Edmond (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $351,019 | Details |
| International Box Office | $5,947,327 | Details |
| Worldwide Box Office | $6,298,346 | |
| OpusData ID: 393230100 More info... | ||
| Further financial details... | ||
Synopsis
December 1897, Paris. Edmond Rostand is not yet thirty but already has two children and too much anxiety. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. There’s one problem: it is not written yet. Ignoring the whims of actresses, the demands of his producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond must focus and put to pen to paper. For now, he has only the title: “Cyrano de Bergerac”.
Metrics
| Opening Weekend: | $306,451 (87.3% of total gross) |
| Legs: | 1.15 (domestic box office/biggest weekend) |
| Domestic Share: | 5.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/18 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $458,319 |
Movie Details
| Domestic Releases: | October 18th, 2019 (Limited) by Roadside Attractions, released as Cyrano, My Love |
| International Releases: | January 11th, 2019 (Wide) (France)
April 4th, 2019 (Wide), released as СИРАНО. УСПЕТЬ ДО ПРЕМЬЕРЫ (Russia (CIS)) April 18th, 2019 (Wide), released as Cyrano mon amour (Italy) April 19th, 2019 (Wide) (Germany) June 14th, 2019 (Wide) (Portugal) ... Show all releases |
| Video Release: | January 14th, 2020 by Samuel Goldwyn, released as Cyrano, My Love |
| MPA Rating: | R for brief sexual content. (Rating bulletin 2596 (Cert #52381), 9/18/2019) |
| Running Time: | 110 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Gaumont, France 2 Cinema, Ezra, Rosemonde Films, C2M Productions, Nexus Factory, Umedia, UFund, Entourage Pictures, OCS., Canal Plus, France Television |
| Production Countries: | France, Belgium |
| Languages: | French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | 19 | $306,451 | 3 | $102,150 | $306,451 | 1 | |
| Oct 25, 2019 | 46 | $13,647 | -96% | 18 | $758 | $324,133 | 2 |
| Nov 1, 2019 | 64 | $2,348 | -83% | 6 | $391 | $333,181 | 3 |
| Nov 8, 2019 | 47 | $8,584 | +266% | 18 | $477 | $343,583 | 4 |
| Nov 15, 2019 | 70 | $1,062 | -88% | 3 | $354 | $350,319 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | - | $1,706 | 3 | $569 | $301,306 | 1 | ||
| Oct 19, 2019 | - | $3,177 | +86% | 3 | $1,059 | $304,483 | 2 | |
| Oct 20, 2019 | - | $1,968 | -38% | 3 | $656 | $306,451 | 3 | |
| Oct 21, 2019 | - | $824 | -58% | 3 | $275 | $307,275 | 4 | |
| Oct 22, 2019 | - | $1,361 | +65% | 3 | $454 | $308,636 | 5 | |
| Oct 23, 2019 | - | $837 | -39% | 3 | $279 | $309,473 | 6 | |
| Oct 24, 2019 | - | $1,013 | +21% | 3 | $338 | $310,486 | 7 | |
| Oct 25, 2019 | - | $2,765 | +173% | +62% | 18 | $154 | $313,251 | 8 |
| Oct 26, 2019 | - | $5,047 | +83% | +59% | 18 | $280 | $318,298 | 9 |
| Oct 27, 2019 | - | $5,835 | +16% | +196% | 18 | $324 | $324,133 | 10 |
| Oct 28, 2019 | - | $1,068 | -82% | +30% | 18 | $59 | $325,201 | 11 |
| Oct 29, 2019 | - | $1,810 | +69% | +33% | 18 | $101 | $327,011 | 12 |
| Oct 30, 2019 | - | $1,729 | -4% | +107% | 18 | $96 | $328,740 | 13 |
| Oct 31, 2019 | - | $2,093 | +21% | +107% | 18 | $116 | $330,833 | 14 |
| Nov 1, 2019 | - | $664 | -68% | -76% | 6 | $111 | $331,497 | 15 |
| Nov 2, 2019 | - | $913 | +38% | -82% | 6 | $152 | $332,410 | 16 |
| Nov 3, 2019 | - | $771 | -16% | -87% | 6 | $129 | $333,181 | 17 |
| Nov 4, 2019 | - | $310 | -60% | -71% | 6 | $52 | $333,491 | 18 |
| Nov 5, 2019 | - | $462 | +49% | -74% | 6 | $77 | $333,953 | 19 |
| Nov 6, 2019 | - | $473 | +2% | -73% | 6 | $79 | $334,426 | 20 |
| Nov 7, 2019 | - | $573 | +21% | -73% | 6 | $96 | $334,999 | 21 |
| Nov 8, 2019 | - | $2,604 | +354% | +292% | 18 | $145 | $337,603 | 22 |
| Nov 9, 2019 | - | $3,783 | +45% | +314% | 18 | $210 | $341,386 | 23 |
| Nov 10, 2019 | - | $2,197 | -42% | +185% | 18 | $122 | $343,583 | 24 |
| Nov 11, 2019 | - | $1,444 | -34% | +366% | 18 | $80 | $345,027 | 25 |
| Nov 12, 2019 | - | $1,351 | -6% | +192% | 18 | $75 | $346,378 | 26 |
| Nov 13, 2019 | - | $1,230 | -9% | +160% | 18 | $68 | $347,608 | 27 |
| Nov 14, 2019 | - | $1,649 | +34% | +188% | 18 | $92 | $349,257 | 28 |
| Nov 15, 2019 | - | $364 | -78% | -86% | 3 | $121 | $349,621 | 29 |
| Nov 16, 2019 | - | $496 | +36% | -87% | 3 | $165 | $350,117 | 30 |
| Nov 17, 2019 | - | $202 | -59% | -91% | 3 | $67 | $350,319 | 31 |
| Nov 18, 2019 | - | $127 | -37% | -91% | 3 | $42 | $350,446 | 32 |
| Nov 19, 2019 | - | $97 | -24% | -93% | 3 | $32 | $350,543 | 33 |
| Nov 20, 2019 | - | $213 | +120% | -83% | 3 | $71 | $350,756 | 34 |
| Nov 21, 2019 | - | $263 | +23% | -84% | 3 | $88 | $351,019 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | 60 | $10,886 | 3 | $3,629 | $310,486 | 1 | |
| Oct 25, 2019 | 46 | $20,347 | +87% | 18 | $1,130 | $330,833 | 2 |
| Nov 1, 2019 | 66 | $4,166 | -80% | 6 | $694 | $334,999 | 3 |
| Nov 8, 2019 | 48 | $14,258 | +242% | 18 | $792 | $349,257 | 4 |
| Nov 15, 2019 | 75 | $1,762 | -88% | 3 | $587 | $351,019 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/11/2019 | $1,601,602 | 445 | 611 | 2,542 | $5,220,518 | 2/22/2019 | |||
| Germany | 4/19/2019 | $0 | 0 | 13 | 13 | $314,961 | 5/24/2019 | |||
| Italy | 4/18/2019 | $64,914 | 0 | 13 | 38 | $332,857 | 8/31/2019 | |||
| New Zealand | 3/12/2020 | $494 | 4 | 12 | 18 | $3,472 | 10/19/2022 | |||
| Portugal | 6/14/2019 | $2,665 | 6 | 8 | 15 | $6,234 | 7/2/2019 | |||
| Russia (CIS) | 4/4/2019 | $19,192 | 120 | 120 | 177 | $36,332 | 5/18/2019 | |||
| Rest of World | $32,953 | |||||||||
| International Total | $5,947,327 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Thomas Soliveres | Edmond Rostand |
Supporting
| Olivier Gourmet | Coquelin | |
| Mathilde Seigner | Maria Legault | |
| Tom Leeb | Léo Volny | |
| Lucie Boujenah | Jeanne | |
| Alice de Lencquesaing | Rosemonde | |
| Clementine Celarie | Sarah Bernhardt | |
| Igor Gotesman | Jean Coquelin | |
| Dominique Pinon | Lucien | |
| Simon Abkarian | Ange Floury |
Production and Technical Credits
| Alexis Michalik | Director | |
| Alain Goldman | Producer | |
| Vanessa Dijan | Co-Producer | |
| Benjamin Bellecour | Co-Producer | |
| Sylvain Goldberg | Co-Producer | |
| Serge de Poucques | Co-Producer | |
| Nadia Khamlichi | Co-Producer | |
| Gilles Waterkeyn | Co-Producer | |
| Romain Trouillet | Composer | |
| Giovanni Fiore Coltellacci | Director of Photography | |
| Anny Danche | Set Designer | |
| Marie Silvi | Set Designer | |
| Niels Barletta | Sound Mixer | |
| Fred Demolder | Sound Mixer | |
| Antoine Deflandre | Sound Mixer | |
| Franck Schwarz | Set Decorator | |
| Thierry Delattre | Costume Designer | |
| Michaël Lagens | Casting Director | |
| Bérangère Saint-Bezar | Screenwriter | |
| Stéphane Bidaut | Visual Effects Supervisor | |
| Cyrille Bragnier | Executive Producer | |
| Bruno Amnestoy | Production Manager | |
| Abraham Goldblat | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
December 1897, Paris. Edmond Rostand is not yet thirty but already has two children and too much anxiety. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. There’s one problem: it is not written yet. Ignoring the whims of actresses, the demands of his producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond must focus and put to pen to paper. For now, he has only the title: “Cyrano de Bergerac”.
Metrics
| Opening Weekend: | $306,451 (87.3% of total gross) |
| Legs: | 1.15 (domestic box office/biggest weekend) |
| Domestic Share: | 5.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/18 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $458,319 |
Movie Details
| Domestic Releases: | October 18th, 2019 (Limited) by Roadside Attractions, released as Cyrano, My Love |
| International Releases: | January 11th, 2019 (Wide) (France)
April 4th, 2019 (Wide), released as СИРАНО. УСПЕТЬ ДО ПРЕМЬЕРЫ (Russia (CIS)) April 18th, 2019 (Wide), released as Cyrano mon amour (Italy) April 19th, 2019 (Wide) (Germany) June 14th, 2019 (Wide) (Portugal) ... Show all releases |
| Video Release: | January 14th, 2020 by Samuel Goldwyn, released as Cyrano, My Love |
| MPA Rating: | R for brief sexual content. (Rating bulletin 2596 (Cert #52381), 9/18/2019) |
| Running Time: | 110 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Gaumont, France 2 Cinema, Ezra, Rosemonde Films, C2M Productions, Nexus Factory, Umedia, UFund, Entourage Pictures, OCS., Canal Plus, France Television |
| Production Countries: | France, Belgium |
| Languages: | French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | 19 | $306,451 | 3 | $102,150 | $306,451 | 1 | |
| Oct 25, 2019 | 46 | $13,647 | -96% | 18 | $758 | $324,133 | 2 |
| Nov 1, 2019 | 64 | $2,348 | -83% | 6 | $391 | $333,181 | 3 |
| Nov 8, 2019 | 47 | $8,584 | +266% | 18 | $477 | $343,583 | 4 |
| Nov 15, 2019 | 70 | $1,062 | -88% | 3 | $354 | $350,319 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | - | $1,706 | 3 | $569 | $301,306 | 1 | ||
| Oct 19, 2019 | - | $3,177 | +86% | 3 | $1,059 | $304,483 | 2 | |
| Oct 20, 2019 | - | $1,968 | -38% | 3 | $656 | $306,451 | 3 | |
| Oct 21, 2019 | - | $824 | -58% | 3 | $275 | $307,275 | 4 | |
| Oct 22, 2019 | - | $1,361 | +65% | 3 | $454 | $308,636 | 5 | |
| Oct 23, 2019 | - | $837 | -39% | 3 | $279 | $309,473 | 6 | |
| Oct 24, 2019 | - | $1,013 | +21% | 3 | $338 | $310,486 | 7 | |
| Oct 25, 2019 | - | $2,765 | +173% | +62% | 18 | $154 | $313,251 | 8 |
| Oct 26, 2019 | - | $5,047 | +83% | +59% | 18 | $280 | $318,298 | 9 |
| Oct 27, 2019 | - | $5,835 | +16% | +196% | 18 | $324 | $324,133 | 10 |
| Oct 28, 2019 | - | $1,068 | -82% | +30% | 18 | $59 | $325,201 | 11 |
| Oct 29, 2019 | - | $1,810 | +69% | +33% | 18 | $101 | $327,011 | 12 |
| Oct 30, 2019 | - | $1,729 | -4% | +107% | 18 | $96 | $328,740 | 13 |
| Oct 31, 2019 | - | $2,093 | +21% | +107% | 18 | $116 | $330,833 | 14 |
| Nov 1, 2019 | - | $664 | -68% | -76% | 6 | $111 | $331,497 | 15 |
| Nov 2, 2019 | - | $913 | +38% | -82% | 6 | $152 | $332,410 | 16 |
| Nov 3, 2019 | - | $771 | -16% | -87% | 6 | $129 | $333,181 | 17 |
| Nov 4, 2019 | - | $310 | -60% | -71% | 6 | $52 | $333,491 | 18 |
| Nov 5, 2019 | - | $462 | +49% | -74% | 6 | $77 | $333,953 | 19 |
| Nov 6, 2019 | - | $473 | +2% | -73% | 6 | $79 | $334,426 | 20 |
| Nov 7, 2019 | - | $573 | +21% | -73% | 6 | $96 | $334,999 | 21 |
| Nov 8, 2019 | - | $2,604 | +354% | +292% | 18 | $145 | $337,603 | 22 |
| Nov 9, 2019 | - | $3,783 | +45% | +314% | 18 | $210 | $341,386 | 23 |
| Nov 10, 2019 | - | $2,197 | -42% | +185% | 18 | $122 | $343,583 | 24 |
| Nov 11, 2019 | - | $1,444 | -34% | +366% | 18 | $80 | $345,027 | 25 |
| Nov 12, 2019 | - | $1,351 | -6% | +192% | 18 | $75 | $346,378 | 26 |
| Nov 13, 2019 | - | $1,230 | -9% | +160% | 18 | $68 | $347,608 | 27 |
| Nov 14, 2019 | - | $1,649 | +34% | +188% | 18 | $92 | $349,257 | 28 |
| Nov 15, 2019 | - | $364 | -78% | -86% | 3 | $121 | $349,621 | 29 |
| Nov 16, 2019 | - | $496 | +36% | -87% | 3 | $165 | $350,117 | 30 |
| Nov 17, 2019 | - | $202 | -59% | -91% | 3 | $67 | $350,319 | 31 |
| Nov 18, 2019 | - | $127 | -37% | -91% | 3 | $42 | $350,446 | 32 |
| Nov 19, 2019 | - | $97 | -24% | -93% | 3 | $32 | $350,543 | 33 |
| Nov 20, 2019 | - | $213 | +120% | -83% | 3 | $71 | $350,756 | 34 |
| Nov 21, 2019 | - | $263 | +23% | -84% | 3 | $88 | $351,019 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | 60 | $10,886 | 3 | $3,629 | $310,486 | 1 | |
| Oct 25, 2019 | 46 | $20,347 | +87% | 18 | $1,130 | $330,833 | 2 |
| Nov 1, 2019 | 66 | $4,166 | -80% | 6 | $694 | $334,999 | 3 |
| Nov 8, 2019 | 48 | $14,258 | +242% | 18 | $792 | $349,257 | 4 |
| Nov 15, 2019 | 75 | $1,762 | -88% | 3 | $587 | $351,019 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/11/2019 | $1,601,602 | 445 | 611 | 2,542 | $5,220,518 | 2/22/2019 | |||
| Germany | 4/19/2019 | $0 | 0 | 13 | 13 | $314,961 | 5/24/2019 | |||
| Italy | 4/18/2019 | $64,914 | 0 | 13 | 38 | $332,857 | 8/31/2019 | |||
| New Zealand | 3/12/2020 | $494 | 4 | 12 | 18 | $3,472 | 10/19/2022 | |||
| Portugal | 6/14/2019 | $2,665 | 6 | 8 | 15 | $6,234 | 7/2/2019 | |||
| Russia (CIS) | 4/4/2019 | $19,192 | 120 | 120 | 177 | $36,332 | 5/18/2019 | |||
| Rest of World | $32,953 | |||||||||
| International Total | $5,947,327 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Thomas Soliveres | Edmond Rostand |
Supporting
| Olivier Gourmet | Coquelin | |
| Mathilde Seigner | Maria Legault | |
| Tom Leeb | Léo Volny | |
| Lucie Boujenah | Jeanne | |
| Alice de Lencquesaing | Rosemonde | |
| Clementine Celarie | Sarah Bernhardt | |
| Igor Gotesman | Jean Coquelin | |
| Dominique Pinon | Lucien | |
| Simon Abkarian | Ange Floury |
Production and Technical Credits
| Alexis Michalik | Director | |
| Alain Goldman | Producer | |
| Vanessa Dijan | Co-Producer | |
| Benjamin Bellecour | Co-Producer | |
| Sylvain Goldberg | Co-Producer | |
| Serge de Poucques | Co-Producer | |
| Nadia Khamlichi | Co-Producer | |
| Gilles Waterkeyn | Co-Producer | |
| Romain Trouillet | Composer | |
| Giovanni Fiore Coltellacci | Director of Photography | |
| Anny Danche | Set Designer | |
| Marie Silvi | Set Designer | |
| Niels Barletta | Sound Mixer | |
| Fred Demolder | Sound Mixer | |
| Antoine Deflandre | Sound Mixer | |
| Franck Schwarz | Set Decorator | |
| Thierry Delattre | Costume Designer | |
| Michaël Lagens | Casting Director | |
| Bérangère Saint-Bezar | Screenwriter | |
| Stéphane Bidaut | Visual Effects Supervisor | |
| Cyrille Bragnier | Executive Producer | |
| Bruno Amnestoy | Production Manager | |
| Abraham Goldblat | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.