Don (2019)
(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $155,732 | Details |
| International Box Office | $24,789,490 | Details |
| Worldwide Box Office | $24,945,222 | |
| OpusData ID: 402120100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 7.99 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $203,332 |
Movie Details
| Domestic Releases: | March 21st, 2019 (Limited) by CJ Entertainment, released as Money |
| International Releases: | March 20th, 2019 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Plot point: | Crime, White Collar Crime |
| Social setting: | Wall Street |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 45 | $19,503 | 7 | $2,786 | $118,062 | 3 | |
| Apr 12, 2019 | 58 | $8,737 | -55% | 3 | $2,912 | $137,860 | 4 |
| Apr 19, 2019 | 68 | $8,282 | -5% | 2 | $4,141 | $151,216 | 5 |
| Apr 26, 2019 | 100 | $143 | -98% | 1 | $143 | $155,024 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2019 | 52 | $37,343 | 2 | $18,672 | $37,343 | 2 | |
| Mar 29, 2019 | 38 | $61,216 | +64% | 11 | $5,565 | $98,559 | 3 |
| Apr 5, 2019 | 45 | $30,564 | -50% | 7 | $4,366 | $129,123 | 4 |
| Apr 12, 2019 | 62 | $13,811 | -55% | 3 | $4,604 | $142,934 | 5 |
| Apr 19, 2019 | 69 | $11,947 | -13% | 2 | $5,974 | $154,881 | 6 |
| Apr 26, 2019 | 97 | $851 | -93% | 2 | $426 | $155,732 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 3/20/2019 | $8,832,329 | 1,431 | 1,431 | 4,322 | $24,789,490 | 5/2/2019 | |||
| International Total | $24,789,490 | 5/2/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ryu Jun-yeol | Jo Il-hyun |
Production and Technical Credits
| Park Noo-ri | Director | |
| Park Noo-ri | Screenwriter | |
| Nam Jin-hyun | Producer | |
| Park Min-jeong | Producer | |
| Han Jae-duk | Executive Producer | |
| Hwang Sun-il | Executive Producer | |
| Kim Do-su | Executive Producer | |
| Son Sang-bum | Executive Producer | |
| Yoon Jong-bin | Executive Producer | |
| Hong Jae-sik | Cinematographer | |
| Kim Jae-beom | Editor | |
| Kim Sang-bum | Editor | |
| Hwang Sang-jun | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Legs: | 7.99 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $203,332 |
Movie Details
| Domestic Releases: | March 21st, 2019 (Limited) by CJ Entertainment, released as Money |
| International Releases: | March 20th, 2019 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Plot point: | Crime, White Collar Crime |
| Social setting: | Wall Street |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 45 | $19,503 | 7 | $2,786 | $118,062 | 3 | |
| Apr 12, 2019 | 58 | $8,737 | -55% | 3 | $2,912 | $137,860 | 4 |
| Apr 19, 2019 | 68 | $8,282 | -5% | 2 | $4,141 | $151,216 | 5 |
| Apr 26, 2019 | 100 | $143 | -98% | 1 | $143 | $155,024 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2019 | 52 | $37,343 | 2 | $18,672 | $37,343 | 2 | |
| Mar 29, 2019 | 38 | $61,216 | +64% | 11 | $5,565 | $98,559 | 3 |
| Apr 5, 2019 | 45 | $30,564 | -50% | 7 | $4,366 | $129,123 | 4 |
| Apr 12, 2019 | 62 | $13,811 | -55% | 3 | $4,604 | $142,934 | 5 |
| Apr 19, 2019 | 69 | $11,947 | -13% | 2 | $5,974 | $154,881 | 6 |
| Apr 26, 2019 | 97 | $851 | -93% | 2 | $426 | $155,732 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 3/20/2019 | $8,832,329 | 1,431 | 1,431 | 4,322 | $24,789,490 | 5/2/2019 | |||
| International Total | $24,789,490 | 5/2/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ryu Jun-yeol | Jo Il-hyun |
Production and Technical Credits
| Park Noo-ri | Director | |
| Park Noo-ri | Screenwriter | |
| Nam Jin-hyun | Producer | |
| Park Min-jeong | Producer | |
| Han Jae-duk | Executive Producer | |
| Hwang Sun-il | Executive Producer | |
| Kim Do-su | Executive Producer | |
| Son Sang-bum | Executive Producer | |
| Yoon Jong-bin | Executive Producer | |
| Hong Jae-sik | Cinematographer | |
| Kim Jae-beom | Editor | |
| Kim Sang-bum | Editor | |
| Hwang Sang-jun | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.