Domangchin yeoja (2020)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $143,714 | Details |
| Worldwide Box Office | $143,714 | |
| OpusData ID: 475070100 More info... | ||
| Further financial details... | ||
Synopsis
Gamhee has three separate encounters with friends while her husband is on a business trip. Youngsoon is divorced, has given up meat and likes to garden in her backyard. Suyoung has a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin works for a movie theater. Their meeting is polite, but strained. Before long, their shared history bubbles to the surface. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. The Woman Who Ran is a subtle, powerful look at dramas small and large faced by women everywhere.
Metrics
Movie Details
| Domestic Releases: | July 9th, 2021 (Limited) by Cinema Guild, released as The Woman Who Ran |
| International Releases: | September 17th, 2020 (Wide) (South Korea)
October 22nd, 2020 (Wide), released as Woman Who Ran (New Zealand) November 5th, 2020 (Wide) (Australia) November 6th, 2020 (Wide), released as Женщина, которая убежала (Russia (CIS)) January 8th, 2021 (Wide), released as A Mulher que Fugiu (Portugal) ... Show all releases |
| Running Time: | 77 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/5/2020 | $400 | 3 | 3 | 5 | $3,695 | 11/25/2020 | |||
| New Zealand | 10/22/2020 | $222 | 1 | 1 | 3 | $541 | 10/19/2022 | |||
| Portugal | 1/8/2021 | $1,239 | 3 | 3 | 6 | $4,448 | 6/29/2021 | |||
| Russia (CIS) | 11/6/2020 | $8,691 | 85 | 85 | 122 | $22,402 | 10/19/2022 | |||
| South Korea | 9/17/2020 | $22,138 | 143 | 143 | 223 | $71,611 | 10/21/2020 | |||
| Spain | 7/16/2021 | $11,959 | 26 | 26 | 65 | $41,017 | 8/6/2021 | |||
| International Total | $143,714 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Sang-soo Hong | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Gamhee has three separate encounters with friends while her husband is on a business trip. Youngsoon is divorced, has given up meat and likes to garden in her backyard. Suyoung has a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin works for a movie theater. Their meeting is polite, but strained. Before long, their shared history bubbles to the surface. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. The Woman Who Ran is a subtle, powerful look at dramas small and large faced by women everywhere.
Metrics
Movie Details
| Domestic Releases: | July 9th, 2021 (Limited) by Cinema Guild, released as The Woman Who Ran |
| International Releases: | September 17th, 2020 (Wide) (South Korea)
October 22nd, 2020 (Wide), released as Woman Who Ran (New Zealand) November 5th, 2020 (Wide) (Australia) November 6th, 2020 (Wide), released as Женщина, которая убежала (Russia (CIS)) January 8th, 2021 (Wide), released as A Mulher que Fugiu (Portugal) ... Show all releases |
| Running Time: | 77 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/5/2020 | $400 | 3 | 3 | 5 | $3,695 | 11/25/2020 | |||
| New Zealand | 10/22/2020 | $222 | 1 | 1 | 3 | $541 | 10/19/2022 | |||
| Portugal | 1/8/2021 | $1,239 | 3 | 3 | 6 | $4,448 | 6/29/2021 | |||
| Russia (CIS) | 11/6/2020 | $8,691 | 85 | 85 | 122 | $22,402 | 10/19/2022 | |||
| South Korea | 9/17/2020 | $22,138 | 143 | 143 | 223 | $71,611 | 10/21/2020 | |||
| Spain | 7/16/2021 | $11,959 | 26 | 26 | 65 | $41,017 | 8/6/2021 | |||
| International Total | $143,714 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Sang-soo Hong | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.