La Dolce Vita (1961)

La Dolce Vita
Theatrical Performance
Domestic Box Office $19,500,000Details
International Box Office $170,304Details
Worldwide Box Office $19,670,304
Domestic Physical Disc Sales
Blu-ray Sales (estimated) $930,205
Total $930,205
OpusData ID: 25740100 More info...
Further financial details...

Metrics

Domestic Share:99.1% (domestic box office/worldwide)

Movie Details

Domestic Releases: April 19th, 1961 (Wide)
International Releases: May 7th, 1970 (Wide), released as A Doce Vida (Portugal)
December 30th, 2004 (Wide) (New Zealand)
December 20th, 2019 (Wide) (Argentina)
January 3rd, 2020 (Limited), released as La Dolce Vita (4K Restoration) (United Kingdom)
March 5th, 2020 (Wide), released as СЛАДКАЯ ЖИЗНЬ (Russia (CIS))
... Show all releases
Video Release: October 21st, 2014 by Criterion, released as Dolce Vita, La
MPA Rating: Not Rated
Running Time: 174 minutes
Cast, crew, or production detail: Ensemble, Epilogue, Prologue, Segments
Plot point: Drug Overdose, Relationships Gone Wrong, Religious, Romance
Subgenre: Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Italy
Languages: Italian

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/20/2019 $5,500 0 2 6 $34,764 3/19/2020
Australia 1/22/2021 $615 1 1 1 $615 2/1/2021
New Zealand 12/30/2004 $0 0 1 1 $316 10/19/2022
Portugal 5/7/1970 $0 0 1 16 $10,050 7/28/2026
Russia (CIS) 3/5/2020 $27,433 87 87 176 $2,320 4/4/2026
United Kingdom 1/3/2020 $40,505 12 12 12 $40,505 4/4/2026
  
Rest of World $81,734
  
International Total $170,304 7/28/2026

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Anita Ekberg    Sylvia
Anouk Aimee    Maddalena
Marcello Mastroianni    Marcello Rubini

Production and Technical Credits

Federico Fellini    Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Domestic Share:99.1% (domestic box office/worldwide)

Movie Details

Domestic Releases: April 19th, 1961 (Wide)
International Releases: May 7th, 1970 (Wide), released as A Doce Vida (Portugal)
December 30th, 2004 (Wide) (New Zealand)
December 20th, 2019 (Wide) (Argentina)
January 3rd, 2020 (Limited), released as La Dolce Vita (4K Restoration) (United Kingdom)
March 5th, 2020 (Wide), released as СЛАДКАЯ ЖИЗНЬ (Russia (CIS))
... Show all releases
Video Release: October 21st, 2014 by Criterion, released as Dolce Vita, La
MPA Rating: Not Rated
Running Time: 174 minutes
Cast, crew, or production detail: Ensemble, Epilogue, Prologue, Segments
Plot point: Drug Overdose, Relationships Gone Wrong, Religious, Romance
Subgenre: Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Italy
Languages: Italian

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/20/2019 $5,500 0 2 6 $34,764 3/19/2020
Australia 1/22/2021 $615 1 1 1 $615 2/1/2021
New Zealand 12/30/2004 $0 0 1 1 $316 10/19/2022
Portugal 5/7/1970 $0 0 1 16 $10,050 7/28/2026
Russia (CIS) 3/5/2020 $27,433 87 87 176 $2,320 4/4/2026
United Kingdom 1/3/2020 $40,505 12 12 12 $40,505 4/4/2026
  
Rest of World $81,734
  
International Total $170,304 7/28/2026

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Anita Ekberg    Sylvia
Anouk Aimee    Maddalena
Marcello Mastroianni    Marcello Rubini

Production and Technical Credits

Federico Fellini    Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.