Eden (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,573,396 | Details |
| International Box Office | $906,717 | Details |
| Worldwide Box Office | $2,480,113 | |
| OpusData ID: 729060100 More info... | ||
| Further financial details... | ||
Synopsis
The shocking true story of a group of disillusioned outsiders who abandon civilization, settling on a remote, uninhabited island only to discover that the greatest threat isn’t the brutal climate or deadly wildlife, but each other. As tensions spiral and desperation takes hold, a twisted power struggle unfolds, leading to betrayal, violence, and the deaths of half the colony.
Metrics
| Opening Weekend: | $1,048,374 (66.6% of total gross) |
| Legs: | 1.50 (domestic box office/biggest weekend) |
| Domestic Share: | 63.4% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 664 opening theaters/664 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,573,396 |
Movie Details
| Domestic Releases: | August 22nd, 2025 (Wide) by Vertical Entertainment |
| International Releases: | April 3rd, 2025 (Limited) (Germany)
April 10th, 2025 (Limited) (Italy) August 21st, 2025 (Limited) (United Arab Emirates) August 21st, 2025 (Limited), released as Eden (Эдем) (Ukraine) August 22nd, 2025 (Limited), released as Eden (伊甸) (China) ... Show all releases |
| Video Release: | September 15th, 2025 |
| MPA Rating: | R for some strong violence, sexual content, graphic nudity and language. (Rating bulletin Cert #55129, 9/3/2025) |
| Running Time: | 129 minutes |
| Cast, crew, or production detail: | Ensemble |
| Filming location (country): | Australia, Ecuador |
| Geographical setting: | Germany |
| Plot point: | Cover Up, Documentarian, Open Relationships, Pregnant Women, Relationships Gone Wrong |
| Social setting: | Remote Location |
| Subgenre: | Survival Thriller |
| Time period setting: | 1920s, 1930s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Imagine Entertainment, AGC, Library Films, Medan Productions, Copper Island |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 14 | $1,048,374 | 664 | $1,579 | $1,048,374 | 1 | |
| Aug 29, 2025 | - | $140,675 | -87% | 453 | $311 | $1,475,150 | 2 |
| Sep 5, 2025 | - | $2,352 | -98% | 15 | $157 | $1,572,218 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 11 | $644,639 | 664 | $971 | $644,639 | 1 | ||
| Aug 23, 2025 | 14 | $229,334 | -64% | 664 | $345 | $873,973 | 2 | |
| Aug 24, 2025 | - | $174,401 | -24% | 664 | $263 | $1,048,374 | 3 | |
| Aug 25, 2025 | - | $69,158 | -60% | 664 | $104 | $1,117,532 | 4 | |
| Aug 26, 2025 | - | $112,677 | +63% | 664 | $170 | $1,230,209 | 5 | |
| Aug 27, 2025 | - | $67,132 | -40% | 664 | $101 | $1,297,341 | 6 | |
| Aug 28, 2025 | - | $37,134 | -45% | 664 | $56 | $1,334,475 | 7 | |
| Aug 29, 2025 | - | $36,991 | n/c | -94% | 453 | $82 | $1,371,466 | 8 |
| Aug 30, 2025 | - | $51,383 | +39% | -78% | 453 | $113 | $1,422,849 | 9 |
| Aug 31, 2025 | - | $52,301 | +2% | -70% | 453 | $115 | $1,475,150 | 10 |
| Sep 1, 2025 | - | $44,429 | -15% | -36% | 453 | $98 | $1,519,579 | 11 |
| Sep 2, 2025 | - | $23,405 | -47% | -79% | 453 | $52 | $1,542,984 | 12 |
| Sep 3, 2025 | - | $18,964 | -19% | -72% | 453 | $42 | $1,561,948 | 13 |
| Sep 4, 2025 | - | $7,918 | -58% | -79% | 453 | $17 | $1,569,866 | 14 |
| Sep 5, 2025 | - | $778 | -90% | -98% | 15 | $52 | $1,570,644 | 15 |
| Sep 6, 2025 | - | $1,076 | +38% | -98% | 15 | $72 | $1,571,720 | 16 |
| Sep 7, 2025 | - | $498 | -54% | -99% | 15 | $33 | $1,572,218 | 17 |
| Sep 8, 2025 | - | $232 | -53% | -99% | 15 | $15 | $1,572,450 | 18 |
| Sep 9, 2025 | - | $224 | -3% | -99% | 15 | $15 | $1,572,674 | 19 |
| Sep 10, 2025 | - | $407 | +82% | -98% | 15 | $27 | $1,573,081 | 20 |
| Sep 11, 2025 | - | $315 | -23% | -96% | 15 | $21 | $1,573,396 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 14 | $1,334,475 | 664 | $2,010 | $1,334,475 | 1 | |
| Aug 29, 2025 | 19 | $235,391 | -82% | 453 | $520 | $1,569,866 | 2 |
| Sep 5, 2025 | 54 | $3,530 | -99% | 15 | $235 | $1,573,396 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 8/22/2025 | $165,385 | 0 | 0 | 0 | $293,861 | 4/6/2026 | |||
| Croatia | 9/4/2025 | $9,772 | 28 | 28 | 71 | $27,055 | 4/4/2026 | |||
| Italy | 4/10/2025 | $142,595 | 0 | 0 | 0 | $325,496 | 4/4/2026 | |||
| Portugal | 9/4/2025 | $50,224 | 49 | 49 | 84 | $107,189 | 4/4/2026 | |||
| Russia (CIS) | 10/9/2025 | $153,116 | 1,155 | 1,155 | 1,155 | $153,116 | 4/4/2026 | |||
| International Total | $906,717 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jude Law | Dr. Friedrich Ritter | |
| Vanessa Kirby | Dore Strauch | |
| Daniel Brühl | Heinz Wittmer | |
| Sydney Sweeney | Margret Wittmer | |
| Ana de Armas | Baroness Eloise Bosquet de Wagner Wehrhorn |
Production and Technical Credits
| Ron Howard | Director | |
| Noah Pink | Story by | |
| Ron Howard | Story by | |
| Noah Pink | Screenwriter | |
| Ron Howard | Producer | |
| Brian Grazer | Producer | |
| Karen Lunder | Producer | |
| Stuart Ford | Producer | |
| Patrick Newall | Producer | |
| Miguel A. Palos Jr. | Executive Producer | |
| Zachary Garrett | Executive Producer | |
| Mathias Herndl | Cinematographer | |
| Matt Villa | Editor | |
| Hans Zimmer | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The shocking true story of a group of disillusioned outsiders who abandon civilization, settling on a remote, uninhabited island only to discover that the greatest threat isn’t the brutal climate or deadly wildlife, but each other. As tensions spiral and desperation takes hold, a twisted power struggle unfolds, leading to betrayal, violence, and the deaths of half the colony.
Metrics
| Opening Weekend: | $1,048,374 (66.6% of total gross) |
| Legs: | 1.50 (domestic box office/biggest weekend) |
| Domestic Share: | 63.4% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 664 opening theaters/664 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,573,396 |
Movie Details
| Domestic Releases: | August 22nd, 2025 (Wide) by Vertical Entertainment |
| International Releases: | April 3rd, 2025 (Limited) (Germany)
April 10th, 2025 (Limited) (Italy) August 21st, 2025 (Limited) (United Arab Emirates) August 21st, 2025 (Limited), released as Eden (Эдем) (Ukraine) August 22nd, 2025 (Limited), released as Eden (伊甸) (China) ... Show all releases |
| Video Release: | September 15th, 2025 |
| MPA Rating: | R for some strong violence, sexual content, graphic nudity and language. (Rating bulletin Cert #55129, 9/3/2025) |
| Running Time: | 129 minutes |
| Cast, crew, or production detail: | Ensemble |
| Filming location (country): | Australia, Ecuador |
| Geographical setting: | Germany |
| Plot point: | Cover Up, Documentarian, Open Relationships, Pregnant Women, Relationships Gone Wrong |
| Social setting: | Remote Location |
| Subgenre: | Survival Thriller |
| Time period setting: | 1920s, 1930s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Imagine Entertainment, AGC, Library Films, Medan Productions, Copper Island |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 14 | $1,048,374 | 664 | $1,579 | $1,048,374 | 1 | |
| Aug 29, 2025 | - | $140,675 | -87% | 453 | $311 | $1,475,150 | 2 |
| Sep 5, 2025 | - | $2,352 | -98% | 15 | $157 | $1,572,218 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 11 | $644,639 | 664 | $971 | $644,639 | 1 | ||
| Aug 23, 2025 | 14 | $229,334 | -64% | 664 | $345 | $873,973 | 2 | |
| Aug 24, 2025 | - | $174,401 | -24% | 664 | $263 | $1,048,374 | 3 | |
| Aug 25, 2025 | - | $69,158 | -60% | 664 | $104 | $1,117,532 | 4 | |
| Aug 26, 2025 | - | $112,677 | +63% | 664 | $170 | $1,230,209 | 5 | |
| Aug 27, 2025 | - | $67,132 | -40% | 664 | $101 | $1,297,341 | 6 | |
| Aug 28, 2025 | - | $37,134 | -45% | 664 | $56 | $1,334,475 | 7 | |
| Aug 29, 2025 | - | $36,991 | n/c | -94% | 453 | $82 | $1,371,466 | 8 |
| Aug 30, 2025 | - | $51,383 | +39% | -78% | 453 | $113 | $1,422,849 | 9 |
| Aug 31, 2025 | - | $52,301 | +2% | -70% | 453 | $115 | $1,475,150 | 10 |
| Sep 1, 2025 | - | $44,429 | -15% | -36% | 453 | $98 | $1,519,579 | 11 |
| Sep 2, 2025 | - | $23,405 | -47% | -79% | 453 | $52 | $1,542,984 | 12 |
| Sep 3, 2025 | - | $18,964 | -19% | -72% | 453 | $42 | $1,561,948 | 13 |
| Sep 4, 2025 | - | $7,918 | -58% | -79% | 453 | $17 | $1,569,866 | 14 |
| Sep 5, 2025 | - | $778 | -90% | -98% | 15 | $52 | $1,570,644 | 15 |
| Sep 6, 2025 | - | $1,076 | +38% | -98% | 15 | $72 | $1,571,720 | 16 |
| Sep 7, 2025 | - | $498 | -54% | -99% | 15 | $33 | $1,572,218 | 17 |
| Sep 8, 2025 | - | $232 | -53% | -99% | 15 | $15 | $1,572,450 | 18 |
| Sep 9, 2025 | - | $224 | -3% | -99% | 15 | $15 | $1,572,674 | 19 |
| Sep 10, 2025 | - | $407 | +82% | -98% | 15 | $27 | $1,573,081 | 20 |
| Sep 11, 2025 | - | $315 | -23% | -96% | 15 | $21 | $1,573,396 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 14 | $1,334,475 | 664 | $2,010 | $1,334,475 | 1 | |
| Aug 29, 2025 | 19 | $235,391 | -82% | 453 | $520 | $1,569,866 | 2 |
| Sep 5, 2025 | 54 | $3,530 | -99% | 15 | $235 | $1,573,396 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 8/22/2025 | $165,385 | 0 | 0 | 0 | $293,861 | 4/6/2026 | |||
| Croatia | 9/4/2025 | $9,772 | 28 | 28 | 71 | $27,055 | 4/4/2026 | |||
| Italy | 4/10/2025 | $142,595 | 0 | 0 | 0 | $325,496 | 4/4/2026 | |||
| Portugal | 9/4/2025 | $50,224 | 49 | 49 | 84 | $107,189 | 4/4/2026 | |||
| Russia (CIS) | 10/9/2025 | $153,116 | 1,155 | 1,155 | 1,155 | $153,116 | 4/4/2026 | |||
| International Total | $906,717 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jude Law | Dr. Friedrich Ritter | |
| Vanessa Kirby | Dore Strauch | |
| Daniel Brühl | Heinz Wittmer | |
| Sydney Sweeney | Margret Wittmer | |
| Ana de Armas | Baroness Eloise Bosquet de Wagner Wehrhorn |
Production and Technical Credits
| Ron Howard | Director | |
| Noah Pink | Story by | |
| Ron Howard | Story by | |
| Noah Pink | Screenwriter | |
| Ron Howard | Producer | |
| Brian Grazer | Producer | |
| Karen Lunder | Producer | |
| Stuart Ford | Producer | |
| Patrick Newall | Producer | |
| Miguel A. Palos Jr. | Executive Producer | |
| Zachary Garrett | Executive Producer | |
| Mathias Herndl | Cinematographer | |
| Matt Villa | Editor | |
| Hans Zimmer | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.