Doraibu mai kâ (2021)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $2,352,240 | Details |
| International Box Office | $12,987,016 | |
| Worldwide Box Office | $15,339,256 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $29,887 | |
| Blu-ray Sales (estimated) | $667,032 | |
| Total | $696,919 | |
| Further financial details... | ||
Synopsis
Two years after his wife’s unexpected death, Yusuke Kafuku, a renowned stage actor and director, receives an offer to direct a production of Uncle Vanya at a theater festival in Hiroshima. There, he meets Misaki Watari, a taciturn young woman assigned by the festival to chauffeur him in his beloved red Saab 900. As the production’s premiere approaches, tensions mount amongst the cast and crew, not least between Yusuke and Koji Takatsuki, a handsome TV star who shares an unwelcome connection to Yusuke’s late wife. Forced to confront painful truths raised from his past, Yusuke begins — with the help of his driver – to face the haunting mysteries his wife left behind.
Metrics
| Opening Weekend: | $13,775 (0.6% of total gross) |
| Legs: | 10.97 (domestic box office/biggest weekend) |
| Domestic Share: | 15.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/213 max. theaters, 6.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,663,879 |
Movie Details
| Domestic Releases: | November 24th, 2021 (Limited) by Janus Films, released as Drive My Car |
| International Releases: | August 18th, 2021 (Wide), released as Drive My Car (France)
August 20th, 2021 (Wide), released as Doraibu mai kâ (ドライブ・マイ・カー) (Japan) September 23rd, 2021 (Wide), released as Drive My Car (Italy) November 4th, 2021 (Limited), released as Drive My Car (New Zealand) November 19th, 2021 (Limited), released as Drive My Car (United Kingdom) |
| Video Release: | March 1st, 2022 by Max, released as Drive My Car |
| Running Time: | 179 minutes |
| Award nomination: | 2022 Oscars Best Picture Nominee |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sideshow |
| Production Countries: | Japan |
| Languages: | Japanese, Korean, English, Cantonese, Mandarin, Tagalog, Indonesian, German, Malayalam |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 26, 2021 | - | $13,775 | 2 | $6,888 | $19,195 | 1 | |
| Dec 3, 2021 | - | $27,806 | +102% | 4 | $6,952 | $59,385 | 2 |
| Dec 10, 2021 | - | $59,635 | +114% | 24 | $2,485 | $135,456 | 3 |
| Dec 17, 2021 | - | $43,834 | -26% | 27 | $1,623 | $217,016 | 4 |
| Dec 24, 2021 | - | $21,074 | -52% | 16 | $1,317 | $273,750 | 5 |
| Dec 31, 2021 | - | $25,498 | +21% | 14 | $1,821 | $328,721 | 6 |
| Jan 7, 2022 | - | $42,306 | +66% | 29 | $1,459 | $396,636 | 7 |
| Jan 14, 2022 | - | $76,440 | +81% | 65 | $1,176 | $506,408 | 8 |
| Jan 21, 2022 | - | $93,592 | +22% | 96 | $975 | $646,831 | 9 |
| Jan 28, 2022 | - | $98,052 | +5% | 114 | $860 | $801,574 | 10 |
| Feb 4, 2022 | - | $100,527 | +3% | 115 | $874 | $944,796 | 11 |
| Feb 11, 2022 | - | $189,365 | +88% | 127 | $1,491 | $1,221,988 | 12 |
| Feb 18, 2022 | - | $214,385 | +13% | 213 | $1,007 | $1,534,705 | 13 |
| Feb 25, 2022 | - | $148,227 | -31% | 162 | $915 | $1,837,718 | 14 |
| Mar 4, 2022 | - | $66,223 | -55% | 102 | $649 | $1,952,735 | 15 |
| Mar 11, 2022 | - | $71,557 | +8% | 102 | $702 | $2,047,675 | 16 |
| Mar 18, 2022 | - | $52,026 | -27% | 74 | $703 | $2,120,970 | 17 |
| Mar 25, 2022 | - | $57,047 | +10% | 58 | $984 | $2,232,483 | 18 |
| Apr 15, 2022 | - | $5,606 | 9 | $623 | $2,347,426 | 21 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $50,457 | 127 | $397 | $1,083,080 | 80 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 2021 | - | $5,420 | 2 | $2,710 | $5,420 | 1 | |
| Nov 26, 2021 | - | $26,159 | +383% | 2 | $13,080 | $31,579 | 2 |
| Dec 3, 2021 | - | $44,242 | +69% | 4 | $11,061 | $75,821 | 3 |
| Dec 10, 2021 | - | $97,361 | +120% | 24 | $4,057 | $173,182 | 4 |
| Dec 17, 2021 | - | $79,494 | -18% | 27 | $2,944 | $252,676 | 5 |
| Dec 24, 2021 | - | $50,547 | -36% | 16 | $3,159 | $303,223 | 6 |
| Dec 31, 2021 | - | $51,107 | +1% | 16 | $3,194 | $354,330 | 7 |
| Jan 7, 2022 | - | $75,368 | +47% | 29 | $2,599 | $429,698 | 8 |
| Jan 14, 2022 | - | $123,271 | +64% | 65 | $1,896 | $553,239 | 9 |
| Jan 21, 2022 | - | $150,283 | +22% | 96 | $1,565 | $703,522 | 10 |
| Jan 28, 2022 | - | $140,747 | -6% | 114 | $1,235 | $844,269 | 11 |
| Feb 4, 2022 | - | $188,354 | +34% | 115 | $1,638 | $1,032,623 | 12 |
| Feb 11, 2022 | - | $287,697 | +53% | 127 | $2,265 | $1,320,320 | 13 |
| Feb 18, 2022 | - | $369,171 | +28% | 213 | $1,733 | $1,689,491 | 14 |
| Feb 25, 2022 | - | $197,021 | -47% | 213 | $925 | $1,886,512 | 15 |
| Mar 4, 2022 | - | $89,495 | -55% | 102 | $877 | $1,976,007 | 16 |
| Mar 11, 2022 | - | $92,937 | +4% | 102 | $911 | $2,068,944 | 17 |
| Mar 18, 2022 | - | $106,492 | +15% | 74 | $1,439 | $2,175,436 | 18 |
| Mar 25, 2022 | - | $90,103 | -15% | 58 | $1,554 | $2,265,539 | 19 |
| Apr 1, 2022 | - | $54,394 | -40% | 51 | $1,067 | $2,319,933 | 20 |
| Apr 15, 2022 | - | $10,420 | 9 | $1,158 | $2,352,240 | 22 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two years after his wife’s unexpected death, Yusuke Kafuku, a renowned stage actor and director, receives an offer to direct a production of Uncle Vanya at a theater festival in Hiroshima. There, he meets Misaki Watari, a taciturn young woman assigned by the festival to chauffeur him in his beloved red Saab 900. As the production’s premiere approaches, tensions mount amongst the cast and crew, not least between Yusuke and Koji Takatsuki, a handsome TV star who shares an unwelcome connection to Yusuke’s late wife. Forced to confront painful truths raised from his past, Yusuke begins — with the help of his driver – to face the haunting mysteries his wife left behind.
Metrics
| Opening Weekend: | $13,775 (0.6% of total gross) |
| Legs: | 10.97 (domestic box office/biggest weekend) |
| Domestic Share: | 15.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/213 max. theaters, 6.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,663,879 |
Movie Details
| Domestic Releases: | November 24th, 2021 (Limited) by Janus Films, released as Drive My Car |
| International Releases: | August 18th, 2021 (Wide), released as Drive My Car (France)
August 20th, 2021 (Wide), released as Doraibu mai kâ (ドライブ・マイ・カー) (Japan) September 23rd, 2021 (Wide), released as Drive My Car (Italy) November 4th, 2021 (Limited), released as Drive My Car (New Zealand) November 19th, 2021 (Limited), released as Drive My Car (United Kingdom) |
| Video Release: | March 1st, 2022 by Max, released as Drive My Car |
| Running Time: | 179 minutes |
| Award nomination: | 2022 Oscars Best Picture Nominee |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sideshow |
| Production Countries: | Japan |
| Languages: | Japanese, Korean, English, Cantonese, Mandarin, Tagalog, Indonesian, German, Malayalam |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 26, 2021 | - | $13,775 | 2 | $6,888 | $19,195 | 1 | |
| Dec 3, 2021 | - | $27,806 | +102% | 4 | $6,952 | $59,385 | 2 |
| Dec 10, 2021 | - | $59,635 | +114% | 24 | $2,485 | $135,456 | 3 |
| Dec 17, 2021 | - | $43,834 | -26% | 27 | $1,623 | $217,016 | 4 |
| Dec 24, 2021 | - | $21,074 | -52% | 16 | $1,317 | $273,750 | 5 |
| Dec 31, 2021 | - | $25,498 | +21% | 14 | $1,821 | $328,721 | 6 |
| Jan 7, 2022 | - | $42,306 | +66% | 29 | $1,459 | $396,636 | 7 |
| Jan 14, 2022 | - | $76,440 | +81% | 65 | $1,176 | $506,408 | 8 |
| Jan 21, 2022 | - | $93,592 | +22% | 96 | $975 | $646,831 | 9 |
| Jan 28, 2022 | - | $98,052 | +5% | 114 | $860 | $801,574 | 10 |
| Feb 4, 2022 | - | $100,527 | +3% | 115 | $874 | $944,796 | 11 |
| Feb 11, 2022 | - | $189,365 | +88% | 127 | $1,491 | $1,221,988 | 12 |
| Feb 18, 2022 | - | $214,385 | +13% | 213 | $1,007 | $1,534,705 | 13 |
| Feb 25, 2022 | - | $148,227 | -31% | 162 | $915 | $1,837,718 | 14 |
| Mar 4, 2022 | - | $66,223 | -55% | 102 | $649 | $1,952,735 | 15 |
| Mar 11, 2022 | - | $71,557 | +8% | 102 | $702 | $2,047,675 | 16 |
| Mar 18, 2022 | - | $52,026 | -27% | 74 | $703 | $2,120,970 | 17 |
| Mar 25, 2022 | - | $57,047 | +10% | 58 | $984 | $2,232,483 | 18 |
| Apr 15, 2022 | - | $5,606 | 9 | $623 | $2,347,426 | 21 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $50,457 | 127 | $397 | $1,083,080 | 80 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 2021 | - | $5,420 | 2 | $2,710 | $5,420 | 1 | |
| Nov 26, 2021 | - | $26,159 | +383% | 2 | $13,080 | $31,579 | 2 |
| Dec 3, 2021 | - | $44,242 | +69% | 4 | $11,061 | $75,821 | 3 |
| Dec 10, 2021 | - | $97,361 | +120% | 24 | $4,057 | $173,182 | 4 |
| Dec 17, 2021 | - | $79,494 | -18% | 27 | $2,944 | $252,676 | 5 |
| Dec 24, 2021 | - | $50,547 | -36% | 16 | $3,159 | $303,223 | 6 |
| Dec 31, 2021 | - | $51,107 | +1% | 16 | $3,194 | $354,330 | 7 |
| Jan 7, 2022 | - | $75,368 | +47% | 29 | $2,599 | $429,698 | 8 |
| Jan 14, 2022 | - | $123,271 | +64% | 65 | $1,896 | $553,239 | 9 |
| Jan 21, 2022 | - | $150,283 | +22% | 96 | $1,565 | $703,522 | 10 |
| Jan 28, 2022 | - | $140,747 | -6% | 114 | $1,235 | $844,269 | 11 |
| Feb 4, 2022 | - | $188,354 | +34% | 115 | $1,638 | $1,032,623 | 12 |
| Feb 11, 2022 | - | $287,697 | +53% | 127 | $2,265 | $1,320,320 | 13 |
| Feb 18, 2022 | - | $369,171 | +28% | 213 | $1,733 | $1,689,491 | 14 |
| Feb 25, 2022 | - | $197,021 | -47% | 213 | $925 | $1,886,512 | 15 |
| Mar 4, 2022 | - | $89,495 | -55% | 102 | $877 | $1,976,007 | 16 |
| Mar 11, 2022 | - | $92,937 | +4% | 102 | $911 | $2,068,944 | 17 |
| Mar 18, 2022 | - | $106,492 | +15% | 74 | $1,439 | $2,175,436 | 18 |
| Mar 25, 2022 | - | $90,103 | -15% | 58 | $1,554 | $2,265,539 | 19 |
| Apr 1, 2022 | - | $54,394 | -40% | 51 | $1,067 | $2,319,933 | 20 |
| Apr 15, 2022 | - | $10,420 | 9 | $1,158 | $2,352,240 | 22 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.