Dying Young (1991)
| Theatrical Performance | ||
| Domestic Box Office | $32,669,178 | Details |
| International Box Office | $48,595,295 | |
| Worldwide Box Office | $81,264,473 | |
| OpusData ID: 17370100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $9,725,885 (29.8% of total gross) |
| Legs: | 3.36 (domestic box office/biggest weekend) |
| Domestic Share: | 40.2% (domestic box office/worldwide) |
| Theater counts: | 1,552 opening theaters/1,552 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $87,764,458 |
Movie Details
| Domestic Releases: | June 21st, 1991 (Wide) by 20th Century Fox |
| MPA Rating: | R for language. |
| Plot point: | Cancer, Dysfunctional Family, Nurse, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 21, 1991 | 3 | $9,725,885 | 1,552 | $6,267 | $9,725,885 | 1 | |
| Jun 28, 1991 | 5 | $4,685,751 | -52% | 1,552 | $3,019 | $18,634,549 | 2 |
| Jul 5, 1991 | 7 | $3,177,101 | -32% | 1,522 | $2,087 | $24,548,393 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 21, 1991 | 4 | $13,948,798 | 1,552 | $8,988 | $13,948,798 | 1 | |
| Jun 28, 1991 | 5 | $7,422,494 | -47% | 1,552 | $4,783 | $21,371,292 | 2 |
| Campbell Scott | Victor Geddes | |
| Colleen Dewhurst | Estelle Whittier | |
| Vincent D'Onofrio | Gordon | |
| Ellen Burstyn | Mrs. O'Neil |
Leading
| Julia Roberts | Hilary O'Neil |
| David Selby | Richard Geddes | |
| Ron Rogge | Head Waiter (Uncredited) |
Production and Technical Credits
| Joel Schumacher | Director | |
| James Newton Howard | Composer | |
| Richard L. Johnson | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $9,725,885 (29.8% of total gross) |
| Legs: | 3.36 (domestic box office/biggest weekend) |
| Domestic Share: | 40.2% (domestic box office/worldwide) |
| Theater counts: | 1,552 opening theaters/1,552 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $87,764,458 |
Movie Details
| Domestic Releases: | June 21st, 1991 (Wide) by 20th Century Fox |
| MPA Rating: | R for language. |
| Plot point: | Cancer, Dysfunctional Family, Nurse, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 21, 1991 | 3 | $9,725,885 | 1,552 | $6,267 | $9,725,885 | 1 | |
| Jun 28, 1991 | 5 | $4,685,751 | -52% | 1,552 | $3,019 | $18,634,549 | 2 |
| Jul 5, 1991 | 7 | $3,177,101 | -32% | 1,522 | $2,087 | $24,548,393 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 21, 1991 | 4 | $13,948,798 | 1,552 | $8,988 | $13,948,798 | 1 | |
| Jun 28, 1991 | 5 | $7,422,494 | -47% | 1,552 | $4,783 | $21,371,292 | 2 |
| Campbell Scott | Victor Geddes | |
| Colleen Dewhurst | Estelle Whittier | |
| Vincent D'Onofrio | Gordon | |
| Ellen Burstyn | Mrs. O'Neil |
Leading
| Julia Roberts | Hilary O'Neil |
| David Selby | Richard Geddes | |
| Ron Rogge | Head Waiter (Uncredited) |
Production and Technical Credits
| Joel Schumacher | Director | |
| James Newton Howard | Composer | |
| Richard L. Johnson | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.