Diamantino (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $70,088 | Details |
| International Box Office | $164,872 | Details |
| Worldwide Box Office | $234,960 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $16,012 | |
| Total | $16,012 | |
| OpusData ID: 387970100 More info... | ||
| Further financial details... | ||
Synopsis
Diamantino , the world’s premiere soccer star, loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets out on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, abuse at the hands of his evil twin sisters, and a deranged hunt for the source of genius…
Metrics
| Opening Weekend: | $6,412 (9.1% of total gross) |
| Legs: | 10.93 (domestic box office/biggest weekend) |
| Domestic Share: | 29.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 6.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $91,518 |
Movie Details
| Domestic Releases: | May 24th, 2019 (Limited) by Kino Lorber |
| International Releases: | November 30th, 2018 (Wide) (France)
April 5th, 2019 (Wide) (Portugal) May 10th, 2019 (Limited) (United Kingdom) August 16th, 2019 (Wide) (Italy) ... Show all releases |
| Video Release: | September 24th, 2019 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Fantasy Sequence |
| Plot point: | Comeback, Genetic Engineering, LGBTQ+, Neo Nazis, Refugee, Soccer |
| Source: | Original Screenplay |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Syndrome Films, Maria & Mayer, Les Films du Belier , Kino Lorber |
| Production Countries: | Portugal, France, Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2019 | 65 | $6,412 | 1 | $6,412 | $6,412 | 1 | |
| May 31, 2019 | 61 | $4,202 | -34% | 3 | $1,401 | $40,590 | 2 |
| Jun 7, 2019 | 62 | $3,863 | -8% | 4 | $966 | $46,944 | 3 |
| Jun 14, 2019 | 70 | $1,371 | -65% | 3 | $457 | $50,659 | 4 |
| Jun 21, 2019 | 79 | $144 | -89% | 1 | $144 | $51,804 | 5 |
| Jun 28, 2019 | 61 | $4,139 | +2,774% | 4 | $1,035 | $56,108 | 6 |
| Jul 5, 2019 | 72 | $1,112 | -73% | 5 | $222 | $60,523 | 7 |
| Jul 12, 2019 | 74 | $1,209 | +9% | 2 | $605 | $62,622 | 8 |
| Jul 19, 2019 | 81 | $729 | -40% | 1 | $729 | $65,136 | 9 |
| Jul 26, 2019 | 87 | $30 | -96% | 1 | $30 | $66,527 | 10 |
| Aug 2, 2019 | 82 | $232 | +673% | 1 | $232 | $66,979 | 11 |
| Aug 16, 2019 | 87 | $156 | 2 | $78 | $67,813 | 13 | |
| Aug 23, 2019 | 72 | $1,630 | +945% | 1 | $1,630 | $69,485 | 14 |
| Aug 30, 2019 | 84 | $228 | -86% | 1 | $228 | $69,713 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2019 | 45 | $36,388 | 1 | $36,388 | $36,388 | 1 | |
| May 31, 2019 | 68 | $6,693 | -82% | 3 | $2,231 | $43,081 | 2 |
| Jun 7, 2019 | - | $6,207 | -7% | 4 | $1,552 | $49,288 | 3 |
| Jun 14, 2019 | - | $2,372 | -62% | 3 | $791 | $51,660 | 4 |
| Jun 21, 2019 | 81 | $309 | -87% | 2 | $155 | $51,969 | 5 |
| Jun 28, 2019 | 61 | $7,442 | +2,308% | 4 | $1,861 | $59,411 | 6 |
| Jul 5, 2019 | 77 | $2,002 | -73% | 4 | $501 | $61,413 | 7 |
| Jul 12, 2019 | 75 | $2,994 | +50% | 3 | $998 | $64,407 | 8 |
| Jul 19, 2019 | 74 | $2,090 | -30% | 1 | $2,090 | $66,497 | 9 |
| Jul 26, 2019 | 86 | $250 | -88% | 1 | $250 | $66,747 | 10 |
| Aug 2, 2019 | 82 | $738 | +195% | 1 | $738 | $67,485 | 11 |
| Aug 9, 2019 | 90 | $172 | -77% | 1 | $172 | $67,657 | 12 |
| Aug 16, 2019 | 93 | $198 | +15% | 2 | $99 | $67,855 | 13 |
| Aug 23, 2019 | 79 | $1,630 | +723% | 1 | $1,630 | $69,485 | 14 |
| Aug 30, 2019 | 86 | $603 | -63% | 1 | $603 | $70,088 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 11/30/2018 | $88,310 | 38 | 38 | 38 | $88,310 | 12/6/2018 | |||
| Italy | 8/16/2019 | $8,906 | 51 | 51 | 51 | $9,386 | 8/31/2019 | |||
| Portugal | 4/5/2019 | $22,142 | 22 | 22 | 62 | $65,000 | 5/7/2019 | |||
| United Kingdom | 5/10/2019 | $2,176 | 3 | 3 | 3 | $2,176 | 5/15/2019 | |||
| International Total | $164,872 | 8/31/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Carloto Cotta | Diamantino Matamouros |
Supporting
| Cleo Tavares | Aisha Brito | |
| Anabela Moreira | Sonia Matamouros | |
| Margarida Moreira | Natasha Matamouros | |
| Carla Maciel | Docteur Lamborghini | |
| Chico Chapas | Chico Matamouros | |
| Hugo Santos | Mouro | |
| Silva Joana | La Ministre Ferro | |
| Barrios Filipe | Helena Guerra | |
| Vargas Maria Leite | Lucia | |
| Manuela Moura Guedes | Gisele | |
| Djucu Dabó | Refugiada |
Production and Technical Credits
| Gabriel Abrantes | Director | |
| Daniel Schmidt | Director | |
| Justin Taurand | Producer | |
| Maria João Mayer | Producer | |
| Daniel van Hoogstraten | Producer | |
| Gabriel Abrantes | Screenwriter | |
| Daniel Schmidt | Screenwriter | |
| Ulysse Klotz | Composer | |
| Adriana Holtz | Composer | |
| Diogo Camões | Casting Director | |
| Charles Ackley Anderson | Director of Photography | |
| Olivier Blanc | Sound Mixer | |
| David Turini | Sound Mixer | |
| Fernando Henna | Sound Mixer | |
| Benjamin Viau | Sound Mixer | |
| Raphaëlle Martin-Holger | Editor | |
| Gabriel Abrantes | Editor | |
| Daniel Schmidt | Editor | |
| Bruno Duarte | Production Designer | |
| Cypress Cook | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Diamantino , the world’s premiere soccer star, loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets out on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, abuse at the hands of his evil twin sisters, and a deranged hunt for the source of genius…
Metrics
| Opening Weekend: | $6,412 (9.1% of total gross) |
| Legs: | 10.93 (domestic box office/biggest weekend) |
| Domestic Share: | 29.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 6.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $91,518 |
Movie Details
| Domestic Releases: | May 24th, 2019 (Limited) by Kino Lorber |
| International Releases: | November 30th, 2018 (Wide) (France)
April 5th, 2019 (Wide) (Portugal) May 10th, 2019 (Limited) (United Kingdom) August 16th, 2019 (Wide) (Italy) ... Show all releases |
| Video Release: | September 24th, 2019 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Fantasy Sequence |
| Plot point: | Comeback, Genetic Engineering, LGBTQ+, Neo Nazis, Refugee, Soccer |
| Source: | Original Screenplay |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Syndrome Films, Maria & Mayer, Les Films du Belier , Kino Lorber |
| Production Countries: | Portugal, France, Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2019 | 65 | $6,412 | 1 | $6,412 | $6,412 | 1 | |
| May 31, 2019 | 61 | $4,202 | -34% | 3 | $1,401 | $40,590 | 2 |
| Jun 7, 2019 | 62 | $3,863 | -8% | 4 | $966 | $46,944 | 3 |
| Jun 14, 2019 | 70 | $1,371 | -65% | 3 | $457 | $50,659 | 4 |
| Jun 21, 2019 | 79 | $144 | -89% | 1 | $144 | $51,804 | 5 |
| Jun 28, 2019 | 61 | $4,139 | +2,774% | 4 | $1,035 | $56,108 | 6 |
| Jul 5, 2019 | 72 | $1,112 | -73% | 5 | $222 | $60,523 | 7 |
| Jul 12, 2019 | 74 | $1,209 | +9% | 2 | $605 | $62,622 | 8 |
| Jul 19, 2019 | 81 | $729 | -40% | 1 | $729 | $65,136 | 9 |
| Jul 26, 2019 | 87 | $30 | -96% | 1 | $30 | $66,527 | 10 |
| Aug 2, 2019 | 82 | $232 | +673% | 1 | $232 | $66,979 | 11 |
| Aug 16, 2019 | 87 | $156 | 2 | $78 | $67,813 | 13 | |
| Aug 23, 2019 | 72 | $1,630 | +945% | 1 | $1,630 | $69,485 | 14 |
| Aug 30, 2019 | 84 | $228 | -86% | 1 | $228 | $69,713 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2019 | 45 | $36,388 | 1 | $36,388 | $36,388 | 1 | |
| May 31, 2019 | 68 | $6,693 | -82% | 3 | $2,231 | $43,081 | 2 |
| Jun 7, 2019 | - | $6,207 | -7% | 4 | $1,552 | $49,288 | 3 |
| Jun 14, 2019 | - | $2,372 | -62% | 3 | $791 | $51,660 | 4 |
| Jun 21, 2019 | 81 | $309 | -87% | 2 | $155 | $51,969 | 5 |
| Jun 28, 2019 | 61 | $7,442 | +2,308% | 4 | $1,861 | $59,411 | 6 |
| Jul 5, 2019 | 77 | $2,002 | -73% | 4 | $501 | $61,413 | 7 |
| Jul 12, 2019 | 75 | $2,994 | +50% | 3 | $998 | $64,407 | 8 |
| Jul 19, 2019 | 74 | $2,090 | -30% | 1 | $2,090 | $66,497 | 9 |
| Jul 26, 2019 | 86 | $250 | -88% | 1 | $250 | $66,747 | 10 |
| Aug 2, 2019 | 82 | $738 | +195% | 1 | $738 | $67,485 | 11 |
| Aug 9, 2019 | 90 | $172 | -77% | 1 | $172 | $67,657 | 12 |
| Aug 16, 2019 | 93 | $198 | +15% | 2 | $99 | $67,855 | 13 |
| Aug 23, 2019 | 79 | $1,630 | +723% | 1 | $1,630 | $69,485 | 14 |
| Aug 30, 2019 | 86 | $603 | -63% | 1 | $603 | $70,088 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 11/30/2018 | $88,310 | 38 | 38 | 38 | $88,310 | 12/6/2018 | |||
| Italy | 8/16/2019 | $8,906 | 51 | 51 | 51 | $9,386 | 8/31/2019 | |||
| Portugal | 4/5/2019 | $22,142 | 22 | 22 | 62 | $65,000 | 5/7/2019 | |||
| United Kingdom | 5/10/2019 | $2,176 | 3 | 3 | 3 | $2,176 | 5/15/2019 | |||
| International Total | $164,872 | 8/31/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Carloto Cotta | Diamantino Matamouros |
Supporting
| Cleo Tavares | Aisha Brito | |
| Anabela Moreira | Sonia Matamouros | |
| Margarida Moreira | Natasha Matamouros | |
| Carla Maciel | Docteur Lamborghini | |
| Chico Chapas | Chico Matamouros | |
| Hugo Santos | Mouro | |
| Silva Joana | La Ministre Ferro | |
| Barrios Filipe | Helena Guerra | |
| Vargas Maria Leite | Lucia | |
| Manuela Moura Guedes | Gisele | |
| Djucu Dabó | Refugiada |
Production and Technical Credits
| Gabriel Abrantes | Director | |
| Daniel Schmidt | Director | |
| Justin Taurand | Producer | |
| Maria João Mayer | Producer | |
| Daniel van Hoogstraten | Producer | |
| Gabriel Abrantes | Screenwriter | |
| Daniel Schmidt | Screenwriter | |
| Ulysse Klotz | Composer | |
| Adriana Holtz | Composer | |
| Diogo Camões | Casting Director | |
| Charles Ackley Anderson | Director of Photography | |
| Olivier Blanc | Sound Mixer | |
| David Turini | Sound Mixer | |
| Fernando Henna | Sound Mixer | |
| Benjamin Viau | Sound Mixer | |
| Raphaëlle Martin-Holger | Editor | |
| Gabriel Abrantes | Editor | |
| Daniel Schmidt | Editor | |
| Bruno Duarte | Production Designer | |
| Cypress Cook | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.