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Django (2017)

Django
Theatrical Performance
Domestic Box Office $56,556Details
International Box Office $197,937Details
Worldwide Box Office $254,493
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

1943, occupied Paris. Django Reinhardt is at the pinnacle of his art. The brilliant and carefree jazz guitarist, king of ethereal swing, plays to standing-room-only crowds in the capital’s greatest venues. Meanwhile his gypsy brethren are being persecuted throughout Europe. His life takes a turn for the worse when the Nazi propaganda machine wants to send him on tour in Germany…

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,901-12,000) 11,931 $56,556
All Time International Box Office (Rank 8,201-8,300) 8,246 $197,937
All Time Worldwide Box Office (Rank 13,401-13,500) 13,411 $254,493
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,601-4,700) 4,659 $56,556

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: January 5th, 2018 (Limited) by Under the Milky Way
International Releases: May 4th, 2017 (Wide) (Netherlands)
August 15th, 2017 (Wide) (South Korea)
October 13th, 2017 (Wide), released as Melodias de Django (Portugal)
Video Release: March 20th, 2018 by Passion River
MPAA Rating: Not Rated
Running Time: 115 minutes
Comparisons: Create your own comparison chart…
Keywords: 1940s, Nazis, Paris, Musicians, Romani / Gypsies, Jazz, Biography
Source:Based on Factual Book/Article
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Companies: Arches Films, Curiosa Films, Moana Films, Pathe, France 2 Cinema, Auvergne Rhone Alpes Cinema, Canal Plus, Cine Plus, France Television, Auvergne Rhone Alpes Region, CNC, Region Ile-de-France
Production Countries: France

Leading Cast

   Django Reinhardt
   Louise de Clerk

Supporting Cast

Beata Palya    Naguine Reinhardt
Bimbam Merstein    Negros Reinhardt
Gabriel Mirete    La Plume
Johnny Montreuil    Joseph Reinhardt
Vincent Frade    Tam Tam
Raphael Dever    Vola
Hono Winterstein    Toto Hoffman
Etienne Timbo Mehrstein    Timbo Hoffman
Levis Reinhardt    Gagar Hoffman
Alex Brendemuhl    Hans Biber
Ulrich Friedrich Brandhoff    Hammerstein

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Etienne Comar    Screenwriter
Alexis Salatko    Screenwriter
Robert Laffont    Story adapted from “Folles de Django” by
Christophe Beaucarne    Director of Photography
Monica Coleman    Editor
Olivier Radot    Set Designer
Pascaline Chavanne    Costume Designer
Luc Bricault    Assistant Director
Stephane Batut    Casting Director
Philippe Hagege    Production Manager
Christine de Jekel    Line Producer
Olivier Delbosc    Producer
Marc Missonnier    Producer
Romain Le Grand    Co-Producer
Vivien Aslanian    Co-Producer
Ardavan Safaee    Associate Producer

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Limited and VOD Releases: In Between a Rock and a Hard Place

January 4th, 2018

In Between

It’s a bad weekend to release a limited release, as the Golden Globes are given out on Sunday. There are still some good films that are trying to find an audience, including Blame, Bob le flambeur, and In Between. I doubt any will have breakout success, but all three deserve to find an audience, either in theaters or on the home market. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/01/05 51 $11,722   4 $2,931   $11,722 1
2018/01/12 63 $4,508 -62% 5 $902   $18,348 2
2018/01/19 60 $6,005 +33% 7 $858   $29,294 3
2018/01/26 63 $5,455 -9% 7 $779   $40,728 4
2018/02/02 65 $4,047 -26% 5 $809   $47,147 5
2018/02/09 64 $5,029 +24% 1 $5,029   $56,556 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/01/05 52 $13,840   4 $3,460   $13,840 1
2018/01/12 62 $9,449 -32% 5 $1,890   $23,289 2
2018/01/19 59 $11,984 +27% 6 $1,997   $35,273 3
2018/01/26 61 $7,827 -35% 7 $1,118   $43,100 4
2018/02/02 58 $8,427 +8% 6 $1,405   $51,527 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 5/4/2017 $0 0 58 158 $182,964 6/7/2017
Portugal 10/13/2017 $4,818 11 11 22 $7,864 10/25/2017
South Korea 8/15/2017 $0 0 0 0 $7,109 3/21/2018
 
International Total$197,937 3/21/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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