Dylda (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $196,258 | Details |
| International Box Office | $1,333,414 | Details |
| Worldwide Box Office | $1,529,672 | |
| OpusData ID: 416080100 More info... | ||
| Further financial details... | ||
Synopsis
In post-WWII Leningrad, two women, Iya and Masha intensely bonded after fighting side by side as anti-aircraft gunners, attempt to readjust to a haunted world. As the film begins, Iya, long and slender and towering over everyone—hence the film’s title—works as a nurse in a shell-shocked hospital, presiding over traumatized soldiers. A shocking accident brings them closer and also seals their fates.
Metrics
| Opening Weekend: | $10,008 (5.1% of total gross) |
| Legs: | 6.34 (domestic box office/biggest weekend) |
| Domestic Share: | 12.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/35 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $255,693 |
Movie Details
| Domestic Releases: | January 29th, 2020 (Limited) by Kino Lorber, released as Beanpole April 10th, 2020 (Virtual) by Kino Lorber, released as Beanpole |
| International Releases: | June 20th, 2019 (Wide), released as ДЫЛДА (Russia (CIS))
August 9th, 2019 (Wide) (France) December 6th, 2019 (Wide), released as Uzun Kız (Turkey) December 20th, 2019 (Wide), released as Una gran mujer (Spain) December 27th, 2019 (Wide), released as Violeta (Portugal) ... Show all releases |
| Video Release: | June 2nd, 2020 by Kino Lorber, released as Beanpole |
| MPA Rating: | Not Rated |
| Running Time: | 137 minutes |
| Geographical setting: | Russia |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Non-Stop Productions, AR Content, Kino Lorber |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 48 | $10,008 | 1 | $10,008 | $29,464 | 1 | |
| Feb 7, 2020 | 53 | $7,828 | -22% | 2 | $3,914 | $42,685 | 2 |
| Feb 14, 2020 | 50 | $16,210 | +107% | 2 | $8,105 | $63,663 | 3 |
| Feb 21, 2020 | 42 | $30,979 | +91% | 29 | $1,068 | $109,783 | 4 |
| Feb 28, 2020 | 42 | $27,699 | -11% | 34 | $815 | $157,430 | 5 |
| Mar 6, 2020 | 58 | $12,642 | -54% | 22 | $575 | $187,024 | 6 |
| Mar 13, 2020 | 65 | $2,208 | -83% | 10 | $221 | $196,258 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 29, 2020 | P | $15,774 | 0 | $15,774 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 58 | $3,682 | 1 | $3,682 | $3,682 | 1 | |
| Jan 31, 2020 | 50 | $15,401 | +318% | 1 | $15,401 | $34,857 | 2 |
| Feb 7, 2020 | 51 | $12,596 | -18% | 2 | $6,298 | $47,453 | 3 |
| Feb 14, 2020 | 49 | $28,501 | +126% | 7 | $4,072 | $78,804 | 4 |
| Feb 21, 2020 | 41 | $50,137 | +76% | 30 | $1,671 | $129,731 | 5 |
| Feb 28, 2020 | 38 | $44,651 | -11% | 35 | $1,276 | $174,382 | 6 |
| Mar 6, 2020 | 54 | $19,668 | -56% | 23 | $855 | $194,050 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 8/9/2019 | $170,261 | 61 | 160 | 525 | $530,776 | 9/12/2019 | |||
| Italy | 1/9/2020 | $45,914 | 0 | 0 | 0 | $144,732 | 10/19/2022 | |||
| Netherlands | 2/21/2020 | $39,584 | 32 | 32 | 64 | $90,133 | 10/19/2022 | |||
| Portugal | 12/27/2019 | $2,361 | 1 | 1 | 4 | $10,773 | 10/19/2022 | |||
| Russia (CIS) | 6/20/2019 | $170,282 | 211 | 227 | 744 | $430,444 | 10/19/2022 | |||
| Slovenia | 2/14/2020 | $1,114 | 2 | 4 | 6 | $6,974 | 4/8/2020 | |||
| South Korea | 2/27/2020 | $5,611 | 31 | 31 | 45 | $18,400 | 3/11/2020 | |||
| Spain | 12/20/2019 | $37,851 | 26 | 31 | 57 | $91,990 | 1/2/2020 | |||
| Turkey | 12/6/2019 | $3,717 | 17 | 17 | 25 | $9,192 | 10/19/2022 | |||
| International Total | $1,333,414 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Viktoria Miroshnichenko | Iya |
Supporting
| Vasilisa Perelygina | Masha | |
| Andrey Bykov | Nikolay Ivanovich | |
| Igor Shirokov | Sasha | |
| Konstantin Balakirev | Stepan | |
| Ksenia Kutepova | Lyubov Petrovna | |
| Olga Dragunova | Seamstress | |
| Timofey Glazkov | Pashka |
Production and Technical Credits
| Kantemir Balagov | Director | |
| Kantemir Balagov | Screenwriter | |
| Alexander Terekhov | Screenwriter | |
| Alexander Rodnyansky | Producer | |
| Sergey Melkumov | Producer | |
| Ksenia Sereda | Director of Photography | |
| Sergey Ivanov | Production Designer | |
| Olga Smirnova | Costume Designer | |
| Evgueni Galperine | Composer | |
| Rostislav Alimov | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In post-WWII Leningrad, two women, Iya and Masha intensely bonded after fighting side by side as anti-aircraft gunners, attempt to readjust to a haunted world. As the film begins, Iya, long and slender and towering over everyone—hence the film’s title—works as a nurse in a shell-shocked hospital, presiding over traumatized soldiers. A shocking accident brings them closer and also seals their fates.
Metrics
| Opening Weekend: | $10,008 (5.1% of total gross) |
| Legs: | 6.34 (domestic box office/biggest weekend) |
| Domestic Share: | 12.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/35 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $255,693 |
Movie Details
| Domestic Releases: | January 29th, 2020 (Limited) by Kino Lorber, released as Beanpole April 10th, 2020 (Virtual) by Kino Lorber, released as Beanpole |
| International Releases: | June 20th, 2019 (Wide), released as ДЫЛДА (Russia (CIS))
August 9th, 2019 (Wide) (France) December 6th, 2019 (Wide), released as Uzun Kız (Turkey) December 20th, 2019 (Wide), released as Una gran mujer (Spain) December 27th, 2019 (Wide), released as Violeta (Portugal) ... Show all releases |
| Video Release: | June 2nd, 2020 by Kino Lorber, released as Beanpole |
| MPA Rating: | Not Rated |
| Running Time: | 137 minutes |
| Geographical setting: | Russia |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Non-Stop Productions, AR Content, Kino Lorber |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 48 | $10,008 | 1 | $10,008 | $29,464 | 1 | |
| Feb 7, 2020 | 53 | $7,828 | -22% | 2 | $3,914 | $42,685 | 2 |
| Feb 14, 2020 | 50 | $16,210 | +107% | 2 | $8,105 | $63,663 | 3 |
| Feb 21, 2020 | 42 | $30,979 | +91% | 29 | $1,068 | $109,783 | 4 |
| Feb 28, 2020 | 42 | $27,699 | -11% | 34 | $815 | $157,430 | 5 |
| Mar 6, 2020 | 58 | $12,642 | -54% | 22 | $575 | $187,024 | 6 |
| Mar 13, 2020 | 65 | $2,208 | -83% | 10 | $221 | $196,258 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 29, 2020 | P | $15,774 | 0 | $15,774 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 58 | $3,682 | 1 | $3,682 | $3,682 | 1 | |
| Jan 31, 2020 | 50 | $15,401 | +318% | 1 | $15,401 | $34,857 | 2 |
| Feb 7, 2020 | 51 | $12,596 | -18% | 2 | $6,298 | $47,453 | 3 |
| Feb 14, 2020 | 49 | $28,501 | +126% | 7 | $4,072 | $78,804 | 4 |
| Feb 21, 2020 | 41 | $50,137 | +76% | 30 | $1,671 | $129,731 | 5 |
| Feb 28, 2020 | 38 | $44,651 | -11% | 35 | $1,276 | $174,382 | 6 |
| Mar 6, 2020 | 54 | $19,668 | -56% | 23 | $855 | $194,050 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 8/9/2019 | $170,261 | 61 | 160 | 525 | $530,776 | 9/12/2019 | |||
| Italy | 1/9/2020 | $45,914 | 0 | 0 | 0 | $144,732 | 10/19/2022 | |||
| Netherlands | 2/21/2020 | $39,584 | 32 | 32 | 64 | $90,133 | 10/19/2022 | |||
| Portugal | 12/27/2019 | $2,361 | 1 | 1 | 4 | $10,773 | 10/19/2022 | |||
| Russia (CIS) | 6/20/2019 | $170,282 | 211 | 227 | 744 | $430,444 | 10/19/2022 | |||
| Slovenia | 2/14/2020 | $1,114 | 2 | 4 | 6 | $6,974 | 4/8/2020 | |||
| South Korea | 2/27/2020 | $5,611 | 31 | 31 | 45 | $18,400 | 3/11/2020 | |||
| Spain | 12/20/2019 | $37,851 | 26 | 31 | 57 | $91,990 | 1/2/2020 | |||
| Turkey | 12/6/2019 | $3,717 | 17 | 17 | 25 | $9,192 | 10/19/2022 | |||
| International Total | $1,333,414 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Viktoria Miroshnichenko | Iya |
Supporting
| Vasilisa Perelygina | Masha | |
| Andrey Bykov | Nikolay Ivanovich | |
| Igor Shirokov | Sasha | |
| Konstantin Balakirev | Stepan | |
| Ksenia Kutepova | Lyubov Petrovna | |
| Olga Dragunova | Seamstress | |
| Timofey Glazkov | Pashka |
Production and Technical Credits
| Kantemir Balagov | Director | |
| Kantemir Balagov | Screenwriter | |
| Alexander Terekhov | Screenwriter | |
| Alexander Rodnyansky | Producer | |
| Sergey Melkumov | Producer | |
| Ksenia Sereda | Director of Photography | |
| Sergey Ivanov | Production Designer | |
| Olga Smirnova | Costume Designer | |
| Evgueni Galperine | Composer | |
| Rostislav Alimov | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.