Disorderlies (1987)
| Theatrical Performance | ||
| Domestic Box Office | $10,000,000 | Details |
| OpusData ID: 37490100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,707,980 (27.1% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 545 opening theaters/545 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,925,823 |
Movie Details
| Domestic Releases: | August 14th, 1987 (Wide) by Warner Bros. |
| Video Release: | May 17th, 1989 by Warner Home Video |
| MPA Rating: | PG |
| Running Time: | 86 minutes |
| Plot point: | Autumn Years, Dysfunctional Family, Gambling, Inheritance, Medical and Hospitals, Money Troubles |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 1987 | 7 | $2,707,980 | 545 | $4,969 | $2,707,980 | 1 | |
| Sep 4, 1987 | 16 | $994,488 | 413 | $2,408 | $8,418,590 | 4 | |
| Sep 25, 1987 | 28 | $230,403 | 278 | $829 | $9,832,507 | 7 |
Leading
| The Fat Boys* | Fat Boy | |
| The Fat Boys* | Fat Boy | |
| The Fat Boys* | Fat Boy | |
| Ralph Bellamy | Albert Dennison |
Supporting
| Tony Plana | Miguel | |
| Anthony Geary | Winslow Lowry | |
| Marco Rodriguez | Luis Montana | |
| Troy Byer | Carla |
Production and Technical Credits
| Michael Schultz | Director | |
| Michael Schultz | Producer | |
| George Jackson | Producer | |
| Michael Jaffe | Producer | |
| Mark Feldberg | Screenwriter | |
| Mitchell Klebanoff | Screenwriter | |
| Charles Stettler | Executive Producer | |
| Joseph E. Zynczak | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,707,980 (27.1% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 545 opening theaters/545 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,925,823 |
Movie Details
| Domestic Releases: | August 14th, 1987 (Wide) by Warner Bros. |
| Video Release: | May 17th, 1989 by Warner Home Video |
| MPA Rating: | PG |
| Running Time: | 86 minutes |
| Plot point: | Autumn Years, Dysfunctional Family, Gambling, Inheritance, Medical and Hospitals, Money Troubles |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 1987 | 7 | $2,707,980 | 545 | $4,969 | $2,707,980 | 1 | |
| Sep 4, 1987 | 16 | $994,488 | 413 | $2,408 | $8,418,590 | 4 | |
| Sep 25, 1987 | 28 | $230,403 | 278 | $829 | $9,832,507 | 7 |
Leading
| The Fat Boys* | Fat Boy | |
| The Fat Boys* | Fat Boy | |
| The Fat Boys* | Fat Boy | |
| Ralph Bellamy | Albert Dennison |
Supporting
| Tony Plana | Miguel | |
| Anthony Geary | Winslow Lowry | |
| Marco Rodriguez | Luis Montana | |
| Troy Byer | Carla |
Production and Technical Credits
| Michael Schultz | Director | |
| Michael Schultz | Producer | |
| George Jackson | Producer | |
| Michael Jaffe | Producer | |
| Mark Feldberg | Screenwriter | |
| Mitchell Klebanoff | Screenwriter | |
| Charles Stettler | Executive Producer | |
| Joseph E. Zynczak | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.