Double Indemnity (1944)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $9,963 | Details |
| Worldwide Box Office | $9,963 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $919 | |
| Blu-ray Sales (estimated) | $1,327,471 | |
| Total | $1,328,390 | |
| OpusData ID: 206210100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | July 6th, 1944 (Limited) |
| International Releases: | October 16th, 2015 (Wide) (South Korea)
October 8th, 2020 (Limited) (Australia) May 6th, 2021 (Wide) (New Zealand) |
| Video Release: | April 15th, 2014 by Universal Home Entertainment |
| MPA Rating: | Not Rated Passed |
| Running Time: | 107 minutes |
| Subgenre: | Erotic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/8/2020 | $219 | 1 | 1 | 2 | $6,278 | 10/19/2022 | |||
| New Zealand | 5/6/2021 | $131 | 2 | 1 | 8 | $1,013 | 8/3/2026 | |||
| South Korea | 10/16/2015 | $2,672 | 0 | 0 | 0 | $2,672 | 9/1/2018 | |||
| International Total | $9,963 | 8/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fred MacMurray | Walter Neff | |
| Barbara Stanwyck | Phyllis Dietrichson | |
| Porter Hall | Mr. Jackson |
Supporting
| Jean Heather | Lola Dietrichson | |
| Byron Barr | Nino Zachetti | |
| Richard Gaines | Mr. Norton | |
| John Philliber | Joe Pete | |
| Edward G. Robinson | Barton Keyes | |
| Fortunio Bonanova | Sam Garlopis | |
| Tom Powers | Mr. Dietrichson |
Production and Technical Credits
| Billy Wilder | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | July 6th, 1944 (Limited) |
| International Releases: | October 16th, 2015 (Wide) (South Korea)
October 8th, 2020 (Limited) (Australia) May 6th, 2021 (Wide) (New Zealand) |
| Video Release: | April 15th, 2014 by Universal Home Entertainment |
| MPA Rating: | Not Rated Passed |
| Running Time: | 107 minutes |
| Subgenre: | Erotic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/8/2020 | $219 | 1 | 1 | 2 | $6,278 | 10/19/2022 | |||
| New Zealand | 5/6/2021 | $131 | 2 | 1 | 8 | $1,013 | 8/3/2026 | |||
| South Korea | 10/16/2015 | $2,672 | 0 | 0 | 0 | $2,672 | 9/1/2018 | |||
| International Total | $9,963 | 8/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fred MacMurray | Walter Neff | |
| Barbara Stanwyck | Phyllis Dietrichson | |
| Porter Hall | Mr. Jackson |
Supporting
| Jean Heather | Lola Dietrichson | |
| Byron Barr | Nino Zachetti | |
| Richard Gaines | Mr. Norton | |
| John Philliber | Joe Pete | |
| Edward G. Robinson | Barton Keyes | |
| Fortunio Bonanova | Sam Garlopis | |
| Tom Powers | Mr. Dietrichson |
Production and Technical Credits
| Billy Wilder | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.