The Duke (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $1,526,970 | Details |
| International Box Office | $12,802,353 | Details |
| Worldwide Box Office | $14,329,323 | |
| OpusData ID: 470600100 More info... | ||
| Further financial details... | ||
Synopsis
In 1961 Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. What happened next became the stuff of legend. Only 50 years later did the full story emerge—a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage.
Metrics
| Opening Weekend: | $25,776 (1.7% of total gross) |
| Legs: | 4.11 (domestic box office/biggest weekend) |
| Domestic Share: | 10.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/353 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,734,332 |
Movie Details
| Domestic Releases: | December 10th, 2021 (Oscar Qualifying Run) by Sony Pictures Classics April 22nd, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | February 25th, 2022 (Wide) (United Kingdom)
March 3rd, 2022 (Wide), released as Il ritratto del duca (Italy) March 17th, 2022 (Wide) (Netherlands) March 31st, 2022 (Wide) (Australia) March 31st, 2022 (Wide) (New Zealand) ... Show all releases |
| Video Release: | July 26th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and brief sexuality. (Rating bulletin 2670 (cert #53106), 3/3/2021) |
| Running Time: | 96 minutes |
| Geographical setting: | London |
| Plot point: | Biography, Heist, Museum, Political, Political Activist |
| Subgenre: | Comedy Drama |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Pathe, Ingenious Media, Screen Yorkshire, Neon Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2022 | - | $25,776 | 4 | $6,444 | $25,776 | 20 | |
| Apr 29, 2022 | - | $116,844 | +353% | 57 | $2,050 | $156,418 | 21 |
| May 6, 2022 | 12 | $371,378 | +218% | 350 | $1,061 | $587,819 | 22 |
| May 13, 2022 | - | $239,511 | -36% | 353 | $679 | $1,001,474 | 23 |
| May 20, 2022 | - | $100,271 | -58% | 180 | $557 | $1,209,964 | 24 |
| May 27, 2022 | - | $80,377 | -20% | 102 | $788 | $1,337,237 | 25 |
| Jun 3, 2022 | - | $39,606 | -51% | 102 | $388 | $1,408,358 | 26 |
| Jun 10, 2022 | - | $31,294 | -21% | 45 | $695 | $1,455,666 | 27 |
| Jun 17, 2022 | - | $25,201 | -19% | 38 | $663 | $1,488,897 | 28 |
| Jun 24, 2022 | - | $7,939 | -68% | 19 | $418 | $1,508,140 | 29 |
| Jul 1, 2022 | - | $3,016 | -62% | 9 | $335 | $1,515,562 | 30 |
| Jul 8, 2022 | - | $3,079 | +2% | 8 | $385 | $1,520,977 | 31 |
| Jul 15, 2022 | - | $1,264 | -59% | 4 | $316 | $1,523,518 | 32 |
| Jul 22, 2022 | - | $2,316 | +83% | 4 | $579 | $1,526,401 | 33 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2022 | - | $39,574 | 4 | $9,894 | $39,574 | 20 | |
| Apr 29, 2022 | - | $176,867 | +347% | 57 | $3,103 | $216,441 | 21 |
| May 6, 2022 | - | $545,522 | +208% | 350 | $1,559 | $761,963 | 22 |
| May 13, 2022 | - | $347,730 | -36% | 353 | $985 | $1,109,693 | 23 |
| May 20, 2022 | - | $147,167 | -58% | 353 | $417 | $1,256,860 | 24 |
| May 27, 2022 | - | $111,892 | -24% | 102 | $1,097 | $1,368,752 | 25 |
| Jun 3, 2022 | - | $55,620 | -50% | 82 | $678 | $1,424,372 | 26 |
| Jun 10, 2022 | - | $39,324 | -29% | 45 | $874 | $1,463,696 | 27 |
| Jun 17, 2022 | - | $36,505 | -7% | 38 | $961 | $1,500,201 | 28 |
| Jun 24, 2022 | - | $12,345 | -66% | 19 | $650 | $1,512,546 | 29 |
| Jul 1, 2022 | - | $5,352 | -57% | 9 | $595 | $1,517,898 | 30 |
| Jul 8, 2022 | - | $4,356 | -19% | 8 | $545 | $1,522,254 | 31 |
| Jul 15, 2022 | - | $1,831 | -58% | 5 | $366 | $1,524,085 | 32 |
| Jul 22, 2022 | - | $2,885 | +58% | 4 | $721 | $1,526,970 | 33 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/31/2022 | $466,819 | 261 | 261 | 1,362 | $2,312,254 | 11/14/2022 | |||
| Croatia | 1/19/2023 | $339 | 14 | 15 | 29 | $660 | 2/3/2023 | |||
| Italy | 3/3/2022 | $299,588 | 0 | 0 | 0 | $916,255 | 10/20/2022 | |||
| Netherlands | 3/17/2022 | $142,803 | 78 | 91 | 686 | $965,058 | 6/13/2022 | |||
| New Zealand | 3/31/2022 | $91,545 | 96 | 96 | 545 | $520,056 | 10/20/2022 | |||
| United Kingdom | 2/25/2022 | $1,330,820 | 651 | 651 | 3,238 | $6,600,269 | 5/25/2022 | |||
| Rest of World | $1,487,801 | |||||||||
| International Total | $12,802,353 | 2/3/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jim Broadbent | ||
| Helen Mirren |
Production and Technical Credits
| Roger Michell | Director | |
| Richard Bean | Screenwriter | |
| Clive Coleman | Screenwriter | |
| Nicky Bentham | Producer | |
| Cameron McCracken | Executive Producer | |
| Jenny Borgars | Executive Producer | |
| Andrea Scarso | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Peter Scarf | Executive Producer | |
| Chris Bunton | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1961 Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. What happened next became the stuff of legend. Only 50 years later did the full story emerge—a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage.
Metrics
| Opening Weekend: | $25,776 (1.7% of total gross) |
| Legs: | 4.11 (domestic box office/biggest weekend) |
| Domestic Share: | 10.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/353 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,734,332 |
Movie Details
| Domestic Releases: | December 10th, 2021 (Oscar Qualifying Run) by Sony Pictures Classics April 22nd, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | February 25th, 2022 (Wide) (United Kingdom)
March 3rd, 2022 (Wide), released as Il ritratto del duca (Italy) March 17th, 2022 (Wide) (Netherlands) March 31st, 2022 (Wide) (Australia) March 31st, 2022 (Wide) (New Zealand) ... Show all releases |
| Video Release: | July 26th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and brief sexuality. (Rating bulletin 2670 (cert #53106), 3/3/2021) |
| Running Time: | 96 minutes |
| Geographical setting: | London |
| Plot point: | Biography, Heist, Museum, Political, Political Activist |
| Subgenre: | Comedy Drama |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Pathe, Ingenious Media, Screen Yorkshire, Neon Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2022 | - | $25,776 | 4 | $6,444 | $25,776 | 20 | |
| Apr 29, 2022 | - | $116,844 | +353% | 57 | $2,050 | $156,418 | 21 |
| May 6, 2022 | 12 | $371,378 | +218% | 350 | $1,061 | $587,819 | 22 |
| May 13, 2022 | - | $239,511 | -36% | 353 | $679 | $1,001,474 | 23 |
| May 20, 2022 | - | $100,271 | -58% | 180 | $557 | $1,209,964 | 24 |
| May 27, 2022 | - | $80,377 | -20% | 102 | $788 | $1,337,237 | 25 |
| Jun 3, 2022 | - | $39,606 | -51% | 102 | $388 | $1,408,358 | 26 |
| Jun 10, 2022 | - | $31,294 | -21% | 45 | $695 | $1,455,666 | 27 |
| Jun 17, 2022 | - | $25,201 | -19% | 38 | $663 | $1,488,897 | 28 |
| Jun 24, 2022 | - | $7,939 | -68% | 19 | $418 | $1,508,140 | 29 |
| Jul 1, 2022 | - | $3,016 | -62% | 9 | $335 | $1,515,562 | 30 |
| Jul 8, 2022 | - | $3,079 | +2% | 8 | $385 | $1,520,977 | 31 |
| Jul 15, 2022 | - | $1,264 | -59% | 4 | $316 | $1,523,518 | 32 |
| Jul 22, 2022 | - | $2,316 | +83% | 4 | $579 | $1,526,401 | 33 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2022 | - | $39,574 | 4 | $9,894 | $39,574 | 20 | |
| Apr 29, 2022 | - | $176,867 | +347% | 57 | $3,103 | $216,441 | 21 |
| May 6, 2022 | - | $545,522 | +208% | 350 | $1,559 | $761,963 | 22 |
| May 13, 2022 | - | $347,730 | -36% | 353 | $985 | $1,109,693 | 23 |
| May 20, 2022 | - | $147,167 | -58% | 353 | $417 | $1,256,860 | 24 |
| May 27, 2022 | - | $111,892 | -24% | 102 | $1,097 | $1,368,752 | 25 |
| Jun 3, 2022 | - | $55,620 | -50% | 82 | $678 | $1,424,372 | 26 |
| Jun 10, 2022 | - | $39,324 | -29% | 45 | $874 | $1,463,696 | 27 |
| Jun 17, 2022 | - | $36,505 | -7% | 38 | $961 | $1,500,201 | 28 |
| Jun 24, 2022 | - | $12,345 | -66% | 19 | $650 | $1,512,546 | 29 |
| Jul 1, 2022 | - | $5,352 | -57% | 9 | $595 | $1,517,898 | 30 |
| Jul 8, 2022 | - | $4,356 | -19% | 8 | $545 | $1,522,254 | 31 |
| Jul 15, 2022 | - | $1,831 | -58% | 5 | $366 | $1,524,085 | 32 |
| Jul 22, 2022 | - | $2,885 | +58% | 4 | $721 | $1,526,970 | 33 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/31/2022 | $466,819 | 261 | 261 | 1,362 | $2,312,254 | 11/14/2022 | |||
| Croatia | 1/19/2023 | $339 | 14 | 15 | 29 | $660 | 2/3/2023 | |||
| Italy | 3/3/2022 | $299,588 | 0 | 0 | 0 | $916,255 | 10/20/2022 | |||
| Netherlands | 3/17/2022 | $142,803 | 78 | 91 | 686 | $965,058 | 6/13/2022 | |||
| New Zealand | 3/31/2022 | $91,545 | 96 | 96 | 545 | $520,056 | 10/20/2022 | |||
| United Kingdom | 2/25/2022 | $1,330,820 | 651 | 651 | 3,238 | $6,600,269 | 5/25/2022 | |||
| Rest of World | $1,487,801 | |||||||||
| International Total | $12,802,353 | 2/3/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jim Broadbent | ||
| Helen Mirren |
Production and Technical Credits
| Roger Michell | Director | |
| Richard Bean | Screenwriter | |
| Clive Coleman | Screenwriter | |
| Nicky Bentham | Producer | |
| Cameron McCracken | Executive Producer | |
| Jenny Borgars | Executive Producer | |
| Andrea Scarso | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Peter Scarf | Executive Producer | |
| Chris Bunton | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.