Dracula 2000 (2000)
| Theatrical Performance | ||
| Domestic Box Office | $33,000,377 | Details |
| OpusData ID: 17140100 More info... | ||
| Further financial details... | ||
Synopsis
Count Dracula is brought to the present after Van Helsing captures and conceals him. When he is released by Marcus and his gang of thieves, who are subsequently turned into vampires, it’s up to one of Van Helsings descendants, Mary Van Helsing, and one of his employees, Simon, to stop Dracula.
Metrics
| Opening Weekend: | $8,636,567 (26.2% of total gross) |
| Legs: | 3.82 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,204 opening theaters/2,204 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $71,806,202 |
Movie Details
| Domestic Releases: | December 22nd, 2000 (Wide) by Miramax |
| Video Release: | July 3rd, 2001 by Walt Disney Home Entertainment |
| MPA Rating: | R for violence/gore, language and some sexuality |
| Running Time: | 100 minutes |
| Franchise: | Dracula 2000 |
| Plot point: | Vampire |
| Subgenre: | Gothic Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dimension Films, Neo Art & Logic |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2000 | 7 | $8,636,567 | 2,204 | $3,919 | $8,636,567 | 1 | |
| Dec 29, 2000 | 8 | $5,354,847 | -38% | 2,204 | $2,430 | $21,569,567 | 2 |
| Jan 5, 2001 | 8 | $4,310,742 | -19% | 2,204 | $1,956 | $28,136,273 | 3 |
| Jan 12, 2001 | 16 | $1,876,405 | -56% | 1,604 | $1,170 | $31,239,719 | 4 |
| Jan 19, 2001 | 21 | $612,487 | -67% | 817 | $750 | $32,211,990 | 5 |
| Jan 26, 2001 | 25 | $263,195 | -57% | 410 | $642 | $32,660,848 | 6 |
| Feb 2, 2001 | 35 | $161,604 | -39% | 271 | $596 | $32,914,805 | 7 |
| Feb 9, 2001 | 51 | $41,492 | -74% | 114 | $364 | $33,000,377 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 22, 2000 | 6 | $2,721,000 | 2,204 | $1,235 | $2,721,000 | 1 | ||
| Dec 23, 2000 | 7 | $2,510,000 | -8% | 2,204 | $1,139 | $5,231,000 | 2 | |
| Dec 24, 2000 | 7 | $1,304,000 | -48% | 2,204 | $592 | $6,535,000 | 3 | |
| Dec 25, 2000 | 6 | $2,410,956 | +85% | 2,204 | $1,094 | $8,636,567 | 4 | |
| Dec 26, 2000 | 7 | $2,188,360 | -9% | 2,204 | $993 | $10,824,927 | 5 | |
| Dec 27, 2000 | 7 | $1,714,806 | -22% | 2,204 | $778 | $12,539,733 | 6 | |
| Dec 28, 2000 | 8 | $1,626,310 | -5% | 2,204 | $738 | $14,166,043 | 7 | |
| Dec 29, 2000 | 8 | $2,250,000 | +38% | -17% | 2,204 | $1,021 | $16,416,000 | 8 |
| Dec 30, 2000 | 8 | $2,222,000 | -1% | -11% | 2,204 | $1,008 | $18,638,000 | 9 |
| Dec 31, 2000 | 8 | $955,350 | -57% | -27% | 2,204 | $433 | $19,593,350 | 10 |
| Jan 1, 2001 | 7 | $1,976,217 | +107% | -18% | 2,204 | $897 | $21,569,567 | 11 |
| Jan 2, 2001 | 7 | $988,904 | -50% | -55% | 2,204 | $449 | $22,558,971 | 12 |
| Jan 3, 2001 | 6 | $678,130 | -31% | -60% | 2,204 | $308 | $23,235,501 | 13 |
| Jan 4, 2001 | 7 | $656,520 | -3% | -60% | 2,204 | $298 | $23,893,021 | 14 |
| Jan 5, 2001 | 8 | $1,312,000 | +100% | -42% | 2,204 | $595 | $25,205,000 | 15 |
| Jan 6, 2001 | 8 | $1,920,000 | +46% | -14% | 2,204 | $871 | $27,125,000 | 16 |
| Jan 7, 2001 | 8 | $1,153,000 | -40% | +21% | 2,204 | $523 | $28,136,273 | 17 |
| Jan 8, 2001 | 6 | $349,430 | -70% | -82% | 2,204 | $159 | $28,485,703 | 18 |
| Jan 9, 2001 | 8 | $354,878 | +2% | -64% | 2,204 | $161 | $28,840,581 | 19 |
| Jan 10, 2001 | 8 | $291,975 | -18% | -57% | 2,204 | $132 | $29,132,556 | 20 |
| Jan 11, 2001 | 9 | $242,881 | -17% | -63% | 2,204 | $110 | $29,363,314 | 21 |
| Jan 15, 2001 | 18 | $246,040 | -30% | 1,604 | $153 | $31,239,719 | 25 | |
| Jan 16, 2001 | 16 | $132,457 | -46% | -63% | 1,604 | $83 | $31,372,176 | 26 |
| Jan 17, 2001 | 16 | $113,310 | -14% | -61% | 1,604 | $71 | $31,485,486 | 27 |
| Jan 18, 2001 | 16 | $117,637 | +4% | -52% | 1,604 | $73 | $31,603,123 | 28 |
| Jan 21, 2001 | 20 | $151,000 | 817 | $185 | $32,211,990 | 31 | ||
| Jan 22, 2001 | 20 | $49,771 | -67% | -80% | 817 | $61 | $32,261,761 | 32 |
| Jan 23, 2001 | 20 | $48,649 | -2% | -63% | 817 | $60 | $32,310,410 | 33 |
| Jan 24, 2001 | 20 | $44,080 | -9% | -61% | 817 | $54 | $32,354,490 | 34 |
| Jan 25, 2001 | 20 | $47,604 | +8% | -60% | 817 | $58 | $32,402,094 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2000 | 7 | $16,214,720 | 2,204 | $7,357 | $16,214,720 | 1 | |
| Dec 29, 2000 | 8 | $7,610,811 | -53% | 2,204 | $3,453 | $23,825,531 | 2 |
| Jan 5, 2001 | 8 | $5,537,783 | -27% | 2,204 | $2,513 | $29,363,314 | 3 |
| Jan 12, 2001 | 16 | $2,236,189 | -60% | 1,604 | $1,394 | $31,599,503 | 4 |
| Jan 19, 2001 | 21 | $798,150 | -64% | 817 | $977 | $32,397,653 | 5 |
| Jan 26, 2001 | 26 | $355,548 | -55% | 410 | $867 | $32,753,201 | 6 |
| Feb 2, 2001 | 36 | $205,684 | -42% | 271 | $759 | $32,958,885 | 7 |
| Feb 9, 2001 | 54 | $41,492 | -80% | 114 | $364 | $33,000,377 | 8 |
Lead Ensemble Member
| Jonny Lee Miller | Simon Sheppard | |
| Justine Waddell | Mary Heller | |
| Gerard Butler | Dracula | |
| Colleen Ann Fitzpatrick* | Lucy Westerman | |
| Jennifer Esposito | Solina Portersmith |
Supporting
| Danny Masterson | Nightshade | |
| Jeri Ryan | Valerie Sharp | |
| Lochlyn Munro | Eddie | |
| Sean Patrick Thomas | Trick |
Lead Ensemble Member
| Omar Epps | Marcus | |
| Christopher Plummer | Abraham Van Helsing |
Supporting
| Tig Fong | Dax | |
| Tony Munch | Charlie Jeffers | |
| Shane West | J.T. | |
| Nathan Fillion | Father David | |
| Tom Kane | Anchor Man | |
| Jonathan Whittaker | Perris Gautreaux | |
| Robert Verlaque | Dr. Seward | |
| Randy Butcher | Stakeman #1 | |
| Bill Davidson | Stakeman #2 | |
| Peter Cox | Stakeman #3 | |
| Chris Lamon | Stakeman #4 | |
| Herb Reischl | Stakeman #5 | |
| Duncan McLeod | Stakeman #6 | |
| Wayne Downer | Desk Guard | |
| Robert Racki | Door Guard | |
| William Prael | Parade Cop | |
| Karon Briscoe | Teen Co-Worker | |
| Scarlett Huntley | Blood Doll | |
| Harold Short | Black Angel of Death | |
| David J. Francis | Jesus | |
| Shimmy Silverman | Barker |
Production and Technical Credits
| Patrick Lussier | Director | |
| Joel Soisson | Screenwriter | |
| Joel Soisson | Story Creator | |
| Patrick Lussier | Story Creator | |
| W.K. Border | Producer | |
| Joel Soisson | Producer | |
| Wes Craven | Executive Producer | |
| Marianne Maddalena | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Andrew Rona | Executive Producer | |
| Dan Arrendondo | Co-Producer | |
| Ron Schmidt | Co-Producer | |
| Peter Pau | Director of Photography | |
| Carol Spier | Production Designer | |
| Patrick Lussier | Editor | |
| Peter Devaney Flanagan | Editor | |
| Erik Henry | Visual Effects Supervisor | |
| Gary J. Tunnicliffe | Special Make-up Effects | |
| Marco Beltrami | Composer | |
| Ed Gerrard | Music Supervisor | |
| Denise Cronenberg | Costume Designer | |
| Randi Hiller | Casting Director | |
| Sarah Halley Finn | Casting Director | |
| Tony Steinberg | Associate Producer | |
| Howard Rothschild | Assistant Director | |
| Jimmy Kaufman | Second Unit Director | |
| Brian Campbell | Unit Production Manager | |
| Elinor Rose Galbraith | Art Director | |
| Peter P. Nicolakakos* | Set Decorator | |
| Paul Mitchnick | Second Unit Photography | |
| Daniel Gibson | Special Effects Supervisor | |
| Lisa Mozden | Additional Editor | |
| Douglas Ganton | Production Sound Mixer | |
| Gary A. Rizzo | Re-recording Mixer | |
| Chris Boyes* | Re-recording Mixer | |
| Frank Eulner | Supervising Sound Editor | |
| Christopher Scarabosio | Sound Effects Editor | |
| Steve Boeddeker | Sound Designer | |
| Marshall Winn | Dialogue Editor | |
| Bill Abbott | Music Editor | |
| Marese Langan | Chief Makeup | |
| Mary-Lou Green-Benvenuti* | Key Hairstylist | |
| Tina Gerussi | Casting (Toronto) | |
| Dan Hubbard | Casting (UK) | |
| Koichi Sakamoto | Stunt Coordinator | |
| Ken Quinn | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Count Dracula is brought to the present after Van Helsing captures and conceals him. When he is released by Marcus and his gang of thieves, who are subsequently turned into vampires, it’s up to one of Van Helsings descendants, Mary Van Helsing, and one of his employees, Simon, to stop Dracula.
Metrics
| Opening Weekend: | $8,636,567 (26.2% of total gross) |
| Legs: | 3.82 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,204 opening theaters/2,204 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $71,806,202 |
Movie Details
| Domestic Releases: | December 22nd, 2000 (Wide) by Miramax |
| Video Release: | July 3rd, 2001 by Walt Disney Home Entertainment |
| MPA Rating: | R for violence/gore, language and some sexuality |
| Running Time: | 100 minutes |
| Franchise: | Dracula 2000 |
| Plot point: | Vampire |
| Subgenre: | Gothic Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dimension Films, Neo Art & Logic |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2000 | 7 | $8,636,567 | 2,204 | $3,919 | $8,636,567 | 1 | |
| Dec 29, 2000 | 8 | $5,354,847 | -38% | 2,204 | $2,430 | $21,569,567 | 2 |
| Jan 5, 2001 | 8 | $4,310,742 | -19% | 2,204 | $1,956 | $28,136,273 | 3 |
| Jan 12, 2001 | 16 | $1,876,405 | -56% | 1,604 | $1,170 | $31,239,719 | 4 |
| Jan 19, 2001 | 21 | $612,487 | -67% | 817 | $750 | $32,211,990 | 5 |
| Jan 26, 2001 | 25 | $263,195 | -57% | 410 | $642 | $32,660,848 | 6 |
| Feb 2, 2001 | 35 | $161,604 | -39% | 271 | $596 | $32,914,805 | 7 |
| Feb 9, 2001 | 51 | $41,492 | -74% | 114 | $364 | $33,000,377 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 22, 2000 | 6 | $2,721,000 | 2,204 | $1,235 | $2,721,000 | 1 | ||
| Dec 23, 2000 | 7 | $2,510,000 | -8% | 2,204 | $1,139 | $5,231,000 | 2 | |
| Dec 24, 2000 | 7 | $1,304,000 | -48% | 2,204 | $592 | $6,535,000 | 3 | |
| Dec 25, 2000 | 6 | $2,410,956 | +85% | 2,204 | $1,094 | $8,636,567 | 4 | |
| Dec 26, 2000 | 7 | $2,188,360 | -9% | 2,204 | $993 | $10,824,927 | 5 | |
| Dec 27, 2000 | 7 | $1,714,806 | -22% | 2,204 | $778 | $12,539,733 | 6 | |
| Dec 28, 2000 | 8 | $1,626,310 | -5% | 2,204 | $738 | $14,166,043 | 7 | |
| Dec 29, 2000 | 8 | $2,250,000 | +38% | -17% | 2,204 | $1,021 | $16,416,000 | 8 |
| Dec 30, 2000 | 8 | $2,222,000 | -1% | -11% | 2,204 | $1,008 | $18,638,000 | 9 |
| Dec 31, 2000 | 8 | $955,350 | -57% | -27% | 2,204 | $433 | $19,593,350 | 10 |
| Jan 1, 2001 | 7 | $1,976,217 | +107% | -18% | 2,204 | $897 | $21,569,567 | 11 |
| Jan 2, 2001 | 7 | $988,904 | -50% | -55% | 2,204 | $449 | $22,558,971 | 12 |
| Jan 3, 2001 | 6 | $678,130 | -31% | -60% | 2,204 | $308 | $23,235,501 | 13 |
| Jan 4, 2001 | 7 | $656,520 | -3% | -60% | 2,204 | $298 | $23,893,021 | 14 |
| Jan 5, 2001 | 8 | $1,312,000 | +100% | -42% | 2,204 | $595 | $25,205,000 | 15 |
| Jan 6, 2001 | 8 | $1,920,000 | +46% | -14% | 2,204 | $871 | $27,125,000 | 16 |
| Jan 7, 2001 | 8 | $1,153,000 | -40% | +21% | 2,204 | $523 | $28,136,273 | 17 |
| Jan 8, 2001 | 6 | $349,430 | -70% | -82% | 2,204 | $159 | $28,485,703 | 18 |
| Jan 9, 2001 | 8 | $354,878 | +2% | -64% | 2,204 | $161 | $28,840,581 | 19 |
| Jan 10, 2001 | 8 | $291,975 | -18% | -57% | 2,204 | $132 | $29,132,556 | 20 |
| Jan 11, 2001 | 9 | $242,881 | -17% | -63% | 2,204 | $110 | $29,363,314 | 21 |
| Jan 15, 2001 | 18 | $246,040 | -30% | 1,604 | $153 | $31,239,719 | 25 | |
| Jan 16, 2001 | 16 | $132,457 | -46% | -63% | 1,604 | $83 | $31,372,176 | 26 |
| Jan 17, 2001 | 16 | $113,310 | -14% | -61% | 1,604 | $71 | $31,485,486 | 27 |
| Jan 18, 2001 | 16 | $117,637 | +4% | -52% | 1,604 | $73 | $31,603,123 | 28 |
| Jan 21, 2001 | 20 | $151,000 | 817 | $185 | $32,211,990 | 31 | ||
| Jan 22, 2001 | 20 | $49,771 | -67% | -80% | 817 | $61 | $32,261,761 | 32 |
| Jan 23, 2001 | 20 | $48,649 | -2% | -63% | 817 | $60 | $32,310,410 | 33 |
| Jan 24, 2001 | 20 | $44,080 | -9% | -61% | 817 | $54 | $32,354,490 | 34 |
| Jan 25, 2001 | 20 | $47,604 | +8% | -60% | 817 | $58 | $32,402,094 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2000 | 7 | $16,214,720 | 2,204 | $7,357 | $16,214,720 | 1 | |
| Dec 29, 2000 | 8 | $7,610,811 | -53% | 2,204 | $3,453 | $23,825,531 | 2 |
| Jan 5, 2001 | 8 | $5,537,783 | -27% | 2,204 | $2,513 | $29,363,314 | 3 |
| Jan 12, 2001 | 16 | $2,236,189 | -60% | 1,604 | $1,394 | $31,599,503 | 4 |
| Jan 19, 2001 | 21 | $798,150 | -64% | 817 | $977 | $32,397,653 | 5 |
| Jan 26, 2001 | 26 | $355,548 | -55% | 410 | $867 | $32,753,201 | 6 |
| Feb 2, 2001 | 36 | $205,684 | -42% | 271 | $759 | $32,958,885 | 7 |
| Feb 9, 2001 | 54 | $41,492 | -80% | 114 | $364 | $33,000,377 | 8 |
Lead Ensemble Member
| Jonny Lee Miller | Simon Sheppard | |
| Justine Waddell | Mary Heller | |
| Gerard Butler | Dracula | |
| Colleen Ann Fitzpatrick* | Lucy Westerman | |
| Jennifer Esposito | Solina Portersmith |
Supporting
| Danny Masterson | Nightshade | |
| Jeri Ryan | Valerie Sharp | |
| Lochlyn Munro | Eddie | |
| Sean Patrick Thomas | Trick |
Lead Ensemble Member
| Omar Epps | Marcus | |
| Christopher Plummer | Abraham Van Helsing |
Supporting
| Tig Fong | Dax | |
| Tony Munch | Charlie Jeffers | |
| Shane West | J.T. | |
| Nathan Fillion | Father David | |
| Tom Kane | Anchor Man | |
| Jonathan Whittaker | Perris Gautreaux | |
| Robert Verlaque | Dr. Seward | |
| Randy Butcher | Stakeman #1 | |
| Bill Davidson | Stakeman #2 | |
| Peter Cox | Stakeman #3 | |
| Chris Lamon | Stakeman #4 | |
| Herb Reischl | Stakeman #5 | |
| Duncan McLeod | Stakeman #6 | |
| Wayne Downer | Desk Guard | |
| Robert Racki | Door Guard | |
| William Prael | Parade Cop | |
| Karon Briscoe | Teen Co-Worker | |
| Scarlett Huntley | Blood Doll | |
| Harold Short | Black Angel of Death | |
| David J. Francis | Jesus | |
| Shimmy Silverman | Barker |
Production and Technical Credits
| Patrick Lussier | Director | |
| Joel Soisson | Screenwriter | |
| Joel Soisson | Story Creator | |
| Patrick Lussier | Story Creator | |
| W.K. Border | Producer | |
| Joel Soisson | Producer | |
| Wes Craven | Executive Producer | |
| Marianne Maddalena | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Andrew Rona | Executive Producer | |
| Dan Arrendondo | Co-Producer | |
| Ron Schmidt | Co-Producer | |
| Peter Pau | Director of Photography | |
| Carol Spier | Production Designer | |
| Patrick Lussier | Editor | |
| Peter Devaney Flanagan | Editor | |
| Erik Henry | Visual Effects Supervisor | |
| Gary J. Tunnicliffe | Special Make-up Effects | |
| Marco Beltrami | Composer | |
| Ed Gerrard | Music Supervisor | |
| Denise Cronenberg | Costume Designer | |
| Randi Hiller | Casting Director | |
| Sarah Halley Finn | Casting Director | |
| Tony Steinberg | Associate Producer | |
| Howard Rothschild | Assistant Director | |
| Jimmy Kaufman | Second Unit Director | |
| Brian Campbell | Unit Production Manager | |
| Elinor Rose Galbraith | Art Director | |
| Peter P. Nicolakakos* | Set Decorator | |
| Paul Mitchnick | Second Unit Photography | |
| Daniel Gibson | Special Effects Supervisor | |
| Lisa Mozden | Additional Editor | |
| Douglas Ganton | Production Sound Mixer | |
| Gary A. Rizzo | Re-recording Mixer | |
| Chris Boyes* | Re-recording Mixer | |
| Frank Eulner | Supervising Sound Editor | |
| Christopher Scarabosio | Sound Effects Editor | |
| Steve Boeddeker | Sound Designer | |
| Marshall Winn | Dialogue Editor | |
| Bill Abbott | Music Editor | |
| Marese Langan | Chief Makeup | |
| Mary-Lou Green-Benvenuti* | Key Hairstylist | |
| Tina Gerussi | Casting (Toronto) | |
| Dan Hubbard | Casting (UK) | |
| Koichi Sakamoto | Stunt Coordinator | |
| Ken Quinn | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.