Dreaming Walls (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $22,534 | Details |
| International Box Office | $23,218 | Details |
| Worldwide Box Office | $45,752 | |
| OpusData ID: 541850100 More info... | ||
| Further financial details... | ||
Synopsis
The legendary Chelsea Hotel, an icon of 1960s counterculture and a haven for famous artists and intellectuals including Patti Smith, Janis Joplin and the superstars of Warhol's Factory, is under renovation. Soon it will reopen to the public as one of New York's most fashionable luxury hotels. Dozens of people, most in their later years, still live amidst the scaffolding and constant construction. Against this chaotic backdrop, the film takes us through the hotel’s storied halls, exploring its living body and the bohemian origins that contributed to its mythical stature. Its residents—casualties of capitalism—and the walls themselves now face a turning point in their common history.
Metrics
| Opening Weekend: | $7,370 (32.7% of total gross) |
| Legs: | 3.06 (domestic box office/biggest weekend) |
| Domestic Share: | 49.3% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/12 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,594 |
Movie Details
| Domestic Releases: | July 8th, 2022 (Limited) by Magnolia Pictures, released as Dreaming Walls: Inside the Chelsea Hotel |
| International Releases: | October 13th, 2022 (Limited) (Australia)
January 20th, 2023 (Limited) (United Kingdom) August 28th, 2024 (Limited) (France) |
| Video Release: | July 8th, 2022 by Magnolia Home Entertainment, released as Dreaming Walls: Inside the Chelsea Hotel |
| Running Time: | 80 minutes |
| Geographical setting: | New York, New York City |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Clin d oeil films, Les Films de l oeil sauvage, Media International , Basalt Film, Momento Film, Hard Working Movies, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles |
| Production Countries: | Belgium, Netherlands, France, Sweden, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 8, 2022 | - | $7,370 | 9 | $819 | $7,370 | 1 | |
| Jul 15, 2022 | - | $2,315 | -69% | 5 | $463 | $16,728 | 2 |
| Jul 22, 2022 | - | $808 | -65% | 4 | $202 | $19,423 | 3 |
| Jul 29, 2022 | - | $565 | -30% | 2 | $283 | $21,068 | 4 |
| Aug 5, 2022 | - | $306 | -46% | 1 | $306 | $22,074 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 8, 2022 | - | $14,413 | 12 | $1,201 | $14,413 | 1 | |
| Jul 15, 2022 | - | $4,202 | -71% | 5 | $840 | $18,615 | 2 |
| Jul 22, 2022 | - | $1,888 | -55% | 4 | $472 | $20,503 | 3 |
| Jul 29, 2022 | - | $1,265 | -33% | 2 | $633 | $21,768 | 4 |
| Aug 5, 2022 | - | $766 | -39% | 1 | $766 | $22,534 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/13/2022 | $793 | 2 | 2 | 5 | $14,593 | 11/28/2022 | |||
| United Kingdom | 1/20/2023 | $8,625 | 7 | 7 | 7 | $8,625 | 2/14/2023 | |||
| International Total | $23,218 | 2/14/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Amélie van Elmbt | Director | |
| Maya Duverdier | Director | |
| Hanne Phlypo | Producer | |
| Quentin Laurent | Producer | |
| Frédéric de Goldschmidt | Co-Producer | |
| Simone van den Broek | Co-Producer | |
| David Herdies | Co-Producer | |
| Martin Scorsese | Executive Producer | |
| Lori Cheatle | Executive Producer | |
| Joachim Philippe | Cinematographer | |
| Virginie Surdej | Cinematographer | |
| Alain Dessauvage | Editor | |
| Julie Naas | Editor | |
| Michael Andrews | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The legendary Chelsea Hotel, an icon of 1960s counterculture and a haven for famous artists and intellectuals including Patti Smith, Janis Joplin and the superstars of Warhol's Factory, is under renovation. Soon it will reopen to the public as one of New York's most fashionable luxury hotels. Dozens of people, most in their later years, still live amidst the scaffolding and constant construction. Against this chaotic backdrop, the film takes us through the hotel’s storied halls, exploring its living body and the bohemian origins that contributed to its mythical stature. Its residents—casualties of capitalism—and the walls themselves now face a turning point in their common history.
Metrics
| Opening Weekend: | $7,370 (32.7% of total gross) |
| Legs: | 3.06 (domestic box office/biggest weekend) |
| Domestic Share: | 49.3% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/12 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,594 |
Movie Details
| Domestic Releases: | July 8th, 2022 (Limited) by Magnolia Pictures, released as Dreaming Walls: Inside the Chelsea Hotel |
| International Releases: | October 13th, 2022 (Limited) (Australia)
January 20th, 2023 (Limited) (United Kingdom) August 28th, 2024 (Limited) (France) |
| Video Release: | July 8th, 2022 by Magnolia Home Entertainment, released as Dreaming Walls: Inside the Chelsea Hotel |
| Running Time: | 80 minutes |
| Geographical setting: | New York, New York City |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Clin d oeil films, Les Films de l oeil sauvage, Media International , Basalt Film, Momento Film, Hard Working Movies, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles |
| Production Countries: | Belgium, Netherlands, France, Sweden, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 8, 2022 | - | $7,370 | 9 | $819 | $7,370 | 1 | |
| Jul 15, 2022 | - | $2,315 | -69% | 5 | $463 | $16,728 | 2 |
| Jul 22, 2022 | - | $808 | -65% | 4 | $202 | $19,423 | 3 |
| Jul 29, 2022 | - | $565 | -30% | 2 | $283 | $21,068 | 4 |
| Aug 5, 2022 | - | $306 | -46% | 1 | $306 | $22,074 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 8, 2022 | - | $14,413 | 12 | $1,201 | $14,413 | 1 | |
| Jul 15, 2022 | - | $4,202 | -71% | 5 | $840 | $18,615 | 2 |
| Jul 22, 2022 | - | $1,888 | -55% | 4 | $472 | $20,503 | 3 |
| Jul 29, 2022 | - | $1,265 | -33% | 2 | $633 | $21,768 | 4 |
| Aug 5, 2022 | - | $766 | -39% | 1 | $766 | $22,534 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/13/2022 | $793 | 2 | 2 | 5 | $14,593 | 11/28/2022 | |||
| United Kingdom | 1/20/2023 | $8,625 | 7 | 7 | 7 | $8,625 | 2/14/2023 | |||
| International Total | $23,218 | 2/14/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Amélie van Elmbt | Director | |
| Maya Duverdier | Director | |
| Hanne Phlypo | Producer | |
| Quentin Laurent | Producer | |
| Frédéric de Goldschmidt | Co-Producer | |
| Simone van den Broek | Co-Producer | |
| David Herdies | Co-Producer | |
| Martin Scorsese | Executive Producer | |
| Lori Cheatle | Executive Producer | |
| Joachim Philippe | Cinematographer | |
| Virginie Surdej | Cinematographer | |
| Alain Dessauvage | Editor | |
| Julie Naas | Editor | |
| Michael Andrews | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.