Doctor Sleep (2019)

Doctor Sleep
Theatrical Performance
Domestic Box Office $31,581,712Details
International Box Office $40,139,126Details
Worldwide Box Office $71,720,838
Home Market Performance
Est. Domestic DVD Sales $3,715,119 Details
Est. Domestic Blu-ray Sales $8,469,731 Details
Total Est. Domestic Video Sales $12,184,850
Further financial details...

Synopsis

Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the “shine.” Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra’s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past.

Metrics

Opening Weekend:$14,114,124 (44.7% of total gross)
Legs:2.24 (domestic box office/biggest weekend)
Domestic Share:44.0% (domestic box office/worldwide)
Production Budget:$45,000,000 (worldwide box office is 1.6 times production budget)
Theater counts:3,855 opening theaters/3,855 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $37,167,025

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD (Director’s Cut + Bonus Features, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: November 8th, 2019 (Wide) by Warner Bros.
International Releases: October 31st, 2019 (Wide) (Italy)
November 1st, 2019 (Wide) (France)
November 1st, 2019 (Wide), released as Doutor Sono (Portugal)
November 1st, 2019 (Wide), released as Doctor Sueño (Spain)
November 1st, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: February 4th, 2020 by Warner Home Video
March 9th, 2020 by Warner Home Video, released as Stephen King’s Doctor Sleep
MPAA Rating: R for disturbing and violent content, some bloody images, language, nudity and drug use.
(Rating bulletin 2592 (Cert #52286), 8/21/2019)
R for disturbing and violent content, some bloody images, language, nudity and drug use. Rating is for Director's Cut from Warner Home Entertainment NOTE: EDITED VERSION. CONTENT IS DIFFERENT FROM "R" RATED VERSION, BULLETIN NO. 2592 (08/21/2019).
(Rating bulletin 2610 (Cert #52527), 12/25/2019)
Running Time: 151 minutes
Franchise: The Shining
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Psychics, Delayed Sequel, Supernatural, Cults, Fountain of Youth, Supernatural Horror, 1980s, 2010s, Addiction, Rehab / Former Addict
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Intrepid Pictures, Vertigo Entertainment, Warner Bros.
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Veterans Day (All Movies, 3-Day) 63 $14,114,124 Nov 8, 2019 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 96 $17,662,183 Nov 8, 2019 3
Veterans Day (Opening, 3-Day) 19 $14,114,124 Nov 8, 2019 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 49 $17,662,183 Nov 8, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 8, 2019 2 $14,114,124   3,855 $3,661   $14,114,124 1
Nov 15, 2019 6 $6,006,949 -57% 3,855 $1,558   $24,865,108 2
Nov 22, 2019 13 $1,834,377 -69% 1,476 $1,243   $28,751,119 3
Nov 29, 2019 17 $900,991 -51% 877 $1,027   $30,561,106 4
Dec 6, 2019 22 $334,545 -63% 530 $631   $31,190,193 5
Dec 13, 2019 28 $81,067 -76% 188 $431   $31,414,419 6
Dec 20, 2019 34 $26,202 -68% 101 $259   $31,488,764 7
Dec 27, 2019 41 $24,346 -7% 63 $386   $31,534,136 8
Jan 3, 2020 44 $17,536 -28% 63 $278   $31,574,437 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 7, 2019 P $1,500,000     0     $1,500,000  
Nov 8, 2019 2 $5,221,203     3,855 $1,354   $5,221,203 1
Nov 9, 2019 3 $5,202,396 n/c   3,855 $1,350   $10,423,599 2
Nov 10, 2019 3 $3,690,525 -29%   3,855 $957   $14,114,124 3
Nov 11, 2019 3 $1,624,083 -56%   3,855 $421   $15,738,207 4
Nov 12, 2019 2 $1,457,633 -10%   3,855 $378   $17,195,840 5
Nov 13, 2019 2 $876,732 -40%   3,855 $227   $18,072,572 6
Nov 14, 2019 3 $785,587 -10%   3,855 $204   $18,858,159 7
Nov 15, 2019 6 $1,675,948 +113% -68% 3,855 $435   $20,534,107 8
Nov 16, 2019 6 $2,710,913 +62% -48% 3,855 $703   $23,245,020 9
Nov 17, 2019 6 $1,620,088 -40% -56% 3,855 $420   $24,865,108 10
Nov 18, 2019 5 $482,088 -70% -70% 3,855 $125   $25,347,196 11
Nov 19, 2019 6 $749,842 +56% -49% 3,855 $195   $26,097,038 12
Nov 20, 2019 6 $484,723 -35% -45% 3,855 $126   $26,581,761 13
Nov 21, 2019 8 $334,981 -31% -57% 3,855 $87   $26,916,742 14
Nov 22, 2019 12 $525,120 +57% -69% 1,476 $356   $27,441,862 15
Nov 23, 2019 13 $781,745 +49% -71% 1,476 $530   $28,223,607 16
Nov 24, 2019 13 $527,512 -33% -67% 1,476 $357   $28,751,119 17
Nov 25, 2019 13 $249,641 -53% -48% 1,476 $169   $29,000,760 18
Nov 26, 2019 13 $293,785 +18% -61% 1,476 $199   $29,294,545 19
Nov 27, 2019 - $198,734 -32% -59% 1,003 $198   $29,493,279 20
Nov 28, 2019 - $166,836 -16% -50% 1,003 $166   $29,660,115 21
Nov 29, 2019 - $337,533 +102% -36% 877 $385   $29,997,648 22
Nov 30, 2019 - $376,556 +12% -52% 877 $429   $30,374,204 23
Dec 1, 2019 - $186,902 -50% -65% 877 $213   $30,561,106 24
Dec 2, 2019 - $67,138 -64% -73% 877 $77   $30,628,244 25
Dec 3, 2019 - $94,936 +41% -68% 877 $108   $30,723,180 26
Dec 4, 2019 - $72,836 -23% -63% 877 $83   $30,796,016 27
Dec 5, 2019 - $59,632 -18% -64% 877 $68   $30,855,648 28
Dec 6, 2019 - $99,766 +67% -70% 530 $188   $30,955,414 29
Dec 7, 2019 - $149,628 +50% -60% 530 $282   $31,105,042 30
Dec 8, 2019 - $85,151 -43% -54% 530 $161   $31,190,193 31
Dec 9, 2019 - $37,241 -56% -45% 530 $70   $31,227,434 32
Dec 10, 2019 - $46,689 +25% -51% 530 $88   $31,274,123 33
Dec 11, 2019 - $35,466 -24% -51% 530 $67   $31,309,589 34
Dec 12, 2019 - $23,763 -33% -60% 530 $45   $31,333,352 35
Dec 13, 2019 - $24,169 +2% -76% 188 $129   $31,357,521 36
Dec 14, 2019 - $34,731 +44% -77% 188 $185   $31,392,252 37
Dec 15, 2019 - $22,167 -36% -74% 188 $118   $31,414,419 38
Dec 16, 2019 - $12,634 -43% -66% 188 $67   $31,427,053 39
Dec 17, 2019 - $16,128 +28% -65% 188 $86   $31,443,181 40
Dec 18, 2019 - $13,607 -16% -62% 188 $72   $31,456,788 41
Dec 19, 2019 - $5,774 -58% -76% 188 $31   $31,462,562 42
Dec 20, 2019 - $6,834 +18% -72% 101 $68   $31,469,396 43
Dec 21, 2019 - $10,347 +51% -70% 101 $102   $31,479,743 44
Dec 22, 2019 - $9,021 -13% -59% 101 $89   $31,488,764 45
Dec 23, 2019 - $6,049 -33% -52% 101 $60   $31,494,813 46
Dec 24, 2019 - $3,291 -46% -80% 101 $33   $31,498,104 47
Dec 25, 2019 - $5,684 +73% -58% 63 $90   $31,503,788 48
Dec 26, 2019 - $6,002 +6% +4% 63 $95   $31,509,790 49
Dec 27, 2019 - $7,785 +30% +14% 63 $124   $31,517,575 50
Dec 28, 2019 - $9,451 +21% -9% 63 $150   $31,527,026 51
Dec 29, 2019 - $7,110 -25% -21% 63 $113   $31,534,136 52
Dec 30, 2019 - $5,267 -26% -13% 63 $84   $31,539,403 53
Dec 31, 2019 - $3,694 -30% +12% 63 $59   $31,543,097 54
Jan 1, 2020 - $8,496 +130% +49% 63 $135   $31,551,593 55
Jan 2, 2020 - $5,308 -38% -12% 63 $84   $31,556,901 56
Jan 3, 2020 - $5,648 +6% -27% 63 $90   $31,562,549 57
Jan 4, 2020 - $7,210 +28% -24% 63 $114   $31,569,759 58
Jan 5, 2020 - $4,678 -35% -34% 63 $74   $31,574,437 59
Jan 6, 2020 - $1,690 -64% -68% 63 $27   $31,576,127 60
Jan 7, 2020 - $1,912 +13% -48% 63 $30   $31,578,039 61
Jan 8, 2020 - $1,892 -1% -78% 63 $30   $31,579,931 62
Jan 9, 2020 - $1,781 -6% -66% 63 $28   $31,581,712 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 8, 2019 2 $18,858,159   3,855 $4,892   $18,858,159 1
Nov 15, 2019 7 $8,058,583 -57% 3,855 $2,090   $26,916,742 2
Nov 22, 2019 15 $2,743,373 -66% 1,003 $2,735   $29,660,115 3
Nov 29, 2019 17 $1,195,533 -56% 877 $1,363   $30,855,648 4
Dec 6, 2019 22 $477,704 -60% 530 $901   $31,333,352 5
Dec 13, 2019 29 $129,210 -73% 188 $687   $31,462,562 6
Dec 20, 2019 41 $47,228 -63% 63 $750   $31,509,790 7
Dec 27, 2019 41 $47,111 n/c 63 $748   $31,556,901 8
Jan 3, 2020 45 $24,811 -47% 63 $394   $31,581,712 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/8/2019 $103,721 240 240 454 $292,665 1/20/2020
Australia 11/8/2019 $552,173 345 345 1,020 $1,212,965 10/16/2023
Brazil 11/8/2019 $577,000 675 675 1,139 $1,210,000 1/7/2020
Bulgaria 11/8/2019 $28,971 0 0 0 $94,788 12/11/2019
Czech Republic 11/15/2019 $71,093 103 103 213 $185,310 10/19/2022
France 11/1/2019 $991,000 381 381 1,170 $2,040,000 1/7/2020
Germany 11/22/2019 $485,000 430 430 791 $1,180,000 1/7/2020
Hong Kong 11/8/2019 $272,227 0 0 0 $272,227 11/17/2019
Indonesia 11/6/2019 $0 0 0 0 $1,080,000 1/7/2020
Italy 10/31/2019 $1,249,597 0 54 54 $2,010,000 1/7/2020
Japan 11/29/2019 $1,190,000 335 335 668 $3,400,000 1/7/2020
Lithuania 11/8/2019 $29,959 14 14 37 $89,710 10/19/2022
Mexico 11/8/2019 $1,428,721 0 1,058 1,656 $3,700,000 10/19/2022
Netherlands 11/8/2019 $189,075 91 91 251 $468,131 10/19/2022
New Zealand 11/7/2019 $74,905 65 65 333 $192,662 10/19/2022
Portugal 11/1/2019 $89,030 79 79 198 $178,971 10/19/2022
Romania 11/22/2019 $62,162 69 69 176 $152,822 1/8/2020
Russia (CIS) 11/8/2019 $2,040,126 1,602 1,607 5,163 $4,400,000 10/19/2022
Slovakia 11/8/2019 $39,241 70 70 101 $77,686 10/19/2022
Slovenia 11/8/2019 $8,006 24 24 55 $30,796 12/9/2019
South Korea 11/8/2019 $282,126 484 484 515 $459,997 11/27/2019
Spain 11/1/2019 $63,702 385 385 1,084 $1,700,000 1/7/2020
Taiwan 11/8/2019 $0 0 0 0 $966,000 1/7/2020
Turkey 11/22/2019 $84,709 199 199 301 $162,268 10/19/2022
United Kingdom 11/1/2019 $1,891,535 609 609 1,492 $4,200,000 1/7/2020
 
Rest of World $10,382,128
 
International Total$40,139,126 10/16/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 9, 2020260,008 60,008$1,077,744$1,077,7441
Feb 16, 2020438,386-36% 98,394$689,029$1,766,7732
Feb 23, 20201017,406-55% 115,800$311,219$2,077,9923
Mar 1, 20202710,972-37% 126,772$188,499$2,266,4914
Mar 8, 20202811,230+2% 138,002$141,610$2,408,1015
Apr 19, 20202410,873 175,266$112,970$2,909,56511

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 9, 20201140,171 140,171$2,875,245$2,875,2451
Feb 16, 2020355,115-61% 195,286$1,175,269$4,050,5142
Feb 23, 2020920,183-63% 215,469$409,370$4,459,8843
Mar 1, 20201811,340-44% 226,809$228,093$4,687,9774
Mar 8, 2020718,753+65% 245,562$302,728$4,990,7055
Mar 15, 20201710,389-45% 255,951$205,763$5,196,4686
Apr 12, 2020206,451 274,475$114,752$5,534,21010
Nov 8, 20201811,133 350,289$172,784$6,622,59040
Nov 29, 20201244,068 408,707$723,156$7,566,61743

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
May 8, 202261 5
May 9, 202262 10
May 10, 202233 18
May 11, 202254 24
May 12, 202275 28

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ewan McGregor    Dan Torrance

Supporting Cast

Rebecca Ferguson    Rose The Hat
Kyliegh Curran    Abra Stone
Cliff Curtis    Billy Freeman
Zahn McClarnon    Crow Daddy
Emily Alyn Lind    Snakebite Andi
Selena Anduze    Apron Annie
Robert Longstreet    Barry The Chunk
Carel Struycken    Grampa Flick
James Flanagan    Diesel Doug
Met Clark    Short Eddie
Zackary Momoh    David Stone
Jocelin Donahue    Lucy Stone
Dakota Hickman    Young Abra
Carl Lumbly    Dick Halloran
Henry Thomas    The Bartender
Bruce Greenwood    Dr. John
Sallye Hooks    Mrs. Massey
Alexandra Essoe    Wendy Torrance
Roger Dale Floyd    Young Danny
George Mengert    Charlie
Jacob Tremblay    Bradley Trevor
Chelsea Talmadge    Deenie
Violet McGraw    Carl Lumbly/Dick Halloran
Bethany Ann Lind    Violet’s Mother
Nicholas Pryor    Elderly Patient
Peggy Tillman    Toddler
Deadra Moore    Mrs. Robertson
Jason Davis    Businessman
Alyssa Gonzalez    Supermarket Clerk
Shane Brady    Magician
Danny Lloyd    Spectator
Michael Monks    Delbert Grady
Hugh Maguire    Horace Derwent
Sadie Heim    Grady Twin
KK Heim    Grady Twin
Mistie Gibby    Bobbie
Callie McClincy    Library Kid
Logan A. Medina    Library Kid
Johnnie Gordon    Library Kid
Molly Quinn    Mrs. Grady
Evan Dumouchel    Victor T. Boorman
MacLeod Andrews    Roger Macassi
Fedor Steer    Vito the Chopper
Charles Green    U.S. Senator
Marc Farley    James Parris
Juan Carlos Romero Perez    Baseball Coach
Sarah Morrison    Girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mike Flanagan    Director
Jon Berg    Producer
Trevor Macy    Producer
Mike Flanagan    Screenwriter
Stephen King    Story Based on the Novel by
Roy Lee    Executive Producer
D. Scott Lumpkin    Executive Producer
Akiva Goldsman    Executive Producer
Kevin McCormick    Executive Producer
Michael Fimognari    Director of Photography
Maher Ahmad    Production Designer
Mike Flanagan    Editor
The Newton Brothers*    Composer
The Newton Brothers*    Composer
Anne McCarthy    Casting Director
Kellie Roy    Casting Director
Terry Anderson    Costume Designer
Marc Kolbe    Visual Effects Supervisor
D. Scott Lumpkin    Unit Production Manager
Janell Sammelman    First Assistant Director
Meaghan F. McLaughlin    Second Assistant Director
Michael J. Wassel    Visual Effects Supervisor
Elizabeth Boller    Supervising Art Director
Richie Bearden    Art Director
Joshua Wells    Set Designer
Andrea Manners    Script Supervisor
Michael Koff    Sound Mixer
Brian J. Smith    Additional Editor
Jonathan Wales    Re-recording Mixer
Michael Babcock    Re-recording Mixer
Trevor Gates    Supervising Sound Editor
Nancy Kirhoffer    Post-Production Supervisor
Salvatore Valone    First Assistant Editor
Jason Dotts    Supervising Dialogue Editor
Matt Hall*    Sound Effects Editor
Paul Knox    Sound Effects Editor
Russel Topal    Sound Effects Editor
Jesse Kees    Dialogue Editor
Walter Spencer    Foley Mixer
Trevor Sperry    Foley Mixer
Alex Capaldi    Production Supervisor
Carlos Rey Del Castillo    Location Manager
Johnna Thomas    Costume Supervisor
Bernadette Mazur    Make Up
Donald Kozma    Make up
Staci Witt    Special Make-up Effects
Robert Kurtzman    Make up
Brett Pierce    Music Editor
The Newton Brothers*    Score Producer
The Newton Brothers*    Score Producer
Matt Ward    Score Recordist
Ari Nikjeh    Visual Effects Producer
Ken Gorrell    Special Effects Coordinator
Michael Schorr    Special Effects
Keith Harris    Special Effects
Matthew James    Special Effects
Victor Kerkeslager    Special Effects
Chuck Borden    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Weekend Wrap-Up: Ford v Ferrari has no Competition at the Box Office

November 18th, 2019

Ford v Ferrari

Ford v Ferrari had a good opening over the weekend, but unfortunately, it was only good and not great. Furthermore, it was the only film that had a good weekend. The other two new releases crashed and burned, while the holdovers couldn’t compensate for this weakness. The overall box office fell 11% from last weekend to just $108 million, which was 37% lower than the same weekend last year. The year-to-date numbers don’t look any better, as 2019 is now behind 2018’s pace by a margin of 6.5% or $660 million at $9.47 billion to $10.13 billion. Worse still, 2019 has fallen behind 2016’s pace. Things need to turn around and fast. More...

Weekend Estimates: Ford and Ferrari v Top Five

November 17th, 2019

Ford v Ferrari

If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run. More...

Friday Estimates: Ford v Ferrari Laps the Competition

November 16th, 2019

Ford v Ferrari

Ford v Ferrari is going to dominate the weekend chart. In fact, it earned more on Friday than the second place film is expected to earn during the full weekend. The film pulled in $10.94 million during its opening day, putting it on pace for $30 million over the full weekend, which is significantly ahead of our prediction. Its reviews and its A plus from CinemaScore should result in stellar word-of-mouth. It might even do well during Awards Season, although if it does win any Oscars, I think it will be limited to technical categories. More...

Weekend Predictions: Can Ford get the Pole Position on the Angels?

November 14th, 2019

Ford v Ferrari

There are three wide releases coming out this week and at the moment, all three of them have positive reviews. Unfortunately, that’s the end of the good news. Ford v Ferrari is the best new release of the week and should have no trouble earning first place on the box office. On the other hand, the film cost nearly $100 million to make, so it will likely struggle to break even any time soon. Charlie’s Angels cost half as much to make, but it is also on track to open with about half as much. The Good Liar is the smallest of the three new films and, with a more mature target audience, it is unlikely to have a big opening. Worse still, it is likely all three new releases this week will earn less than Fantastic Beasts: The Crimes of Grindelwald opened with this weekend last year. 2019 is going to take another beating in the year-over-year competition and it might even be worse than last weekend was. More...

Weekend Wrap-Up: The Box Office is in a Deep Sleep

November 12th, 2019

Midway

It was a weekend to forget with the four new releases earning significantly less than The Grinch opened with last year. Still, the four new releases took the to four spots, meaning there were no powerful holdovers to make up the difference. Midway was the best of the bunch, while Playing with Fire was the biggest positive surprise. Unfortunately, Doctor Sleep missed expectations by a larger margin than those two films beat our predictions, so the good news was drowned out by the bad. Overall, the box office was 5.9% higher than last weekend at $121 million. This is not a reason to celebrate, as last weekend was arguably Halloween weekend, which is one of the worst weekends of the year. More importantly, the weekend was behind the same weekend last year by 28%. 2019 is now behind 2018’s pace by 5.9% or $580 million at $9.32 billion to $9.90 billion. However, and this is important, as bad as 2019 has been doing, we are still ahead of 2017’s pace, both in terms of raw dollars and ticket sales, so there’s no need to panic. While we would prefer to set records every year, being the second best year at the box office is still worth celebrating. More...

Weekend Estimates: Midway Overcomes the Odds to Come out on Top

November 10th, 2019

Midway

Midway wasn’t supposed to be a major hit, and it won’t be, but, sadly for all the other new films, it is opening in first place at the box office. In fact, its weekend estimate is $17.49 million, which is less than 10% above our prediction, but it was able to earn first place with relative ease. The film only managed mixed reviews, but it did earn an A-rating from CinemaScore. Additionally, there are holidays coming up, so it could have surprisingly long legs. The film also opened in China with $4.48 million. It’s hard to use this result as a guide for other markets, as there haven’t been enough American-centric war movies released in China to compare against. More...

Friday Estimates: Midway is the High Point of the Weekend

November 9th, 2019

Midway

Midway made a surprisingly strong debut to earn first place on Friday with an estimated $6.34 million. Its reviews have improved and are currently 40% positive. Granted, this isn’t great, or even merely good, but it is also not so bad that it will be a major drag at the box office. Furthermore, the film scored a solid A-rating from CinemaScore, indicating its target audience loved the movie, especially compared to critics. Add in a more mature target audience and the film should have solid legs, helping it earn close to $18 million during its opening weekend. Granted, the film cost $50 million to make, so it will still need help internationally and on the home market to break even after a start like this, but this is still much better than most people were expecting. More...

Thursday Previews: Doctor Sleep Hits the Snooze Alarm

November 8th, 2019

Doctor Sleep

It looks like it could be a slow weekend at the box office. Doctor Sleep only managed $1.5 million during its previews, which is lower than anticipated. There are some reasons to be optimistic. Firstly, it does have the best reviews of the four new releases and this is technically a long weekend, as Veteran's Day is on Monday. On the other hand, I was expecting closer to $2 million during its previews. More...

Can Doctor Sleep Wake Up the Box Office?

November 7th, 2019

Doctor Sleep

It is not a banner week for stellar new releases. Doctor Sleep is earning good reviews, but not great reviews. Sadly, it is award-worthy compared to most of the other new releases. Last Christmas is earning mixed reviews, but that’s to be expected for a romantic comedy. The less said about Midway or Playing with Fire’s reviews, the better. This weekend last year, The Grinch opened with $67 million, which is likely more than all four new films will open with this year. In fact, last year’s number two film, Bohemian Rhapsody, will likely earn more than any one film will earn this year. 2019 is going to take a beating in the year-over-year competition. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Doctor Sleep Trailer

September 27th, 2019

Supernatural horror movie starring Ewan McGregor opens November 8 ... Full Movie Details.

Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the “shine.” Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra’s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the “shine.” Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra’s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past.

Metrics

Opening Weekend:$14,114,124 (44.7% of total gross)
Legs:2.24 (domestic box office/biggest weekend)
Domestic Share:44.0% (domestic box office/worldwide)
Production Budget:$45,000,000 (worldwide box office is 1.6 times production budget)
Theater counts:3,855 opening theaters/3,855 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $37,167,025

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD (Director’s Cut + Bonus Features, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: November 8th, 2019 (Wide) by Warner Bros.
International Releases: October 31st, 2019 (Wide) (Italy)
November 1st, 2019 (Wide) (France)
November 1st, 2019 (Wide), released as Doutor Sono (Portugal)
November 1st, 2019 (Wide), released as Doctor Sueño (Spain)
November 1st, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: February 4th, 2020 by Warner Home Video
March 9th, 2020 by Warner Home Video, released as Stephen King’s Doctor Sleep
MPAA Rating: R for disturbing and violent content, some bloody images, language, nudity and drug use.
(Rating bulletin 2592 (Cert #52286), 8/21/2019)
R for disturbing and violent content, some bloody images, language, nudity and drug use. Rating is for Director's Cut from Warner Home Entertainment NOTE: EDITED VERSION. CONTENT IS DIFFERENT FROM "R" RATED VERSION, BULLETIN NO. 2592 (08/21/2019).
(Rating bulletin 2610 (Cert #52527), 12/25/2019)
Running Time: 151 minutes
Franchise: The Shining
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Psychics, Delayed Sequel, Supernatural, Cults, Fountain of Youth, Supernatural Horror, 1980s, 2010s, Addiction, Rehab / Former Addict
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Intrepid Pictures, Vertigo Entertainment, Warner Bros.
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Veterans Day (All Movies, 3-Day) 63 $14,114,124 Nov 8, 2019 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 96 $17,662,183 Nov 8, 2019 3
Veterans Day (Opening, 3-Day) 19 $14,114,124 Nov 8, 2019 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 49 $17,662,183 Nov 8, 2019 3

Leading Cast

Ewan McGregor    Dan Torrance

Supporting Cast

Rebecca Ferguson    Rose The Hat
Kyliegh Curran    Abra Stone
Cliff Curtis    Billy Freeman
Zahn McClarnon    Crow Daddy
Emily Alyn Lind    Snakebite Andi
Selena Anduze    Apron Annie
Robert Longstreet    Barry The Chunk
Carel Struycken    Grampa Flick
James Flanagan    Diesel Doug
Met Clark    Short Eddie
Zackary Momoh    David Stone
Jocelin Donahue    Lucy Stone
Dakota Hickman    Young Abra
Carl Lumbly    Dick Halloran
Henry Thomas    The Bartender
Bruce Greenwood    Dr. John
Sallye Hooks    Mrs. Massey
Alexandra Essoe    Wendy Torrance
Roger Dale Floyd    Young Danny
George Mengert    Charlie
Jacob Tremblay    Bradley Trevor
Chelsea Talmadge    Deenie
Violet McGraw    Carl Lumbly/Dick Halloran
Bethany Ann Lind    Violet’s Mother
Nicholas Pryor    Elderly Patient
Peggy Tillman    Toddler
Deadra Moore    Mrs. Robertson
Jason Davis    Businessman
Alyssa Gonzalez    Supermarket Clerk
Shane Brady    Magician
Danny Lloyd    Spectator
Michael Monks    Delbert Grady
Hugh Maguire    Horace Derwent
Sadie Heim    Grady Twin
KK Heim    Grady Twin
Mistie Gibby    Bobbie
Callie McClincy    Library Kid
Logan A. Medina    Library Kid
Johnnie Gordon    Library Kid
Molly Quinn    Mrs. Grady
Evan Dumouchel    Victor T. Boorman
MacLeod Andrews    Roger Macassi
Fedor Steer    Vito the Chopper
Charles Green    U.S. Senator
Marc Farley    James Parris
Juan Carlos Romero Perez    Baseball Coach
Sarah Morrison    Girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mike Flanagan    Director
Jon Berg    Producer
Trevor Macy    Producer
Mike Flanagan    Screenwriter
Stephen King    Story Based on the Novel by
Roy Lee    Executive Producer
D. Scott Lumpkin    Executive Producer
Akiva Goldsman    Executive Producer
Kevin McCormick    Executive Producer
Michael Fimognari    Director of Photography
Maher Ahmad    Production Designer
Mike Flanagan    Editor
The Newton Brothers*    Composer
The Newton Brothers*    Composer
Anne McCarthy    Casting Director
Kellie Roy    Casting Director
Terry Anderson    Costume Designer
Marc Kolbe    Visual Effects Supervisor
D. Scott Lumpkin    Unit Production Manager
Janell Sammelman    First Assistant Director
Meaghan F. McLaughlin    Second Assistant Director
Michael J. Wassel    Visual Effects Supervisor
Elizabeth Boller    Supervising Art Director
Richie Bearden    Art Director
Joshua Wells    Set Designer
Andrea Manners    Script Supervisor
Michael Koff    Sound Mixer
Brian J. Smith    Additional Editor
Jonathan Wales    Re-recording Mixer
Michael Babcock    Re-recording Mixer
Trevor Gates    Supervising Sound Editor
Nancy Kirhoffer    Post-Production Supervisor
Salvatore Valone    First Assistant Editor
Jason Dotts    Supervising Dialogue Editor
Matt Hall*    Sound Effects Editor
Paul Knox    Sound Effects Editor
Russel Topal    Sound Effects Editor
Jesse Kees    Dialogue Editor
Walter Spencer    Foley Mixer
Trevor Sperry    Foley Mixer
Alex Capaldi    Production Supervisor
Carlos Rey Del Castillo    Location Manager
Johnna Thomas    Costume Supervisor
Bernadette Mazur    Make Up
Donald Kozma    Make up
Staci Witt    Special Make-up Effects
Robert Kurtzman    Make up
Brett Pierce    Music Editor
The Newton Brothers*    Score Producer
The Newton Brothers*    Score Producer
Matt Ward    Score Recordist
Ari Nikjeh    Visual Effects Producer
Ken Gorrell    Special Effects Coordinator
Michael Schorr    Special Effects
Keith Harris    Special Effects
Matthew James    Special Effects
Victor Kerkeslager    Special Effects
Chuck Borden    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Weekend Wrap-Up: Ford v Ferrari has no Competition at the Box Office

November 18th, 2019

Ford v Ferrari

Ford v Ferrari had a good opening over the weekend, but unfortunately, it was only good and not great. Furthermore, it was the only film that had a good weekend. The other two new releases crashed and burned, while the holdovers couldn’t compensate for this weakness. The overall box office fell 11% from last weekend to just $108 million, which was 37% lower than the same weekend last year. The year-to-date numbers don’t look any better, as 2019 is now behind 2018’s pace by a margin of 6.5% or $660 million at $9.47 billion to $10.13 billion. Worse still, 2019 has fallen behind 2016’s pace. Things need to turn around and fast. More...

Weekend Estimates: Ford and Ferrari v Top Five

November 17th, 2019

Ford v Ferrari

If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run. More...

Friday Estimates: Ford v Ferrari Laps the Competition

November 16th, 2019

Ford v Ferrari

Ford v Ferrari is going to dominate the weekend chart. In fact, it earned more on Friday than the second place film is expected to earn during the full weekend. The film pulled in $10.94 million during its opening day, putting it on pace for $30 million over the full weekend, which is significantly ahead of our prediction. Its reviews and its A plus from CinemaScore should result in stellar word-of-mouth. It might even do well during Awards Season, although if it does win any Oscars, I think it will be limited to technical categories. More...

Weekend Predictions: Can Ford get the Pole Position on the Angels?

November 14th, 2019

Ford v Ferrari

There are three wide releases coming out this week and at the moment, all three of them have positive reviews. Unfortunately, that’s the end of the good news. Ford v Ferrari is the best new release of the week and should have no trouble earning first place on the box office. On the other hand, the film cost nearly $100 million to make, so it will likely struggle to break even any time soon. Charlie’s Angels cost half as much to make, but it is also on track to open with about half as much. The Good Liar is the smallest of the three new films and, with a more mature target audience, it is unlikely to have a big opening. Worse still, it is likely all three new releases this week will earn less than Fantastic Beasts: The Crimes of Grindelwald opened with this weekend last year. 2019 is going to take another beating in the year-over-year competition and it might even be worse than last weekend was. More...

Weekend Wrap-Up: The Box Office is in a Deep Sleep

November 12th, 2019

Midway

It was a weekend to forget with the four new releases earning significantly less than The Grinch opened with last year. Still, the four new releases took the to four spots, meaning there were no powerful holdovers to make up the difference. Midway was the best of the bunch, while Playing with Fire was the biggest positive surprise. Unfortunately, Doctor Sleep missed expectations by a larger margin than those two films beat our predictions, so the good news was drowned out by the bad. Overall, the box office was 5.9% higher than last weekend at $121 million. This is not a reason to celebrate, as last weekend was arguably Halloween weekend, which is one of the worst weekends of the year. More importantly, the weekend was behind the same weekend last year by 28%. 2019 is now behind 2018’s pace by 5.9% or $580 million at $9.32 billion to $9.90 billion. However, and this is important, as bad as 2019 has been doing, we are still ahead of 2017’s pace, both in terms of raw dollars and ticket sales, so there’s no need to panic. While we would prefer to set records every year, being the second best year at the box office is still worth celebrating. More...

Weekend Estimates: Midway Overcomes the Odds to Come out on Top

November 10th, 2019

Midway

Midway wasn’t supposed to be a major hit, and it won’t be, but, sadly for all the other new films, it is opening in first place at the box office. In fact, its weekend estimate is $17.49 million, which is less than 10% above our prediction, but it was able to earn first place with relative ease. The film only managed mixed reviews, but it did earn an A-rating from CinemaScore. Additionally, there are holidays coming up, so it could have surprisingly long legs. The film also opened in China with $4.48 million. It’s hard to use this result as a guide for other markets, as there haven’t been enough American-centric war movies released in China to compare against. More...

Friday Estimates: Midway is the High Point of the Weekend

November 9th, 2019

Midway

Midway made a surprisingly strong debut to earn first place on Friday with an estimated $6.34 million. Its reviews have improved and are currently 40% positive. Granted, this isn’t great, or even merely good, but it is also not so bad that it will be a major drag at the box office. Furthermore, the film scored a solid A-rating from CinemaScore, indicating its target audience loved the movie, especially compared to critics. Add in a more mature target audience and the film should have solid legs, helping it earn close to $18 million during its opening weekend. Granted, the film cost $50 million to make, so it will still need help internationally and on the home market to break even after a start like this, but this is still much better than most people were expecting. More...

Thursday Previews: Doctor Sleep Hits the Snooze Alarm

November 8th, 2019

Doctor Sleep

It looks like it could be a slow weekend at the box office. Doctor Sleep only managed $1.5 million during its previews, which is lower than anticipated. There are some reasons to be optimistic. Firstly, it does have the best reviews of the four new releases and this is technically a long weekend, as Veteran's Day is on Monday. On the other hand, I was expecting closer to $2 million during its previews. More...

Can Doctor Sleep Wake Up the Box Office?

November 7th, 2019

Doctor Sleep

It is not a banner week for stellar new releases. Doctor Sleep is earning good reviews, but not great reviews. Sadly, it is award-worthy compared to most of the other new releases. Last Christmas is earning mixed reviews, but that’s to be expected for a romantic comedy. The less said about Midway or Playing with Fire’s reviews, the better. This weekend last year, The Grinch opened with $67 million, which is likely more than all four new films will open with this year. In fact, last year’s number two film, Bohemian Rhapsody, will likely earn more than any one film will earn this year. 2019 is going to take a beating in the year-over-year competition. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Doctor Sleep Trailer

September 27th, 2019

Supernatural horror movie starring Ewan McGregor opens November 8 ... Full Movie Details.

Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the “shine.” Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra’s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 8, 2019 2 $14,114,124   3,855 $3,661   $14,114,124 1
Nov 15, 2019 6 $6,006,949 -57% 3,855 $1,558   $24,865,108 2
Nov 22, 2019 13 $1,834,377 -69% 1,476 $1,243   $28,751,119 3
Nov 29, 2019 17 $900,991 -51% 877 $1,027   $30,561,106 4
Dec 6, 2019 22 $334,545 -63% 530 $631   $31,190,193 5
Dec 13, 2019 28 $81,067 -76% 188 $431   $31,414,419 6
Dec 20, 2019 34 $26,202 -68% 101 $259   $31,488,764 7
Dec 27, 2019 41 $24,346 -7% 63 $386   $31,534,136 8
Jan 3, 2020 44 $17,536 -28% 63 $278   $31,574,437 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 7, 2019 P $1,500,000     0     $1,500,000  
Nov 8, 2019 2 $5,221,203     3,855 $1,354   $5,221,203 1
Nov 9, 2019 3 $5,202,396 n/c   3,855 $1,350   $10,423,599 2
Nov 10, 2019 3 $3,690,525 -29%   3,855 $957   $14,114,124 3
Nov 11, 2019 3 $1,624,083 -56%   3,855 $421   $15,738,207 4
Nov 12, 2019 2 $1,457,633 -10%   3,855 $378   $17,195,840 5
Nov 13, 2019 2 $876,732 -40%   3,855 $227   $18,072,572 6
Nov 14, 2019 3 $785,587 -10%   3,855 $204   $18,858,159 7
Nov 15, 2019 6 $1,675,948 +113% -68% 3,855 $435   $20,534,107 8
Nov 16, 2019 6 $2,710,913 +62% -48% 3,855 $703   $23,245,020 9
Nov 17, 2019 6 $1,620,088 -40% -56% 3,855 $420   $24,865,108 10
Nov 18, 2019 5 $482,088 -70% -70% 3,855 $125   $25,347,196 11
Nov 19, 2019 6 $749,842 +56% -49% 3,855 $195   $26,097,038 12
Nov 20, 2019 6 $484,723 -35% -45% 3,855 $126   $26,581,761 13
Nov 21, 2019 8 $334,981 -31% -57% 3,855 $87   $26,916,742 14
Nov 22, 2019 12 $525,120 +57% -69% 1,476 $356   $27,441,862 15
Nov 23, 2019 13 $781,745 +49% -71% 1,476 $530   $28,223,607 16
Nov 24, 2019 13 $527,512 -33% -67% 1,476 $357   $28,751,119 17
Nov 25, 2019 13 $249,641 -53% -48% 1,476 $169   $29,000,760 18
Nov 26, 2019 13 $293,785 +18% -61% 1,476 $199   $29,294,545 19
Nov 27, 2019 - $198,734 -32% -59% 1,003 $198   $29,493,279 20
Nov 28, 2019 - $166,836 -16% -50% 1,003 $166   $29,660,115 21
Nov 29, 2019 - $337,533 +102% -36% 877 $385   $29,997,648 22
Nov 30, 2019 - $376,556 +12% -52% 877 $429   $30,374,204 23
Dec 1, 2019 - $186,902 -50% -65% 877 $213   $30,561,106 24
Dec 2, 2019 - $67,138 -64% -73% 877 $77   $30,628,244 25
Dec 3, 2019 - $94,936 +41% -68% 877 $108   $30,723,180 26
Dec 4, 2019 - $72,836 -23% -63% 877 $83   $30,796,016 27
Dec 5, 2019 - $59,632 -18% -64% 877 $68   $30,855,648 28
Dec 6, 2019 - $99,766 +67% -70% 530 $188   $30,955,414 29
Dec 7, 2019 - $149,628 +50% -60% 530 $282   $31,105,042 30
Dec 8, 2019 - $85,151 -43% -54% 530 $161   $31,190,193 31
Dec 9, 2019 - $37,241 -56% -45% 530 $70   $31,227,434 32
Dec 10, 2019 - $46,689 +25% -51% 530 $88   $31,274,123 33
Dec 11, 2019 - $35,466 -24% -51% 530 $67   $31,309,589 34
Dec 12, 2019 - $23,763 -33% -60% 530 $45   $31,333,352 35
Dec 13, 2019 - $24,169 +2% -76% 188 $129   $31,357,521 36
Dec 14, 2019 - $34,731 +44% -77% 188 $185   $31,392,252 37
Dec 15, 2019 - $22,167 -36% -74% 188 $118   $31,414,419 38
Dec 16, 2019 - $12,634 -43% -66% 188 $67   $31,427,053 39
Dec 17, 2019 - $16,128 +28% -65% 188 $86   $31,443,181 40
Dec 18, 2019 - $13,607 -16% -62% 188 $72   $31,456,788 41
Dec 19, 2019 - $5,774 -58% -76% 188 $31   $31,462,562 42
Dec 20, 2019 - $6,834 +18% -72% 101 $68   $31,469,396 43
Dec 21, 2019 - $10,347 +51% -70% 101 $102   $31,479,743 44
Dec 22, 2019 - $9,021 -13% -59% 101 $89   $31,488,764 45
Dec 23, 2019 - $6,049 -33% -52% 101 $60   $31,494,813 46
Dec 24, 2019 - $3,291 -46% -80% 101 $33   $31,498,104 47
Dec 25, 2019 - $5,684 +73% -58% 63 $90   $31,503,788 48
Dec 26, 2019 - $6,002 +6% +4% 63 $95   $31,509,790 49
Dec 27, 2019 - $7,785 +30% +14% 63 $124   $31,517,575 50
Dec 28, 2019 - $9,451 +21% -9% 63 $150   $31,527,026 51
Dec 29, 2019 - $7,110 -25% -21% 63 $113   $31,534,136 52
Dec 30, 2019 - $5,267 -26% -13% 63 $84   $31,539,403 53
Dec 31, 2019 - $3,694 -30% +12% 63 $59   $31,543,097 54
Jan 1, 2020 - $8,496 +130% +49% 63 $135   $31,551,593 55
Jan 2, 2020 - $5,308 -38% -12% 63 $84   $31,556,901 56
Jan 3, 2020 - $5,648 +6% -27% 63 $90   $31,562,549 57
Jan 4, 2020 - $7,210 +28% -24% 63 $114   $31,569,759 58
Jan 5, 2020 - $4,678 -35% -34% 63 $74   $31,574,437 59
Jan 6, 2020 - $1,690 -64% -68% 63 $27   $31,576,127 60
Jan 7, 2020 - $1,912 +13% -48% 63 $30   $31,578,039 61
Jan 8, 2020 - $1,892 -1% -78% 63 $30   $31,579,931 62
Jan 9, 2020 - $1,781 -6% -66% 63 $28   $31,581,712 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 8, 2019 2 $18,858,159   3,855 $4,892   $18,858,159 1
Nov 15, 2019 7 $8,058,583 -57% 3,855 $2,090   $26,916,742 2
Nov 22, 2019 15 $2,743,373 -66% 1,003 $2,735   $29,660,115 3
Nov 29, 2019 17 $1,195,533 -56% 877 $1,363   $30,855,648 4
Dec 6, 2019 22 $477,704 -60% 530 $901   $31,333,352 5
Dec 13, 2019 29 $129,210 -73% 188 $687   $31,462,562 6
Dec 20, 2019 41 $47,228 -63% 63 $750   $31,509,790 7
Dec 27, 2019 41 $47,111 n/c 63 $748   $31,556,901 8
Jan 3, 2020 45 $24,811 -47% 63 $394   $31,581,712 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/8/2019 $103,721 240 240 454 $292,665 1/20/2020
Australia 11/8/2019 $552,173 345 345 1,020 $1,212,965 10/16/2023
Brazil 11/8/2019 $577,000 675 675 1,139 $1,210,000 1/7/2020
Bulgaria 11/8/2019 $28,971 0 0 0 $94,788 12/11/2019
Czech Republic 11/15/2019 $71,093 103 103 213 $185,310 10/19/2022
France 11/1/2019 $991,000 381 381 1,170 $2,040,000 1/7/2020
Germany 11/22/2019 $485,000 430 430 791 $1,180,000 1/7/2020
Hong Kong 11/8/2019 $272,227 0 0 0 $272,227 11/17/2019
Indonesia 11/6/2019 $0 0 0 0 $1,080,000 1/7/2020
Italy 10/31/2019 $1,249,597 0 54 54 $2,010,000 1/7/2020
Japan 11/29/2019 $1,190,000 335 335 668 $3,400,000 1/7/2020
Lithuania 11/8/2019 $29,959 14 14 37 $89,710 10/19/2022
Mexico 11/8/2019 $1,428,721 0 1,058 1,656 $3,700,000 10/19/2022
Netherlands 11/8/2019 $189,075 91 91 251 $468,131 10/19/2022
New Zealand 11/7/2019 $74,905 65 65 333 $192,662 10/19/2022
Portugal 11/1/2019 $89,030 79 79 198 $178,971 10/19/2022
Romania 11/22/2019 $62,162 69 69 176 $152,822 1/8/2020
Russia (CIS) 11/8/2019 $2,040,126 1,602 1,607 5,163 $4,400,000 10/19/2022
Slovakia 11/8/2019 $39,241 70 70 101 $77,686 10/19/2022
Slovenia 11/8/2019 $8,006 24 24 55 $30,796 12/9/2019
South Korea 11/8/2019 $282,126 484 484 515 $459,997 11/27/2019
Spain 11/1/2019 $63,702 385 385 1,084 $1,700,000 1/7/2020
Taiwan 11/8/2019 $0 0 0 0 $966,000 1/7/2020
Turkey 11/22/2019 $84,709 199 199 301 $162,268 10/19/2022
United Kingdom 11/1/2019 $1,891,535 609 609 1,492 $4,200,000 1/7/2020
 
Rest of World $10,382,128
 
International Total$40,139,126 10/16/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 9, 2020260,008 60,008$1,077,744$1,077,7441
Feb 16, 2020438,386-36% 98,394$689,029$1,766,7732
Feb 23, 20201017,406-55% 115,800$311,219$2,077,9923
Mar 1, 20202710,972-37% 126,772$188,499$2,266,4914
Mar 8, 20202811,230+2% 138,002$141,610$2,408,1015
Apr 19, 20202410,873 175,266$112,970$2,909,56511

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 9, 20201140,171 140,171$2,875,245$2,875,2451
Feb 16, 2020355,115-61% 195,286$1,175,269$4,050,5142
Feb 23, 2020920,183-63% 215,469$409,370$4,459,8843
Mar 1, 20201811,340-44% 226,809$228,093$4,687,9774
Mar 8, 2020718,753+65% 245,562$302,728$4,990,7055
Mar 15, 20201710,389-45% 255,951$205,763$5,196,4686
Apr 12, 2020206,451 274,475$114,752$5,534,21010
Nov 8, 20201811,133 350,289$172,784$6,622,59040
Nov 29, 20201244,068 408,707$723,156$7,566,61743

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
May 8, 202261 5
May 9, 202262 10
May 10, 202233 18
May 11, 202254 24
May 12, 202275 28

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.