,627,205 | Details |
| Worldwide Box Office | $42,148,570 | |
| OpusData ID: 355400100 More info... | ||
| Further financial details... | ||
Synopsis
Luo Hongwu returns to Kaili, the hometown from which he fled several years ago.He begins the search for the woman he loved, and whom he has never been able to forget.She said her name was Wan Quiwen..
Metrics
| Opening Weekend: | $26,746 (5.1% of total gross) |
| Legs: | 10.75 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/24 max. theaters, 6.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $680,739 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by Kino Lorber, released as Long Day’s Journey Into Night |
| International Releases: | December 30th, 2018 (Wide) (China)
February 1st, 2019 (Wide) (France) April 5th, 2019 (Wide), released as Ilga dienos kelionė į naktį (Lithuania) June 14th, 2019 (Wide), released as Largo viaje hacia la noche (Spain) July 25th, 2019 (Wide) (South Korea) ... Show all releases |
| Video Release: | December 17th, 2019 by Kino Lorber, released as Long Day’s Journey Into Night |
| MPA Rating: | Not Rated |
| Running Time: | 133 minutes |
| Cast, crew, or production detail: | Long Take, Voiceover/Narration |
| Film format: | 3-D |
| Plot point: | Adult Child Dealing with the Death of a Parent, Funeral Reunions, Romance, Unrequited Love, You Can't Go Home Again |
| Social setting: | Ping Pong |
| Subgenre: | Mystery Drama |
| Time period setting: | 2000s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Zhejiang Huace Films & TV Co. , Shanghai PMF Pictures Company, Shanghai Tencent Pictures Cultural Diffusion Company, China Film Investment Fund, Mandarin Vision Company, Tian Jin Mao Yan We Ying Media Company, Free Whale Pictures Company, Jiangsu Zhongman Films Company, Shanghai Ju Hong Film and TV Culture Studio, Realm Media Group, Dream Sky Pictures, Youku Information Technology Company, Dangmai Films Company, Huace Pictures |
| Production Countries: | China, France |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 47 | $26,746 | 3 | $8,915 | $55,174 | 1 | |
| Apr 19, 2019 | 42 | $48,491 | +81% | 11 | $4,408 | $129,949 | 2 |
| Apr 26, 2019 | 39 | $31,374 | -35% | 13 | $2,413 | $189,724 | 3 |
| May 3, 2019 | 41 | $36,460 | +16% | 17 | $2,145 | $244,892 | 4 |
| May 10, 2019 | 41 | $32,968 | -10% | 20 | $1,648 | $299,714 | 5 |
| May 17, 2019 | 46 | $20,552 | -38% | 18 | $1,142 | $351,188 | 6 |
| May 24, 2019 | 51 | $13,640 | -34% | 15 | $909 | $383,082 | 7 |
| May 31, 2019 | 52 | $7,292 | -47% | 12 | $608 | $404,656 | 8 |
| Jun 7, 2019 | 54 | $7,241 | -1% | 7 | $1,034 | $420,486 | 9 |
| Jun 14, 2019 | 54 | $4,761 | -34% | 4 | $1,190 | $432,072 | 10 |
| Jun 21, 2019 | 56 | $5,883 | +24% | 5 | $1,177 | $441,915 | 11 |
| Jun 28, 2019 | 62 | $3,767 | -36% | 4 | $942 | $448,389 | 12 |
| Jul 5, 2019 | 61 | $2,583 | -31% | 3 | $861 | $461,372 | 13 |
| Jul 12, 2019 | 51 | $6,002 | +132% | 3 | $2,001 | $469,233 | 14 |
| Jul 19, 2019 | 58 | $2,753 | -54% | 2 | $1,377 | $475,427 | 15 |
| Jul 26, 2019 | 71 | $636 | -77% | 2 | $318 | $478,544 | 16 |
| Aug 2, 2019 | 65 | $1,548 | +143% | 3 | $516 | $480,944 | 17 |
| Aug 16, 2019 | 69 | $1,282 | 1 | $1,282 | $488,315 | 19 | |
| Aug 30, 2019 | 75 | $1,385 | 1 | $1,385 | $490,615 | 21 | |
| Sep 6, 2019 | 67 | $3,709 | +168% | 4 | $927 | $494,324 | 22 |
| Sep 13, 2019 | 66 | $5,509 | +49% | 4 | $1,377 | $505,502 | 23 |
| Sep 20, 2019 | 75 | $3,062 | -44% | 4 | $766 | $512,593 | 24 |
| Sep 27, 2019 | 92 | $424 | -86% | 1 | $424 | $517,859 | 25 |
| Oct 4, 2019 | 81 | $1,031 | +143% | 1 | $1,031 | $520,431 | 26 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | P | $28,428 | 3 | $9,476 | $28,428 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 46 | $53,030 | 3 | $17,677 | $81,458 | 1 | |
| Apr 19, 2019 | 41 | $76,892 | +45% | 11 | $6,990 | $158,350 | 2 |
| Apr 26, 2019 | 38 | $49,914 | -35% | 13 | $3,840 | $208,264 | 3 |
| May 3, 2019 | 40 | $58,314 | +17% | 18 | $3,240 | $266,746 | 4 |
| May 10, 2019 | 34 | $63,890 | +10% | 24 | $2,662 | $330,636 | 5 |
| May 17, 2019 | 44 | $38,806 | -39% | 18 | $2,156 | $369,442 | 6 |
| May 24, 2019 | 50 | $27,922 | -28% | 17 | $1,642 | $397,364 | 7 |
| May 31, 2019 | 52 | $15,700 | -44% | 14 | $1,121 | $413,245 | 8 |
| Jun 7, 2019 | - | $14,066 | -10% | 9 | $1,563 | $427,311 | 9 |
| Jun 14, 2019 | - | $8,721 | -38% | 5 | $1,744 | $436,032 | 10 |
| Jun 21, 2019 | 56 | $8,590 | -2% | 5 | $1,718 | $444,622 | 11 |
| Jun 28, 2019 | 57 | $11,583 | +35% | 4 | $2,896 | $456,205 | 12 |
| Jul 5, 2019 | 63 | $4,442 | -62% | 5 | $888 | $460,647 | 13 |
| Jul 12, 2019 | 54 | $12,027 | +171% | 6 | $2,005 | $472,674 | 14 |
| Jul 19, 2019 | 57 | $5,234 | -56% | 3 | $1,745 | $477,908 | 15 |
| Jul 26, 2019 | 74 | $1,488 | -72% | 2 | $744 | $479,396 | 16 |
| Aug 2, 2019 | 67 | $3,671 | +147% | 3 | $1,224 | $483,067 | 17 |
| Aug 9, 2019 | 76 | $1,980 | -46% | 1 | $1,980 | $485,047 | 18 |
| Aug 16, 2019 | 80 | $1,282 | -35% | 1 | $1,282 | $488,315 | 19 |
| Aug 23, 2019 | 85 | $915 | -29% | 1 | $915 | $489,230 | 20 |
| Aug 30, 2019 | 81 | $1,385 | +51% | 1 | $1,385 | $490,615 | 21 |
| Sep 6, 2019 | 64 | $9,378 | +577% | 5 | $1,876 | $499,993 | 22 |
| Sep 13, 2019 | 66 | $9,538 | +2% | 4 | $2,385 | $509,531 | 23 |
| Sep 20, 2019 | 67 | $7,904 | -17% | 2 | $3,952 | $517,435 | 24 |
| Sep 27, 2019 | 92 | $1,965 | -75% | 2 | $983 | $519,400 | 25 |
| Oct 4, 2019 | 80 | $1,965 | n/c | 2 | $983 | $521,365 | 26 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 12/30/2018 | $420,000 | 1,978 | 119,989 | 1,978 | $41,464,344 | 4/4/2026 | |||
| France | 2/1/2019 | $61,820 | 32 | 32 | 32 | $61,820 | 2/12/2019 | |||
| Lithuania | 4/5/2019 | $264 | 1 | 1 | 3 | $918 | 10/19/2022 | |||
| South Korea | 7/25/2019 | $0 | 0 | 15 | 43 | $51,743 | 5/31/2023 | |||
| Spain | 6/14/2019 | $16,367 | 17 | 17 | 32 | $37,813 | 6/27/2019 | |||
| United Kingdom | 12/27/2019 | $10,567 | 8 | 8 | 8 | $10,567 | 1/7/2020 | |||
| International Total | $41,627,205 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tang Wei | Wan Qiwen | |
| Huang Jue | Luo Hongwu |
Supporting
| Sylvia Chang | Wildcat’s Mom—Red-Headed Woman | |
| Lee Hong | Chi Wildcat | |
| Chen Yongzhong | Zuo Hongyuan | |
| Luo Feiyang | Young Wildcat | |
| Zeng Meihuizi | Pager | |
| Tuan Chun | Ex-husband of Wan Qiwen | |
| Bi Yanmin | Woman prisoner | |
| Xie Lixun | Zuo’s hatchet man—Lover of Red-hair woman |
Production and Technical Credits
| Gan Bi | Director | |
| Gan Bi | Screenwriter | |
| Liu Qiang | Production Designer | |
| Yao Hung-I | Director of Photography | |
| Dong Jinsong | Director of Photography | |
| David Chizallet | Director of Photography | |
| Gaffer Wong | Director of Photography | |
| Chi Ming | Director of Photography | |
| Qin Yanan | Editor | |
| Lim Giong | Composer | |
| Point Hsu | Composer | |
| Yeh Chu-Chen | Costume Designer | |
| Li Hua | Costume Designer | |
| Huang Congyu | Production Manager | |
| Sun Tao | Line Producer | |
| Wan Juan | Executive Producer | |
| Shen Yang | Executive Producer | |
| Shan Zuolong | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Luo Hongwu returns to Kaili, the hometown from which he fled several years ago.He begins the search for the woman he loved, and whom he has never been able to forget.She said her name was Wan Quiwen..
Metrics
| Opening Weekend: | $26,746 (5.1% of total gross) |
| Legs: | 10.75 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/24 max. theaters, 6.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $680,739 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by Kino Lorber, released as Long Day’s Journey Into Night |
| International Releases: | December 30th, 2018 (Wide) (China)
February 1st, 2019 (Wide) (France) April 5th, 2019 (Wide), released as Ilga dienos kelionė į naktį (Lithuania) June 14th, 2019 (Wide), released as Largo viaje hacia la noche (Spain) July 25th, 2019 (Wide) (South Korea) ... Show all releases |
| Video Release: | December 17th, 2019 by Kino Lorber, released as Long Day’s Journey Into Night |
| MPA Rating: | Not Rated |
| Running Time: | 133 minutes |
| Cast, crew, or production detail: | Long Take, Voiceover/Narration |
| Film format: | 3-D |
| Plot point: | Adult Child Dealing with the Death of a Parent, Funeral Reunions, Romance, Unrequited Love, You Can't Go Home Again |
| Social setting: | Ping Pong |
| Subgenre: | Mystery Drama |
| Time period setting: | 2000s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Zhejiang Huace Films & TV Co. , Shanghai PMF Pictures Company, Shanghai Tencent Pictures Cultural Diffusion Company, China Film Investment Fund, Mandarin Vision Company, Tian Jin Mao Yan We Ying Media Company, Free Whale Pictures Company, Jiangsu Zhongman Films Company, Shanghai Ju Hong Film and TV Culture Studio, Realm Media Group, Dream Sky Pictures, Youku Information Technology Company, Dangmai Films Company, Huace Pictures |
| Production Countries: | China, France |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 47 | $26,746 | 3 | $8,915 | $55,174 | 1 | |
| Apr 19, 2019 | 42 | $48,491 | +81% | 11 | $4,408 | $129,949 | 2 |
| Apr 26, 2019 | 39 | $31,374 | -35% | 13 | $2,413 | $189,724 | 3 |
| May 3, 2019 | 41 | $36,460 | +16% | 17 | $2,145 | $244,892 | 4 |
| May 10, 2019 | 41 | $32,968 | -10% | 20 | $1,648 | $299,714 | 5 |
| May 17, 2019 | 46 | $20,552 | -38% | 18 | $1,142 | $351,188 | 6 |
| May 24, 2019 | 51 | $13,640 | -34% | 15 | $909 | $383,082 | 7 |
| May 31, 2019 | 52 | $7,292 | -47% | 12 | $608 | $404,656 | 8 |
| Jun 7, 2019 | 54 | $7,241 | -1% | 7 | $1,034 | $420,486 | 9 |
| Jun 14, 2019 | 54 | $4,761 | -34% | 4 | $1,190 | $432,072 | 10 |
| Jun 21, 2019 | 56 | $5,883 | +24% | 5 | $1,177 | $441,915 | 11 |
| Jun 28, 2019 | 62 | $3,767 | -36% | 4 | $942 | $448,389 | 12 |
| Jul 5, 2019 | 61 | $2,583 | -31% | 3 | $861 | $461,372 | 13 |
| Jul 12, 2019 | 51 | $6,002 | +132% | 3 | $2,001 | $469,233 | 14 |
| Jul 19, 2019 | 58 | $2,753 | -54% | 2 | $1,377 | $475,427 | 15 |
| Jul 26, 2019 | 71 | $636 | -77% | 2 | $318 | $478,544 | 16 |
| Aug 2, 2019 | 65 | $1,548 | +143% | 3 | $516 | $480,944 | 17 |
| Aug 16, 2019 | 69 | $1,282 | 1 | $1,282 | $488,315 | 19 | |
| Aug 30, 2019 | 75 | $1,385 | 1 | $1,385 | $490,615 | 21 | |
| Sep 6, 2019 | 67 | $3,709 | +168% | 4 | $927 | $494,324 | 22 |
| Sep 13, 2019 | 66 | $5,509 | +49% | 4 | $1,377 | $505,502 | 23 |
| Sep 20, 2019 | 75 | $3,062 | -44% | 4 | $766 | $512,593 | 24 |
| Sep 27, 2019 | 92 | $424 | -86% | 1 | $424 | $517,859 | 25 |
| Oct 4, 2019 | 81 | $1,031 | +143% | 1 | $1,031 | $520,431 | 26 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | P | $28,428 | 3 | $9,476 | $28,428 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 46 | $53,030 | 3 | $17,677 | $81,458 | 1 | |
| Apr 19, 2019 | 41 | $76,892 | +45% | 11 | $6,990 | $158,350 | 2 |
| Apr 26, 2019 | 38 | $49,914 | -35% | 13 | $3,840 | $208,264 | 3 |
| May 3, 2019 | 40 | $58,314 | +17% | 18 | $3,240 | $266,746 | 4 |
| May 10, 2019 | 34 | $63,890 | +10% | 24 | $2,662 | $330,636 | 5 |
| May 17, 2019 | 44 | $38,806 | -39% | 18 | $2,156 | $369,442 | 6 |
| May 24, 2019 | 50 | $27,922 | -28% | 17 | $1,642 | $397,364 | 7 |
| May 31, 2019 | 52 | $15,700 | -44% | 14 | $1,121 | $413,245 | 8 |
| Jun 7, 2019 | - | $14,066 | -10% | 9 | $1,563 | $427,311 | 9 |
| Jun 14, 2019 | - | $8,721 | -38% | 5 | $1,744 | $436,032 | 10 |
| Jun 21, 2019 | 56 | $8,590 | -2% | 5 | $1,718 | $444,622 | 11 |
| Jun 28, 2019 | 57 | $11,583 | +35% | 4 | $2,896 | $456,205 | 12 |
| Jul 5, 2019 | 63 | $4,442 | -62% | 5 | $888 | $460,647 | 13 |
| Jul 12, 2019 | 54 | $12,027 | +171% | 6 | $2,005 | $472,674 | 14 |
| Jul 19, 2019 | 57 | $5,234 | -56% | 3 | $1,745 | $477,908 | 15 |
| Jul 26, 2019 | 74 | $1,488 | -72% | 2 | $744 | $479,396 | 16 |
| Aug 2, 2019 | 67 | $3,671 | +147% | 3 | $1,224 | $483,067 | 17 |
| Aug 9, 2019 | 76 | $1,980 | -46% | 1 | $1,980 | $485,047 | 18 |
| Aug 16, 2019 | 80 | $1,282 | -35% | 1 | $1,282 | $488,315 | 19 |
| Aug 23, 2019 | 85 | $915 | -29% | 1 | $915 | $489,230 | 20 |
| Aug 30, 2019 | 81 | $1,385 | +51% | 1 | $1,385 | $490,615 | 21 |
| Sep 6, 2019 | 64 | $9,378 | +577% | 5 | $1,876 | $499,993 | 22 |
| Sep 13, 2019 | 66 | $9,538 | +2% | 4 | $2,385 | $509,531 | 23 |
| Sep 20, 2019 | 67 | $7,904 | -17% | 2 | $3,952 | $517,435 | 24 |
| Sep 27, 2019 | 92 | $1,965 | -75% | 2 | $983 | $519,400 | 25 |
| Oct 4, 2019 | 80 | $1,965 | n/c | 2 | $983 | $521,365 | 26 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 12/30/2018 | $420,000 | 1,978 | 119,989 | 1,978 | $41,464,344 | 4/4/2026 | |||
| France | 2/1/2019 | $61,820 | 32 | 32 | 32 | $61,820 | 2/12/2019 | |||
| Lithuania | 4/5/2019 | $264 | 1 | 1 | 3 | $918 | 10/19/2022 | |||
| South Korea | 7/25/2019 | $0 | 0 | 15 | 43 | $51,743 | 5/31/2023 | |||
| Spain | 6/14/2019 | $16,367 | 17 | 17 | 32 | $37,813 | 6/27/2019 | |||
| United Kingdom | 12/27/2019 | $10,567 | 8 | 8 | 8 | $10,567 | 1/7/2020 | |||
| International Total | $41,627,205 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tang Wei | Wan Qiwen | |
| Huang Jue | Luo Hongwu |
Supporting
| Sylvia Chang | Wildcat’s Mom—Red-Headed Woman | |
| Lee Hong | Chi Wildcat | |
| Chen Yongzhong | Zuo Hongyuan | |
| Luo Feiyang | Young Wildcat | |
| Zeng Meihuizi | Pager | |
| Tuan Chun | Ex-husband of Wan Qiwen | |
| Bi Yanmin | Woman prisoner | |
| Xie Lixun | Zuo’s hatchet man—Lover of Red-hair woman |
Production and Technical Credits
| Gan Bi | Director | |
| Gan Bi | Screenwriter | |
| Liu Qiang | Production Designer | |
| Yao Hung-I | Director of Photography | |
| Dong Jinsong | Director of Photography | |
| David Chizallet | Director of Photography | |
| Gaffer Wong | Director of Photography | |
| Chi Ming | Director of Photography | |
| Qin Yanan | Editor | |
| Lim Giong | Composer | |
| Point Hsu | Composer | |
| Yeh Chu-Chen | Costume Designer | |
| Li Hua | Costume Designer | |
| Huang Congyu | Production Manager | |
| Sun Tao | Line Producer | |
| Wan Juan | Executive Producer | |
| Shen Yang | Executive Producer | |
| Shan Zuolong | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.