Downtown Owl (2024)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 629280100 More info... | ||
| Further financial details... | ||
Synopsis
Avoiding life in Milwaukee, Julia Rabia, moves to the Reagan-era town of Owl, North Dakota for a temporary high school teaching job. But when Owl turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia isn’t sure if she’s come to town to get away from home or to find it.
Metrics
Movie Details
| Video Release: | April 23rd, 2024 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some drug use and sexual references. (Rating bulletin 2808 (cert #54133), 11/8/2023) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut, Directing Yourself |
| Geographical setting: | North Dakota |
| Plot point: | Depression, Football, Teachers |
| Social setting: | High School Sports, Life in a Small Town |
| Subgenre: | Black Comedy |
| Time period setting: | 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Kill Claudio, Esme Grace, Stage 6 Films, Sony Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Lily Rabe | Julia Rabia |
Supporting
| Jack Dylan Grazer | Eli | |
| August Blanco Rosenstein | Mitch Hrlicka | |
| Ed Harris | Horace Jones | |
| Henry Golding | Vance Druid | |
| Finn Wittrock | Coach Laidlaw | |
| Arden Michalec | Tina | |
| Arianna Jaffier | Rebecca | |
| Vanessa Hudgens | Naomi |
Cameo
| Hamish Linklater | Principal |
Supporting
| Ben Shaw | Bartender | |
| Alan Arias | ||
| Emma Halleen |
Production and Technical Credits
| Hamish Linklater | Director | |
| Lily Rabe | Director | |
| Hamish Linklater | Screenwriter | |
| Chuck Klosterman | Story based on the novel by | |
| Bettina Barrow | Producer | |
| Lily Rabe | Producer | |
| Hamish Linklater | Producer | |
| Rebecca Green | Producer | |
| Laura Rister | Executive Producer | |
| T-Bone Burnett | Executive Producer | |
| Lee Broda | Executive Producer | |
| Joel Michaely | Executive Producer | |
| Gemma Levinson | Executive Producer | |
| Thomas McLeod | Executive Producer | |
| Andrew Martin Weber | Executive Producer | |
| Kyle Stroud | Executive Producer | |
| Tristin Alexandria | Executive Producer | |
| David Gendron | Executive Producer | |
| Ali Jazayeri | Executive Producer | |
| Liz Destro | Executive Producer | |
| Viviana Zarragoitia | Executive Producer | |
| Francesca Palombo | Production Designer | |
| Nena Hsu Erb | Editor | |
| T-Bone Burnett | Composer | |
| Patrick Warren | Composer | |
| Zach Dawes | Composer | |
| Barton Cortright | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Avoiding life in Milwaukee, Julia Rabia, moves to the Reagan-era town of Owl, North Dakota for a temporary high school teaching job. But when Owl turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia isn’t sure if she’s come to town to get away from home or to find it.
Metrics
Movie Details
| Video Release: | April 23rd, 2024 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some drug use and sexual references. (Rating bulletin 2808 (cert #54133), 11/8/2023) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut, Directing Yourself |
| Geographical setting: | North Dakota |
| Plot point: | Depression, Football, Teachers |
| Social setting: | High School Sports, Life in a Small Town |
| Subgenre: | Black Comedy |
| Time period setting: | 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Kill Claudio, Esme Grace, Stage 6 Films, Sony Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Lily Rabe | Julia Rabia |
Supporting
| Jack Dylan Grazer | Eli | |
| August Blanco Rosenstein | Mitch Hrlicka | |
| Ed Harris | Horace Jones | |
| Henry Golding | Vance Druid | |
| Finn Wittrock | Coach Laidlaw | |
| Arden Michalec | Tina | |
| Arianna Jaffier | Rebecca | |
| Vanessa Hudgens | Naomi |
Cameo
| Hamish Linklater | Principal |
Supporting
| Ben Shaw | Bartender | |
| Alan Arias | ||
| Emma Halleen |
Production and Technical Credits
| Hamish Linklater | Director | |
| Lily Rabe | Director | |
| Hamish Linklater | Screenwriter | |
| Chuck Klosterman | Story based on the novel by | |
| Bettina Barrow | Producer | |
| Lily Rabe | Producer | |
| Hamish Linklater | Producer | |
| Rebecca Green | Producer | |
| Laura Rister | Executive Producer | |
| T-Bone Burnett | Executive Producer | |
| Lee Broda | Executive Producer | |
| Joel Michaely | Executive Producer | |
| Gemma Levinson | Executive Producer | |
| Thomas McLeod | Executive Producer | |
| Andrew Martin Weber | Executive Producer | |
| Kyle Stroud | Executive Producer | |
| Tristin Alexandria | Executive Producer | |
| David Gendron | Executive Producer | |
| Ali Jazayeri | Executive Producer | |
| Liz Destro | Executive Producer | |
| Viviana Zarragoitia | Executive Producer | |
| Francesca Palombo | Production Designer | |
| Nena Hsu Erb | Editor | |
| T-Bone Burnett | Composer | |
| Patrick Warren | Composer | |
| Zach Dawes | Composer | |
| Barton Cortright | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.