Eisenstein In Guanajuato (2016)
| Theatrical Performance | ||
| Domestic Box Office | $34,282 | Details |
| International Box Office | $43,281 | |
| Worldwide Box Office | $77,563 | |
| Further financial details... | ||
Synopsis
In 1931, at the height of his artistic powers, Soviet filmmaker Sergei Eisenstein travels to Mexico to shoot a new film to be titled Que Viva Mexico. Freshly rejected by Hollywood and under increasing pressure to return to Stalinist Russia, Eisenstein arrives at the city of Guanajuato. Chaperoned by his guide Palomino Cañedo, he vulnerably experiences the ties between Eros and Thanatos, sex and death, happy to create their effects in cinema, troubled to suffer them in life.
Metrics
| Opening Weekend: | $9,823 (28.7% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 44.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,397 |
Movie Details
| Domestic Releases: | February 5th, 2016 (Limited) by Strand Releasing |
| International Releases: | January 7th, 2016 (Wide) (Brazil)
January 8th, 2016 (Wide) (Spain) January 21st, 2016 (Wide) (Mexico) February 12th, 2016 (Wide) (Poland) April 15th, 2016 (Wide), released as Eisenstein in Guanajuato (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Geographical setting: | Hollywood, Mexico |
| Plot point: | LGBTQ+, Movie Director, Writing and Writers |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Submarine Entertainment, Fu Works, Paloma Negra Films |
| Production Countries: | Netherlands, Mexico, Finland, Belgium, France |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 54 | $9,823 | 4 | $2,456 | $9,823 | 1 | |
| Feb 12, 2016 | 82 | $1,627 | -83% | 2 | $814 | $17,763 | 2 |
| Feb 19, 2016 | 75 | $3,675 | +126% | 5 | $735 | $22,691 | 3 |
| Feb 26, 2016 | 86 | $323 | -91% | 2 | $162 | $24,797 | 4 |
| Mar 4, 2016 | 92 | $849 | +163% | 3 | $283 | $25,815 | 5 |
| Mar 25, 2016 | 80 | $2,668 | 1 | $2,668 | $30,855 | 8 | |
| Apr 1, 2016 | 102 | $358 | -87% | 2 | $179 | $32,965 | 9 |
| Apr 8, 2016 | 102 | $274 | -23% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 100 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 57 | $16,136 | 4 | $4,034 | $16,136 | 1 | |
| Feb 12, 2016 | 84 | $2,880 | -82% | 2 | $1,440 | $19,016 | 2 |
| Feb 19, 2016 | 81 | $5,458 | +90% | 5 | $1,092 | $24,474 | 3 |
| Feb 26, 2016 | 89 | $492 | -91% | 2 | $246 | $24,966 | 4 |
| Mar 4, 2016 | 96 | $1,421 | +189% | 3 | $474 | $26,387 | 5 |
| Mar 11, 2016 | 101 | $1,800 | +27% | 4 | $450 | $28,187 | 6 |
| Mar 25, 2016 | 88 | $4,420 | 1 | $4,420 | $32,607 | 8 | |
| Apr 1, 2016 | 98 | $1,291 | -71% | 2 | $646 | $33,898 | 9 |
| Apr 8, 2016 | 108 | $274 | -79% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 120 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1931, at the height of his artistic powers, Soviet filmmaker Sergei Eisenstein travels to Mexico to shoot a new film to be titled Que Viva Mexico. Freshly rejected by Hollywood and under increasing pressure to return to Stalinist Russia, Eisenstein arrives at the city of Guanajuato. Chaperoned by his guide Palomino Cañedo, he vulnerably experiences the ties between Eros and Thanatos, sex and death, happy to create their effects in cinema, troubled to suffer them in life.
Metrics
| Opening Weekend: | $9,823 (28.7% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 44.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,397 |
Movie Details
| Domestic Releases: | February 5th, 2016 (Limited) by Strand Releasing |
| International Releases: | January 7th, 2016 (Wide) (Brazil)
January 8th, 2016 (Wide) (Spain) January 21st, 2016 (Wide) (Mexico) February 12th, 2016 (Wide) (Poland) April 15th, 2016 (Wide), released as Eisenstein in Guanajuato (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Geographical setting: | Hollywood, Mexico |
| Plot point: | LGBTQ+, Movie Director, Writing and Writers |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Submarine Entertainment, Fu Works, Paloma Negra Films |
| Production Countries: | Netherlands, Mexico, Finland, Belgium, France |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 54 | $9,823 | 4 | $2,456 | $9,823 | 1 | |
| Feb 12, 2016 | 82 | $1,627 | -83% | 2 | $814 | $17,763 | 2 |
| Feb 19, 2016 | 75 | $3,675 | +126% | 5 | $735 | $22,691 | 3 |
| Feb 26, 2016 | 86 | $323 | -91% | 2 | $162 | $24,797 | 4 |
| Mar 4, 2016 | 92 | $849 | +163% | 3 | $283 | $25,815 | 5 |
| Mar 25, 2016 | 80 | $2,668 | 1 | $2,668 | $30,855 | 8 | |
| Apr 1, 2016 | 102 | $358 | -87% | 2 | $179 | $32,965 | 9 |
| Apr 8, 2016 | 102 | $274 | -23% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 100 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 57 | $16,136 | 4 | $4,034 | $16,136 | 1 | |
| Feb 12, 2016 | 84 | $2,880 | -82% | 2 | $1,440 | $19,016 | 2 |
| Feb 19, 2016 | 81 | $5,458 | +90% | 5 | $1,092 | $24,474 | 3 |
| Feb 26, 2016 | 89 | $492 | -91% | 2 | $246 | $24,966 | 4 |
| Mar 4, 2016 | 96 | $1,421 | +189% | 3 | $474 | $26,387 | 5 |
| Mar 11, 2016 | 101 | $1,800 | +27% | 4 | $450 | $28,187 | 6 |
| Mar 25, 2016 | 88 | $4,420 | 1 | $4,420 | $32,607 | 8 | |
| Apr 1, 2016 | 98 | $1,291 | -71% | 2 | $646 | $33,898 | 9 |
| Apr 8, 2016 | 108 | $274 | -79% | 1 | $274 | $34,172 | 10 |
| Apr 15, 2016 | 120 | $110 | -60% | 1 | $110 | $34,282 | 11 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.