Dreamland (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $409,363 | Details |
| International Box Office | $673,142 | Details |
| Worldwide Box Office | $1,082,505 | |
| OpusData ID: 395790100 More info... | ||
| Further financial details... | ||
Synopsis
A drug trafficker arranges a multi-cartel Fentanyl smuggling operation. An architect recovering from an Oxycodone addiction tracks down the truth behind her son’s disappearance. A university professor battles unexpected revelations about his employer, a pharmaceutical company bringing a new “non-addictive” painkiller to market.
Metrics
| Opening Weekend: | $178,602 (43.6% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 37.8% (domestic box office/worldwide) |
| Theater counts: | 216 opening theaters/216 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $481,414 |
Movie Details
| Domestic Releases: | February 25th, 2021 (Limited) by Quiver, released as Crisis |
| International Releases: | December 11th, 2020 (Limited) (United Kingdom)
March 11th, 2021 (Wide), released as Трафик (Russia (CIS)) March 18th, 2021 (Limited) (Australia) March 18th, 2021 (Wide) (New Zealand) May 20th, 2021 (Wide) (South Korea) ... Show all releases |
| Video Release: | March 5th, 2021 by Quiver, released as Crisis |
| MPA Rating: | R for drug content, violence, and language throughout. (Rating bulletin 2658 (cert #52997), 12/2/2020) |
| Running Time: | 118 minutes |
| Cast, crew, or production detail: | Segments |
| Plot point: | Addiction, Architecture, Corporate Malfeasance, Drug Cartels, Drug Overdose, Narcotics, Prescription Drug Abuse, Rehab / Former Addict, Research Scientist, Smuggler |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Green Room Films, LOD Productions, Bideford Productions, Martingale Pictures, Flying Horse Productions, Construction Film, Tuesday Films, Burn Later, Elevation Pictures, Such Content, Caviar, Paradise Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 11 | $178,602 | 216 | $827 | $190,649 | 1 | |
| Mar 5, 2021 | 15 | $106,279 | -40% | 210 | $506 | $341,204 | 2 |
| Mar 12, 2021 | - | $39,689 | -63% | 124 | $320 | $409,363 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 25, 2021 | - | $12,047 | 216 | $56 | $12,047 | 1 | ||
| Feb 26, 2021 | P | $12,047 | n/c | 0 | $12,047 | 2 | ||
| Feb 26, 2021 | - | $58,132 | +383% | 216 | $269 | $58,132 | 2 | |
| Feb 27, 2021 | - | $82,763 | +42% | 216 | $383 | $140,895 | 3 | |
| Feb 28, 2021 | - | $49,754 | -40% | 216 | $230 | $190,649 | 4 | |
| Mar 1, 2021 | - | $10,748 | -78% | 216 | $50 | $201,397 | 5 | |
| Mar 2, 2021 | - | $14,840 | +38% | 216 | $69 | $216,237 | 6 | |
| Mar 3, 2021 | - | $10,196 | -31% | 216 | $47 | $226,433 | 7 | |
| Mar 4, 2021 | - | $8,492 | -17% | -30% | 216 | $39 | $234,925 | 8 |
| Mar 5, 2021 | - | $25,809 | +204% | -56% | 210 | $123 | $260,734 | 9 |
| Mar 6, 2021 | - | $46,662 | +81% | -44% | 210 | $222 | $307,396 | 10 |
| Mar 7, 2021 | - | $33,808 | -28% | -32% | 210 | $161 | $341,204 | 11 |
| Mar 8, 2021 | - | $6,302 | -81% | -41% | 210 | $30 | $347,506 | 12 |
| Mar 9, 2021 | - | $8,370 | +33% | -44% | 210 | $40 | $355,876 | 13 |
| Mar 10, 2021 | - | $7,138 | -15% | -30% | 210 | $34 | $363,014 | 14 |
| Mar 11, 2021 | - | $6,660 | -7% | -22% | 210 | $32 | $369,674 | 15 |
| Mar 12, 2021 | - | $11,074 | +66% | -57% | 124 | $89 | $380,748 | 16 |
| Mar 13, 2021 | - | $16,066 | +45% | -66% | 124 | $130 | $396,814 | 17 |
| Mar 14, 2021 | - | $12,549 | -22% | -63% | 124 | $101 | $409,363 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2021 | - | $12,047 | 216 | $56 | $12,047 | 1 | |
| Feb 26, 2021 | - | $215,794 | +1,691% | 216 | $999 | $232,632 | 2 |
| Mar 5, 2021 | - | $137,042 | -36% | 210 | $653 | $369,674 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/18/2021 | $286,720 | 262 | 262 | 591 | $489,346 | 7/26/2021 | |||
| New Zealand | 3/18/2021 | $27,875 | 69 | 69 | 194 | $61,283 | 10/19/2022 | |||
| Russia (CIS) | 3/11/2021 | $0 | 0 | 388 | 388 | $71,996 | 4/4/2026 | |||
| South Korea | 5/20/2021 | $3,350 | 6 | 6 | 12 | $8,265 | 6/4/2021 | |||
| United Kingdom | 12/11/2020 | $29,463 | 150 | 150 | 150 | $29,463 | 4/4/2026 | |||
| Rest of World | $12,789 | |||||||||
| International Total | $673,142 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gary Oldman | Dr. Tyrone Brower | |
| Armie Hammer | Jake Kahane | |
| Evangeline Lilly | Claire Reimann |
Supporting
| Greg Kinnear | Dean Geoff Talbot | |
| Michelle Rodriguez | Supervising Garrett | |
| Luke Evans | Bill Simmons | |
| Lily-Rose Depp | Emmie Kahane | |
| Kid Cudi | Ben Walker | |
| Indira Varma | ||
| Duke Nicholson | Derrick Millebran | |
| Veronica Ferres | Meg Holmes | |
| Michael Aaronov | ||
| Mia Kirshner | ||
| Martin Donovan | ||
| Sam Worthington |
Production and Technical Credits
| Nicholas Jarecki | Director | |
| Nicholas Jarecki | Screenwriter | |
| Nicholas Jarecki | Producer | |
| Cassian Elwes | Producer | |
| Jonathan Vanger | Co-Producer | |
| Karl Richards | Co-Producer | |
| Gary Oldman | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Michael Suppes | Executive Producer | |
| Tony Hsieh | Executive Producer | |
| Mohammed Al Turki | Executive Producer | |
| Noah Segal | Executive Producer | |
| Lisa Wilson | Executive Producer | |
| William Rosenfeld | Executive Producer | |
| Sam Slater | Executive Producer | |
| David Bernon | Executive Producer | |
| Samuel Reich | Executive Producer | |
| Kean Cronin | Co-Executive Producer | |
| Robert Kapp | Co-Executive Producer | |
| James W. Skotchdopole | Co-Executive Producer | |
| Nicolas Bolduc | Director of Photography | |
| Jean Andre Carriere | Production Designer | |
| Duff Smith | Editor | |
| Simonetta Mariano | Costume Designer | |
| Raphael Reed | Composer | |
| Michael Perlmutter | Music Supervisor | |
| Andrea Kenyon | Casting Director | |
| Randi Wells | Casting Director | |
| Jessica Kelly | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A drug trafficker arranges a multi-cartel Fentanyl smuggling operation. An architect recovering from an Oxycodone addiction tracks down the truth behind her son’s disappearance. A university professor battles unexpected revelations about his employer, a pharmaceutical company bringing a new “non-addictive” painkiller to market.
Metrics
| Opening Weekend: | $178,602 (43.6% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 37.8% (domestic box office/worldwide) |
| Theater counts: | 216 opening theaters/216 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $481,414 |
Movie Details
| Domestic Releases: | February 25th, 2021 (Limited) by Quiver, released as Crisis |
| International Releases: | December 11th, 2020 (Limited) (United Kingdom)
March 11th, 2021 (Wide), released as Трафик (Russia (CIS)) March 18th, 2021 (Limited) (Australia) March 18th, 2021 (Wide) (New Zealand) May 20th, 2021 (Wide) (South Korea) ... Show all releases |
| Video Release: | March 5th, 2021 by Quiver, released as Crisis |
| MPA Rating: | R for drug content, violence, and language throughout. (Rating bulletin 2658 (cert #52997), 12/2/2020) |
| Running Time: | 118 minutes |
| Cast, crew, or production detail: | Segments |
| Plot point: | Addiction, Architecture, Corporate Malfeasance, Drug Cartels, Drug Overdose, Narcotics, Prescription Drug Abuse, Rehab / Former Addict, Research Scientist, Smuggler |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Green Room Films, LOD Productions, Bideford Productions, Martingale Pictures, Flying Horse Productions, Construction Film, Tuesday Films, Burn Later, Elevation Pictures, Such Content, Caviar, Paradise Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 2021 | 11 | $178,602 | 216 | $827 | $190,649 | 1 | |
| Mar 5, 2021 | 15 | $106,279 | -40% | 210 | $506 | $341,204 | 2 |
| Mar 12, 2021 | - | $39,689 | -63% | 124 | $320 | $409,363 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 25, 2021 | - | $12,047 | 216 | $56 | $12,047 | 1 | ||
| Feb 26, 2021 | P | $12,047 | n/c | 0 | $12,047 | 2 | ||
| Feb 26, 2021 | - | $58,132 | +383% | 216 | $269 | $58,132 | 2 | |
| Feb 27, 2021 | - | $82,763 | +42% | 216 | $383 | $140,895 | 3 | |
| Feb 28, 2021 | - | $49,754 | -40% | 216 | $230 | $190,649 | 4 | |
| Mar 1, 2021 | - | $10,748 | -78% | 216 | $50 | $201,397 | 5 | |
| Mar 2, 2021 | - | $14,840 | +38% | 216 | $69 | $216,237 | 6 | |
| Mar 3, 2021 | - | $10,196 | -31% | 216 | $47 | $226,433 | 7 | |
| Mar 4, 2021 | - | $8,492 | -17% | -30% | 216 | $39 | $234,925 | 8 |
| Mar 5, 2021 | - | $25,809 | +204% | -56% | 210 | $123 | $260,734 | 9 |
| Mar 6, 2021 | - | $46,662 | +81% | -44% | 210 | $222 | $307,396 | 10 |
| Mar 7, 2021 | - | $33,808 | -28% | -32% | 210 | $161 | $341,204 | 11 |
| Mar 8, 2021 | - | $6,302 | -81% | -41% | 210 | $30 | $347,506 | 12 |
| Mar 9, 2021 | - | $8,370 | +33% | -44% | 210 | $40 | $355,876 | 13 |
| Mar 10, 2021 | - | $7,138 | -15% | -30% | 210 | $34 | $363,014 | 14 |
| Mar 11, 2021 | - | $6,660 | -7% | -22% | 210 | $32 | $369,674 | 15 |
| Mar 12, 2021 | - | $11,074 | +66% | -57% | 124 | $89 | $380,748 | 16 |
| Mar 13, 2021 | - | $16,066 | +45% | -66% | 124 | $130 | $396,814 | 17 |
| Mar 14, 2021 | - | $12,549 | -22% | -63% | 124 | $101 | $409,363 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2021 | - | $12,047 | 216 | $56 | $12,047 | 1 | |
| Feb 26, 2021 | - | $215,794 | +1,691% | 216 | $999 | $232,632 | 2 |
| Mar 5, 2021 | - | $137,042 | -36% | 210 | $653 | $369,674 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/18/2021 | $286,720 | 262 | 262 | 591 | $489,346 | 7/26/2021 | |||
| New Zealand | 3/18/2021 | $27,875 | 69 | 69 | 194 | $61,283 | 10/19/2022 | |||
| Russia (CIS) | 3/11/2021 | $0 | 0 | 388 | 388 | $71,996 | 4/4/2026 | |||
| South Korea | 5/20/2021 | $3,350 | 6 | 6 | 12 | $8,265 | 6/4/2021 | |||
| United Kingdom | 12/11/2020 | $29,463 | 150 | 150 | 150 | $29,463 | 4/4/2026 | |||
| Rest of World | $12,789 | |||||||||
| International Total | $673,142 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gary Oldman | Dr. Tyrone Brower | |
| Armie Hammer | Jake Kahane | |
| Evangeline Lilly | Claire Reimann |
Supporting
| Greg Kinnear | Dean Geoff Talbot | |
| Michelle Rodriguez | Supervising Garrett | |
| Luke Evans | Bill Simmons | |
| Lily-Rose Depp | Emmie Kahane | |
| Kid Cudi | Ben Walker | |
| Indira Varma | ||
| Duke Nicholson | Derrick Millebran | |
| Veronica Ferres | Meg Holmes | |
| Michael Aaronov | ||
| Mia Kirshner | ||
| Martin Donovan | ||
| Sam Worthington |
Production and Technical Credits
| Nicholas Jarecki | Director | |
| Nicholas Jarecki | Screenwriter | |
| Nicholas Jarecki | Producer | |
| Cassian Elwes | Producer | |
| Jonathan Vanger | Co-Producer | |
| Karl Richards | Co-Producer | |
| Gary Oldman | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Michael Suppes | Executive Producer | |
| Tony Hsieh | Executive Producer | |
| Mohammed Al Turki | Executive Producer | |
| Noah Segal | Executive Producer | |
| Lisa Wilson | Executive Producer | |
| William Rosenfeld | Executive Producer | |
| Sam Slater | Executive Producer | |
| David Bernon | Executive Producer | |
| Samuel Reich | Executive Producer | |
| Kean Cronin | Co-Executive Producer | |
| Robert Kapp | Co-Executive Producer | |
| James W. Skotchdopole | Co-Executive Producer | |
| Nicolas Bolduc | Director of Photography | |
| Jean Andre Carriere | Production Designer | |
| Duff Smith | Editor | |
| Simonetta Mariano | Costume Designer | |
| Raphael Reed | Composer | |
| Michael Perlmutter | Music Supervisor | |
| Andrea Kenyon | Casting Director | |
| Randi Wells | Casting Director | |
| Jessica Kelly | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.