Dragon Ball Super: Broly (ドラゴンボール超スーパー ブロリー) (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $30,376,755 | Details |
| International Box Office | $92,363,861 | Details |
| Worldwide Box Office | $122,740,616 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,478,779 | |
| Blu-ray Sales (estimated) | $11,213,871 | |
| Total | $13,692,650 | |
| OpusData ID: 346590100 More info... | ||
| Further financial details... | ||
Synopsis
A planet destroyed, a powerful race reduced to nothing. After the devastation of Planet Vegeta, three Saiyans were scattered among the stars, destined for different fates. While two found a home on Earth, the third was raised with a burning desire for vengeance and developed an unbelievable power. And the time for revenge has come. Destinies collide in a battle that will shake the universe to its very core! Goku is back to training hard so he can face the most powerful foes the universes have to offer, and Vegeta is keeping up right beside him. But when they suddenly find themselves against an unknown Saiyan, they discover a terrible, destructive force.
Metrics
| Opening Weekend: | $9,816,197 (32.3% of total gross) |
| Legs: | 3.09 (domestic box office/biggest weekend) |
| Domestic Share: | 24.7% (domestic box office/worldwide) |
| Production Budget: | $8,500,000 (worldwide box office is 14.4 times production budget) |
| Theater counts: | 1,247 opening theaters/1,250 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,662,230 |
Movie Details
| Domestic Releases: | January 16th, 2019 (Wide) by FUNimation, released as Dragon Ball Super: Broly |
| International Releases: | December 14th, 2018 (Wide), released as Dragon Ball Super: Broly (Japan)
January 4th, 2019 (Wide), released as Dragon Ball Super: Broly (Brazil) January 11th, 2019 (Wide), released as Dragon Ball Super: Broly (Mexico) January 11th, 2019 (Wide), released as Dragon Ball Super: Broly (Peru) January 11th, 2019 (Wide), released as Dragon Ball Super: Broly (Argentina) ... Show all releases |
| Video Release: | April 16th, 2019 by Funimation Productions, released as Dragon Ball Super: Broly |
| MPA Rating: | PG for prolonged frenetic sequences of action and violence, and for language. (Rating bulletin 2559 (Cert #51905), 1/2/2019) |
| Running Time: | 100 minutes |
| Franchise: | Dragon Ball |
| Cast, crew, or production detail: | Anime |
| Film format: | IMAX: DMR |
| Geographical setting: | Outer Space |
| Plot point: | Alternative Dimensions / Parallel universe, Dragon, Friendly Alien on Earth, Martial Arts, Wish Granters |
| Subgenre: | Action Adventure |
| Source: | Based on TV |
| Genre: | Action |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Toei Animation |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | 4 | $9,816,197 | 1,247 | $7,872 | $20,207,236 | 1 | |
| Jan 25, 2019 | 11 | $3,006,909 | -69% | 1,109 | $2,711 | $28,220,732 | 2 |
| Feb 1, 2019 | 19 | $929,484 | -69% | 644 | $1,443 | $30,029,592 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 16, 2019 | 1 | $7,043,068 | 1,250 | $5,634 | $7,043,068 | 1 | ||
| Jan 17, 2019 | 1 | $3,347,971 | -52% | 1,250 | $2,678 | $10,391,039 | 2 | |
| Jan 18, 2019 | 4 | $2,402,961 | -28% | 471 | $5,102 | $12,794,000 | 3 | |
| Jan 19, 2019 | 3 | $4,963,598 | +107% | 1,238 | $4,009 | $17,757,598 | 4 | |
| Jan 20, 2019 | 5 | $2,449,638 | -51% | 540 | $4,536 | $20,207,236 | 5 | |
| Jan 21, 2019 | 7 | $2,133,856 | -13% | 1,244 | $1,715 | $22,341,092 | 6 | |
| Jan 22, 2019 | 3 | $1,280,994 | -40% | 1,203 | $1,065 | $23,622,086 | 7 | |
| Jan 23, 2019 | 3 | $828,754 | -35% | -88% | 1,243 | $667 | $24,450,840 | 8 |
| Jan 24, 2019 | 3 | $734,580 | -11% | -78% | 1,217 | $604 | $25,213,823 | 9 |
| Jan 25, 2019 | 10 | $890,312 | +21% | -63% | 1,109 | $803 | $26,104,135 | 10 |
| Jan 26, 2019 | 12 | $1,236,766 | +39% | -75% | 1,109 | $1,115 | $27,340,901 | 11 |
| Jan 27, 2019 | 12 | $879,831 | -29% | -64% | 1,109 | $793 | $28,220,732 | 12 |
| Jan 28, 2019 | - | $227,691 | -74% | -89% | 1,109 | $205 | $28,448,423 | 13 |
| Jan 29, 2019 | 10 | $330,190 | +45% | -74% | 1,109 | $298 | $28,778,613 | 14 |
| Jan 30, 2019 | - | $163,666 | -50% | -80% | 1,109 | $148 | $28,942,279 | 15 |
| Jan 31, 2019 | - | $157,829 | -4% | -79% | 1,109 | $142 | $29,100,108 | 16 |
| Feb 1, 2019 | - | $252,621 | +60% | -72% | 644 | $392 | $29,352,729 | 17 |
| Feb 2, 2019 | - | $456,708 | +81% | -63% | 644 | $709 | $29,809,437 | 18 |
| Feb 3, 2019 | - | $220,155 | -52% | -75% | 644 | $342 | $30,029,592 | 19 |
| Feb 4, 2019 | - | $88,018 | -60% | -61% | 644 | $137 | $30,117,610 | 20 |
| Feb 5, 2019 | - | $118,130 | +34% | -64% | 644 | $183 | $30,235,740 | 21 |
| Feb 6, 2019 | - | $85,127 | -28% | -48% | 644 | $132 | $30,320,867 | 22 |
| Feb 7, 2019 | - | $55,888 | -34% | -65% | 644 | $87 | $30,376,755 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 6 | $10,391,039 | 1,250 | $8,313 | $10,391,039 | 1 | |
| Jan 18, 2019 | 4 | $14,822,784 | +43% | 1,250 | $11,858 | $25,213,823 | 2 |
| Jan 25, 2019 | 12 | $3,886,285 | -74% | 1,109 | $3,504 | $29,100,108 | 3 |
| Feb 1, 2019 | 20 | $1,276,647 | -67% | 644 | $1,982 | $30,376,755 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/11/2019 | $1,550,000 | 326 | 326 | 938 | $2,918,714 | 3/30/2019 | |||
| Australia | 1/25/2019 | $948,400 | 162 | 162 | 398 | $1,578,488 | 5/25/2021 | |||
| Brazil | 1/4/2019 | $1,700,000 | 0 | 539 | 1,006 | $4,358,460 | 1/26/2019 | |||
| Central America | 1/11/2019 | $1,490,000 | 0 | 0 | 0 | $1,490,000 | 1/22/2019 | |||
| Chile | 1/11/2019 | $1,700,000 | 0 | 0 | 0 | $3,300,000 | 1/27/2019 | |||
| China | 5/24/2019 | $3,070,000 | 53,490 | 53,490 | 53,490 | $4,558,443 | 4/4/2026 | |||
| Colombia | 1/11/2019 | $1,460,000 | 0 | 0 | 0 | $1,460,000 | 1/22/2019 | |||
| Ecuador | 1/11/2019 | $1,300,000 | 0 | 0 | 0 | $1,300,000 | 1/22/2019 | |||
| France | 3/15/2019 | $2,752,691 | 306 | 381 | 1,282 | $4,381,204 | 4/13/2019 | |||
| Italy | 2/28/2019 | $1,890,726 | 0 | 94 | 94 | $2,755,656 | 3/30/2019 | |||
| Japan | 12/14/2018 | $9,200,000 | 467 | 468 | 3,056 | $34,644,280 | 2/12/2019 | |||
| Mexico | 1/11/2019 | $6,358,025 | 0 | 0 | 0 | $10,300,000 | 1/27/2019 | |||
| Netherlands | 1/25/2019 | $430,673 | 74 | 75 | 202 | $708,422 | 2/12/2019 | |||
| Peru | 1/11/2019 | $2,500,000 | 0 | 0 | 0 | $2,500,000 | 1/22/2019 | |||
| Portugal | 3/15/2019 | $82,988 | 57 | 57 | 179 | $147,428 | 10/31/2023 | |||
| South Korea | 2/14/2019 | $154,874 | 202 | 202 | 223 | $265,251 | 3/1/2019 | |||
| Spain | 2/1/2019 | $1,165,323 | 281 | 303 | 888 | $1,819,633 | 3/1/2019 | |||
| United Kingdom | 1/23/2019 | $1,121,881 | 188 | 188 | 188 | $1,121,881 | 4/4/2026 | |||
| Rest of World | $12,756,001 | |||||||||
| International Total | $92,363,861 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Masako Nozawa | Goku / Bardock / Goten / Gogeta | |
| Ryō Horikawa | Vegeta / Gogeta |
Supporting
| Bin Shimada | Broly | |
| Ryūsei Nakao | Frieza | |
| Banjō Ginga | King Vegeta | |
| Naoko Watanabe | Gine | |
| Toshio Furukawa | Piccolo | |
| Aya Hisakawa | Bulma | |
| Takeshi Kusao | Trunks | |
| Kōichi Yamadera | Beerus | |
| Masakazu Morita | Uisu / Whis | |
| Katsuhisa Hōki | Paragus | |
| Nana Mizuki | Cheelai | |
| Takuya Kirimoto | Beets | |
| Tomokazu Sugita | Lemo | |
| Tetsu Inada | Nappa | |
| Kimiko Saitō | Berryblue | |
| Masami Kikuchi | Kikono | |
| Ryūzaburō Ōtomo | King Cold / Shenron | |
| Hisao Egawa | Moroko | |
| Hiroaki Miura | Zarbon | |
| Shigeru Chiba | Raditz / Emperor Pilaf | |
| Yohei Azakami | Leek | |
| Masaya Takatsuka | Taro | |
| Shin Aomori | King Vegeta’s Majordomo | |
| Eiko Yamada | Mai | |
| Tessho Genda | Shu |
Production and Technical Credits
| Tatsuya Nagamine | Director | |
| Akira Toriyama | Screenwriter | |
| Akira Toriyama | Story by | |
| Norihiro Hayashida | Producer | |
| Rioko Tomonaga | Producer | |
| Kozo Morishita | Executive Producer | |
| Akio Iyoku | Executive Producer | |
| Masahiro Goto | Editor | |
| Norihito Sumitomo | Composer | |
| Yosuke Motoki | Director of Photography | |
| Akira Toriyama | Character Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A planet destroyed, a powerful race reduced to nothing. After the devastation of Planet Vegeta, three Saiyans were scattered among the stars, destined for different fates. While two found a home on Earth, the third was raised with a burning desire for vengeance and developed an unbelievable power. And the time for revenge has come. Destinies collide in a battle that will shake the universe to its very core! Goku is back to training hard so he can face the most powerful foes the universes have to offer, and Vegeta is keeping up right beside him. But when they suddenly find themselves against an unknown Saiyan, they discover a terrible, destructive force.
Metrics
| Opening Weekend: | $9,816,197 (32.3% of total gross) |
| Legs: | 3.09 (domestic box office/biggest weekend) |
| Domestic Share: | 24.7% (domestic box office/worldwide) |
| Production Budget: | $8,500,000 (worldwide box office is 14.4 times production budget) |
| Theater counts: | 1,247 opening theaters/1,250 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,662,230 |
Movie Details
| Domestic Releases: | January 16th, 2019 (Wide) by FUNimation, released as Dragon Ball Super: Broly |
| International Releases: | December 14th, 2018 (Wide), released as Dragon Ball Super: Broly (Japan)
January 4th, 2019 (Wide), released as Dragon Ball Super: Broly (Brazil) January 11th, 2019 (Wide), released as Dragon Ball Super: Broly (Mexico) January 11th, 2019 (Wide), released as Dragon Ball Super: Broly (Peru) January 11th, 2019 (Wide), released as Dragon Ball Super: Broly (Argentina) ... Show all releases |
| Video Release: | April 16th, 2019 by Funimation Productions, released as Dragon Ball Super: Broly |
| MPA Rating: | PG for prolonged frenetic sequences of action and violence, and for language. (Rating bulletin 2559 (Cert #51905), 1/2/2019) |
| Running Time: | 100 minutes |
| Franchise: | Dragon Ball |
| Cast, crew, or production detail: | Anime |
| Film format: | IMAX: DMR |
| Geographical setting: | Outer Space |
| Plot point: | Alternative Dimensions / Parallel universe, Dragon, Friendly Alien on Earth, Martial Arts, Wish Granters |
| Subgenre: | Action Adventure |
| Source: | Based on TV |
| Genre: | Action |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Toei Animation |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | 4 | $9,816,197 | 1,247 | $7,872 | $20,207,236 | 1 | |
| Jan 25, 2019 | 11 | $3,006,909 | -69% | 1,109 | $2,711 | $28,220,732 | 2 |
| Feb 1, 2019 | 19 | $929,484 | -69% | 644 | $1,443 | $30,029,592 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 16, 2019 | 1 | $7,043,068 | 1,250 | $5,634 | $7,043,068 | 1 | ||
| Jan 17, 2019 | 1 | $3,347,971 | -52% | 1,250 | $2,678 | $10,391,039 | 2 | |
| Jan 18, 2019 | 4 | $2,402,961 | -28% | 471 | $5,102 | $12,794,000 | 3 | |
| Jan 19, 2019 | 3 | $4,963,598 | +107% | 1,238 | $4,009 | $17,757,598 | 4 | |
| Jan 20, 2019 | 5 | $2,449,638 | -51% | 540 | $4,536 | $20,207,236 | 5 | |
| Jan 21, 2019 | 7 | $2,133,856 | -13% | 1,244 | $1,715 | $22,341,092 | 6 | |
| Jan 22, 2019 | 3 | $1,280,994 | -40% | 1,203 | $1,065 | $23,622,086 | 7 | |
| Jan 23, 2019 | 3 | $828,754 | -35% | -88% | 1,243 | $667 | $24,450,840 | 8 |
| Jan 24, 2019 | 3 | $734,580 | -11% | -78% | 1,217 | $604 | $25,213,823 | 9 |
| Jan 25, 2019 | 10 | $890,312 | +21% | -63% | 1,109 | $803 | $26,104,135 | 10 |
| Jan 26, 2019 | 12 | $1,236,766 | +39% | -75% | 1,109 | $1,115 | $27,340,901 | 11 |
| Jan 27, 2019 | 12 | $879,831 | -29% | -64% | 1,109 | $793 | $28,220,732 | 12 |
| Jan 28, 2019 | - | $227,691 | -74% | -89% | 1,109 | $205 | $28,448,423 | 13 |
| Jan 29, 2019 | 10 | $330,190 | +45% | -74% | 1,109 | $298 | $28,778,613 | 14 |
| Jan 30, 2019 | - | $163,666 | -50% | -80% | 1,109 | $148 | $28,942,279 | 15 |
| Jan 31, 2019 | - | $157,829 | -4% | -79% | 1,109 | $142 | $29,100,108 | 16 |
| Feb 1, 2019 | - | $252,621 | +60% | -72% | 644 | $392 | $29,352,729 | 17 |
| Feb 2, 2019 | - | $456,708 | +81% | -63% | 644 | $709 | $29,809,437 | 18 |
| Feb 3, 2019 | - | $220,155 | -52% | -75% | 644 | $342 | $30,029,592 | 19 |
| Feb 4, 2019 | - | $88,018 | -60% | -61% | 644 | $137 | $30,117,610 | 20 |
| Feb 5, 2019 | - | $118,130 | +34% | -64% | 644 | $183 | $30,235,740 | 21 |
| Feb 6, 2019 | - | $85,127 | -28% | -48% | 644 | $132 | $30,320,867 | 22 |
| Feb 7, 2019 | - | $55,888 | -34% | -65% | 644 | $87 | $30,376,755 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 6 | $10,391,039 | 1,250 | $8,313 | $10,391,039 | 1 | |
| Jan 18, 2019 | 4 | $14,822,784 | +43% | 1,250 | $11,858 | $25,213,823 | 2 |
| Jan 25, 2019 | 12 | $3,886,285 | -74% | 1,109 | $3,504 | $29,100,108 | 3 |
| Feb 1, 2019 | 20 | $1,276,647 | -67% | 644 | $1,982 | $30,376,755 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/11/2019 | $1,550,000 | 326 | 326 | 938 | $2,918,714 | 3/30/2019 | |||
| Australia | 1/25/2019 | $948,400 | 162 | 162 | 398 | $1,578,488 | 5/25/2021 | |||
| Brazil | 1/4/2019 | $1,700,000 | 0 | 539 | 1,006 | $4,358,460 | 1/26/2019 | |||
| Central America | 1/11/2019 | $1,490,000 | 0 | 0 | 0 | $1,490,000 | 1/22/2019 | |||
| Chile | 1/11/2019 | $1,700,000 | 0 | 0 | 0 | $3,300,000 | 1/27/2019 | |||
| China | 5/24/2019 | $3,070,000 | 53,490 | 53,490 | 53,490 | $4,558,443 | 4/4/2026 | |||
| Colombia | 1/11/2019 | $1,460,000 | 0 | 0 | 0 | $1,460,000 | 1/22/2019 | |||
| Ecuador | 1/11/2019 | $1,300,000 | 0 | 0 | 0 | $1,300,000 | 1/22/2019 | |||
| France | 3/15/2019 | $2,752,691 | 306 | 381 | 1,282 | $4,381,204 | 4/13/2019 | |||
| Italy | 2/28/2019 | $1,890,726 | 0 | 94 | 94 | $2,755,656 | 3/30/2019 | |||
| Japan | 12/14/2018 | $9,200,000 | 467 | 468 | 3,056 | $34,644,280 | 2/12/2019 | |||
| Mexico | 1/11/2019 | $6,358,025 | 0 | 0 | 0 | $10,300,000 | 1/27/2019 | |||
| Netherlands | 1/25/2019 | $430,673 | 74 | 75 | 202 | $708,422 | 2/12/2019 | |||
| Peru | 1/11/2019 | $2,500,000 | 0 | 0 | 0 | $2,500,000 | 1/22/2019 | |||
| Portugal | 3/15/2019 | $82,988 | 57 | 57 | 179 | $147,428 | 10/31/2023 | |||
| South Korea | 2/14/2019 | $154,874 | 202 | 202 | 223 | $265,251 | 3/1/2019 | |||
| Spain | 2/1/2019 | $1,165,323 | 281 | 303 | 888 | $1,819,633 | 3/1/2019 | |||
| United Kingdom | 1/23/2019 | $1,121,881 | 188 | 188 | 188 | $1,121,881 | 4/4/2026 | |||
| Rest of World | $12,756,001 | |||||||||
| International Total | $92,363,861 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Masako Nozawa | Goku / Bardock / Goten / Gogeta | |
| Ryō Horikawa | Vegeta / Gogeta |
Supporting
| Bin Shimada | Broly | |
| Ryūsei Nakao | Frieza | |
| Banjō Ginga | King Vegeta | |
| Naoko Watanabe | Gine | |
| Toshio Furukawa | Piccolo | |
| Aya Hisakawa | Bulma | |
| Takeshi Kusao | Trunks | |
| Kōichi Yamadera | Beerus | |
| Masakazu Morita | Uisu / Whis | |
| Katsuhisa Hōki | Paragus | |
| Nana Mizuki | Cheelai | |
| Takuya Kirimoto | Beets | |
| Tomokazu Sugita | Lemo | |
| Tetsu Inada | Nappa | |
| Kimiko Saitō | Berryblue | |
| Masami Kikuchi | Kikono | |
| Ryūzaburō Ōtomo | King Cold / Shenron | |
| Hisao Egawa | Moroko | |
| Hiroaki Miura | Zarbon | |
| Shigeru Chiba | Raditz / Emperor Pilaf | |
| Yohei Azakami | Leek | |
| Masaya Takatsuka | Taro | |
| Shin Aomori | King Vegeta’s Majordomo | |
| Eiko Yamada | Mai | |
| Tessho Genda | Shu |
Production and Technical Credits
| Tatsuya Nagamine | Director | |
| Akira Toriyama | Screenwriter | |
| Akira Toriyama | Story by | |
| Norihiro Hayashida | Producer | |
| Rioko Tomonaga | Producer | |
| Kozo Morishita | Executive Producer | |
| Akio Iyoku | Executive Producer | |
| Masahiro Goto | Editor | |
| Norihito Sumitomo | Composer | |
| Yosuke Motoki | Director of Photography | |
| Akira Toriyama | Character Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.