Drive-Away Dolls (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $5,028,215 | Details |
| International Box Office | $2,922,537 | Details |
| Worldwide Box Office | $7,950,752 | |
| OpusData ID: 560260100 More info... | ||
| Further financial details... | ||
Synopsis
Jamie is an uninhibited free spirit bemoaning yet another breakup with a girlfriend. Her demure friend Marian desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Metrics
| Opening Weekend: | $2,404,330 (47.8% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 63.2% (domestic box office/worldwide) |
| Theater counts: | 2,280 opening theaters/2,280 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,317,189 |
Movie Details
| Domestic Releases: | February 23rd, 2024 (Wide) by Focus Features |
| International Releases: | February 22nd, 2024 (Wide) (Georgia)
February 22nd, 2024 (Wide) (Australia) February 22nd, 2024 (Wide) (Israel) February 22nd, 2024 (Wide) (New Zealand) February 22nd, 2024 (Wide), released as Garotas em Fuga (Brazil) ... Show all releases |
| Video Release: | March 12th, 2024 by Universal Home Entertainment |
| MPA Rating: | R for crude sexual content, full nudity, language and some violent content. (Rating bulletin 2791 (cert #54255), 7/12/2023) |
| Running Time: | 83 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Pennsylvania, United States |
| Geographical setting: | Florida |
| Plot point: | Crime, Relationships Gone Wrong, Road Trip |
| Social setting: | Crime Caper |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Working Title Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | 8 | $2,404,330 | 2,280 | $1,055 | $2,404,330 | 1 | |
| Mar 1, 2024 | 11 | $999,130 | -58% | 2,278 | $439 | $4,322,700 | 2 |
| Mar 8, 2024 | - | $150,170 | -85% | 280 | $536 | $4,943,825 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 22, 2024 | P | $450,000 | 0 | $450,000 | ||||
| Feb 23, 2024 | 5 | $1,011,980 | 2,280 | $444 | $1,011,980 | 1 | ||
| Feb 24, 2024 | 9 | $849,045 | -16% | 2,280 | $372 | $1,861,025 | 2 | |
| Feb 25, 2024 | 9 | $543,305 | -36% | 2,280 | $238 | $2,404,330 | 3 | |
| Feb 26, 2024 | 6 | $207,975 | -62% | 2,280 | $91 | $2,612,305 | 4 | |
| Feb 27, 2024 | 7 | $323,325 | +55% | 2,280 | $142 | $2,935,630 | 5 | |
| Feb 28, 2024 | 7 | $209,035 | -35% | 2,280 | $92 | $3,144,665 | 6 | |
| Feb 29, 2024 | 7 | $178,905 | -14% | 2,280 | $78 | $3,323,570 | 7 | |
| Mar 1, 2024 | 10 | $293,760 | +64% | -71% | 2,278 | $129 | $3,617,330 | 8 |
| Mar 2, 2024 | 11 | $436,715 | +49% | -49% | 2,278 | $192 | $4,054,045 | 9 |
| Mar 3, 2024 | 11 | $268,655 | -38% | -51% | 2,278 | $118 | $4,322,700 | 10 |
| Mar 4, 2024 | 9 | $107,460 | -60% | -48% | 2,278 | $47 | $4,430,160 | 11 |
| Mar 5, 2024 | 9 | $167,490 | +56% | -48% | 2,278 | $74 | $4,597,650 | 12 |
| Mar 6, 2024 | - | $121,545 | -27% | -42% | 2,278 | $53 | $4,719,195 | 13 |
| Mar 7, 2024 | - | $74,460 | -39% | -58% | 2,278 | $33 | $4,793,655 | 14 |
| Mar 8, 2024 | - | $46,620 | -37% | -84% | 280 | $167 | $4,840,275 | 15 |
| Mar 9, 2024 | - | $67,620 | +45% | -85% | 280 | $242 | $4,907,895 | 16 |
| Mar 10, 2024 | - | $35,930 | -47% | -87% | 280 | $128 | $4,943,825 | 17 |
| Mar 11, 2024 | - | $20,485 | -43% | -81% | 280 | $73 | $4,964,310 | 18 |
| Mar 12, 2024 | - | $25,125 | +23% | -85% | 280 | $90 | $4,989,435 | 19 |
| Mar 13, 2024 | - | $24,570 | -2% | -80% | 280 | $88 | $5,014,005 | 20 |
| Mar 14, 2024 | - | $14,210 | -42% | -81% | 280 | $51 | $5,028,215 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | 7 | $3,323,570 | 2,280 | $1,458 | $3,323,570 | 1 | |
| Mar 1, 2024 | 11 | $1,470,085 | -56% | 2,278 | $645 | $4,793,655 | 2 |
| Mar 8, 2024 | 24 | $234,560 | -84% | 280 | $838 | $5,028,215 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/22/2024 | $56,639 | 72 | 72 | 228 | $200,978 | 5/31/2024 | |||
| Austria | 3/14/2024 | $0 | 0 | 0 | 0 | $55,172 | 11/9/2025 | |||
| Belgium | 4/10/2024 | $0 | 0 | 0 | 0 | $90,296 | 6/11/2024 | |||
| Czech Republic | 3/21/2024 | $9,709 | 123 | 123 | 123 | $26,220 | 4/30/2024 | |||
| Denmark | 2/22/2024 | $11,000 | 43 | 43 | 43 | $20,497 | 3/26/2024 | |||
| Finland | 3/22/2024 | $21,141 | 65 | 65 | 99 | $46,069 | 5/27/2024 | |||
| France | 4/3/2024 | $0 | 0 | 0 | 0 | $464,798 | 5/2/2024 | |||
| Georgia | 2/22/2024 | $3,000 | 4 | 4 | 4 | $6,061 | 4/3/2024 | |||
| Germany | 3/7/2024 | $0 | 0 | 0 | 0 | $360,082 | 6/10/2024 | |||
| Israel | 2/22/2024 | $20,000 | 29 | 29 | 29 | $31,845 | 3/20/2024 | |||
| Italy | 3/7/2024 | $75,929 | 0 | 0 | 0 | $172,547 | 8/20/2024 | |||
| Japan | 6/7/2024 | $35,000 | 43 | 43 | 57 | $118,347 | 9/1/2024 | |||
| Netherlands | 2/23/2024 | $67,043 | 46 | 48 | 168 | $228,132 | 6/18/2025 | |||
| New Zealand | 2/22/2024 | $11,181 | 40 | 40 | 109 | $29,318 | 4/10/2024 | |||
| Norway | 3/22/2024 | $0 | 0 | 0 | 0 | $22,989 | 4/16/2024 | |||
| Poland | 2/23/2024 | $26,000 | 85 | 85 | 85 | $49,183 | 3/21/2024 | |||
| Singapore | 6/8/2024 | $0 | 0 | 0 | 0 | $2,997 | 6/22/2024 | |||
| Slovakia | 3/21/2024 | $4,288 | 60 | 60 | 60 | $6,610 | 4/28/2024 | |||
| Spain | 3/1/2024 | $0 | 0 | 0 | 0 | $21,319 | 3/22/2024 | |||
| Sweden | 3/22/2024 | $0 | 0 | 0 | 0 | $21,880 | 4/28/2024 | |||
| Switzerland | 3/7/2024 | $0 | 0 | 0 | 0 | $81,118 | 4/10/2024 | |||
| United Kingdom | 3/15/2024 | $354,335 | 530 | 530 | 894 | $866,079 | 4/7/2024 | |||
| International Total | $2,922,537 | 11/9/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Margaret Qualley | Jamie | |
| Geraldine Viswanathan | Marian | |
| Beanie Feldstein | Sukie | |
| Colman Domingo | The Chief | |
| Pedro Pascal | The Collector | |
| Bill Camp | Curlie | |
| Matt Damon | Senator Gary Channel |
Supporting
| Joey Slotnick | Goon | |
| C.J. Wilson | Goon | |
| Connie Jackson | Aunt Ellis | |
| Annie Gonzalez | Carla | |
| Gordon MacDonald | Cicero’s Waiter | |
| Sam Vartholomeos | Bart | |
| John Menchion | Old Man at Slappy’s | |
| Michael Counihan | Turkish Motel Man | |
| Abby Hilden | Soccer Captain | |
| Haley Holmes | Soccer Girl | |
| Fatima Barlow | Soccer Girl | |
| Jordan Zatawski | Young Senator Channel | |
| Samsara Yett | Young Marian | |
| Savanna Ziegler | Sunbathing Woman | |
| Michael Worden | Sunbather’s Husband | |
| Braxton McCollum | El Conquistador Desk Clerk | |
| Daniel Kirkman | Baxter’s Waiter | |
| Layne Lazor | Amber | |
| Phil McFall | Cop | |
| Angelo Maldonado Jr. | Lock-Up Thug | |
| Cristina Contreras | Hotel Maid | |
| Michael Edelstein | Chauffeur | |
| Micaela Minner | Sugar n Spice DJ | |
| Billy Hough | Alley Thug | |
| Alex Halpern | Alley Thug | |
| Angela Boehm | Motorcycle Lesbian | |
| Josh Flitter | Bellboy |
Production and Technical Credits
| Ethan Coen | Director | |
| Tricia Cooke | Screenwriter | |
| Ethan Coen | Screenwriter | |
| Ethan Coen | Producer | |
| Tricia Cooke | Producer | |
| Robert Graf | Producer | |
| Eric Fellner | Producer | |
| Tim Bevan | Producer | |
| Tricia Cooke | Editor | |
| Ethan Coen | Editor | |
| Carter Burwell | Composer | |
| Ari Wegner | Director of Photography | |
| Peggy Schnitzer | Costume Designer | |
| Yong Ok Lee | Production Designer | |
| Karen Ruth Getchell | Unit Production Manager | |
| Robert Graf | Unit Production Manager | |
| Liz Tan | First Assistant Director | |
| Susan Ransom Coyle | Second Assistant Director | |
| Nancy Haigh | Set Decorator | |
| Tom Johnston | Script Supervisor | |
| Peter F. Kurland | Sound Mixer | |
| Emily Denker | Associate Editor | |
| Chris Robertson | Music Supervisor | |
| Gregory Weimerskirch | Art Director | |
| Haley Ho | Art Director | |
| Kate Bechak | Set Designer | |
| J. Todd Anderson | Story Artist | |
| Raymond M. Tasillo | Special Effects Coordinator | |
| Eileen Sieff Stroup | Costume Supervisor | |
| Jean A. Black | Make up | |
| Doug Fairall | Make up | |
| Lori Guidroz | Hairstylist | |
| Jason Renner | Hairstylist | |
| Kent Jackson | Location Manager | |
| Catherine Farrell | Post-Production Supervisor | |
| Ryan Drum | First Assistant Editor | |
| Paul Urmson | Sound Designer | |
| Michael Feuser | Supervising Dialogue Editor | |
| Todd Kasow | Music Editor | |
| Rick Chefalas | Dialogue Editor | |
| Wyatt Sprague | Sound Effects Editor | |
| Lee Salevan | Sound Effects Editor | |
| Nora Linde | Supervising Foley Editor | |
| Giorgi Lekishvili | Foley Mixer | |
| Skip Lievsay | Re-recording Mixer | |
| Paul Urmson | Re-recording Mixer | |
| Greg Orloff | Re-recording Mixer | |
| Jennifer Lamb | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jamie is an uninhibited free spirit bemoaning yet another breakup with a girlfriend. Her demure friend Marian desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Metrics
| Opening Weekend: | $2,404,330 (47.8% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 63.2% (domestic box office/worldwide) |
| Theater counts: | 2,280 opening theaters/2,280 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,317,189 |
Movie Details
| Domestic Releases: | February 23rd, 2024 (Wide) by Focus Features |
| International Releases: | February 22nd, 2024 (Wide) (Georgia)
February 22nd, 2024 (Wide) (Australia) February 22nd, 2024 (Wide) (Israel) February 22nd, 2024 (Wide) (New Zealand) February 22nd, 2024 (Wide), released as Garotas em Fuga (Brazil) ... Show all releases |
| Video Release: | March 12th, 2024 by Universal Home Entertainment |
| MPA Rating: | R for crude sexual content, full nudity, language and some violent content. (Rating bulletin 2791 (cert #54255), 7/12/2023) |
| Running Time: | 83 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Pennsylvania, United States |
| Geographical setting: | Florida |
| Plot point: | Crime, Relationships Gone Wrong, Road Trip |
| Social setting: | Crime Caper |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Working Title Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | 8 | $2,404,330 | 2,280 | $1,055 | $2,404,330 | 1 | |
| Mar 1, 2024 | 11 | $999,130 | -58% | 2,278 | $439 | $4,322,700 | 2 |
| Mar 8, 2024 | - | $150,170 | -85% | 280 | $536 | $4,943,825 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 22, 2024 | P | $450,000 | 0 | $450,000 | ||||
| Feb 23, 2024 | 5 | $1,011,980 | 2,280 | $444 | $1,011,980 | 1 | ||
| Feb 24, 2024 | 9 | $849,045 | -16% | 2,280 | $372 | $1,861,025 | 2 | |
| Feb 25, 2024 | 9 | $543,305 | -36% | 2,280 | $238 | $2,404,330 | 3 | |
| Feb 26, 2024 | 6 | $207,975 | -62% | 2,280 | $91 | $2,612,305 | 4 | |
| Feb 27, 2024 | 7 | $323,325 | +55% | 2,280 | $142 | $2,935,630 | 5 | |
| Feb 28, 2024 | 7 | $209,035 | -35% | 2,280 | $92 | $3,144,665 | 6 | |
| Feb 29, 2024 | 7 | $178,905 | -14% | 2,280 | $78 | $3,323,570 | 7 | |
| Mar 1, 2024 | 10 | $293,760 | +64% | -71% | 2,278 | $129 | $3,617,330 | 8 |
| Mar 2, 2024 | 11 | $436,715 | +49% | -49% | 2,278 | $192 | $4,054,045 | 9 |
| Mar 3, 2024 | 11 | $268,655 | -38% | -51% | 2,278 | $118 | $4,322,700 | 10 |
| Mar 4, 2024 | 9 | $107,460 | -60% | -48% | 2,278 | $47 | $4,430,160 | 11 |
| Mar 5, 2024 | 9 | $167,490 | +56% | -48% | 2,278 | $74 | $4,597,650 | 12 |
| Mar 6, 2024 | - | $121,545 | -27% | -42% | 2,278 | $53 | $4,719,195 | 13 |
| Mar 7, 2024 | - | $74,460 | -39% | -58% | 2,278 | $33 | $4,793,655 | 14 |
| Mar 8, 2024 | - | $46,620 | -37% | -84% | 280 | $167 | $4,840,275 | 15 |
| Mar 9, 2024 | - | $67,620 | +45% | -85% | 280 | $242 | $4,907,895 | 16 |
| Mar 10, 2024 | - | $35,930 | -47% | -87% | 280 | $128 | $4,943,825 | 17 |
| Mar 11, 2024 | - | $20,485 | -43% | -81% | 280 | $73 | $4,964,310 | 18 |
| Mar 12, 2024 | - | $25,125 | +23% | -85% | 280 | $90 | $4,989,435 | 19 |
| Mar 13, 2024 | - | $24,570 | -2% | -80% | 280 | $88 | $5,014,005 | 20 |
| Mar 14, 2024 | - | $14,210 | -42% | -81% | 280 | $51 | $5,028,215 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | 7 | $3,323,570 | 2,280 | $1,458 | $3,323,570 | 1 | |
| Mar 1, 2024 | 11 | $1,470,085 | -56% | 2,278 | $645 | $4,793,655 | 2 |
| Mar 8, 2024 | 24 | $234,560 | -84% | 280 | $838 | $5,028,215 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/22/2024 | $56,639 | 72 | 72 | 228 | $200,978 | 5/31/2024 | |||
| Austria | 3/14/2024 | $0 | 0 | 0 | 0 | $55,172 | 11/9/2025 | |||
| Belgium | 4/10/2024 | $0 | 0 | 0 | 0 | $90,296 | 6/11/2024 | |||
| Czech Republic | 3/21/2024 | $9,709 | 123 | 123 | 123 | $26,220 | 4/30/2024 | |||
| Denmark | 2/22/2024 | $11,000 | 43 | 43 | 43 | $20,497 | 3/26/2024 | |||
| Finland | 3/22/2024 | $21,141 | 65 | 65 | 99 | $46,069 | 5/27/2024 | |||
| France | 4/3/2024 | $0 | 0 | 0 | 0 | $464,798 | 5/2/2024 | |||
| Georgia | 2/22/2024 | $3,000 | 4 | 4 | 4 | $6,061 | 4/3/2024 | |||
| Germany | 3/7/2024 | $0 | 0 | 0 | 0 | $360,082 | 6/10/2024 | |||
| Israel | 2/22/2024 | $20,000 | 29 | 29 | 29 | $31,845 | 3/20/2024 | |||
| Italy | 3/7/2024 | $75,929 | 0 | 0 | 0 | $172,547 | 8/20/2024 | |||
| Japan | 6/7/2024 | $35,000 | 43 | 43 | 57 | $118,347 | 9/1/2024 | |||
| Netherlands | 2/23/2024 | $67,043 | 46 | 48 | 168 | $228,132 | 6/18/2025 | |||
| New Zealand | 2/22/2024 | $11,181 | 40 | 40 | 109 | $29,318 | 4/10/2024 | |||
| Norway | 3/22/2024 | $0 | 0 | 0 | 0 | $22,989 | 4/16/2024 | |||
| Poland | 2/23/2024 | $26,000 | 85 | 85 | 85 | $49,183 | 3/21/2024 | |||
| Singapore | 6/8/2024 | $0 | 0 | 0 | 0 | $2,997 | 6/22/2024 | |||
| Slovakia | 3/21/2024 | $4,288 | 60 | 60 | 60 | $6,610 | 4/28/2024 | |||
| Spain | 3/1/2024 | $0 | 0 | 0 | 0 | $21,319 | 3/22/2024 | |||
| Sweden | 3/22/2024 | $0 | 0 | 0 | 0 | $21,880 | 4/28/2024 | |||
| Switzerland | 3/7/2024 | $0 | 0 | 0 | 0 | $81,118 | 4/10/2024 | |||
| United Kingdom | 3/15/2024 | $354,335 | 530 | 530 | 894 | $866,079 | 4/7/2024 | |||
| International Total | $2,922,537 | 11/9/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Margaret Qualley | Jamie | |
| Geraldine Viswanathan | Marian | |
| Beanie Feldstein | Sukie | |
| Colman Domingo | The Chief | |
| Pedro Pascal | The Collector | |
| Bill Camp | Curlie | |
| Matt Damon | Senator Gary Channel |
Supporting
| Joey Slotnick | Goon | |
| C.J. Wilson | Goon | |
| Connie Jackson | Aunt Ellis | |
| Annie Gonzalez | Carla | |
| Gordon MacDonald | Cicero’s Waiter | |
| Sam Vartholomeos | Bart | |
| John Menchion | Old Man at Slappy’s | |
| Michael Counihan | Turkish Motel Man | |
| Abby Hilden | Soccer Captain | |
| Haley Holmes | Soccer Girl | |
| Fatima Barlow | Soccer Girl | |
| Jordan Zatawski | Young Senator Channel | |
| Samsara Yett | Young Marian | |
| Savanna Ziegler | Sunbathing Woman | |
| Michael Worden | Sunbather’s Husband | |
| Braxton McCollum | El Conquistador Desk Clerk | |
| Daniel Kirkman | Baxter’s Waiter | |
| Layne Lazor | Amber | |
| Phil McFall | Cop | |
| Angelo Maldonado Jr. | Lock-Up Thug | |
| Cristina Contreras | Hotel Maid | |
| Michael Edelstein | Chauffeur | |
| Micaela Minner | Sugar n Spice DJ | |
| Billy Hough | Alley Thug | |
| Alex Halpern | Alley Thug | |
| Angela Boehm | Motorcycle Lesbian | |
| Josh Flitter | Bellboy |
Production and Technical Credits
| Ethan Coen | Director | |
| Tricia Cooke | Screenwriter | |
| Ethan Coen | Screenwriter | |
| Ethan Coen | Producer | |
| Tricia Cooke | Producer | |
| Robert Graf | Producer | |
| Eric Fellner | Producer | |
| Tim Bevan | Producer | |
| Tricia Cooke | Editor | |
| Ethan Coen | Editor | |
| Carter Burwell | Composer | |
| Ari Wegner | Director of Photography | |
| Peggy Schnitzer | Costume Designer | |
| Yong Ok Lee | Production Designer | |
| Karen Ruth Getchell | Unit Production Manager | |
| Robert Graf | Unit Production Manager | |
| Liz Tan | First Assistant Director | |
| Susan Ransom Coyle | Second Assistant Director | |
| Nancy Haigh | Set Decorator | |
| Tom Johnston | Script Supervisor | |
| Peter F. Kurland | Sound Mixer | |
| Emily Denker | Associate Editor | |
| Chris Robertson | Music Supervisor | |
| Gregory Weimerskirch | Art Director | |
| Haley Ho | Art Director | |
| Kate Bechak | Set Designer | |
| J. Todd Anderson | Story Artist | |
| Raymond M. Tasillo | Special Effects Coordinator | |
| Eileen Sieff Stroup | Costume Supervisor | |
| Jean A. Black | Make up | |
| Doug Fairall | Make up | |
| Lori Guidroz | Hairstylist | |
| Jason Renner | Hairstylist | |
| Kent Jackson | Location Manager | |
| Catherine Farrell | Post-Production Supervisor | |
| Ryan Drum | First Assistant Editor | |
| Paul Urmson | Sound Designer | |
| Michael Feuser | Supervising Dialogue Editor | |
| Todd Kasow | Music Editor | |
| Rick Chefalas | Dialogue Editor | |
| Wyatt Sprague | Sound Effects Editor | |
| Lee Salevan | Sound Effects Editor | |
| Nora Linde | Supervising Foley Editor | |
| Giorgi Lekishvili | Foley Mixer | |
| Skip Lievsay | Re-recording Mixer | |
| Paul Urmson | Re-recording Mixer | |
| Greg Orloff | Re-recording Mixer | |
| Jennifer Lamb | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.