Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996)
| Theatrical Performance | ||
| Domestic Box Office | $19,674,813 | Details |
| OpusData ID: 25590100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $9,632,409 (49.0% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,010 opening theaters/1,010 max. theaters, 4.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $50,344,373 |
Movie Details
| Domestic Releases: | January 12th, 1996 (Wide) by Miramax |
| Video Release: | November 25th, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong language, sexuality, some drug content and violence. |
| Running Time: | 89 minutes |
| Plot point: | African Americans, Spoof |
| Social setting: | Hood Film |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 1996 | 2 | $9,632,409 | 1,010 | $9,537 | $9,632,409 | 1 | |
| Jan 19, 1996 | 9 | $3,609,663 | -63% | 1,010 | $3,574 | $14,134,412 | 2 |
| Jan 26, 1996 | 13 | $1,840,525 | -49% | 1,010 | $1,822 | $16,644,162 | 3 |
| Feb 2, 1996 | 21 | $767,320 | -58% | 600 | $1,279 | $17,759,755 | 4 |
| Feb 9, 1996 | 23 | $520,133 | -32% | 450 | $1,156 | $18,472,384 | 5 |
| Feb 16, 1996 | 33 | $337,789 | -35% | 256 | $1,319 | $18,967,960 | 6 |
| Feb 23, 1996 | 41 | $141,265 | -58% | 151 | $936 | $19,185,966 | 7 |
| Mar 1, 1996 | 39 | $131,031 | -7% | 128 | $1,024 | $19,352,890 | 8 |
| Mar 8, 1996 | 50 | $63,147 | -52% | 107 | $590 | $19,450,642 | 9 |
| Mar 15, 1996 | 48 | $55,916 | -11% | 83 | $674 | $19,527,563 | 10 |
| Mar 29, 1996 | 45 | $78,762 | 136 | $579 | $19,674,813 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 1996 | 2 | $10,524,749 | 1,010 | $10,421 | $10,524,749 | 1 | |
| Jan 19, 1996 | 10 | $4,278,888 | -59% | 1,010 | $4,237 | $14,803,637 | 2 |
| Jan 26, 1996 | 17 | $2,188,798 | -49% | 1,010 | $2,167 | $16,992,435 | 3 |
| Feb 2, 1996 | 23 | $959,816 | -56% | 600 | $1,600 | $17,952,251 | 4 |
| Feb 9, 1996 | 25 | $677,920 | -29% | 450 | $1,506 | $18,630,171 | 5 |
| Feb 16, 1996 | 33 | $414,530 | -39% | 256 | $1,619 | $19,044,701 | 6 |
| Feb 23, 1996 | 38 | $177,158 | -57% | 151 | $1,173 | $19,221,859 | 7 |
| Mar 1, 1996 | 39 | $165,636 | -7% | 128 | $1,294 | $19,387,495 | 8 |
| Mar 8, 1996 | 42 | $84,152 | -49% | 107 | $786 | $19,471,647 | 9 |
Supporting
| Keenen Ivory Wayans | Mailman | |
| Omar Epps | Molik | |
| Vivica Fox | Ashtray's Mother |
Leading
| Marlon Wayans | Loc Dog | |
| Shawn Wayans | Ashtray |
Supporting
| Damon Wayans | Baby | |
| Bernie Mac | Officer Self Hatred | |
| RZA | ||
| Method Man |
Production and Technical Credits
| Paris Barclay | Director | |
| Shawn Wayans | Screenwriter | |
| Marlon Wayans | Screenwriter | |
| Phil Beauman | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $9,632,409 (49.0% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,010 opening theaters/1,010 max. theaters, 4.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $50,344,373 |
Movie Details
| Domestic Releases: | January 12th, 1996 (Wide) by Miramax |
| Video Release: | November 25th, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong language, sexuality, some drug content and violence. |
| Running Time: | 89 minutes |
| Plot point: | African Americans, Spoof |
| Social setting: | Hood Film |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 1996 | 2 | $9,632,409 | 1,010 | $9,537 | $9,632,409 | 1 | |
| Jan 19, 1996 | 9 | $3,609,663 | -63% | 1,010 | $3,574 | $14,134,412 | 2 |
| Jan 26, 1996 | 13 | $1,840,525 | -49% | 1,010 | $1,822 | $16,644,162 | 3 |
| Feb 2, 1996 | 21 | $767,320 | -58% | 600 | $1,279 | $17,759,755 | 4 |
| Feb 9, 1996 | 23 | $520,133 | -32% | 450 | $1,156 | $18,472,384 | 5 |
| Feb 16, 1996 | 33 | $337,789 | -35% | 256 | $1,319 | $18,967,960 | 6 |
| Feb 23, 1996 | 41 | $141,265 | -58% | 151 | $936 | $19,185,966 | 7 |
| Mar 1, 1996 | 39 | $131,031 | -7% | 128 | $1,024 | $19,352,890 | 8 |
| Mar 8, 1996 | 50 | $63,147 | -52% | 107 | $590 | $19,450,642 | 9 |
| Mar 15, 1996 | 48 | $55,916 | -11% | 83 | $674 | $19,527,563 | 10 |
| Mar 29, 1996 | 45 | $78,762 | 136 | $579 | $19,674,813 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 1996 | 2 | $10,524,749 | 1,010 | $10,421 | $10,524,749 | 1 | |
| Jan 19, 1996 | 10 | $4,278,888 | -59% | 1,010 | $4,237 | $14,803,637 | 2 |
| Jan 26, 1996 | 17 | $2,188,798 | -49% | 1,010 | $2,167 | $16,992,435 | 3 |
| Feb 2, 1996 | 23 | $959,816 | -56% | 600 | $1,600 | $17,952,251 | 4 |
| Feb 9, 1996 | 25 | $677,920 | -29% | 450 | $1,506 | $18,630,171 | 5 |
| Feb 16, 1996 | 33 | $414,530 | -39% | 256 | $1,619 | $19,044,701 | 6 |
| Feb 23, 1996 | 38 | $177,158 | -57% | 151 | $1,173 | $19,221,859 | 7 |
| Mar 1, 1996 | 39 | $165,636 | -7% | 128 | $1,294 | $19,387,495 | 8 |
| Mar 8, 1996 | 42 | $84,152 | -49% | 107 | $786 | $19,471,647 | 9 |
Supporting
| Keenen Ivory Wayans | Mailman | |
| Omar Epps | Molik | |
| Vivica Fox | Ashtray's Mother |
Leading
| Marlon Wayans | Loc Dog | |
| Shawn Wayans | Ashtray |
Supporting
| Damon Wayans | Baby | |
| Bernie Mac | Officer Self Hatred | |
| RZA | ||
| Method Man |
Production and Technical Credits
| Paris Barclay | Director | |
| Shawn Wayans | Screenwriter | |
| Marlon Wayans | Screenwriter | |
| Phil Beauman | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.