Django (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $56,556 | Details |
| International Box Office | $3,790,909 | Details |
| Worldwide Box Office | $3,847,465 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $88,521 | |
| Total | $88,521 | |
| OpusData ID: 289880100 More info... | ||
| Further financial details... | ||
Synopsis
1943, occupied Paris. Django Reinhardt is at the pinnacle of his art. The brilliant and carefree jazz guitarist, king of ethereal swing, plays to standing-room-only crowds in the capital’s greatest venues. Meanwhile his gypsy brethren are being persecuted throughout Europe. His life takes a turn for the worse when the Nazi propaganda machine wants to send him on tour in Germany…
Metrics
| Opening Weekend: | $11,722 (20.7% of total gross) |
| Legs: | 4.82 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/7 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $74,248 |
Movie Details
| Domestic Releases: | January 5th, 2018 (Limited) by Under the Milky Way |
| International Releases: | April 28th, 2017 (Wide) (France)
May 4th, 2017 (Wide) (Netherlands) August 15th, 2017 (Wide) (South Korea) October 13th, 2017 (Wide), released as Melodias de Django (Portugal) ... Show all releases |
| Video Release: | March 20th, 2018 by Passion River |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Geographical setting: | Paris |
| Plot point: | Biography, Romani, Musicians, Nazis |
| Social setting: | Jazz |
| Time period setting: | 1940s |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Arches Films, Curiosa Films, Moana Films, Pathe, France 2 Cinema, Auvergne Rhone Alpes Cinema, Canal Plus, Cine Plus, France Television, Auvergne Rhone Alpes Region, CNC, Region Ile-de-France |
| Production Countries: | France |
| Languages: | French, German, English, Romany |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 51 | $11,722 | 4 | $2,931 | $11,722 | 1 | |
| Jan 12, 2018 | 63 | $4,508 | -62% | 5 | $902 | $18,348 | 2 |
| Jan 19, 2018 | 60 | $6,005 | +33% | 7 | $858 | $29,294 | 3 |
| Jan 26, 2018 | 63 | $5,455 | -9% | 7 | $779 | $40,728 | 4 |
| Feb 2, 2018 | 66 | $4,047 | -26% | 5 | $809 | $47,147 | 5 |
| Feb 9, 2018 | 65 | $5,029 | +24% | 1 | $5,029 | $56,556 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 52 | $13,840 | 4 | $3,460 | $13,840 | 1 | |
| Jan 12, 2018 | 62 | $9,449 | -32% | 5 | $1,890 | $23,289 | 2 |
| Jan 19, 2018 | 59 | $11,984 | +27% | 6 | $1,997 | $35,273 | 3 |
| Jan 26, 2018 | 61 | $7,827 | -35% | 7 | $1,118 | $43,100 | 4 |
| Feb 2, 2018 | 58 | $8,427 | +8% | 6 | $1,405 | $51,527 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 4/28/2017 | $242,203 | 0 | 0 | 0 | $3,592,972 | 6/27/2018 | |||
| Netherlands | 5/4/2017 | $56,875 | 62 | 62 | 220 | $182,964 | 11/2/2018 | |||
| Portugal | 10/13/2017 | $4,818 | 11 | 11 | 22 | $7,864 | 10/25/2017 | |||
| South Korea | 8/15/2017 | $0 | 0 | 16 | 0 | $7,109 | 4/4/2026 | |||
| International Total | $3,790,909 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Reda Kateb | Django Reinhardt | |
| Cécile de France | Louise de Clerk |
Supporting
| Beata Palya | Naguine Reinhardt | |
| Bimbam Merstein | Negros Reinhardt | |
| Gabriel Mirete | La Plume | |
| Johnny Montreuil | Joseph Reinhardt | |
| Vincent Frade | Tam Tam | |
| Raphael Dever | Vola | |
| Hono Winterstein | Toto Hoffman | |
| Etienne Timbo Mehrstein | Timbo Hoffman | |
| Levis Reinhardt | Gagar Hoffman | |
| Alex Brendemuhl | Hans Biber | |
| Ulrich Friedrich Brandhoff | Hammerstein |
Production and Technical Credits
| Etienne Comar | Director | |
| Etienne Comar | Screenwriter | |
| Alexis Salatko | Screenwriter | |
| Robert Laffont | Story adapted from “Folles de Django” by | |
| Christophe Beaucarne | Director of Photography | |
| Monica Coleman | Editor | |
| Olivier Radot | Set Designer | |
| Pascaline Chavanne | Costume Designer | |
| Luc Bricault | Assistant Director | |
| Stephane Batut | Casting Director | |
| Philippe Hagege | Production Manager | |
| Christine de Jekel | Line Producer | |
| Olivier Delbosc | Producer | |
| Marc Missonnier | Producer | |
| Romain Le Grand | Co-Producer | |
| Vivien Aslanian | Co-Producer | |
| Ardavan Safaee | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
1943, occupied Paris. Django Reinhardt is at the pinnacle of his art. The brilliant and carefree jazz guitarist, king of ethereal swing, plays to standing-room-only crowds in the capital’s greatest venues. Meanwhile his gypsy brethren are being persecuted throughout Europe. His life takes a turn for the worse when the Nazi propaganda machine wants to send him on tour in Germany…
Metrics
| Opening Weekend: | $11,722 (20.7% of total gross) |
| Legs: | 4.82 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/7 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $74,248 |
Movie Details
| Domestic Releases: | January 5th, 2018 (Limited) by Under the Milky Way |
| International Releases: | April 28th, 2017 (Wide) (France)
May 4th, 2017 (Wide) (Netherlands) August 15th, 2017 (Wide) (South Korea) October 13th, 2017 (Wide), released as Melodias de Django (Portugal) ... Show all releases |
| Video Release: | March 20th, 2018 by Passion River |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Geographical setting: | Paris |
| Plot point: | Biography, Romani, Musicians, Nazis |
| Social setting: | Jazz |
| Time period setting: | 1940s |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Arches Films, Curiosa Films, Moana Films, Pathe, France 2 Cinema, Auvergne Rhone Alpes Cinema, Canal Plus, Cine Plus, France Television, Auvergne Rhone Alpes Region, CNC, Region Ile-de-France |
| Production Countries: | France |
| Languages: | French, German, English, Romany |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 51 | $11,722 | 4 | $2,931 | $11,722 | 1 | |
| Jan 12, 2018 | 63 | $4,508 | -62% | 5 | $902 | $18,348 | 2 |
| Jan 19, 2018 | 60 | $6,005 | +33% | 7 | $858 | $29,294 | 3 |
| Jan 26, 2018 | 63 | $5,455 | -9% | 7 | $779 | $40,728 | 4 |
| Feb 2, 2018 | 66 | $4,047 | -26% | 5 | $809 | $47,147 | 5 |
| Feb 9, 2018 | 65 | $5,029 | +24% | 1 | $5,029 | $56,556 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 52 | $13,840 | 4 | $3,460 | $13,840 | 1 | |
| Jan 12, 2018 | 62 | $9,449 | -32% | 5 | $1,890 | $23,289 | 2 |
| Jan 19, 2018 | 59 | $11,984 | +27% | 6 | $1,997 | $35,273 | 3 |
| Jan 26, 2018 | 61 | $7,827 | -35% | 7 | $1,118 | $43,100 | 4 |
| Feb 2, 2018 | 58 | $8,427 | +8% | 6 | $1,405 | $51,527 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 4/28/2017 | $242,203 | 0 | 0 | 0 | $3,592,972 | 6/27/2018 | |||
| Netherlands | 5/4/2017 | $56,875 | 62 | 62 | 220 | $182,964 | 11/2/2018 | |||
| Portugal | 10/13/2017 | $4,818 | 11 | 11 | 22 | $7,864 | 10/25/2017 | |||
| South Korea | 8/15/2017 | $0 | 0 | 16 | 0 | $7,109 | 4/4/2026 | |||
| International Total | $3,790,909 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Reda Kateb | Django Reinhardt | |
| Cécile de France | Louise de Clerk |
Supporting
| Beata Palya | Naguine Reinhardt | |
| Bimbam Merstein | Negros Reinhardt | |
| Gabriel Mirete | La Plume | |
| Johnny Montreuil | Joseph Reinhardt | |
| Vincent Frade | Tam Tam | |
| Raphael Dever | Vola | |
| Hono Winterstein | Toto Hoffman | |
| Etienne Timbo Mehrstein | Timbo Hoffman | |
| Levis Reinhardt | Gagar Hoffman | |
| Alex Brendemuhl | Hans Biber | |
| Ulrich Friedrich Brandhoff | Hammerstein |
Production and Technical Credits
| Etienne Comar | Director | |
| Etienne Comar | Screenwriter | |
| Alexis Salatko | Screenwriter | |
| Robert Laffont | Story adapted from “Folles de Django” by | |
| Christophe Beaucarne | Director of Photography | |
| Monica Coleman | Editor | |
| Olivier Radot | Set Designer | |
| Pascaline Chavanne | Costume Designer | |
| Luc Bricault | Assistant Director | |
| Stephane Batut | Casting Director | |
| Philippe Hagege | Production Manager | |
| Christine de Jekel | Line Producer | |
| Olivier Delbosc | Producer | |
| Marc Missonnier | Producer | |
| Romain Le Grand | Co-Producer | |
| Vivien Aslanian | Co-Producer | |
| Ardavan Safaee | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.