Duino (2025)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 755810100 More info... | ||
| Further financial details... | ||
Synopsis
An Argentine filmmaker, unable to finish editing a movie about his unrequited first love, receives an unexpected invitation to revisit his past, reconstruct his memories, and perhaps even find a new ending to the story.
Metrics
Movie Details
| Domestic Releases: | July 11th, 2025 (Limited) by The Film Collaborative , released as Before We Forget |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Italy, Argentina |
| Languages: | English, Spanish |
Production and Technical Credits
| Juan Pablo Di Pace | Director | |
| Andres Pepe Estrada | Director | |
| Juan Pablo Di Pace | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An Argentine filmmaker, unable to finish editing a movie about his unrequited first love, receives an unexpected invitation to revisit his past, reconstruct his memories, and perhaps even find a new ending to the story.
Metrics
Movie Details
| Domestic Releases: | July 11th, 2025 (Limited) by The Film Collaborative , released as Before We Forget |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Italy, Argentina |
| Languages: | English, Spanish |
Production and Technical Credits
| Juan Pablo Di Pace | Director | |
| Andres Pepe Estrada | Director | |
| Juan Pablo Di Pace | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.