The Dutchman (2026)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 732080100 More info... | ||
| Further financial details... | ||
Synopsis
Clay, a successful but troubled Black businessman, attends therapy sessions with his wife, Kaya, in an attempt to salvage their marriage. But their mysterious therapist is not all that he seems, and begins to unexpectedly appear to Clay outside of their sessions. On a New York subway train, Clay encounters Lula, a seductive but sinister white stranger who slowly begins to unravel his life. Clay must discover the truth behind this encounter to get back to his wife, heal his fractured soul, and survive the night.
Metrics
Movie Details
| Domestic Releases: | January 2nd, 2026 (Limited) by Inaugural Entertainment |
| MPA Rating: | R for sexual content, language and brief violence. (Rating bulletin 2914 (cert #55813), 12/3/2025) |
| Running Time: | 88 minutes |
| Film festival: | South by Southwest Film Festival 2025 |
| Filming location (city or town): | New York, NY |
| Plot point: | Abusive Therapists, African Americans, Infidelity, Interracial Romance, Relationships Gone Wrong, Therapist |
| Subgenre: | Psychological Thriller |
| Source: | Based on Play |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rogue Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| André Holland | ||
| Kate Mara |
Supporting
| Zazie Beetz | ||
| Stephen McKinley Henderson | ||
| Aldis Hodge | ||
| Lauren E. Banks |
Production and Technical Credits
| Andre Gains | Director | |
| Andre Gaines | Screenwriter | |
| Qasim Basir | Screenwriter | |
| Amiri Baraka | Screenwriter | |
| Jonathan T. Baker* | Producer | |
| Andre Gaines | Producer | |
| Frank G. DeMarco | Cinematographer | |
| Joel Viertel | Editor | |
| Daniel Hart | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Clay, a successful but troubled Black businessman, attends therapy sessions with his wife, Kaya, in an attempt to salvage their marriage. But their mysterious therapist is not all that he seems, and begins to unexpectedly appear to Clay outside of their sessions. On a New York subway train, Clay encounters Lula, a seductive but sinister white stranger who slowly begins to unravel his life. Clay must discover the truth behind this encounter to get back to his wife, heal his fractured soul, and survive the night.
Metrics
Movie Details
| Domestic Releases: | January 2nd, 2026 (Limited) by Inaugural Entertainment |
| MPA Rating: | R for sexual content, language and brief violence. (Rating bulletin 2914 (cert #55813), 12/3/2025) |
| Running Time: | 88 minutes |
| Film festival: | South by Southwest Film Festival 2025 |
| Filming location (city or town): | New York, NY |
| Plot point: | Abusive Therapists, African Americans, Infidelity, Interracial Romance, Relationships Gone Wrong, Therapist |
| Subgenre: | Psychological Thriller |
| Source: | Based on Play |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rogue Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| André Holland | ||
| Kate Mara |
Supporting
| Zazie Beetz | ||
| Stephen McKinley Henderson | ||
| Aldis Hodge | ||
| Lauren E. Banks |
Production and Technical Credits
| Andre Gains | Director | |
| Andre Gaines | Screenwriter | |
| Qasim Basir | Screenwriter | |
| Amiri Baraka | Screenwriter | |
| Jonathan T. Baker* | Producer | |
| Andre Gaines | Producer | |
| Frank G. DeMarco | Cinematographer | |
| Joel Viertel | Editor | |
| Daniel Hart | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.