Don’t Look Up (2021)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,172,913 | Details |
| Worldwide Box Office | $1,172,913 | |
| OpusData ID: 460270100 More info... | ||
| Further financial details... | ||
Synopsis
Two low-level astronomers must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth.
Metrics
| Production Budget: | $75,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | December 10th, 2021 (Limited) by Netflix |
| International Releases: | December 8th, 2021 (Wide), released as Não Olhem Para Cima (Portugal)
December 8th, 2021 (Limited), released as 돈 룩 업 (South Korea) December 9th, 2021 (Limited) (Netherlands) |
| Video Release: | December 24th, 2021 by Netflix December 24th, 2021 by Netflix UK |
| MPA Rating: | R for language throughout, some sexual content, graphic nudity and drug content. (Rating bulletin 2699 (cert #53308), 9/22/2021) |
| Running Time: | 145 minutes |
| Award nomination: | 2022 Oscars Best Picture Nominee |
| Award win: | Writers Guild of America Best Original Screenplay Winner |
| Plot point: | Astrophysics |
| Social setting: | End of the World |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hyperobject Industries, Netflix |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 12/9/2021 | $60,647 | 73 | 73 | 73 | $60,647 | 12/14/2021 | |||
| Portugal | 12/8/2021 | $60,474 | 58 | 58 | 150 | $134,547 | 1/25/2022 | |||
| South Korea | 12/8/2021 | $298,802 | 656 | 656 | 926 | $567,664 | 3/9/2022 | |||
| Rest of World | $410,055 | |||||||||
| International Total | $1,172,913 | 3/9/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Leonardo DiCaprio | ||
| Jennifer Lawrence | Kate Dibiasky | |
| Rob Morgan | ||
| Jonah Hill | ||
| Mark Rylance | ||
| Tyler Perry | ||
| Timothée Chalamet | ||
| Ron Perlman | ||
| Ariana Grande | ||
| Kid Cudi | ||
| Cate Blanchett | ||
| Meryl Streep |
Supporting
| Chris Evans | ||
| Matthew Perry | ||
| Himesh Patel | ||
| Tomer Sisley | ||
| Lance Norris | Loyal Supporter |
Production and Technical Credits
| Adam McKay | Director | |
| Adam McKay | Screenwriter | |
| David Sirota | Screenwriter | |
| Jacob Riehle | Dialogue Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two low-level astronomers must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth.
Metrics
| Production Budget: | $75,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | December 10th, 2021 (Limited) by Netflix |
| International Releases: | December 8th, 2021 (Wide), released as Não Olhem Para Cima (Portugal)
December 8th, 2021 (Limited), released as 돈 룩 업 (South Korea) December 9th, 2021 (Limited) (Netherlands) |
| Video Release: | December 24th, 2021 by Netflix December 24th, 2021 by Netflix UK |
| MPA Rating: | R for language throughout, some sexual content, graphic nudity and drug content. (Rating bulletin 2699 (cert #53308), 9/22/2021) |
| Running Time: | 145 minutes |
| Award nomination: | 2022 Oscars Best Picture Nominee |
| Award win: | Writers Guild of America Best Original Screenplay Winner |
| Plot point: | Astrophysics |
| Social setting: | End of the World |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hyperobject Industries, Netflix |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 12/9/2021 | $60,647 | 73 | 73 | 73 | $60,647 | 12/14/2021 | |||
| Portugal | 12/8/2021 | $60,474 | 58 | 58 | 150 | $134,547 | 1/25/2022 | |||
| South Korea | 12/8/2021 | $298,802 | 656 | 656 | 926 | $567,664 | 3/9/2022 | |||
| Rest of World | $410,055 | |||||||||
| International Total | $1,172,913 | 3/9/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Leonardo DiCaprio | ||
| Jennifer Lawrence | Kate Dibiasky | |
| Rob Morgan | ||
| Jonah Hill | ||
| Mark Rylance | ||
| Tyler Perry | ||
| Timothée Chalamet | ||
| Ron Perlman | ||
| Ariana Grande | ||
| Kid Cudi | ||
| Cate Blanchett | ||
| Meryl Streep |
Supporting
| Chris Evans | ||
| Matthew Perry | ||
| Himesh Patel | ||
| Tomer Sisley | ||
| Lance Norris | Loyal Supporter |
Production and Technical Credits
| Adam McKay | Director | |
| Adam McKay | Screenwriter | |
| David Sirota | Screenwriter | |
| Jacob Riehle | Dialogue Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.