Dressed to Kill (1980)
| Theatrical Performance | ||
| Domestic Box Office | $31,899,000 | Details |
| International Box Office | $276 | Details |
| Worldwide Box Office | $31,899,276 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $160,402 | |
| Blu-ray Sales (estimated) | $1,159,515 | |
| Total | $1,319,917 | |
| OpusData ID: 17810100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,500,000 (worldwide box office is 4.9 times production budget) |
| Infl. Adj. Dom. BO | $134,118,097 |
Movie Details
| Domestic Releases: | January 1st, 1980 (Wide) by Filmways Pictures |
| International Releases: | October 8th, 2026 (Limited) (New Zealand) |
| Video Release: | September 8th, 2015 by Criterion |
| MPA Rating: | R |
| Running Time: | 104 minutes |
| Plot point: | Cross-Dressing, Faulty Memory, LGBTQ+, Mental Illness, Nightmare, Prostitution, Revenge, Surprise Twist, Unbelieving Police, Young Child Dealing with the Death of a Parent |
| Social setting: | Therapists / Therapy |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/8/2026 | $0 | 0 | 1 | 0 | $276 | 11/2/2026 | |||
| International Total | $276 | 11/2/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Michael Caine | Dr. Robert Elliott | |
| Dennis Franz | Detective Marino | |
| Nancy Allen | Liz Blake | |
| Keith Gordon | Peter Miller |
Production and Technical Credits
| Brian De Palma | Director | |
| Pino Donaggio | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,500,000 (worldwide box office is 4.9 times production budget) |
| Infl. Adj. Dom. BO | $134,118,097 |
Movie Details
| Domestic Releases: | January 1st, 1980 (Wide) by Filmways Pictures |
| International Releases: | October 8th, 2026 (Limited) (New Zealand) |
| Video Release: | September 8th, 2015 by Criterion |
| MPA Rating: | R |
| Running Time: | 104 minutes |
| Plot point: | Cross-Dressing, Faulty Memory, LGBTQ+, Mental Illness, Nightmare, Prostitution, Revenge, Surprise Twist, Unbelieving Police, Young Child Dealing with the Death of a Parent |
| Social setting: | Therapists / Therapy |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/8/2026 | $0 | 0 | 1 | 0 | $276 | 11/2/2026 | |||
| International Total | $276 | 11/2/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Michael Caine | Dr. Robert Elliott | |
| Dennis Franz | Detective Marino | |
| Nancy Allen | Liz Blake | |
| Keith Gordon | Peter Miller |
Production and Technical Credits
| Brian De Palma | Director | |
| Pino Donaggio | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.