Elevation (2024)
| Theatrical Performance | ||
| Domestic Box Office | $2,321,801 | Details |
| International Box Office | $1,114,494 | Details |
| Worldwide Box Office | $3,436,295 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $93,034 | |
| Blu-ray Sales (estimated) | $47,216 | |
| Total | $140,250 | |
| OpusData ID: 701130100 More info... | ||
| Further financial details... | ||
Synopsis
Set in the post-apocalyptic Rocky Mountains, a single father and two women venture from the safety of their homes to face monstrous creatures to save the life of a young boy.
Metrics
| Opening Weekend: | $1,216,578 (52.4% of total gross) |
| Legs: | 1.91 (domestic box office/biggest weekend) |
| Domestic Share: | 67.6% (domestic box office/worldwide) |
| Theater counts: | 1,416 opening theaters/1,416 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,455,233 |
Movie Details
| Domestic Releases: | November 8th, 2024 (Wide) by Vertical Entertainment |
| International Releases: | November 7th, 2024 (Limited), released as Elevation (Хищные земли) (Russia (CIS))
November 7th, 2024 (Limited), released as Hranice přežití (Czech Republic) November 7th, 2024 (Limited), released as Hranica prežitia (Slovakia) November 8th, 2024 (Limited), released as La limita supraviețuirii (Romania) November 21st, 2024 (Limited), released as A Linha da Extinção (Brazil) ... Show all releases |
| Video Release: | November 26th, 2024 by Vertical Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2858 (cert #55023), 10/30/2024) |
| Running Time: | 90 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Colorado, United States |
| Plot point: | Rescue, Single Parent |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Vertical Entertainment, Lyrical Media, Grinder Monkey, John Glenn Entertainment, Story Ink |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 8, 2024 | 11 | $1,216,578 | 1,416 | $859 | $1,216,578 | 1 | |
| Nov 15, 2024 | - | $381,932 | -69% | 1,002 | $381 | $2,125,590 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 8, 2024 | 12 | $402,670 | 1,416 | $284 | $402,670 | 1 | ||
| Nov 9, 2024 | 11 | $475,455 | +18% | 1,416 | $336 | $878,125 | 2 | |
| Nov 10, 2024 | 11 | $338,453 | -29% | 1,416 | $239 | $1,216,578 | 3 | |
| Nov 11, 2024 | - | $191,918 | -43% | 1,416 | $136 | $1,408,496 | 4 | |
| Nov 12, 2024 | - | $160,745 | -16% | 1,416 | $114 | $1,569,241 | 5 | |
| Nov 13, 2024 | - | $105,854 | -34% | 1,416 | $75 | $1,675,095 | 6 | |
| Nov 14, 2024 | - | $68,563 | -35% | 1,416 | $48 | $1,743,658 | 7 | |
| Nov 15, 2024 | - | $89,944 | +31% | -78% | 1,002 | $90 | $1,833,602 | 8 |
| Nov 16, 2024 | - | $178,225 | +98% | -63% | 1,002 | $178 | $2,011,827 | 9 |
| Nov 17, 2024 | - | $113,763 | -36% | -66% | 1,002 | $114 | $2,125,590 | 10 |
| Nov 18, 2024 | 12 | $47,486 | -58% | -75% | 1,002 | $47 | $2,173,076 | 11 |
| Nov 19, 2024 | 12 | $69,527 | +46% | -57% | 1,002 | $69 | $2,242,603 | 12 |
| Nov 20, 2024 | 12 | $49,372 | -29% | -53% | 1,002 | $49 | $2,291,975 | 13 |
| Nov 21, 2024 | - | $29,826 | -40% | -56% | 1,002 | $30 | $2,321,801 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 8, 2024 | 10 | $1,743,658 | 1,416 | $1,231 | $1,743,658 | 1 | |
| Nov 15, 2024 | 12 | $578,143 | -67% | 1,002 | $577 | $2,321,801 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 11/7/2024 | $21,673 | 81 | 81 | 81 | $21,673 | 11/12/2024 | |||
| Mexico | 11/28/2024 | $88,608 | 0 | 0 | 0 | $103,376 | 12/5/2024 | |||
| Netherlands | 11/28/2024 | $58,874 | 50 | 50 | 127 | $171,522 | 12/16/2024 | |||
| Portugal | 11/21/2024 | $20,302 | 39 | 39 | 65 | $33,807 | 12/17/2024 | |||
| Romania | 11/8/2024 | $23,586 | 71 | 71 | 143 | $43,510 | 12/4/2024 | |||
| Russia (CIS) | 11/7/2024 | $386,948 | 719 | 719 | 1,367 | $612,163 | 11/20/2024 | |||
| Slovakia | 11/7/2024 | $12,632 | 54 | 54 | 72 | $18,752 | 11/20/2024 | |||
| Spain | 3/6/2026 | $62,094 | 119 | 119 | 202 | $109,691 | 4/4/2026 | |||
| International Total | $1,114,494 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Mackie | Will | |
| Morena Baccarin | Nina |
Supporting
| Maddie Hasson | Katie | |
| Shauna Earp | Hannah | |
| Danny Boyd Jr. | Hunter | |
| Rachel Nicks | Tara | |
| Tyler Grey | Tim |
Production and Technical Credits
| George Nolfi | Director | |
| John Glenn | Screenwriter | |
| Jacob Roman | Screenwriter | |
| Kenny Ryan | Screenwriter | |
| Brad Fuller | Producer | |
| John Glenn | Producer | |
| George Nolfi | Producer | |
| Joel Viertel | Producer | |
| Jeremy Kipp Walker | Producer | |
| Alex Black | Producer | |
| Anthony Mackie | Producer | |
| Natalie Sellers | Producer | |
| Shelly Johnson | Director of Photography | |
| Bill Boes | Production Designer | |
| Aieisha Li | Costume Designer | |
| H. Scott Salinas | Composer | |
| Rupert Hollier | Music Supervisor | |
| Nathan McGuinness | Visual Effects Supervisor | |
| Kim Coleman | Casting Director | |
| Sally Sanghee Bae | Art Director | |
| Kevin C. Lang | Art Director | |
| Scott Upshur | Art Director | |
| Nate Dalhkemper | Set Designer | |
| Heiko von Drengenberg | Story Artist | |
| Bridget Shaw | Story Artist | |
| Joanne Baker | Set Decorator | |
| Sean Britts | Set Decorator | |
| Blair Miller | Script Supervisor | |
| Betsy Pearce | Script Supervisor | |
| Georgetta Brown | Script Supervisor | |
| Mike Filosa | Sound Mixer | |
| Miranda Carnessale | Location Manager | |
| Tiffany Barnes | Location Manager | |
| Joulles Wright | Costume Supervisor | |
| Terri De Haan | Costume Supervisor | |
| Leo Won | Make up | |
| Karri Farris | Make up | |
| Marianne Skiba | Make up | |
| Stephanie Arble | Make up | |
| Michealle Vanderpool | Hairstylist | |
| Antonio McGill | Hairstylist | |
| Chuck Jean | Post-Production Supervisor | |
| Chris Lundy | Assistant Editor | |
| D. Chris Smith | Supervising Sound Editor | |
| Tim Farrell | Sound Designer | |
| Erick Ocampo | Sound Designer | |
| Will Riley | Dialogue/ADR Editor | |
| Anna Behlmer | Re-recording Mixer | |
| Andy Hay | Re-recording Mixer | |
| Beso Kacharava | Foley Supervisor | |
| Tina Babakishvili | Foley Supervisor | |
| Alexander Sanikidze | Foley Editor | |
| Luka Kasrelishvili | Foley Editor | |
| Giorgi Lekishvili | Foley Mixer | |
| H. Scott Salinas | Score Producer | |
| Nick Soole | Additional Music | |
| Mike Forst | Additional Music | |
| Tomas Videla | Additional Music | |
| Neusha Taherian | Additional Music | |
| Jakob Freudendahl | Additional Music | |
| Jarryd Elias | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in the post-apocalyptic Rocky Mountains, a single father and two women venture from the safety of their homes to face monstrous creatures to save the life of a young boy.
Metrics
| Opening Weekend: | $1,216,578 (52.4% of total gross) |
| Legs: | 1.91 (domestic box office/biggest weekend) |
| Domestic Share: | 67.6% (domestic box office/worldwide) |
| Theater counts: | 1,416 opening theaters/1,416 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,455,233 |
Movie Details
| Domestic Releases: | November 8th, 2024 (Wide) by Vertical Entertainment |
| International Releases: | November 7th, 2024 (Limited), released as Elevation (Хищные земли) (Russia (CIS))
November 7th, 2024 (Limited), released as Hranice přežití (Czech Republic) November 7th, 2024 (Limited), released as Hranica prežitia (Slovakia) November 8th, 2024 (Limited), released as La limita supraviețuirii (Romania) November 21st, 2024 (Limited), released as A Linha da Extinção (Brazil) ... Show all releases |
| Video Release: | November 26th, 2024 by Vertical Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2858 (cert #55023), 10/30/2024) |
| Running Time: | 90 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Colorado, United States |
| Plot point: | Rescue, Single Parent |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Vertical Entertainment, Lyrical Media, Grinder Monkey, John Glenn Entertainment, Story Ink |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 8, 2024 | 11 | $1,216,578 | 1,416 | $859 | $1,216,578 | 1 | |
| Nov 15, 2024 | - | $381,932 | -69% | 1,002 | $381 | $2,125,590 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 8, 2024 | 12 | $402,670 | 1,416 | $284 | $402,670 | 1 | ||
| Nov 9, 2024 | 11 | $475,455 | +18% | 1,416 | $336 | $878,125 | 2 | |
| Nov 10, 2024 | 11 | $338,453 | -29% | 1,416 | $239 | $1,216,578 | 3 | |
| Nov 11, 2024 | - | $191,918 | -43% | 1,416 | $136 | $1,408,496 | 4 | |
| Nov 12, 2024 | - | $160,745 | -16% | 1,416 | $114 | $1,569,241 | 5 | |
| Nov 13, 2024 | - | $105,854 | -34% | 1,416 | $75 | $1,675,095 | 6 | |
| Nov 14, 2024 | - | $68,563 | -35% | 1,416 | $48 | $1,743,658 | 7 | |
| Nov 15, 2024 | - | $89,944 | +31% | -78% | 1,002 | $90 | $1,833,602 | 8 |
| Nov 16, 2024 | - | $178,225 | +98% | -63% | 1,002 | $178 | $2,011,827 | 9 |
| Nov 17, 2024 | - | $113,763 | -36% | -66% | 1,002 | $114 | $2,125,590 | 10 |
| Nov 18, 2024 | 12 | $47,486 | -58% | -75% | 1,002 | $47 | $2,173,076 | 11 |
| Nov 19, 2024 | 12 | $69,527 | +46% | -57% | 1,002 | $69 | $2,242,603 | 12 |
| Nov 20, 2024 | 12 | $49,372 | -29% | -53% | 1,002 | $49 | $2,291,975 | 13 |
| Nov 21, 2024 | - | $29,826 | -40% | -56% | 1,002 | $30 | $2,321,801 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 8, 2024 | 10 | $1,743,658 | 1,416 | $1,231 | $1,743,658 | 1 | |
| Nov 15, 2024 | 12 | $578,143 | -67% | 1,002 | $577 | $2,321,801 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 11/7/2024 | $21,673 | 81 | 81 | 81 | $21,673 | 11/12/2024 | |||
| Mexico | 11/28/2024 | $88,608 | 0 | 0 | 0 | $103,376 | 12/5/2024 | |||
| Netherlands | 11/28/2024 | $58,874 | 50 | 50 | 127 | $171,522 | 12/16/2024 | |||
| Portugal | 11/21/2024 | $20,302 | 39 | 39 | 65 | $33,807 | 12/17/2024 | |||
| Romania | 11/8/2024 | $23,586 | 71 | 71 | 143 | $43,510 | 12/4/2024 | |||
| Russia (CIS) | 11/7/2024 | $386,948 | 719 | 719 | 1,367 | $612,163 | 11/20/2024 | |||
| Slovakia | 11/7/2024 | $12,632 | 54 | 54 | 72 | $18,752 | 11/20/2024 | |||
| Spain | 3/6/2026 | $62,094 | 119 | 119 | 202 | $109,691 | 4/4/2026 | |||
| International Total | $1,114,494 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Mackie | Will | |
| Morena Baccarin | Nina |
Supporting
| Maddie Hasson | Katie | |
| Shauna Earp | Hannah | |
| Danny Boyd Jr. | Hunter | |
| Rachel Nicks | Tara | |
| Tyler Grey | Tim |
Production and Technical Credits
| George Nolfi | Director | |
| John Glenn | Screenwriter | |
| Jacob Roman | Screenwriter | |
| Kenny Ryan | Screenwriter | |
| Brad Fuller | Producer | |
| John Glenn | Producer | |
| George Nolfi | Producer | |
| Joel Viertel | Producer | |
| Jeremy Kipp Walker | Producer | |
| Alex Black | Producer | |
| Anthony Mackie | Producer | |
| Natalie Sellers | Producer | |
| Shelly Johnson | Director of Photography | |
| Bill Boes | Production Designer | |
| Aieisha Li | Costume Designer | |
| H. Scott Salinas | Composer | |
| Rupert Hollier | Music Supervisor | |
| Nathan McGuinness | Visual Effects Supervisor | |
| Kim Coleman | Casting Director | |
| Sally Sanghee Bae | Art Director | |
| Kevin C. Lang | Art Director | |
| Scott Upshur | Art Director | |
| Nate Dalhkemper | Set Designer | |
| Heiko von Drengenberg | Story Artist | |
| Bridget Shaw | Story Artist | |
| Joanne Baker | Set Decorator | |
| Sean Britts | Set Decorator | |
| Blair Miller | Script Supervisor | |
| Betsy Pearce | Script Supervisor | |
| Georgetta Brown | Script Supervisor | |
| Mike Filosa | Sound Mixer | |
| Miranda Carnessale | Location Manager | |
| Tiffany Barnes | Location Manager | |
| Joulles Wright | Costume Supervisor | |
| Terri De Haan | Costume Supervisor | |
| Leo Won | Make up | |
| Karri Farris | Make up | |
| Marianne Skiba | Make up | |
| Stephanie Arble | Make up | |
| Michealle Vanderpool | Hairstylist | |
| Antonio McGill | Hairstylist | |
| Chuck Jean | Post-Production Supervisor | |
| Chris Lundy | Assistant Editor | |
| D. Chris Smith | Supervising Sound Editor | |
| Tim Farrell | Sound Designer | |
| Erick Ocampo | Sound Designer | |
| Will Riley | Dialogue/ADR Editor | |
| Anna Behlmer | Re-recording Mixer | |
| Andy Hay | Re-recording Mixer | |
| Beso Kacharava | Foley Supervisor | |
| Tina Babakishvili | Foley Supervisor | |
| Alexander Sanikidze | Foley Editor | |
| Luka Kasrelishvili | Foley Editor | |
| Giorgi Lekishvili | Foley Mixer | |
| H. Scott Salinas | Score Producer | |
| Nick Soole | Additional Music | |
| Mike Forst | Additional Music | |
| Tomas Videla | Additional Music | |
| Neusha Taherian | Additional Music | |
| Jakob Freudendahl | Additional Music | |
| Jarryd Elias | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.