Do Not Disturb (1965)
| Theatrical Performance | ||
| Domestic Box Office | $8,000,000 | Details |
| OpusData ID: 40430100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | December 22nd, 1965 (Wide) by 20th Century Fox |
| Video Release: | January 30th, 2007 by Fox Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Plot point: | Infidelity, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Based on Play |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, French |
| Doris Day | Janet Harper | |
| Rod Taylor | Mike Harper | |
| Raquel Welch | Woman in lobby |
Production and Technical Credits
| Ralph Levy | Director | |
| George Marshall | Director | |
| Richard L. Breen | Screenwriter | |
| Milt Rosen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | December 22nd, 1965 (Wide) by 20th Century Fox |
| Video Release: | January 30th, 2007 by Fox Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Plot point: | Infidelity, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Based on Play |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, French |
| Doris Day | Janet Harper | |
| Rod Taylor | Mike Harper | |
| Raquel Welch | Woman in lobby |
Production and Technical Credits
| Ralph Levy | Director | |
| George Marshall | Director | |
| Richard L. Breen | Screenwriter | |
| Milt Rosen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.