Eisenstein In Guanajuato (2016)
| Theatrical Performance | ||
| Domestic Box Office | $34,282 | Details |
| International Box Office | $43,281 | Details |
| Worldwide Box Office | $77,563 | |
| OpusData ID: 228770100 More info... | ||
| Further financial details... | ||
Synopsis
In 1931, at the height of his artistic powers, Soviet filmmaker Sergei Eisenstein travels to Mexico to shoot a new film to be titled Que Viva Mexico. Freshly rejected by Hollywood and under increasing pressure to return to Stalinist Russia, Eisenstein arrives at the city of Guanajuato. Chaperoned by his guide Palomino Cañedo, he vulnerably experiences the ties between Eros and Thanatos, sex and death, happy to create their effects in cinema, troubled to suffer them in life.
Metrics
| Opening Weekend: | $9,823 (28.7% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 44.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,397 |
Movie Details
| Domestic Releases: | February 5th, 2016 (Limited) by Strand Releasing |
| International Releases: | January 7th, 2016 (Wide) (Brazil)
January 8th, 2016 (Wide) (Spain) January 21st, 2016 (Wide) (Mexico) February 12th, 2016 (Wide) (Poland) April 15th, 2016 (Wide), released as Eisenstein in Guanajuato (United Kingdom) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Geographical setting: | Hollywood, Mexico |
| Plot point: | LGBTQ+, Movie Director, Writing and Writers |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Submarine Entertainment, Fu Works, Paloma Negra Films |
| Production Countries: | Netherlands, Mexico, Finland, Belgium, France |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 54 | $9,823 | 4 | $2,456 | $9,823 | 1 | |
| Feb 12, 2016 | 82 | $1,627 | -83% | 2 | $814 | $17,763 | 2 |
| Feb 19, 2016 | 75 | $3,675 | +126% | 5 | $735 | $22,691 | 3 |
| Feb 26, 2016 | 86 | $323 | -91% | 2 | $162 | $24,797 | 4 |
| Mar 4, 2016 | 92 | $849 | +163% | 3 | $283 | $25,815 | 5 |
| Mar 25, 2016 | 80 | $2,668 | 1 | $2,668 | $30,855 | 8 | |
| Apr 1, 2016 | 102 | $358 | -87% | 2 | $179 | $32,965 | 9 |
| Apr 8, 2016 | 102 | $274 | -23% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 100 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 57 | $16,136 | 4 | $4,034 | $16,136 | 1 | |
| Feb 12, 2016 | 84 | $2,880 | -82% | 2 | $1,440 | $19,016 | 2 |
| Feb 19, 2016 | 81 | $5,458 | +90% | 5 | $1,092 | $24,474 | 3 |
| Feb 26, 2016 | 89 | $492 | -91% | 2 | $246 | $24,966 | 4 |
| Mar 4, 2016 | 96 | $1,421 | +189% | 3 | $474 | $26,387 | 5 |
| Mar 11, 2016 | 101 | $1,800 | +27% | 4 | $450 | $28,187 | 6 |
| Mar 25, 2016 | 88 | $4,420 | 1 | $4,420 | $32,607 | 8 | |
| Apr 1, 2016 | 98 | $1,291 | -71% | 2 | $646 | $33,898 | 9 |
| Apr 8, 2016 | 108 | $274 | -79% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 120 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 1/7/2016 | $0 | 0 | 3 | 11 | $6,520 | 6/9/2016 | |||
| Bulgaria | 7/8/2016 | $874 | 0 | 0 | 0 | $874 | 2/26/2019 | |||
| Mexico | 1/21/2016 | $4,456 | 0 | 2 | 2 | $12,395 | 9/8/2018 | |||
| Poland | 2/12/2016 | $958 | 25 | 25 | 25 | $958 | 12/31/2018 | |||
| Slovenia | 6/3/2016 | $392 | 2 | 2 | 4 | $5,135 | 6/15/2016 | |||
| Spain | 1/8/2016 | $4,997 | 6 | 6 | 15 | $13,037 | 6/9/2016 | |||
| United Kingdom | 4/15/2016 | $4,362 | 5 | 5 | 5 | $4,362 | 6/9/2016 | |||
| International Total | $43,281 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Elmer Back | Sergel Eisenstein |
Supporting
| Luis Alberti | Palomino Canedo | |
| Maya Zapata | Concepcion Canedo | |
| Lisa Owen | Mary Craig Sinclair | |
| Stelio Savante | Hunger Kimbrough | |
| Rasmus Slatis | Grisha Alexandrov | |
| Jakob Ohrman | Eduard Tisse |
Production and Technical Credits
| Peter Greenaway | Director | |
| Peter Greenaway | Screenwriter | |
| Bruno Felix | Producer | |
| Femke Wolting | Producer | |
| San Fu Maltha | Producer | |
| Cristina L Velasco | Producer | |
| Liisa Penttila Asikainen | Co-Producer | |
| Peter de Maegd | Co-Producer | |
| Guy van Baelen | Co-Producer | |
| Wilfried van Baelen | Co-Producer | |
| Reinier van Brummelen | Director of Photography | |
| Elmer Leupen | Editor | |
| Brenda Gomez | Costume Designer | |
| Ana Solares | Art Director | |
| Maripaz Robles | Make up | |
| Raul Locatelli | Sound Mixer | |
| Karin S De Boer | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1931, at the height of his artistic powers, Soviet filmmaker Sergei Eisenstein travels to Mexico to shoot a new film to be titled Que Viva Mexico. Freshly rejected by Hollywood and under increasing pressure to return to Stalinist Russia, Eisenstein arrives at the city of Guanajuato. Chaperoned by his guide Palomino Cañedo, he vulnerably experiences the ties between Eros and Thanatos, sex and death, happy to create their effects in cinema, troubled to suffer them in life.
Metrics
| Opening Weekend: | $9,823 (28.7% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 44.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,397 |
Movie Details
| Domestic Releases: | February 5th, 2016 (Limited) by Strand Releasing |
| International Releases: | January 7th, 2016 (Wide) (Brazil)
January 8th, 2016 (Wide) (Spain) January 21st, 2016 (Wide) (Mexico) February 12th, 2016 (Wide) (Poland) April 15th, 2016 (Wide), released as Eisenstein in Guanajuato (United Kingdom) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Geographical setting: | Hollywood, Mexico |
| Plot point: | LGBTQ+, Movie Director, Writing and Writers |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Submarine Entertainment, Fu Works, Paloma Negra Films |
| Production Countries: | Netherlands, Mexico, Finland, Belgium, France |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 54 | $9,823 | 4 | $2,456 | $9,823 | 1 | |
| Feb 12, 2016 | 82 | $1,627 | -83% | 2 | $814 | $17,763 | 2 |
| Feb 19, 2016 | 75 | $3,675 | +126% | 5 | $735 | $22,691 | 3 |
| Feb 26, 2016 | 86 | $323 | -91% | 2 | $162 | $24,797 | 4 |
| Mar 4, 2016 | 92 | $849 | +163% | 3 | $283 | $25,815 | 5 |
| Mar 25, 2016 | 80 | $2,668 | 1 | $2,668 | $30,855 | 8 | |
| Apr 1, 2016 | 102 | $358 | -87% | 2 | $179 | $32,965 | 9 |
| Apr 8, 2016 | 102 | $274 | -23% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 100 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 57 | $16,136 | 4 | $4,034 | $16,136 | 1 | |
| Feb 12, 2016 | 84 | $2,880 | -82% | 2 | $1,440 | $19,016 | 2 |
| Feb 19, 2016 | 81 | $5,458 | +90% | 5 | $1,092 | $24,474 | 3 |
| Feb 26, 2016 | 89 | $492 | -91% | 2 | $246 | $24,966 | 4 |
| Mar 4, 2016 | 96 | $1,421 | +189% | 3 | $474 | $26,387 | 5 |
| Mar 11, 2016 | 101 | $1,800 | +27% | 4 | $450 | $28,187 | 6 |
| Mar 25, 2016 | 88 | $4,420 | 1 | $4,420 | $32,607 | 8 | |
| Apr 1, 2016 | 98 | $1,291 | -71% | 2 | $646 | $33,898 | 9 |
| Apr 8, 2016 | 108 | $274 | -79% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 120 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 1/7/2016 | $0 | 0 | 3 | 11 | $6,520 | 6/9/2016 | |||
| Bulgaria | 7/8/2016 | $874 | 0 | 0 | 0 | $874 | 2/26/2019 | |||
| Mexico | 1/21/2016 | $4,456 | 0 | 2 | 2 | $12,395 | 9/8/2018 | |||
| Poland | 2/12/2016 | $958 | 25 | 25 | 25 | $958 | 12/31/2018 | |||
| Slovenia | 6/3/2016 | $392 | 2 | 2 | 4 | $5,135 | 6/15/2016 | |||
| Spain | 1/8/2016 | $4,997 | 6 | 6 | 15 | $13,037 | 6/9/2016 | |||
| United Kingdom | 4/15/2016 | $4,362 | 5 | 5 | 5 | $4,362 | 6/9/2016 | |||
| International Total | $43,281 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Elmer Back | Sergel Eisenstein |
Supporting
| Luis Alberti | Palomino Canedo | |
| Maya Zapata | Concepcion Canedo | |
| Lisa Owen | Mary Craig Sinclair | |
| Stelio Savante | Hunger Kimbrough | |
| Rasmus Slatis | Grisha Alexandrov | |
| Jakob Ohrman | Eduard Tisse |
Production and Technical Credits
| Peter Greenaway | Director | |
| Peter Greenaway | Screenwriter | |
| Bruno Felix | Producer | |
| Femke Wolting | Producer | |
| San Fu Maltha | Producer | |
| Cristina L Velasco | Producer | |
| Liisa Penttila Asikainen | Co-Producer | |
| Peter de Maegd | Co-Producer | |
| Guy van Baelen | Co-Producer | |
| Wilfried van Baelen | Co-Producer | |
| Reinier van Brummelen | Director of Photography | |
| Elmer Leupen | Editor | |
| Brenda Gomez | Costume Designer | |
| Ana Solares | Art Director | |
| Maripaz Robles | Make up | |
| Raul Locatelli | Sound Mixer | |
| Karin S De Boer | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.