The Disappointments Room (2016)
| Theatrical Performance | ||
| Domestic Box Office | $2,423,467 | Details |
| International Box Office | $1,080,294 | Details |
| Worldwide Box Office | $3,503,761 | |
| OpusData ID: 215900100 More info... | ||
| Further financial details... | ||
Synopsis
Dana and David move from Brooklyn to a once-grand southern mansion with their 5 year old son looking for a fresh start. But Dana’s discovery of a secret room unleashes un-explainable events that test her sanity and slowly reveal the home's terrifying past
Metrics
| Opening Weekend: | $1,402,822 (57.9% of total gross) |
| Legs: | 1.73 (domestic box office/biggest weekend) |
| Domestic Share: | 69.2% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,554 opening theaters/1,554 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,350,833 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Wide) by Relativity |
| International Releases: | November 25th, 2016 (Wide) (Brazil)
December 9th, 2016 (Wide) (Australia) December 14th, 2016 (Wide), released as El Ático (Mexico) January 6th, 2017 (Wide), released as Sala Oculta (Portugal) ... Show all releases |
| Video Release: | December 13th, 2016 by Fox Home Entertainment |
| MPA Rating: | R for violent content, bloody images, some sexuality and language. (Rating bulletin 2438 (Cert #49954), 8/17/2016) |
| Running Time: | 91 minutes |
| Plot point: | Family Secrets |
| Social setting: | Supernatural |
| Source material: | Based on an UNTRUE Story |
| Subgenre: | Psychological Horror |
| Source: | Based on Real Life Events |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rogue Pictures, Los Angeles Media Fund, Relativity Media, Media Talent Group, Demarest Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 17 | $1,402,822 | 1,554 | $903 | $1,402,822 | 1 | |
| Sep 16, 2016 | 24 | $377,322 | -73% | 1,554 | $243 | $2,218,097 | 2 |
| Sep 23, 2016 | 69 | $9,643 | -97% | 36 | $268 | $2,395,049 | 3 |
| Sep 30, 2016 | 82 | $3,749 | -61% | 10 | $375 | $2,402,845 | 4 |
| Oct 7, 2016 | 95 | $2,434 | -35% | 4 | $609 | $2,405,852 | 5 |
| Oct 14, 2016 | 75 | $5,667 | +133% | 4 | $1,417 | $2,411,579 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 15 | $474,220 | 1,554 | $305 | $474,220 | 1 | ||
| Sep 10, 2016 | - | $591,325 | +25% | 1,554 | $381 | $1,065,545 | 2 | |
| Sep 11, 2016 | - | $337,277 | -43% | 1,554 | $217 | $1,402,822 | 3 | |
| Sep 12, 2016 | - | $111,744 | -67% | 1,554 | $72 | $1,514,566 | 4 | |
| Sep 13, 2016 | - | $149,121 | +33% | 1,554 | $96 | $1,663,687 | 5 | |
| Sep 14, 2016 | - | $103,147 | -31% | 1,554 | $66 | $1,766,834 | 6 | |
| Sep 15, 2016 | - | $73,941 | -28% | 1,554 | $48 | $1,840,775 | 7 | |
| Sep 16, 2016 | - | $111,133 | +50% | -77% | 1,554 | $72 | $1,951,908 | 8 |
| Sep 17, 2016 | - | $170,004 | +53% | -71% | 1,554 | $109 | $2,121,912 | 9 |
| Sep 18, 2016 | - | $96,185 | -43% | -71% | 1,554 | $62 | $2,218,097 | 10 |
| Sep 19, 2016 | - | $40,510 | -58% | -64% | 1,554 | $26 | $2,258,607 | 11 |
| Sep 20, 2016 | - | $53,890 | +33% | -64% | 1,554 | $35 | $2,312,497 | 12 |
| Sep 21, 2016 | - | $41,021 | -24% | -60% | 1,554 | $26 | $2,353,518 | 13 |
| Sep 22, 2016 | - | $31,888 | -22% | -57% | 1,554 | $21 | $2,385,406 | 14 |
| Sep 23, 2016 | - | $2,919 | -91% | -97% | 36 | $81 | $2,388,325 | 15 |
| Sep 24, 2016 | - | $4,480 | +53% | -97% | 36 | $124 | $2,392,805 | 16 |
| Sep 25, 2016 | - | $2,244 | -50% | -98% | 36 | $62 | $2,395,049 | 17 |
| Sep 26, 2016 | - | $1,075 | -52% | -97% | 36 | $30 | $2,396,124 | 18 |
| Sep 27, 2016 | - | $1,071 | n/c | -98% | 36 | $30 | $2,397,195 | 19 |
| Sep 28, 2016 | - | $1,287 | +20% | -97% | 36 | $36 | $2,398,482 | 20 |
| Sep 29, 2016 | - | $614 | -52% | -98% | 36 | $17 | $2,399,096 | 21 |
| Sep 30, 2016 | - | $1,047 | +71% | -64% | 10 | $105 | $2,400,143 | 22 |
| Oct 1, 2016 | - | $2,176 | +108% | -51% | 10 | $218 | $2,402,319 | 23 |
| Oct 2, 2016 | - | $526 | -76% | -77% | 10 | $53 | $2,402,845 | 24 |
| Oct 3, 2016 | - | $116 | -78% | -89% | 10 | $12 | $2,402,961 | 25 |
| Oct 4, 2016 | - | $142 | +22% | -87% | 10 | $14 | $2,403,103 | 26 |
| Oct 5, 2016 | - | $227 | +60% | -82% | 10 | $23 | $2,403,330 | 27 |
| Oct 6, 2016 | - | $88 | -61% | -86% | 10 | $9 | $2,403,418 | 28 |
| Oct 7, 2016 | - | $962 | +993% | -8% | 4 | $241 | $2,404,380 | 29 |
| Oct 8, 2016 | - | $931 | -3% | -57% | 4 | $233 | $2,405,311 | 30 |
| Oct 9, 2016 | - | $541 | -42% | +3% | 4 | $135 | $2,405,852 | 31 |
| Oct 11, 2016 | - | $20 | -86% | 4 | $5 | $2,405,872 | 33 | |
| Oct 13, 2016 | - | $40 | -55% | 4 | $10 | $2,405,912 | 35 | |
| Oct 14, 2016 | - | $1,529 | +3,723% | +59% | 4 | $382 | $2,407,441 | 36 |
| Oct 15, 2016 | - | $2,325 | +52% | +150% | 4 | $581 | $2,409,766 | 37 |
| Oct 16, 2016 | - | $1,813 | -22% | +235% | 4 | $453 | $2,411,579 | 38 |
| Oct 17, 2016 | - | $632 | -65% | 4 | $158 | $2,412,211 | 39 | |
| Oct 18, 2016 | - | $650 | +3% | +3,150% | 4 | $163 | $2,412,861 | 40 |
| Oct 19, 2016 | - | $549 | -16% | 4 | $137 | $2,413,410 | 41 | |
| Oct 20, 2016 | - | $667 | +21% | +1,568% | 4 | $167 | $2,414,077 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 17 | $1,840,775 | 1,554 | $1,185 | $1,840,775 | 1 | |
| Sep 16, 2016 | 24 | $544,631 | -70% | 1,554 | $350 | $2,385,406 | 2 |
| Sep 23, 2016 | 74 | $13,690 | -97% | 36 | $380 | $2,399,096 | 3 |
| Sep 30, 2016 | 97 | $4,322 | -68% | 10 | $432 | $2,403,418 | 4 |
| Oct 7, 2016 | 101 | $2,494 | -42% | 4 | $624 | $2,405,912 | 5 |
| Oct 14, 2016 | 84 | $8,165 | +227% | 4 | $2,041 | $2,414,077 | 6 |
| Oct 21, 2016 | 86 | $9,390 | +15% | 4 | $2,348 | $2,423,467 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/9/2016 | $2,081 | 10 | 10 | 10 | $2,081 | 12/12/2016 | |||
| Brazil | 11/25/2016 | $191,193 | 262 | 262 | 388 | $359,073 | 11/16/2018 | |||
| Mexico | 12/14/2016 | $341,382 | 0 | 0 | 0 | $692,834 | 12/28/2016 | |||
| Portugal | 1/6/2017 | $11,031 | 11 | 11 | 31 | $26,306 | 1/26/2017 | |||
| International Total | $1,080,294 | 11/16/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kate Beckinsale | Dana |
Supporting
| Mel Raido | David | |
| Gerald McRaney | Judge Blacker | |
| Lucas Till | Ben | |
| Celia Weston | Marti | |
| Duncan Joiner | Lucas | |
| Michaela Conlin | Jules | |
| Joely Fisher | Psychiatrist | |
| Michael Landes | Teddy | |
| Marcia De Rousse | Ms. Judith | |
| Ella Jones | Laura | |
| Charles Carroll | Old Man | |
| Jennifer Leigh Mann | Mrs. Blacker | |
| Gino Crognale | Puppeteer |
Production and Technical Credits
| D.J. Caruso | Director | |
| D.J. Caruso | Screenwriter | |
| Wentworth Miller | Screenwriter | |
| Geyer Kosinski | Producer | |
| Tucker Tooley | Producer | |
| Vincent Newman | Producer | |
| Robbie Brenner | Executive Producer | |
| Sam Englebardt | Executive Producer | |
| William D. Johnson | Executive Producer | |
| Wentworth Miller | Executive Producer | |
| Jeffrey Soros | Executive Producer | |
| Simon Horsman | Executive Producer | |
| Adam Fields | Executive Producer | |
| Kenneth L. Halsband* | Co-Producer | |
| Patrick Peach | Co-Producer | |
| Tony Grazia | Co-Producer | |
| Patrick Murray | Associate Producer | |
| Nicolas Charles | Associate Producer | |
| Rogier Stoffers | Director of Photography | |
| Tom Southwell | Production Designer | |
| Vince Filippone | Editor | |
| Brian Tyler | Composer | |
| Bob Bowen | Music Supervisor | |
| Marian Toy | Costume Designer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| James M. Freitag | Unit Production Manager | |
| James M. Freitag | First Assistant Director | |
| Allen Kupetsky | Second Assistant Director | |
| Christopher Davey | Co-Producer | |
| Jay Osterman | Associate Producer | |
| Kenneth L. Halsband* | Executive in Charge of Production | |
| Artie Malesci | Stunt Coordinator | |
| John M. Bennett | Production Supervisor | |
| D.J. Barton | Script Supervisor | |
| Kevin Hardison | Art Director | |
| Burton Rencher | Set Decorator | |
| Jeffree Bloomer | Sound Mixer | |
| Tom MacDonald | Costume Supervisor | |
| Carolyn Dessert Lauterio | Costume Supervisor | |
| Herita Jones | Make up | |
| Gino Crognale | Special Make-up Effects | |
| Howard Berger | Special Make-up Effects | |
| Greg Nicotero* | Special Make-up Effects | |
| Rod Ortega | Hairstylist | |
| Christina Raye | Hairstylist | |
| Ellen Pfirrmann | Location Manager | |
| Larry Bivins | Special Effects Supervisor | |
| Christopher Kulikowski | Post-Production Supervisor | |
| Pascal Vaguelsy | Post-Production Supervisor | |
| Rowan Maher | First Assistant Editor | |
| Jasen Jax Nannini | Visual Effects Supervisor | |
| Jasen Jax Nannini | Visual Effects Producer | |
| Leslie Shatz | Re-recording Mixer | |
| Chris David | Re-recording Mixer | |
| Karen Baker Landers | Supervising Sound Editor | |
| D. Chris Smith | Sound Designer | |
| John C. Stuver | Dialogue Editor | |
| Robert C. Jackson | Dialogue Editor | |
| James Ashwill | Foley Mixer | |
| Joe Lisanti | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Dana and David move from Brooklyn to a once-grand southern mansion with their 5 year old son looking for a fresh start. But Dana’s discovery of a secret room unleashes un-explainable events that test her sanity and slowly reveal the home's terrifying past
Metrics
| Opening Weekend: | $1,402,822 (57.9% of total gross) |
| Legs: | 1.73 (domestic box office/biggest weekend) |
| Domestic Share: | 69.2% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,554 opening theaters/1,554 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,350,833 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Wide) by Relativity |
| International Releases: | November 25th, 2016 (Wide) (Brazil)
December 9th, 2016 (Wide) (Australia) December 14th, 2016 (Wide), released as El Ático (Mexico) January 6th, 2017 (Wide), released as Sala Oculta (Portugal) ... Show all releases |
| Video Release: | December 13th, 2016 by Fox Home Entertainment |
| MPA Rating: | R for violent content, bloody images, some sexuality and language. (Rating bulletin 2438 (Cert #49954), 8/17/2016) |
| Running Time: | 91 minutes |
| Plot point: | Family Secrets |
| Social setting: | Supernatural |
| Source material: | Based on an UNTRUE Story |
| Subgenre: | Psychological Horror |
| Source: | Based on Real Life Events |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rogue Pictures, Los Angeles Media Fund, Relativity Media, Media Talent Group, Demarest Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 17 | $1,402,822 | 1,554 | $903 | $1,402,822 | 1 | |
| Sep 16, 2016 | 24 | $377,322 | -73% | 1,554 | $243 | $2,218,097 | 2 |
| Sep 23, 2016 | 69 | $9,643 | -97% | 36 | $268 | $2,395,049 | 3 |
| Sep 30, 2016 | 82 | $3,749 | -61% | 10 | $375 | $2,402,845 | 4 |
| Oct 7, 2016 | 95 | $2,434 | -35% | 4 | $609 | $2,405,852 | 5 |
| Oct 14, 2016 | 75 | $5,667 | +133% | 4 | $1,417 | $2,411,579 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 15 | $474,220 | 1,554 | $305 | $474,220 | 1 | ||
| Sep 10, 2016 | - | $591,325 | +25% | 1,554 | $381 | $1,065,545 | 2 | |
| Sep 11, 2016 | - | $337,277 | -43% | 1,554 | $217 | $1,402,822 | 3 | |
| Sep 12, 2016 | - | $111,744 | -67% | 1,554 | $72 | $1,514,566 | 4 | |
| Sep 13, 2016 | - | $149,121 | +33% | 1,554 | $96 | $1,663,687 | 5 | |
| Sep 14, 2016 | - | $103,147 | -31% | 1,554 | $66 | $1,766,834 | 6 | |
| Sep 15, 2016 | - | $73,941 | -28% | 1,554 | $48 | $1,840,775 | 7 | |
| Sep 16, 2016 | - | $111,133 | +50% | -77% | 1,554 | $72 | $1,951,908 | 8 |
| Sep 17, 2016 | - | $170,004 | +53% | -71% | 1,554 | $109 | $2,121,912 | 9 |
| Sep 18, 2016 | - | $96,185 | -43% | -71% | 1,554 | $62 | $2,218,097 | 10 |
| Sep 19, 2016 | - | $40,510 | -58% | -64% | 1,554 | $26 | $2,258,607 | 11 |
| Sep 20, 2016 | - | $53,890 | +33% | -64% | 1,554 | $35 | $2,312,497 | 12 |
| Sep 21, 2016 | - | $41,021 | -24% | -60% | 1,554 | $26 | $2,353,518 | 13 |
| Sep 22, 2016 | - | $31,888 | -22% | -57% | 1,554 | $21 | $2,385,406 | 14 |
| Sep 23, 2016 | - | $2,919 | -91% | -97% | 36 | $81 | $2,388,325 | 15 |
| Sep 24, 2016 | - | $4,480 | +53% | -97% | 36 | $124 | $2,392,805 | 16 |
| Sep 25, 2016 | - | $2,244 | -50% | -98% | 36 | $62 | $2,395,049 | 17 |
| Sep 26, 2016 | - | $1,075 | -52% | -97% | 36 | $30 | $2,396,124 | 18 |
| Sep 27, 2016 | - | $1,071 | n/c | -98% | 36 | $30 | $2,397,195 | 19 |
| Sep 28, 2016 | - | $1,287 | +20% | -97% | 36 | $36 | $2,398,482 | 20 |
| Sep 29, 2016 | - | $614 | -52% | -98% | 36 | $17 | $2,399,096 | 21 |
| Sep 30, 2016 | - | $1,047 | +71% | -64% | 10 | $105 | $2,400,143 | 22 |
| Oct 1, 2016 | - | $2,176 | +108% | -51% | 10 | $218 | $2,402,319 | 23 |
| Oct 2, 2016 | - | $526 | -76% | -77% | 10 | $53 | $2,402,845 | 24 |
| Oct 3, 2016 | - | $116 | -78% | -89% | 10 | $12 | $2,402,961 | 25 |
| Oct 4, 2016 | - | $142 | +22% | -87% | 10 | $14 | $2,403,103 | 26 |
| Oct 5, 2016 | - | $227 | +60% | -82% | 10 | $23 | $2,403,330 | 27 |
| Oct 6, 2016 | - | $88 | -61% | -86% | 10 | $9 | $2,403,418 | 28 |
| Oct 7, 2016 | - | $962 | +993% | -8% | 4 | $241 | $2,404,380 | 29 |
| Oct 8, 2016 | - | $931 | -3% | -57% | 4 | $233 | $2,405,311 | 30 |
| Oct 9, 2016 | - | $541 | -42% | +3% | 4 | $135 | $2,405,852 | 31 |
| Oct 11, 2016 | - | $20 | -86% | 4 | $5 | $2,405,872 | 33 | |
| Oct 13, 2016 | - | $40 | -55% | 4 | $10 | $2,405,912 | 35 | |
| Oct 14, 2016 | - | $1,529 | +3,723% | +59% | 4 | $382 | $2,407,441 | 36 |
| Oct 15, 2016 | - | $2,325 | +52% | +150% | 4 | $581 | $2,409,766 | 37 |
| Oct 16, 2016 | - | $1,813 | -22% | +235% | 4 | $453 | $2,411,579 | 38 |
| Oct 17, 2016 | - | $632 | -65% | 4 | $158 | $2,412,211 | 39 | |
| Oct 18, 2016 | - | $650 | +3% | +3,150% | 4 | $163 | $2,412,861 | 40 |
| Oct 19, 2016 | - | $549 | -16% | 4 | $137 | $2,413,410 | 41 | |
| Oct 20, 2016 | - | $667 | +21% | +1,568% | 4 | $167 | $2,414,077 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 17 | $1,840,775 | 1,554 | $1,185 | $1,840,775 | 1 | |
| Sep 16, 2016 | 24 | $544,631 | -70% | 1,554 | $350 | $2,385,406 | 2 |
| Sep 23, 2016 | 74 | $13,690 | -97% | 36 | $380 | $2,399,096 | 3 |
| Sep 30, 2016 | 97 | $4,322 | -68% | 10 | $432 | $2,403,418 | 4 |
| Oct 7, 2016 | 101 | $2,494 | -42% | 4 | $624 | $2,405,912 | 5 |
| Oct 14, 2016 | 84 | $8,165 | +227% | 4 | $2,041 | $2,414,077 | 6 |
| Oct 21, 2016 | 86 | $9,390 | +15% | 4 | $2,348 | $2,423,467 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/9/2016 | $2,081 | 10 | 10 | 10 | $2,081 | 12/12/2016 | |||
| Brazil | 11/25/2016 | $191,193 | 262 | 262 | 388 | $359,073 | 11/16/2018 | |||
| Mexico | 12/14/2016 | $341,382 | 0 | 0 | 0 | $692,834 | 12/28/2016 | |||
| Portugal | 1/6/2017 | $11,031 | 11 | 11 | 31 | $26,306 | 1/26/2017 | |||
| International Total | $1,080,294 | 11/16/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kate Beckinsale | Dana |
Supporting
| Mel Raido | David | |
| Gerald McRaney | Judge Blacker | |
| Lucas Till | Ben | |
| Celia Weston | Marti | |
| Duncan Joiner | Lucas | |
| Michaela Conlin | Jules | |
| Joely Fisher | Psychiatrist | |
| Michael Landes | Teddy | |
| Marcia De Rousse | Ms. Judith | |
| Ella Jones | Laura | |
| Charles Carroll | Old Man | |
| Jennifer Leigh Mann | Mrs. Blacker | |
| Gino Crognale | Puppeteer |
Production and Technical Credits
| D.J. Caruso | Director | |
| D.J. Caruso | Screenwriter | |
| Wentworth Miller | Screenwriter | |
| Geyer Kosinski | Producer | |
| Tucker Tooley | Producer | |
| Vincent Newman | Producer | |
| Robbie Brenner | Executive Producer | |
| Sam Englebardt | Executive Producer | |
| William D. Johnson | Executive Producer | |
| Wentworth Miller | Executive Producer | |
| Jeffrey Soros | Executive Producer | |
| Simon Horsman | Executive Producer | |
| Adam Fields | Executive Producer | |
| Kenneth L. Halsband* | Co-Producer | |
| Patrick Peach | Co-Producer | |
| Tony Grazia | Co-Producer | |
| Patrick Murray | Associate Producer | |
| Nicolas Charles | Associate Producer | |
| Rogier Stoffers | Director of Photography | |
| Tom Southwell | Production Designer | |
| Vince Filippone | Editor | |
| Brian Tyler | Composer | |
| Bob Bowen | Music Supervisor | |
| Marian Toy | Costume Designer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| James M. Freitag | Unit Production Manager | |
| James M. Freitag | First Assistant Director | |
| Allen Kupetsky | Second Assistant Director | |
| Christopher Davey | Co-Producer | |
| Jay Osterman | Associate Producer | |
| Kenneth L. Halsband* | Executive in Charge of Production | |
| Artie Malesci | Stunt Coordinator | |
| John M. Bennett | Production Supervisor | |
| D.J. Barton | Script Supervisor | |
| Kevin Hardison | Art Director | |
| Burton Rencher | Set Decorator | |
| Jeffree Bloomer | Sound Mixer | |
| Tom MacDonald | Costume Supervisor | |
| Carolyn Dessert Lauterio | Costume Supervisor | |
| Herita Jones | Make up | |
| Gino Crognale | Special Make-up Effects | |
| Howard Berger | Special Make-up Effects | |
| Greg Nicotero* | Special Make-up Effects | |
| Rod Ortega | Hairstylist | |
| Christina Raye | Hairstylist | |
| Ellen Pfirrmann | Location Manager | |
| Larry Bivins | Special Effects Supervisor | |
| Christopher Kulikowski | Post-Production Supervisor | |
| Pascal Vaguelsy | Post-Production Supervisor | |
| Rowan Maher | First Assistant Editor | |
| Jasen Jax Nannini | Visual Effects Supervisor | |
| Jasen Jax Nannini | Visual Effects Producer | |
| Leslie Shatz | Re-recording Mixer | |
| Chris David | Re-recording Mixer | |
| Karen Baker Landers | Supervising Sound Editor | |
| D. Chris Smith | Sound Designer | |
| John C. Stuver | Dialogue Editor | |
| Robert C. Jackson | Dialogue Editor | |
| James Ashwill | Foley Mixer | |
| Joe Lisanti | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.